Because You're Mine (1952)

103 mins | Musical | 3 October 1952

Director:

Alexander Hall

Producer:

Joe Pasternak

Cinematographer:

Joseph Ruttenberg

Editor:

Albert Akst

Production Designers:

Cedric Gibbons, William Ferrari

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

The film's working title was The Big Cast. The opening and ending cast credits differ slightly in order. Jonathan Cott provided a brief voice-over narration at the beginning of the film. HR production charts and news items include William Campbell in the cast, but he was not in the released film. Another news item included Fortune Gordien in the cast, but his appearance has not been confirmed. A studio press release stated that star Mario Lanza's parents, Tony and Mary Lanza, were to be extras in a scene in which their son was to sing "The Loveliest Night of the Year." That song was featured in The Great Caruso (1951, see below), not in Because You're Mine, but modern sources note that Lanza's parents were extras in each one of his films. A HR news item on 29 Jun 1951 noted that actress Teresa Celli was to be in the film but had requested a release due to pregnancy.
       According to news items, portions of the film were shot on location at Ford Ord, CA. Additional exteriors were filmed, with the cooperation of the Department of Defense, at Camp Atterbury, IN, according to a studio press release. Actress Doretta Morrow made her motion picture debut in Because You're Mine. According to a studio press release, she was cast by producer Joseph Pasternak, after he saw her in the Broadway production of The King and I. Actor-dancer Bobby Van also made his motion picture debuts in the film.
       Because You’re Mine was selected for a Royal Command ...

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The film's working title was The Big Cast. The opening and ending cast credits differ slightly in order. Jonathan Cott provided a brief voice-over narration at the beginning of the film. HR production charts and news items include William Campbell in the cast, but he was not in the released film. Another news item included Fortune Gordien in the cast, but his appearance has not been confirmed. A studio press release stated that star Mario Lanza's parents, Tony and Mary Lanza, were to be extras in a scene in which their son was to sing "The Loveliest Night of the Year." That song was featured in The Great Caruso (1951, see below), not in Because You're Mine, but modern sources note that Lanza's parents were extras in each one of his films. A HR news item on 29 Jun 1951 noted that actress Teresa Celli was to be in the film but had requested a release due to pregnancy.
       According to news items, portions of the film were shot on location at Ford Ord, CA. Additional exteriors were filmed, with the cooperation of the Department of Defense, at Camp Atterbury, IN, according to a studio press release. Actress Doretta Morrow made her motion picture debut in Because You're Mine. According to a studio press release, she was cast by producer Joseph Pasternak, after he saw her in the Broadway production of The King and I. Actor-dancer Bobby Van also made his motion picture debuts in the film.
       Because You’re Mine was selected for a Royal Command Performance and had its London premiere at the Empire Theatre on 27 Oct 1952. It was only the second M-G-M picture to be so honored. The film's title song was nominated for an Academy Award for Best Song, but lost to the theme from High Noon (see below).
       Although the Time review noted that Lanza had slimmed down to 156 pounds since The Great Caruso, his weight fluctuated visibly in the released version of Because You’re Mine. The weight change is most visible in the base chapel sequence, in which his physical appearance walking into the chapel is quite different from his appearance when he sings "The Lord's Prayer" inside. A biography of Lanza indicated that the film's retakes, which began in May 1952, were partially necessary to make Lanza's weight fluctuation during filming seem less obvious.
       Although Lanza provided the singing voice for the main character in The Student Prince (1954, see above), Because You're Mine was his last onscreen appearance while under contract to M-G-M. His next film appearance was in Serenade, made for Warner Bros. in 1956. Lanza made two additional M-G-M releases, The Seven Hills of Rome, in 1958 and his last film, For the First Time, in 1959 (see entries below).

