Confession (1937)

85 mins | Melodrama | 28 August 1937

Director:

Joe May

Writer:

Hans Rameau

Cinematographer:

Sid Hickox

Editor:

James Gibbon

Production Designer:

Anton Grot

Production Company:

Warner Bros. Pictures, Inc.
Full page view
HISTORY

Working titles were One Hour of Romance, One Hour to Live and Mazurka. In reviews, the film was compared unfavorably to the 1936 German original, Mazurka, starring Pola Negri, even though it apparently was a scene-by-scene remake. Information included in the Warner Bros. collection in the USC Cinema-Television Library reveals that producer Henry Blanke wanted Bette Davis to star in the film and that he suggested Warner Baxter for the Basil Rathbone role. Lola Lane tested for the role of Xenia. SAB correspondence indicates that writer Margaret LeVino adapted Hans Rameau's German screenplay for Mazurka, but information in the Warner Bros. files indicates that Rudi Fehr, who eventually became head of the editing department at Warner Bros., was originally hired by the studio to translate Mazurka and another German film, Episode, which became My Love Came Back (see below). Modern sources state that Warners acquired the American distribution rights to the original film and shelved it so it would not interfere with the remake. Modern sources also list additional players as Tom Tilson, Johnny Harron , Stuart Holmes and Dale Van Sickle . ...

More Less

Working titles were One Hour of Romance, One Hour to Live and Mazurka. In reviews, the film was compared unfavorably to the 1936 German original, Mazurka, starring Pola Negri, even though it apparently was a scene-by-scene remake. Information included in the Warner Bros. collection in the USC Cinema-Television Library reveals that producer Henry Blanke wanted Bette Davis to star in the film and that he suggested Warner Baxter for the Basil Rathbone role. Lola Lane tested for the role of Xenia. SAB correspondence indicates that writer Margaret LeVino adapted Hans Rameau's German screenplay for Mazurka, but information in the Warner Bros. files indicates that Rudi Fehr, who eventually became head of the editing department at Warner Bros., was originally hired by the studio to translate Mazurka and another German film, Episode, which became My Love Came Back (see below). Modern sources state that Warners acquired the American distribution rights to the original film and shelved it so it would not interfere with the remake. Modern sources also list additional players as Tom Tilson, Johnny Harron , Stuart Holmes and Dale Van Sickle .

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
16 Jul 1937
p. 3
Film Daily
20 Jul 1937
p. 10
Hollywood Reporter
16 Jul 1937
p. 3
Motion Picture Daily
17 Jul 1937
p. 3
Motion Picture Herald
10 Apr 1937
p. 48
Motion Picture Herald
24 Jul 1937
p. 47
New York Times
19 Aug 1937
p. 23
Variety
21 Jul 1937
p. 13
CAST
NAME
CREDITED AS
CREDIT
Helen Valkis
Anderson Lawlor
Albert Lloyd
Jack Davidson
Ellen Clancy
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A First National Picture
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dir
Dial dir
Asst dir
Second asst dir
PRODUCERS
Exec prod
Exec prod
WRITERS
Orig scr, Orig scr
English adpt
English adpt
PHOTOGRAPHY
Photog
Asst cam
ART DIRECTOR
Art dir
FILM EDITORS
Film ed
Asst ed
COSTUMES
Gowns
Rudo Loshak
Men's ward
Women's ward
MUSIC
Mus score
Pianist
SOUND
Oliver Garretson
Sd
MAKEUP
Makeup
PRODUCTION MISC
Unit mgr
Scr clerk
Gaffer
Best boy
Still photog
Publicity
SOURCES
LITERARY
Based on the German film Mazurka , written by Hans Rameau (Cine-Allianz-Tonfilm Prod., 1935).
LITERARY SOURCE AUTHOR
SONGS
"One Hour of Romance," music by Peter Kreuder, lyrics by Jack Scholl.
SONGWRITER/COMPOSER
DETAILS
Alternate Titles:
Mazurka
One Hour of Romance
One Hour to Live
Release Date:
28 August 1937
Production Date:
began early Mar 1937
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
30 July 1937
LP7399
Physical Properties:
Sound
Black and White
Duration(in mins):
85
Length(in reels):
10
Country:
United States
PCA No:
3148
SYNOPSIS

Lisa Koslov, a young and innocent music Warsaw student, is seeing her mother, Mrs. Koslov, off at the train station when an elegant man offers her two tickets to a concert. She attends the performance and discovers that the mysterious stranger is the great pianist, Michael Michailow. Lisa is frightened by his worldliness but is flattered by his attention and agrees to dine with him. At a sophisticated restaurant, they are seen together from the stage by the chanteuse, Vera Kowalska. Driven by some unspoken passion, she shoots and kills Michael. On trial, Vera refuses to reveal her motivation, but when Michael's suitcase is introduced as evidence, she begs the court to hear her story before they examine it. She explains that she was once married to Leonide Kirow and was devoted to him and their child. While he was away at war, she attended a ball where she encountered Michael, who had been her conductor when she was a well-known opera singer before her marriage. Although Vera refused his advances, he persisted, and intoxicated, she spent the night with him. Leonide returned home wounded, discovered the situation and divorced her, taking custody of their child. Leonide changed his name, remarried and died, after which his widow reared Vera's child. The night Michael was shot, Vera confesses, she recognized that he was planning to seduce her daughter. Vera begs the judge not to make her confession public and to protect Lisa's reputation. The court concludes that Vera's actions were justified, and her sentence is ...

More Less

Lisa Koslov, a young and innocent music Warsaw student, is seeing her mother, Mrs. Koslov, off at the train station when an elegant man offers her two tickets to a concert. She attends the performance and discovers that the mysterious stranger is the great pianist, Michael Michailow. Lisa is frightened by his worldliness but is flattered by his attention and agrees to dine with him. At a sophisticated restaurant, they are seen together from the stage by the chanteuse, Vera Kowalska. Driven by some unspoken passion, she shoots and kills Michael. On trial, Vera refuses to reveal her motivation, but when Michael's suitcase is introduced as evidence, she begs the court to hear her story before they examine it. She explains that she was once married to Leonide Kirow and was devoted to him and their child. While he was away at war, she attended a ball where she encountered Michael, who had been her conductor when she was a well-known opera singer before her marriage. Although Vera refused his advances, he persisted, and intoxicated, she spent the night with him. Leonide returned home wounded, discovered the situation and divorced her, taking custody of their child. Leonide changed his name, remarried and died, after which his widow reared Vera's child. The night Michael was shot, Vera confesses, she recognized that he was planning to seduce her daughter. Vera begs the judge not to make her confession public and to protect Lisa's reputation. The court concludes that Vera's actions were justified, and her sentence is minimal.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Pretty Baby

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Jeremy Carr, Visiting Research Fellow ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.