There Goes My Girl (1937)

74-75 mins | Romantic comedy | 21 May 1937

Director:

Ben Holmes

Producer:

William Sistrom

Cinematographer:

Joseph H. August

Production Designer:

Van Nest Polglase

Production Company:

RKO Radio Pictures, Inc.
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HISTORY

Two reviews of this film state that the screenplay was based on a story by George Beck titled "Women Are Poison," which also was the working title of the picture. A HR production news item states that John Grey was "assigned the screenplay" of this film. The exact nature of Gray's participation, if any, is not known. According to a pre-production HR news item, Ben Holmes replaced Edward Killy as director, and Gertrude Michael and Lucille Ball were to appear in this production. Neither of these actresses appeared in the final film. A HR production news item includes Margaret Morris and Billy Wayne in the cast, and MPH's "The Cutting Room" adds Tom Kennedy to the cast, but their participation in the final film has not been confirmed. ...

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Two reviews of this film state that the screenplay was based on a story by George Beck titled "Women Are Poison," which also was the working title of the picture. A HR production news item states that John Grey was "assigned the screenplay" of this film. The exact nature of Gray's participation, if any, is not known. According to a pre-production HR news item, Ben Holmes replaced Edward Killy as director, and Gertrude Michael and Lucille Ball were to appear in this production. Neither of these actresses appeared in the final film. A HR production news item includes Margaret Morris and Billy Wayne in the cast, and MPH's "The Cutting Room" adds Tom Kennedy to the cast, but their participation in the final film has not been confirmed.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
24 May 1937
p. 3
Film Daily
28 May 1937
pp. 9-10
Film Daily
29 May 1937
p. 4
Hollywood Reporter
16 Feb 1937
p. 4
Hollywood Reporter
27 Feb 1937
p. 2
Hollywood Reporter
10 Mar 1937
p. 1
Hollywood Reporter
19 Mar 1937
p. 7
Hollywood Reporter
29 Mar 1937
p. 7
Hollywood Reporter
19 Apr 1937
p. 6
Hollywood Reporter
22 Apr 1937
p. 21
Hollywood Reporter
24 May 1937
p. 3
Motion Picture Daily
24 May 1937
p. 5
Motion Picture Herald
17 Apr 1937
p. 41
Motion Picture Herald
5 Jun 1937
pp. 44-45
New York Times
12 Jun 1937
p. 8
Variety
16 Jun 1937
p. 13
DETAILS
Alternate Title:
Women Are Poison
Release Date:
21 May 1937
Production Date:
3 Mar--late Apr 1937
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
21 May 1937
LP7210
Physical Properties:
Sound
RCA Victor System
Black and White
Duration(in mins):
74-75
Length(in reels):
8
Country:
United States
PCA No:
3239
SYNOPSIS

Although ace reporter Connie Taylor has quit her newspaper job in order to marry rival reporter Jerry Martin, she is unable to resist covering a shooting that has been staged by her hard-nosed editor, Tim J. Whalen, and chases after the "killer" in her wedding gown. Disgusted by his fiancée's addiction to the "good story," Jerry breaks their engagement and leaves town. When Connie later discovers Whalen's subterfuge, she denounces him and tries without success to reconcile with Jerry. Determined to salvage her love life, Connie resists Whalen's pleas to cover a high society murder case in Bridgeport until she hears that Jerry has been sent there by his newspaper. Backed by Whalen's unlimited expense account, which she plans to use to finance her honeymoon, Connie accepts the assignment and goes to Bridgeport. Outside of the Bridgeport jail, she bumps into a still angry Jerry, who has just interviewed Dan Curtis, the prime suspect in the murder case. Connie then tracks Jerry to a nightclub, where Dan's girl friend, Margot Whitney, works as a dancer. After the club's owner, Joe Rethburn, forcibly prevents Jerry from talking with Margot, Jerry arranges for the dancer to slip him a note from her hotel room. Just as Jerry receives Margot's tip to watch Grace Andrews, the murder victim's widow, Connie observes the woman enter the nightclub in an agitated state and follows her to Rethburn's office. There Grace argues with Rethburn about money and reveals not only their adultery but their mutual participation in her husband's death as well. Connie follows Grace to her apartment and arrives in time to see Rethburn's head waiter shoot the ...

More Less

Although ace reporter Connie Taylor has quit her newspaper job in order to marry rival reporter Jerry Martin, she is unable to resist covering a shooting that has been staged by her hard-nosed editor, Tim J. Whalen, and chases after the "killer" in her wedding gown. Disgusted by his fiancée's addiction to the "good story," Jerry breaks their engagement and leaves town. When Connie later discovers Whalen's subterfuge, she denounces him and tries without success to reconcile with Jerry. Determined to salvage her love life, Connie resists Whalen's pleas to cover a high society murder case in Bridgeport until she hears that Jerry has been sent there by his newspaper. Backed by Whalen's unlimited expense account, which she plans to use to finance her honeymoon, Connie accepts the assignment and goes to Bridgeport. Outside of the Bridgeport jail, she bumps into a still angry Jerry, who has just interviewed Dan Curtis, the prime suspect in the murder case. Connie then tracks Jerry to a nightclub, where Dan's girl friend, Margot Whitney, works as a dancer. After the club's owner, Joe Rethburn, forcibly prevents Jerry from talking with Margot, Jerry arranges for the dancer to slip him a note from her hotel room. Just as Jerry receives Margot's tip to watch Grace Andrews, the murder victim's widow, Connie observes the woman enter the nightclub in an agitated state and follows her to Rethburn's office. There Grace argues with Rethburn about money and reveals not only their adultery but their mutual participation in her husband's death as well. Connie follows Grace to her apartment and arrives in time to see Rethburn's head waiter shoot the widow and to hear her dying damnation of Rethburn. Before Connie can contact the police, the waiter fires at her and wounds her in the shoulder. Eventually Jerry arrives on the scene and is striken by the sight of the injured Connie, who has since identified the killers to the police. After the couple reunites, Jerry helps Connie write her story and delivers the column to Whalen. The next morning, Connie and Jerry are both stunned to see the story printed in Jerry's newspaper with his by-line above it, but soon deduce that the ever-conniving Whalen has made a final unsuccessful attempt to prevent his ace reporter from marrying.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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