Flying Devils (1933)

60 or 62 mins | Drama | 14 July 1933

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HISTORY

The working title and British release title for this film was Flying Circus. The FD review incorrectly stated that Russell Birdwell, a former RKO publicist, made his directorial debut in this production. Birdwell actually made his directorial debut with the 1929 Fox feature Masquerade (see AFI Catalog of Feature Films, 1921-30). After making Flying Circus, Birdwell did not direct again until the 1956 Allied Artists production, The Come On. A FD news item adds Mary Carr, Eddie Borden and Garry Owen to the cast. While modern sources confirm Carr's participation, the participation of Borden and Owen in the final film has not been confirmed. ...

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The working title and British release title for this film was Flying Circus. The FD review incorrectly stated that Russell Birdwell, a former RKO publicist, made his directorial debut in this production. Birdwell actually made his directorial debut with the 1929 Fox feature Masquerade (see AFI Catalog of Feature Films, 1921-30). After making Flying Circus, Birdwell did not direct again until the 1956 Allied Artists production, The Come On. A FD news item adds Mary Carr, Eddie Borden and Garry Owen to the cast. While modern sources confirm Carr's participation, the participation of Borden and Owen in the final film has not been confirmed.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
30 Mar 1933
p. 8
Film Daily
13 Apr 1933
p. 8
Film Daily
26 Aug 1933
p. 4
Hollywood Reporter
3 Jun 1933
p. 3
International Photographer
May 1933
p. 27
International Photographer
Jun 1933
p. 25
Motion Picture Daily
Aug 1933
p. 36
Motion Picture Herald
Sep 1933
p. 36
New York Times
26 Aug 1933
p. 14
Variety
29 Aug 1933
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Wally Fox
Asst dir
PRODUCERS
Exec prod
Assoc prod
WRITERS
PHOTOGRAPHY
Nick Musuraca
Photog
Cam op
Asst cam
William Clothier
Asst cam
Aerial photog
Asst aerial photog
ART DIRECTORS
Al D'Agostino
Settings
FILM EDITORS
J. Noriega
Asst ed
MUSIC
Mus dir
SOUND
PRODUCTION MISC
Chief elec
Chief grip
Still photog
Still photog
DETAILS
Alternate Title:
Flying Circus
Release Date:
14 July 1933
Production Date:
began early Apr 1933
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
21 June 1933
LP4079
Physical Properties:
Sound
RCA Victor System
Black and White
Duration(in mins):
60 or 62
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

After Ace Murray, a former airmail pilot who now performs stunts in Speed Hardy's carnival air show, makes an impromptu "double parachute" jump with his brother Bud, Speed offers Bud a job with his troupe. Against the advice of Ace, Bud, who is attracted to Speed's young wife Ann, quits college and joins Speed's troupe of "Black Cats." At Speed's request, Bud and Ann perform the double parachute jump together and become the show's main attraction. When the young couple blow off course during a jump, however, Speed rails against Bud in front of Ace. Furious at Speed's treatment of Bud and his callous attitudes about safety, Ace, who is also fearful of Bud's growing passion for Ann, prepares to leave the troupe with his brother. Ann, however, talks Ace and Bud out of quitting, but later agrees with Bud that he should leave before their romantic feelings for each other become known to the jealous Speed. Just before saying goodbye, Bud and Ann take a final ride together and run out of gas in mid-air. Because of a dense fog, Bud and Ann must crash land the plane and find overnight shelter in a deserted cabin. The next morning, Ann and Bud declare their love for each other, and Ann decides to ask Speed for a divorce. When Speed shows up at the cabin, he is strangely calm and understanding, and later, when Bud approaches him in his tent, he happily consents to divorce Ann and suggests that he and Bud perform a new stunt for the show. Eager to please Speed, Bud agrees to do the "head-on collision" trick, ...

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After Ace Murray, a former airmail pilot who now performs stunts in Speed Hardy's carnival air show, makes an impromptu "double parachute" jump with his brother Bud, Speed offers Bud a job with his troupe. Against the advice of Ace, Bud, who is attracted to Speed's young wife Ann, quits college and joins Speed's troupe of "Black Cats." At Speed's request, Bud and Ann perform the double parachute jump together and become the show's main attraction. When the young couple blow off course during a jump, however, Speed rails against Bud in front of Ace. Furious at Speed's treatment of Bud and his callous attitudes about safety, Ace, who is also fearful of Bud's growing passion for Ann, prepares to leave the troupe with his brother. Ann, however, talks Ace and Bud out of quitting, but later agrees with Bud that he should leave before their romantic feelings for each other become known to the jealous Speed. Just before saying goodbye, Bud and Ann take a final ride together and run out of gas in mid-air. Because of a dense fog, Bud and Ann must crash land the plane and find overnight shelter in a deserted cabin. The next morning, Ann and Bud declare their love for each other, and Ann decides to ask Speed for a divorce. When Speed shows up at the cabin, he is strangely calm and understanding, and later, when Bud approaches him in his tent, he happily consents to divorce Ann and suggests that he and Bud perform a new stunt for the show. Eager to please Speed, Bud agrees to do the "head-on collision" trick, which requires that both pilots bail out seconds before their planes collide. Minutes before the collision is to take place, Ann and Ace learn from Screwy, the troupe's alcoholic pilot, that Speed has cut Bud's parachute with his knife. As Bud and Speed prepare for the collision, Ace races to stop Speed. Unable to out-maneuver Speed, Ace finally crashes into his plane, sacrificing his life to save his brother.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.