My Little Chickadee (1940)

83 mins | Comedy | 9 February 1940

Director:

Edward F. Cline

Producer:

Lester Cowan

Cinematographer:

Joseph Valentine

Editor:

Edward Curtiss

Production Designer:

Jack Otterson

Production Company:

Universal Pictures Co.
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HISTORY

According to materials contained in the MPAA/PCA Files at the AMPAS Library, W. C. Fields resisted Joseph I. Breen's directive to excise the line "I know what I'll do, I'll go to India and become a missionary. I hear there's good money in it, too." In the end, Breen won. This was the only film in which Fields and Mae West co-starred. In interviews included in modern sources, West claimed that she had a clause in her contract stating that if Fields came on the set drunk, he was to be removed. She also contended that Fields' contribution to the screenplay amounted to only ten percent. Modern sources add the following to the cast: Jeff Conlon, John Kelly, Walter McGrail, Otto Hoffman, Billy Benedict , Delmar Watson, Chester Gan, George Melford, Lita Chevret, Bud Harris, Bob McKenzie, James Morton , Joe Whitehead, Slim Gant, Lloyd Ingraham, George Billings, Ben Hall, Charles McMurphy, Dick Rush, Hank Bell, Buster Slaven, Danny Jackson, Lane Chandler, Charles Hart, Jack Roper, Alan Bridge, Eddie Hearn and Mark Anthony. ...

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According to materials contained in the MPAA/PCA Files at the AMPAS Library, W. C. Fields resisted Joseph I. Breen's directive to excise the line "I know what I'll do, I'll go to India and become a missionary. I hear there's good money in it, too." In the end, Breen won. This was the only film in which Fields and Mae West co-starred. In interviews included in modern sources, West claimed that she had a clause in her contract stating that if Fields came on the set drunk, he was to be removed. She also contended that Fields' contribution to the screenplay amounted to only ten percent. Modern sources add the following to the cast: Jeff Conlon, John Kelly, Walter McGrail, Otto Hoffman, Billy Benedict , Delmar Watson, Chester Gan, George Melford, Lita Chevret, Bud Harris, Bob McKenzie, James Morton , Joe Whitehead, Slim Gant, Lloyd Ingraham, George Billings, Ben Hall, Charles McMurphy, Dick Rush, Hank Bell, Buster Slaven, Danny Jackson, Lane Chandler, Charles Hart, Jack Roper, Alan Bridge, Eddie Hearn and Mark Anthony.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
7 Feb 1940
p. 3
Film Daily
13 Feb 1940
p. 4
Hollywood Reporter
25 Nov 1939
pp. 6-7
Hollywood Reporter
7 Feb 1940
p. 3
Motion Picture Daily
13 Feb 1940
p. 2
Motion Picture Herald
20 Jan 1940
p. 51
Motion Picture Herald
10 Feb 1940
p. 38
New York Times
16 Mar 1940
p. 8
Variety
14 Feb 1940
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Joseph McDonough
Asst dir
PRODUCER
WRITERS
Orig scr, Orig scr
Orig scr, Orig scr
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Art dir assoc
FILM EDITOR
Film ed
SET DECORATOR
R. A. Gausman
Set dec
COSTUMES
Gowns
MUSIC
Mus dir
Mus score
SOUND
Joseph Lapis
Sd tech
SOURCES
SONGS
"Willie of the Valley," words and music by Milton Drake and Ben Oakland.
SONGWRITER/COMPOSER
DETAILS
Release Date:
9 February 1940
Production Date:
began early Nov 1939
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Co.
13 February 1940
LP9425
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
83
Length(in feet):
9,700
Length(in reels):
10
Country:
United States
PCA No:
6029
SYNOPSIS

Driven from town because of her romance with a masked bandit, Flower Belle Lee is sentenced to become respectable and married before she sets foot in another law abiding city. While aboard a train headed for the next town, Flower meets the bibulous Cuthbert J. Twillie, and spying his bagload of money, decides that it is time to serve her sentence. Flower recruits her friend Amos Budge, a gambler blessed with the countenance of a priest, to impersonate a minister, and by the time the train arrives in Greasewood, the next stop, Flower has become Mrs. Twillie. In the lawless Greasewood, Flower attracts the attentions of Jeff Badger, the corrupt town boss, and Wayne Carter, the crusading newspaper reporter, who is determined to bring law to the territory. Badger wastes no time in appointing Twillie sheriff, a job guaranteed to make Flower a widow in no time. When Miss Foster, the schoolteacher, falls ill, Flower, who has a knack for figures, instructs the class. Meanwhile, to gain entry to his wife's boudoir, Twillie masquerades as the masked bandit and is arrested as the outlaw. Knowing that Twillie is innocent, Flower goes to Badger for help, and as they embrace, his kiss betrays him as the bandit. As the lynch mob places the noose on Twillie's neck, Flower appears to shoot down the rope and return the stolen loot. After it is revealed that their marriage was a ruse, Twillie returns east and Flower is fair game once ...

More Less

Driven from town because of her romance with a masked bandit, Flower Belle Lee is sentenced to become respectable and married before she sets foot in another law abiding city. While aboard a train headed for the next town, Flower meets the bibulous Cuthbert J. Twillie, and spying his bagload of money, decides that it is time to serve her sentence. Flower recruits her friend Amos Budge, a gambler blessed with the countenance of a priest, to impersonate a minister, and by the time the train arrives in Greasewood, the next stop, Flower has become Mrs. Twillie. In the lawless Greasewood, Flower attracts the attentions of Jeff Badger, the corrupt town boss, and Wayne Carter, the crusading newspaper reporter, who is determined to bring law to the territory. Badger wastes no time in appointing Twillie sheriff, a job guaranteed to make Flower a widow in no time. When Miss Foster, the schoolteacher, falls ill, Flower, who has a knack for figures, instructs the class. Meanwhile, to gain entry to his wife's boudoir, Twillie masquerades as the masked bandit and is arrested as the outlaw. Knowing that Twillie is innocent, Flower goes to Badger for help, and as they embrace, his kiss betrays him as the bandit. As the lynch mob places the noose on Twillie's neck, Flower appears to shoot down the rope and return the stolen loot. After it is revealed that their marriage was a ruse, Twillie returns east and Flower is fair game once again.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.