You Can't Cheat an Honest Man (1939)

76 or 79 mins | Comedy | 17 February 1939

Full page view
HISTORY

Charles Bogle was a pseudonym for W. C. Fields. Charlie McCarthy was ventriloquist Edgar Bergen's dummy. Bergen's dummy Mortimer Snerd also appeared in this film. News items in HR note that Edward Sedgwick was added as second unit director to rush the completion of the film for a Feb release. Sedgwick left after five days and was replaced by Eddie Cline. Modern sources add that a drunken Fields insisted upon playing a death scene with his wife in the picture, although his character had no wife. When the studio refused, Fields walked off the set and his double was used for the remainder of the shots. ...

More Less

Charles Bogle was a pseudonym for W. C. Fields. Charlie McCarthy was ventriloquist Edgar Bergen's dummy. Bergen's dummy Mortimer Snerd also appeared in this film. News items in HR note that Edward Sedgwick was added as second unit director to rush the completion of the film for a Feb release. Sedgwick left after five days and was replaced by Eddie Cline. Modern sources add that a drunken Fields insisted upon playing a death scene with his wife in the picture, although his character had no wife. When the studio refused, Fields walked off the set and his double was used for the remainder of the shots.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
15 Feb 1939
p. 3
Film Daily
20 Feb 1939
p. 9
Hollywood Reporter
26 Nov 1938
pp. 6-7
Hollywood Reporter
6 Jan 1939
p. 1
Hollywood Reporter
11 Jan 1939
p. 1
Hollywood Reporter
15 Feb 1939
p. 3
Motion Picture Daily
20 Feb 1939
p. 5
Motion Picture Herald
11 Feb 1939
p. 30
Motion Picture Herald
18 Feb 1939
p. 42
New York Times
20 Feb 1939
p. 13
Variety
22 Feb 1939
p. 12
CAST
NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
2d unit dir
2d unit dir
Asst dir
PRODUCER
WRITERS
Charles Bogle
Story
Contr to scr const and spec seq
Cont to scr const and spec seq
Contr to scr const
Contr to scr const
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Art dir assoc
FILM EDITOR
Film ed
SET DECORATOR
R. A. Gausman
Set dec
COSTUMES
Gowns
MUSIC
Mus dir
SOUND
DETAILS
Release Date:
17 February 1939
Production Date:
began late Nov 1938
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Co.
24 February 1939
LP8671
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
76 or 79
Length(in reels):
8
Country:
United States
Language:
English
PCA No:
5101
SYNOPSIS

Circus owner Larson E. Whipsnade, a shoe-string P. T. Barnum, is pursued by a barrage of sheriffs bearing summonses. One day, Whipsnade's daughter Victoria visits from college and meets ventriloguist Edgar Bergen and his dummy, Charlie McCarthy. While aloft in a hot air balloon, Vickie and Edgar fall in love, but when Vickie learns of her father's dire financial circumstances, she agrees to marry wealthy socialite Roger Bel-Goodie, although she does not love him. As Vickie drives off to wed Roger, Whipsnade cuts the anchor rope to Edgar and Charlie's balloon, sending them aloft. Desperate, the pair parachute to the ground, land in Vickie's speeding car and are all arrested by the police. As the wedding party awaits the tardy bride, Whipsnade arrives in a horse drawn chariot and proceeds to infuriate the snobbish Bel-Goodies with his boorish behavior. After being released on bail, Vickie rushes to the Bel-Goodie mansion to find her prospective in-laws locked in a battle of insults with her father. When the sheriff appears to serve Whipsnade with yet another summons, Vickie, her brother Phineas and father leap into the chariot and speed away, passing a bicycling Edgar. As Vickie shouts to Edgar that she is free to marry him, he peddles his bicycle in pursuit of the ...

More Less

Circus owner Larson E. Whipsnade, a shoe-string P. T. Barnum, is pursued by a barrage of sheriffs bearing summonses. One day, Whipsnade's daughter Victoria visits from college and meets ventriloguist Edgar Bergen and his dummy, Charlie McCarthy. While aloft in a hot air balloon, Vickie and Edgar fall in love, but when Vickie learns of her father's dire financial circumstances, she agrees to marry wealthy socialite Roger Bel-Goodie, although she does not love him. As Vickie drives off to wed Roger, Whipsnade cuts the anchor rope to Edgar and Charlie's balloon, sending them aloft. Desperate, the pair parachute to the ground, land in Vickie's speeding car and are all arrested by the police. As the wedding party awaits the tardy bride, Whipsnade arrives in a horse drawn chariot and proceeds to infuriate the snobbish Bel-Goodies with his boorish behavior. After being released on bail, Vickie rushes to the Bel-Goodie mansion to find her prospective in-laws locked in a battle of insults with her father. When the sheriff appears to serve Whipsnade with yet another summons, Vickie, her brother Phineas and father leap into the chariot and speed away, passing a bicycling Edgar. As Vickie shouts to Edgar that she is free to marry him, he peddles his bicycle in pursuit of the chariot.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

Arabian Nights

Arabian Nights opens and closes with a framing story featuring an elderly guardian relating the story of two rival brothers, Haroum-al-Raschid and Kamar al Zaman, to six ... >>

Star Wars

The film’s title card is preceded by the statement: “A long time ago in a galaxy far, far away....” Afterward, a prologue reads: “It is a period of ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.