The Walking Dead (1936)

62,66 or 78 mins | Horror | 14 March 1936

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HISTORY

Contemporary reviews mention real-life experiments in which Dr. Alexis Carrel and Dr. Robert E. Cornish attempted to revive victims of electrocution. According to a news item in DV, the artificial, mechanical heart that aviator Charles Lindbergh is credited with inventing in collaboration with Carrel, is seen in the film. Modern sources credit Perc Westmore with the film's makeup. ...

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Contemporary reviews mention real-life experiments in which Dr. Alexis Carrel and Dr. Robert E. Cornish attempted to revive victims of electrocution. According to a news item in DV, the artificial, mechanical heart that aviator Charles Lindbergh is credited with inventing in collaboration with Carrel, is seen in the film. Modern sources credit Perc Westmore with the film's makeup.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
2 Dec 1935
p. 1
Daily Variety
23 Dec 1935
p. 3
Daily Variety
22 Feb 1936
p. 3
Film Daily
2 Mar 1936
p. 6
Hollywood Reporter
24 Feb 1936
p. 3
Motion Picture Daily
25 Feb 1936
pp. 10-11
Motion Picture Herald
11 Jan 1936
pp. 26-27
Motion Picture Herald
7 Mar 1936
p. 51, 53
New York Times
2 Mar 1936
p. 13
Variety
4 Mar 1936
p. 26
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dial dir
Asst dir
WRITERS
Robert Andrews
Scr
PHOTOGRAPHY
Photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
COSTUMES
Gowns
DETAILS
Release Date:
14 March 1936
Production Date:
began 23 Dec 1935
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
29 February 1936
LP6176
Physical Properties:
Sound
Black and White
Duration(in mins):
62,66 or 78
Length(in reels):
7
Country:
United States
PCA No:
1812
SYNOPSIS

A corrupt government organization led by a man named Nolan plans the murder of Judge Shaw. In order to turn suspicion away from the organization, Nolan throws the blame on recently released ex-convict John Elman. Nolan acts as Elman's defense attorney, and although the murder was witnessed by two medical students, Jimmy and Nancy, Elman is convicted because the witnesses are afraid to come forward. After the conviction, Nancy tells the truth to her employer, Dr. Beaumont, but although they try very hard to reach the governor, Nolan stalls things just long enough for Elman's execution to take place. Beaumont, who has been working with reviving electrocution victims, works to revive Elman. He succeeds after a fashion, but Elman's brain is damaged and he seems to have supernatural knowledge of the men who framed him. One by one the conspirators die. Although Elman does not actually kill them, something in his eyes drives the men to their death. Just before they crash their car, Nolan and his henchman Loder shoot Elman. Before he dies again, Elman advises Beaumont to leave the dead ...

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A corrupt government organization led by a man named Nolan plans the murder of Judge Shaw. In order to turn suspicion away from the organization, Nolan throws the blame on recently released ex-convict John Elman. Nolan acts as Elman's defense attorney, and although the murder was witnessed by two medical students, Jimmy and Nancy, Elman is convicted because the witnesses are afraid to come forward. After the conviction, Nancy tells the truth to her employer, Dr. Beaumont, but although they try very hard to reach the governor, Nolan stalls things just long enough for Elman's execution to take place. Beaumont, who has been working with reviving electrocution victims, works to revive Elman. He succeeds after a fashion, but Elman's brain is damaged and he seems to have supernatural knowledge of the men who framed him. One by one the conspirators die. Although Elman does not actually kill them, something in his eyes drives the men to their death. Just before they crash their car, Nolan and his henchman Loder shoot Elman. Before he dies again, Elman advises Beaumont to leave the dead alone.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.