The Girl from Monterrey (1943)

58-60 mins | Comedy-drama | 4 October 1943

Director:

Wallace Fox

Writer:

Arthur Hoerl

Producer:

Jack Schwarz

Cinematographer:

Marcel LePicard

Editor:

Robert Crandall

Production Designer:

Frank Sylos

Production Company:

PRC Pictures, Inc.
Full page view
HISTORY

Although actor Anthony Caruso's name appears as "Athony" in the end credits, his name appears as "Anthony" in the opening credits. ...

More Less

Although actor Anthony Caruso's name appears as "Athony" in the end credits, his name appears as "Anthony" in the opening credits.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
9 Oct 1943
---
Daily Variety
17 Sep 1943
pp. 3, 10
Film Daily
27 Sep 1943
p. 4
Hollywood Reporter
30 Jul 1943
p. 20
Hollywood Reporter
17 Sep 1943
p. 4
Motion Picture Herald
25 Sep 1943
---
Motion Picture Herald Product Digest
28 Aug 1943
p. 1509
Motion Picture Herald Product Digest
25 Sep 1943
p. 1554
Variety
5 Jan 1944
p. 26
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
Wallace Fox
Dir
PRODUCERS
Assoc prod
WRITERS
Orig story
Orig story
PHOTOGRAPHY
Marcel LePicard
Dir of photog
ART DIRECTOR
Frank Sylos
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Harry Rief
Set dresser
Master of props
MUSIC
Mus dir
Mus supv
SOUND
Sd eng
PRODUCTION MISC
Prod mgr
SOURCES
SONGS
"Jive Brother Jive," "Last Night's All Over" and "Girl from Monterrey," music and lyrics by Louis Herscher.
SONGWRITER/COMPOSER
DETAILS
Release Date:
4 October 1943
Production Date:
late Jul 1943
Copyright Info
Claimant
Date
Copyright Number
PRC Pictures, Inc.
19 October 1943
LP12330
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
58-60
Length(in feet):
5,337
Country:
United States
PCA No:
9543
SYNOPSIS

In Mexico, dancer/singer Lita Valdez is fired from the cantina where she performs after she refuses to entertain a male customer at his table. When her younger brother Alberto, whom Lita calls "Baby," arrives to tell her that he has quit college in the United States to become a professional fighter, Lita insists that he knock down her boss. Instead, Baby accidentally knocks out a customer, who happens to be a boxer. Fight promoter Doc Hogan is impressed with Baby's punch, and offers to represent him in New York City. There Lita is managing her brother's affairs while he is training when Hogan's other fighter, Jerry O'Leary, runs into her and the two are immediately attracted to each other. Baby then wins his first fight, and Lita watches all the fights to see the two men in her life, Baby and Jerry. One night at Perrone's nightclub, Baby meets Flossie Rankin, a singer, and falls in love. Jerry's manager, Al Johnson, arranges for Lita to sing with Flossie's band as a joke, but when she is a surprise hit with the audience, Perrone hires her and headlines her with Flossie. Baby, meanwhile, fights his way to the top of his rank, and despite Lita's protests, the boxing commission insists on matching Baby and Jerry in a fight. Al, hoping to make a bundle on a bet, spreads gossip that Baby is going to be the favorite, but plots with Flossie to interfere with Baby's training so that he loses the fight. One night after Baby comes home drunk, Lita confronts Flossie at her apartment. The women get into a furious fight, and Lita forces Flossie to ...

More Less

In Mexico, dancer/singer Lita Valdez is fired from the cantina where she performs after she refuses to entertain a male customer at his table. When her younger brother Alberto, whom Lita calls "Baby," arrives to tell her that he has quit college in the United States to become a professional fighter, Lita insists that he knock down her boss. Instead, Baby accidentally knocks out a customer, who happens to be a boxer. Fight promoter Doc Hogan is impressed with Baby's punch, and offers to represent him in New York City. There Lita is managing her brother's affairs while he is training when Hogan's other fighter, Jerry O'Leary, runs into her and the two are immediately attracted to each other. Baby then wins his first fight, and Lita watches all the fights to see the two men in her life, Baby and Jerry. One night at Perrone's nightclub, Baby meets Flossie Rankin, a singer, and falls in love. Jerry's manager, Al Johnson, arranges for Lita to sing with Flossie's band as a joke, but when she is a surprise hit with the audience, Perrone hires her and headlines her with Flossie. Baby, meanwhile, fights his way to the top of his rank, and despite Lita's protests, the boxing commission insists on matching Baby and Jerry in a fight. Al, hoping to make a bundle on a bet, spreads gossip that Baby is going to be the favorite, but plots with Flossie to interfere with Baby's training so that he loses the fight. One night after Baby comes home drunk, Lita confronts Flossie at her apartment. The women get into a furious fight, and Lita forces Flossie to admit her scheme to Baby. Baby absolves Flossie but rejects Lita because of her continual interference. Lita then refuses to see Jerry because she believes he was in on the set-up. Although Flossie seems to be playing along with Al, she has genuinely fallen in love with Baby and helps him train because he hopes that Jerry will return to studying medicine if he loses. Although the fight is difficult, Baby wins and Al loses his bet. Estranged from both men in her life, Lita continues performing at Perrone's. After several months, Flossie comes to see her at the nightclub and assures Lita that Jerry was never involved in the set-up. A delighted Lita then reunites with both Jerry and Baby, who have enlisted in the U.S. Army and Mexican Army, respectively, and are waiting for her in the club.

Less

GENRE
Genre:
Sub-genre:
Boxing, with songs


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.