Full page view
HISTORY

Reviewers, pointing out that the story was chosen for Barbara Stanwyck, compared it unfavorably with Stella Dallas, her success of the previous year. HR, which called the film a "sugar-coated Stella Dallas," stated that the story "closely parallels a recent episode in the star's private life." Modern sources state that this was the first film of Dorris Bowdon, that champion swimmer Olive Hatch was in the cast, and that Herbert Marshall was borrowed from RKO and Ian Hunter from Warner Bros. Although Fox produced a film with the same title in 1931 (see above), that film bears no similarity to this film, which was a remake of the 1934 Twentieth Century Pictures production Gallant Lady, for which Raymond Griffith also served as associate producer and which was directed by Gregory La Cava and starred Ann Harding (see below). ...

More Less

Reviewers, pointing out that the story was chosen for Barbara Stanwyck, compared it unfavorably with Stella Dallas, her success of the previous year. HR, which called the film a "sugar-coated Stella Dallas," stated that the story "closely parallels a recent episode in the star's private life." Modern sources state that this was the first film of Dorris Bowdon, that champion swimmer Olive Hatch was in the cast, and that Herbert Marshall was borrowed from RKO and Ian Hunter from Warner Bros. Although Fox produced a film with the same title in 1931 (see above), that film bears no similarity to this film, which was a remake of the 1934 Twentieth Century Pictures production Gallant Lady, for which Raymond Griffith also served as associate producer and which was directed by Gregory La Cava and starred Ann Harding (see below).

Less

PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
General (mod):
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
2 Jul 1938
---
Daily Variety
23 Jun 1938
p. 3
Film Daily
27 Jun 1938
p. 5
Hollywood Reporter
16 Apr 1938
p. 3
Hollywood Reporter
18 Apr 1938
p. 10
Hollywood Reporter
25 May 1938
p. 7
Hollywood Reporter
23 Jun 1938
p. 3
Motion Picture Daily
27 Jun 1938
p. 11
Motion Picture Herald
4 Jun 1938
p. 40, 43
Motion Picture Herald
2 Jul 1938
p. 40
New York Times
25 Jun 1938
p. 7
Variety
29 Jun 1938
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
Darryl F. Zanuck in charge of production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Assoc prod
PHOTOGRAPHY
Photog
ART DIRECTORS
Art dir
FILM EDITOR
Film ed
COSTUMES
Cost
MUSIC
Mus dir
SOUND
STAND INS
Stand-in for Johnnie Russell
SOURCES
LITERARY
Based on the film Gallant Lady , original story by Gilbert Emery and Franc Rhodes, screenplay by Sam Mintz (Twentieth Century Pictures, Inc., 1934).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
1 July 1938
Premiere Information:
New York opening: 24 Jun 1938
Production Date:
18 Apr--24 May 1938
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corp.
1 July 1938
LP8383
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
75
Length(in feet):
6,750
Length(in reels):
8
Country:
United States
PCA No:
4278
SYNOPSIS

After her fiancé is killed in a car crash, Margot Weston goes to jump into the river, but she is stopped by Jim Howard, a drifter who used to be a good surgeon. Jim takes Margot to a maternity hospital, where she bears a son. Because she has no home, money or name to give the child, she gives the baby up for adoption to Jim's friends, Phillip and Jane Marshall, and agrees with Jim that the Marshalls and the boy must never know her identity. After Jim arranges for Margot to work at his friend Harriet Martin's modiste shop, he leaves on what he says will be a short boat trip. Five years later, Margot, now indispensible to Harriet, is about to leave for Paris on a fall buying trip when Jim, who has lived in the interim contentedly as a doctor on a cattle boat, returns. During a romantic dinner, Jim vows to remain. In Paris, the extremely flirtatious and persistent Count Giovanni Corini pursues and proposes to Margot, who good-naturedly tolerates his company. By chance she meets her son, five-year-old Roddy, who is traveling with Phil's sister, as Phil's wife has died. After learning that they are sailing back, she impulsively books a cabin on the same boat. Giovanni follows suit, and during the trip, Margot and Roddy develop a great affection for each other. At the docks, Margot meets Phil and his bride-to-be, Jessica Reid, who promises to visit Margot's shop to select bridal gowns. When Margot excitedly tells Jim, now a lab assistant, about Roddy, Jim persuades her not to see him again because of the agreement ...

More Less

After her fiancé is killed in a car crash, Margot Weston goes to jump into the river, but she is stopped by Jim Howard, a drifter who used to be a good surgeon. Jim takes Margot to a maternity hospital, where she bears a son. Because she has no home, money or name to give the child, she gives the baby up for adoption to Jim's friends, Phillip and Jane Marshall, and agrees with Jim that the Marshalls and the boy must never know her identity. After Jim arranges for Margot to work at his friend Harriet Martin's modiste shop, he leaves on what he says will be a short boat trip. Five years later, Margot, now indispensible to Harriet, is about to leave for Paris on a fall buying trip when Jim, who has lived in the interim contentedly as a doctor on a cattle boat, returns. During a romantic dinner, Jim vows to remain. In Paris, the extremely flirtatious and persistent Count Giovanni Corini pursues and proposes to Margot, who good-naturedly tolerates his company. By chance she meets her son, five-year-old Roddy, who is traveling with Phil's sister, as Phil's wife has died. After learning that they are sailing back, she impulsively books a cabin on the same boat. Giovanni follows suit, and during the trip, Margot and Roddy develop a great affection for each other. At the docks, Margot meets Phil and his bride-to-be, Jessica Reid, who promises to visit Margot's shop to select bridal gowns. When Margot excitedly tells Jim, now a lab assistant, about Roddy, Jim persuades her not to see him again because of the agreement she made. However, Jessica brings Roddy to the shop, where Margot witnessses her yell at the boy and learns that she plans to put him in a military school so that she and Phil can travel. Although Jim argues against it, Margot schemes to make Phil see Jessica for what Margot thinks she is: superficial and selfish. After Margot and Phil have a pleasant outting together selecting a tricycle for Roddy, she brings Giovanni to Phil's house in Westchester, where Jessica now lives. While Giovanni flirts and dances with Jessica, Margot goes bicycle riding with Roddy. Phil, upon arriving, is overjoyed to see Margot. Jessica ignores Giovanni's professions of love and when she gets Margot alone, accuses her of trying to take Phil away. As Phil enters the room, Margot traps Jessica into revealing that she regards her conquest of him as a "business investment." That night, Jim, who credits Margot for inspiring him to become a full-fledged bacteriologist, is about to propose to her when Giovanni interrupts and joins their table. The next day, Phil, who has broken with Jessica, proposes to Margot, whom, he says, he has loved since he first saw her. Margot discusses the proposal with Jim and even though she loves Jim, decides to marry Phil to make sure that Roddy is loved and protected. She and Jim kiss passionately, and after they vow that no one else will ever know that Margot is Roddy's real mother, Margot comes to Phil's house to live.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Incendiary Blonde

The working titles of this film were The Smoothest Gal in Town , The Life of Texas Guinan and Texas Guinan . The film opens ... >>

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Pretty Baby

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Jeremy Carr, Visiting Research Fellow ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.