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
6 Sep 1952
---
Daily Variety
29 Aug 1952
p. 3
Film Daily
11 Sep 1952
p. 6
Hollywood Reporter
25 Jun 1951
p. 4
Hollywood Reporter
29 Jun 1951
p. 2, 6
Hollywood Reporter
6 Jul 1951
p. 9
Hollywood Reporter
1 Aug 1951
p. 5
Hollywood Reporter
2 Aug 1951
p. 3
Hollywood Reporter
10 Oct 1951
p. 6
Hollywood Reporter
11 Oct 1951
p. 8
Hollywood Reporter
12 Oct 1951
p. 11
Hollywood Reporter
7 Dec 1951
p. 12
Hollywood Reporter
12 Dec 1951
p. 8
Hollywood Reporter
8 Feb 1952
p. 2, 10
Hollywood Reporter
8 May 1952
p. 11
Hollywood Reporter
29 May 1952
p. 8
Hollywood Reporter
29 Aug 1952
p. 3
International Photographer
Jan 1952
p. 21
Los Angeles Daily News
4 Oct 1952
---
Los Angeles Examiner
3 Oct 1952
---
Motion Picture Herald Product Digest
6 Sep 1952
p. 1517
New York Times
25 Sep 1952
p. 37
New York Times
26 Sep 1952
p. 18
New Yorker
4 Oct 1952
---
Newsweek
13 Oct 1952
---
Time
13 Oct 1952
---
Variety
3 Sep 1952
p. 12
Variety
24 Sep 1952
---
CAST
NAME
CREDITED AS
CREDIT
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCER
WRITERS
Based on a story by
Based on a story by
PHOTOGRAPHY
Dir of photog
Frank Shugrue
Stills
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Set dec
COSTUMES
Women's cost des
MUSIC
Mus dir
Operatic numbers coached by
Choral dir
Mus adv
SOUND
Rec supv
Norwood Fenton
Sd
VISUAL EFFECTS
Spec eff
MAKEUP
Hair styles des
Makeup created by
PRODUCTION MISC
Prod mgr
Prod mgr
Dial dir
STAND INS
Singing voice double for Paula Corday
COLOR PERSONNEL
Technicolor col consultant
Technicolor col consultant
Technicolor tech
Asst Technicolor tech
Asst Technicolor tech
SOURCES
SONGS
“Because You’re Mine” and “Be My Love,” music and lyrics by Nicholas Brodszky and Sammy Cahn; “You Do Something to Me,” music and lyrics by Cole Porter; “Granada,” music and lyrics by Agustin Lara; “The Song Angels Sing,” music by Johannes Brahms, adapted by Irving Aaronson, lyrics by Paul Webster; “O Paradiso” from the opera L’Africaine , music by Giacomo Meyerbeer, libretto by Eugène Scribe; “Questa o quella” and “Addio” from the opera Rigoletto , music by Giuseppe Verdi, libretto by Francesco Maria Piave; “Addio alla Mama” and ”Mamma mia che vo sapè” from the opera Cavalleria Rusticana , music by Pietro Mascagni, libretto by Guido Menasci and Giovanni Targioni-Tozzetti; “Sextette” from Lucia di Lammermoor , music by by Gaetano Donizetti, libretto by Salvatore Cammarano; “Casta Diva” from the opera Norma , music by Vincenzo Bellini, libretto by Felice Romani; “Il balen del suo sorriso” and “Miserere (Ah! che la morte ognora)” from the opera Il Trovatore , music by Giuseppe Verdi, libretto by Salvatore Cammarano; “Ora è per sempre addio” from the opera Otello , music by Giuseppe Verdi, libretto by Arrigo Boito; “The Lord’s Prayer,” music by Albert Hay Malotte, lyrics traditional; “Lee-Ah-Loo,” music and lyrics by Raymond Sinatra and John Lehmann.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Title:
The Big Cast
Release Date:
3 October 1952
Premiere Information:
New York opening: 25 Sep 1952
Production Date:
early Dec 1951--mid Feb 1952; retakes began 8 May 1952
Copyright Info
Claimant
Date
Copyright Number
Loew's Inc.
28 August 1952
LP1894
Physical Properties:
Sound
Western Electric Sound System
Color
Technicolor
Duration(in mins):
103
Length(in feet):
9,262
Length(in reels):
11
Country:
United States
Language:
English
PCA No:
15861
Passed by NBR:
Yes
SYNOPSIS

When famed New York opera singer Renaldo Rossano is classified 1-A and inducted into the army, he leaves behind his beloved mother, his jealous co-star and girl friend, Francesca Landers, and manager, Albert Parkson Foster. As soon as Renaldo arrives at the train station near the army base, his expensive clothes and adoring fans irritate the receiving sergeant and other recruits. On the base, Renaldo is assigned to tough platoon leader Sgt. “Bat” Batterson. The opera-loving Bat is overjoyed to have his idol in his platoon and grants Renaldo special privileges, as he asks him to meet his sister Bridget, who sings on the radio. Hoping to use the situation to his advantage, Renaldo says that he will have his manager audition Bridget “if” he ever gets to New York again. Although company Capt. Burton Nordell Loring openly disapproves of Bat’s fawning over Renaldo, Bat assures Renaldo that there is nothing to worry about because sergeants run the army. Sometime later, Bat takes Renaldo into town to meet his girl friend, Patty Ware, and Bridget. Bridget is annoyed that Bat is pushing her career, so, instead of an aria, she performs the commercial jingle she sings on the radio. Renaldo is attracted to Bridget and tells her that she must “sing from the heart.” Patty and Bat then go to dinner, after Bat tells Renaldo to meet them at the restaurant. When Bridget and Renaldo finally show up, Renaldo, who finds Bridget more interesting than her voice, sings a love song as they dance. At just that moment, Loring arrives at the restaurant and sternly tells Bat that ...

