Wild Boys of the Road (1933)

66 or 69 mins | Drama | 7 October 1933

Director:

William A. Wellman

Cinematographer:

Arthur L. Todd

Editor:

Thomas Pratt

Production Designer:

Esdras Hartley

Production Company:

First National Pictures, Inc.
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HISTORY

Daniel Ahearn's story was entitled "Desperate Youth." According to news items in FD, Helen Mack, Jean Parker and J. Farrell MacDonald were considered for roles. Modern sources credit Perc Westmore with makeup and Robert Presnell as producer. Dorothy Coonan, who plays Sally, had been a lead Busby Berkeley dancer. She quit films soon after completing this film to wed director Wellman, to whom she was married until his death in 1975. According to a modern source, as a publicity stunt to boost this picture and Coonan's career, a news story was planted in the New York Sun noting that the freckle-faced Coonan had taken out a $100,000 insurance policy to protect her in case she "lost" her freckles. The news item, which is reproduced in a Wellman biography, states that her Warner Bros. contract required her to have freckles. ...

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Daniel Ahearn's story was entitled "Desperate Youth." According to news items in FD, Helen Mack, Jean Parker and J. Farrell MacDonald were considered for roles. Modern sources credit Perc Westmore with makeup and Robert Presnell as producer. Dorothy Coonan, who plays Sally, had been a lead Busby Berkeley dancer. She quit films soon after completing this film to wed director Wellman, to whom she was married until his death in 1975. According to a modern source, as a publicity stunt to boost this picture and Coonan's career, a news story was planted in the New York Sun noting that the freckle-faced Coonan had taken out a $100,000 insurance policy to protect her in case she "lost" her freckles. The news item, which is reproduced in a Wellman biography, states that her Warner Bros. contract required her to have freckles.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
8 Jun 1933
p. 1
Film Daily
9 Jun 1933
p. 3
Film Daily
19 Jun 1933
p. 7
Film Daily
21 Jun 1933
p. 4
Film Daily
22 Sep 1933
p. 8
International Photographer
1 Jul 1933
p. 39
Hollywood Reporter
5 Sep 1933
p. 2
Motion Picture Daily
22 Sep 1933
p. 2
Motion Picture Herald
30 Sep 1933
p. 40
New York Sun
25 Aug 1933
---
New York Times
22 Sep 1933
p. 14
Variety
26 Sep 1933
p. 20
DETAILS
Release Date:
7 October 1933
Production Date:

Copyright Info
Claimant
Date
Copyright Number
First National Pictures, Inc.
26 September 1933
LP4134
Physical Properties:
Sound
Black and White
Duration(in mins):
66 or 69
Length(in reels):
7
Country:
United States
SYNOPSIS

Eddie Smith helps his friend, Tommy Gordon, sneak into a high school dance dressed as a girl because Tommy cannot afford the price of admission. Tommy confides to Eddie that because his mother has been unable to find work, he is planning to leave school to look for work himself. Eddie asks Tommy to wait until he speaks to his father about helping the family, but arrives home to discover that his father also has lost his job. Eddie sells his car to help, but when his father still cannot find work, Eddie and Tommy decide to leave home together. On the train, they meet Sally, another teenager, who is going to live with her aunt in Chicago. As they head toward Chicago, more and more children join them on the trains. Although the Chicago police turn people away because there are no jobs even for those who already live there, they allow Sally and her traveling companions to continue because Sally has a letter from her aunt. Sally's Aunt Carrie is happy to see them. Her business, a brothel, is doing well, and for a few minutes it appears that the children have found a home. While they eat, however, the brothel is raided, and the children find themselves on the road again. Along the road, the traveling children encounter many hardships. One girl is raped, Tommy's foot is mangled by the train and has to be amputated, and he and the others are kicked out of a camp in Columbus, Ohio. Finally, the trio ends up living in a dump in New York. Eddie finds a ...

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Eddie Smith helps his friend, Tommy Gordon, sneak into a high school dance dressed as a girl because Tommy cannot afford the price of admission. Tommy confides to Eddie that because his mother has been unable to find work, he is planning to leave school to look for work himself. Eddie asks Tommy to wait until he speaks to his father about helping the family, but arrives home to discover that his father also has lost his job. Eddie sells his car to help, but when his father still cannot find work, Eddie and Tommy decide to leave home together. On the train, they meet Sally, another teenager, who is going to live with her aunt in Chicago. As they head toward Chicago, more and more children join them on the trains. Although the Chicago police turn people away because there are no jobs even for those who already live there, they allow Sally and her traveling companions to continue because Sally has a letter from her aunt. Sally's Aunt Carrie is happy to see them. Her business, a brothel, is doing well, and for a few minutes it appears that the children have found a home. While they eat, however, the brothel is raided, and the children find themselves on the road again. Along the road, the traveling children encounter many hardships. One girl is raped, Tommy's foot is mangled by the train and has to be amputated, and he and the others are kicked out of a camp in Columbus, Ohio. Finally, the trio ends up living in a dump in New York. Eddie finds a job but needs new clothes in order to keep it. Sally, Tommy and Eddie panhandle for the money. Then two men ask Eddie to deliver a note to a movie theater cashier. The note contains a demand for money, and the cashier screams for the police. The children are arrested and appear before a judge who has children of his own. He offers to get them jobs, dismisses the charges against them and tells them they will soon rejoin their families.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.