Upperworld (1934)

70 or 72 mins | Melodrama | 28 April 1934

Director:

Roy Del Ruth

Writer:

Ben Markson

Cinematographer:

Tony Gaudio

Editor:

Owen Marks

Production Designer:

Anton Grot

Production Company:

Warner Bros. Pictures, Inc.
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HISTORY

The opening title card and copyright records list the film's title as Upperworld, but most reviews list the title as Upper World. ...

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The opening title card and copyright records list the film's title as Upperworld, but most reviews list the title as Upper World.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
13 Jan 1934
p. 7
Daily Variety
24 Mar 1934
p. 3
Film Daily
25 May 1934
p. 6
Hollywood Reporter
12 Mar 1934
p. 3
Motion Picture Daily
2 Apr 1934
p. 10
Motion Picture Herald
7 Apr 1934
pp 62-63
New York Times
25 May 1934
p. 25
Variety
29 May 1934
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
Exec prod
Exec prod
WRITERS
From the story by
PHOTOGRAPHY
Photog
ART DIRECTOR
Art dir
FILM EDITOR
COSTUMES
Gowns
MUSIC
Vitaphone Orch cond
SOURCES
SONGS
"Who's Afraid of the Big Bad Wolf?," music and lyrics by Frank Churchill; "Shake Your Powder Puff," music and lyrics by Sammy Fain and Irving Kahal.
DETAILS
Alternate Title:
Upper World
Release Date:
28 April 1934
Production Date:
ended 13 Jan 1934
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
26 March 1934
LP4570
Physical Properties:
Sound
Black and White
Duration(in mins):
70 or 72
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Wealthy railroad magnate Alex Stream has little time for himself, although he is devoted to his wife Hettie and son Tommy. Hettie, however, gives first priority to her society friends, a group that Alex can't tolerate. When Alex rescues drowning showgirl Lilly Linda, he finds her cheerful ways so appealing that he relaxes long enough to eat the meal that she cooks him. One day when Hettie forgets her wedding anniversary and makes other plans, Alex, on impulse, asks Lilly to join him for dinner. From then on, Alex spends a lot of time with Lilly. Lilly's boyfriend, Lou Colima, tries to talk her into blackmailing Alex, and when she refuses because she genuinely cares for him, Lou steals Alex's letters to her. When Lou confronts him, Alex believes that Lilly was involved in the scheme from the start. He tries to grab the letters back from Lou, who shoots at him, hitting Lilly, who has thrown herself in front of Alex. Alex shoots Lou in self-defense, then tries to make it look like a murder-suicide. Alex thinks that he has escaped untouched, but Moran, a policeman who was demoted for giving a parking ticket to Alex, has seen his car parked outside the apartment and is convinced that he is the actual murderer. No one believes Moran until he manages to prove that Alex's fingerprints are on the gun. Alex is tried and acquitted. Afterward, Alex is reconciled with Hettie and the couple sails for ...

More Less

Wealthy railroad magnate Alex Stream has little time for himself, although he is devoted to his wife Hettie and son Tommy. Hettie, however, gives first priority to her society friends, a group that Alex can't tolerate. When Alex rescues drowning showgirl Lilly Linda, he finds her cheerful ways so appealing that he relaxes long enough to eat the meal that she cooks him. One day when Hettie forgets her wedding anniversary and makes other plans, Alex, on impulse, asks Lilly to join him for dinner. From then on, Alex spends a lot of time with Lilly. Lilly's boyfriend, Lou Colima, tries to talk her into blackmailing Alex, and when she refuses because she genuinely cares for him, Lou steals Alex's letters to her. When Lou confronts him, Alex believes that Lilly was involved in the scheme from the start. He tries to grab the letters back from Lou, who shoots at him, hitting Lilly, who has thrown herself in front of Alex. Alex shoots Lou in self-defense, then tries to make it look like a murder-suicide. Alex thinks that he has escaped untouched, but Moran, a policeman who was demoted for giving a parking ticket to Alex, has seen his car parked outside the apartment and is convinced that he is the actual murderer. No one believes Moran until he manages to prove that Alex's fingerprints are on the gun. Alex is tried and acquitted. Afterward, Alex is reconciled with Hettie and the couple sails for London.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.