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When famed New York opera singer Renaldo Rossano is classified 1-A and inducted into the army, he leaves behind his beloved mother, his jealous co-star and girl friend, Francesca Landers, and manager, Albert Parkson Foster. As soon as Renaldo arrives at the train station near the army base, his expensive clothes and adoring fans irritate the receiving sergeant and other recruits. On the base, Renaldo is assigned to tough platoon leader Sgt. “Bat” Batterson. The opera-loving Bat is overjoyed to have his idol in his platoon and grants Renaldo special privileges, as he asks him to meet his sister Bridget, who sings on the radio. Hoping to use the situation to his advantage, Renaldo says that he will have his manager audition Bridget “if” he ever gets to New York again. Although company Capt. Burton Nordell Loring openly disapproves of Bat’s fawning over Renaldo, Bat assures Renaldo that there is nothing to worry about because sergeants run the army. Sometime later, Bat takes Renaldo into town to meet his girl friend, Patty Ware, and Bridget. Bridget is annoyed that Bat is pushing her career, so, instead of an aria, she performs the commercial jingle she sings on the radio. Renaldo is attracted to Bridget and tells her that she must “sing from the heart.” Patty and Bat then go to dinner, after Bat tells Renaldo to meet them at the restaurant. When Bridget and Renaldo finally show up, Renaldo, who finds Bridget more interesting than her voice, sings a love song as they dance. At just that moment, Loring arrives at the restaurant and sternly tells Bat that Renaldo is AWOL. Bat pretends to be angry with Renaldo and orders him back to the base, but after Loring leaves, Bat apologizes. Walking back to the barracks, Renaldo says that he has made a date with Bridget for Easter Sunday and asks Bat to think of something to save him from punishment duty. As they pass the company church, Renaldo hears a WAC organist playing “The Lord’s Prayer” and asks if he can accompany her. Seeing some officers listen appreciatively, the chaplain arranges for Renaldo to sing at Easter services. On Easter, Gen. Montville and his wife are delighted to meet Renaldo’s mother, who is paying a surprise visit to her son. Renaldo introduces his mother to Bat, Patty and Bridget, then, to Loring’s annoyance, the four drive into town with the general’s permission. That afternoon, Renaldo confesses to Bridget that he is in love with her and assures Bat that his intentions are honorable. Renaldo then telephones Albert in New York to ask him to give Bridget an audition on the same night as his planned recording session. Unknown to either of them, Francesca, who is visiting Albert, is listening in on an extension. Back at the base, three of Renaldo’s fellow soldiers, Artie Pilcer, Ben Jones and Horsey have become resentful of his special treatment, so Horsey complains to Loring. Bat later learns that his and Renaldo’s trip to New York for the audition is impossible because Loring has cancelled all passes prior to an upcoming visit by United Nations dignitaries. The resourceful Bat appeals to Mrs. Montville, who talks her husband into giving both Bat and Renaldo passes, in exchange for Renaldo performing for the dignitaries. In New York, as Albert and Francesca wait for Renaldo in the recording studio, the scheming Francesca upsets Bridget by saying that Renaldo frequently arranges for auditions for attractive women, but has always been in love with her. When Bat and Renaldo arrive, Francesca takes Bat aside and suggests that Renaldo used him to get to New York for the recording session because he needed money. Later, while Renaldo and Francesca are recording, Bat and Bridget discuss what they have been told and decide to leave. When the session is over, Renaldo finds a note from Bridget and becomes furious with Francesca. The next morning, Renaldo barely makes it back to the platoon by roll call and finds that Bat has turned against him. Because Renaldo stubbornly refuses to directly refute Francesca’s accusations, he soon finds himself mired in punishment duty. At first Pilcer, Jones and Horsey are delighted by Renaldo’s comeuppance, but later feel sorry for him. When Montville orders Loring to have Renaldo start rehearsing for the UN visit, Loring pressures Bat, who orders Renaldo to rehearse. He refuses, though, saying that he has no obligation to perform non-military duties. Because Loring has threatened Bat with reassignment to Iceland if Renaldo does not sing, Patty begs him to apologize to Renaldo, but Bat refuses. Meanwhile, in New York, Mrs. Rossano goes to see Bridget and tells her that Renaldo is really in love with her. Bridget then goes to the base and tells Renaldo she loves him, but he thinks that she is merely trying to help Bat. In the barracks that night, Renaldo accuses Bat of using Bridget, and the two men begin fighting. Just then, Loring arrives and orders them into the stockade. From adjoining cells, Renaldo and Bat talk and soon realize they had been wrong about each other and that Bridget really does love Renaldo. When Pilcer, Jones and Horsey stop by, Renaldo asks their help with his plan to have Patty talk with Mrs. Montville about convincing her husband to let Renaldo sing. Mrs. Montville, in turn, talks to the general but he insists that military discipline must be maintained. On the day of the UN visit, Bat and Renaldo are still in the stockade, thinking their situation is hopeless, when Renaldo spies his friend, French general Pierre Montal. When he starts to sing, Montal instantly recognizes his old friend’s voice. A short time later, Renaldo is performing for the dignitaries, much to Loring’s chagrin. Renaldo then asks Bridget to join him to sing a duet.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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