Streets of New York (1939)

73 mins | Drama | 15 April 1939

Director:

William Nigh

Cinematographer:

Harry Neumann

Production Designer:

E. R. Hickson

Production Company:

Monogram Pictures Corp.
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HISTORY

According to a news item in HR, William Nigh took over the direction of this picture from Jack Mintz when Mintz became ill with the flu. The change in directors caused the film to finish two days behind schedule. ...

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According to a news item in HR, William Nigh took over the direction of this picture from Jack Mintz when Mintz became ill with the flu. The change in directors caused the film to finish two days behind schedule.

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PERSONAL & COMPANY INDEX CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
5 Apr 1939
p. 3
Film Daily
10 Apr 1939
p. 6
Hollywood Reporter
21 Feb 1939
p. 3
Hollywood Reporter
25 Feb 1939
pp. 6-7
Hollywood Reporter
6 Mar 1939
p. 9
Hollywood Reporter
5 Apr 1939
p. 3
Hollywood Reporter
12 Apr 1939
p. 13
Motion Picture Daily
11 Apr 1939
p. 4
Motion Picture Herald
18 Mar 1939
p. 59
Motion Picture Herald
8 Apr 1939
p. 64
New York Times
1 May 1939
p. 21
Variety
19 Apr 1939
p. 22
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Scott R. Dunlap in charge of prod
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Assoc prod
WRITER
Robert D. Andrews
Story and scr
PHOTOGRAPHY
Photog
ART DIRECTOR
E. R. Hickson
Art dir
FILM EDITOR
COSTUMES
MUSIC
Edward Kay
Mus dir
SOUND
PRODUCTION MISC
DETAILS
Release Date:
15 April 1939
Premiere Information:
New York premiere: 12 Apr 1939
Production Date:
mid Feb--6 Mar 1939
Copyright Info
Claimant
Date
Copyright Number
Monogram Pictures Corp.
28 March 1939
LP 8793
Physical Properties:
Sound
Black and White
Duration(in mins):
73
Length(in reels):
8
Country:
United States
PCA No:
5237
SYNOPSIS

Jimmy Keenan, known as the "Abe Lincoln" of Ninth Avenue, runs a newstand by day and attends law school at night. Jimmy lives in a basement with Gimpy, the little handicapped boy he has adopted, and tries his best to keep his newsboys out of trouble. Jimmy's task is complicated by Spike Morgan, a street tough who wants to take over Jimmy's newstand. After Jimmy's boys are arrested for playing craps with Spike, Jimmy goes to court to defend his pals, and there meets and is befriended by Judge Carroll. Jimmy and his boys spend a wonderful Christmas with the Judge and his niece Anne, but Jimmy's happiness is soon shattered when his racketeer brother, Tap Keenan, kills two police officers and hides out in Jimmy's room. Jimmy orders Tap to leave, and in the ensuing fight, Gimpy is shot. Tap is finally captured and sentenced to the electric chair, and as Jimmy awaits Gimpy's return from the hospital, he tearfully continues his pursuit of the ...

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Jimmy Keenan, known as the "Abe Lincoln" of Ninth Avenue, runs a newstand by day and attends law school at night. Jimmy lives in a basement with Gimpy, the little handicapped boy he has adopted, and tries his best to keep his newsboys out of trouble. Jimmy's task is complicated by Spike Morgan, a street tough who wants to take over Jimmy's newstand. After Jimmy's boys are arrested for playing craps with Spike, Jimmy goes to court to defend his pals, and there meets and is befriended by Judge Carroll. Jimmy and his boys spend a wonderful Christmas with the Judge and his niece Anne, but Jimmy's happiness is soon shattered when his racketeer brother, Tap Keenan, kills two police officers and hides out in Jimmy's room. Jimmy orders Tap to leave, and in the ensuing fight, Gimpy is shot. Tap is finally captured and sentenced to the electric chair, and as Jimmy awaits Gimpy's return from the hospital, he tearfully continues his pursuit of the law.

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GENRE
Genre:
Sub-genre:
Crime


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.