The Belle of New York (1952)

80 or 82 mins | Musical comedy | 22 February 1952

Director:

Charles Walters

Producer:

Arthur Freed

Cinematographer:

Robert Planck

Editor:

Albert Akst

Production Designers:

Cedric Gibbons, Jack Martin Smith

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

According to a HR news item, Marge and Gower Champion were to have co-starred in the film. Another HR news item noted that colored water was used for the film’s ice-skating sequence to make the ice look better in Technicolor. During the film, the characters “Angela” and “Charlie” appear to walk on air, and several scenes feature one or both of the characters walking or dancing above the New York City skyline. The ice skating number was part of a musical montage in which Charlie and Angela have photographs taken at the Currier and Ives studio and become part of the seasonal backgrounds. The “Dancin’ Man” number, which featured Fred Astaire performing a sand dance, has frequently been cited in modern sources as one of his best solo dances.
       Although the onscreen credits acknowledge that the film was “from the play by Hugh Morton,” most reviews and modern sources noted that the film bore little resemblance to the original musical play that was a popular success on the London and New York stages. According to HR news items from the mid-1940s, Arthur Freed was planning to film a musical version of the play, with new songs provided by Harry Warren. Judy Garland was initially mentioned as co-starring with Astaire, then Lina Romay was announced as the production's star. Metro Pictures Corp., which later became M-G-M, produced a silent adaptation of the play in 1919, directed by Julius Stegner and starring Marion Davies (see AFI Catalog of Feature Films, 1921-30). According to modern sources, the 1952 film cost $2,606,644 to make, but grossed only ...

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According to a HR news item, Marge and Gower Champion were to have co-starred in the film. Another HR news item noted that colored water was used for the film’s ice-skating sequence to make the ice look better in Technicolor. During the film, the characters “Angela” and “Charlie” appear to walk on air, and several scenes feature one or both of the characters walking or dancing above the New York City skyline. The ice skating number was part of a musical montage in which Charlie and Angela have photographs taken at the Currier and Ives studio and become part of the seasonal backgrounds. The “Dancin’ Man” number, which featured Fred Astaire performing a sand dance, has frequently been cited in modern sources as one of his best solo dances.
       Although the onscreen credits acknowledge that the film was “from the play by Hugh Morton,” most reviews and modern sources noted that the film bore little resemblance to the original musical play that was a popular success on the London and New York stages. According to HR news items from the mid-1940s, Arthur Freed was planning to film a musical version of the play, with new songs provided by Harry Warren. Judy Garland was initially mentioned as co-starring with Astaire, then Lina Romay was announced as the production's star. Metro Pictures Corp., which later became M-G-M, produced a silent adaptation of the play in 1919, directed by Julius Stegner and starring Marion Davies (see AFI Catalog of Feature Films, 1921-30). According to modern sources, the 1952 film cost $2,606,644 to make, but grossed only $1,993,000.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
23 Feb 1952
---
Daily Variety
18 Feb 1952
p. 3
Film Daily
28 Feb 1952
p. 8
Hollywood Reporter
29 Nov 1944
p. 2
Hollywood Reporter
18 Oct 1946
p. 1
Hollywood Reporter
14 Mar 1951
p. 2
Hollywood Reporter
15 Mar 1951
p. 5
Hollywood Reporter
19 Mar 1951
p. 8
Hollywood Reporter
15 Jun 1951
p. 8
Hollywood Reporter
28 Sep 1951
p. 22
Hollywood Reporter
18 Feb 1952
p. 3
Los Angeles Times
10 Mar 1952
Sec. III, p. 9
Motion Picture Herald Product Digest
23 Feb 1952
p. 1245
New York Times
5 Mar 1952
p. 33
New York Times
6 Mar 1952
p. 25
Newsweek
10 Mar 1952
---
Variety
20 Feb 1952
p. 6
CAST
NAME
CREDITED AS
CREDIT
Mitzie Uehlein
Billy Griffith
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
Adpt for the screen by
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
COSTUMES
Women's cost des
Men's cost des
SOUND
Rec supv
VISUAL EFFECTS
Spec eff
Irving G. Ries
Spec eff
DANCE
Mus numbers staged and dir
MAKEUP
Hair styles des
Makeup created by
PRODUCTION MISC
Unit mgr
Singing voice double for Vera-Ellen
Singing voice double for Henry Slate
COLOR PERSONNEL
Technicolor col consultant
Technicolor col consultant
SOURCES
LITERARY
Based on the musical The Belle of New York , music and lyrics by Gustave Kerker, book by Hugh Morton (New York, 28 Sep 1897).
LITERARY SOURCE AUTHORS
SONGS
"When I'm Out with the Belle of New York," "Bachelor Dinner Song," "Seeing's Believing," "Naughty But Nice," "Baby Doll," "Oops!," "Thank You, Mr. Courier, Thank You, Mr. Ives," "I Wanna Be a Dancin' Man," music by Harry Warren, lyrics by Johnny Mercer; "Let a Little Love Come In," music and lyrics by Roger Edens.
SONGWRITER/COMPOSER
DETAILS
Release Date:
22 February 1952
Production Date:
mid Jun--early Oct 1951
Copyright Info
Claimant
Date
Copyright Number
Loew's Inc.
12 February 1952
LP1526
Physical Properties:
Sound
Western Electric Sound System
Color
Technicolor
Duration(in mins):
80 or 82
Length(in feet):
7,234
Length(in reels):
9
Country:
United States
Language:
English
PCA No:
15510
Passed by NBR:
Yes
SYNOPSIS

In turn of the century New York, pretty temperance worker Angela Collins, who is a member of the Daughters of Right, is hailed as the “Belle of New York” by her Bowery clientele, who admire her singing and her beauty. Wealthy patroness Mrs. Phineas Hill likes Angela, but frowns on the distraction she creates. Mrs. Hill’s playboy nephew, Charlie Hill, who has never been near the charity, prefers the joys of café society and the company of beautiful women. On the night Mrs. Hill returns from Washington, Charlie is hosting a bachelor party prior to his wedding to sharpshooter Dixie McCoy. All of the guests are women, aside from Charlie’s friend and lawyer, Max Ferris. When Mrs. Hill arrives, she disapproves of the revelry and sends the guests away, not realizing that they are celebrating Charlie's forthcoming wedding. Later, Charlie goes out with one of his friends, Frenchie, and admits that he does not want to get married. While they are driving in an open carriage, Charlie spots Angela singing with the Daughters' band and falls immediately in love. Leaving the understanding Frenchie in the carriage, Charlie approaches Angela, who is also attracted to him, but fears that he is not really in love, which she contends should make someone walk on air. After Angela leaves Charlie, he begins to walk on air and realizes for the first time he is in love. The next morning, after Charlie has failed to show up for their wedding, Dixie storms over to his house, prompting Mrs. Hill to write a $10,000 check to keep her quiet. Although Mrs. Hill is fond ...

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In turn of the century New York, pretty temperance worker Angela Collins, who is a member of the Daughters of Right, is hailed as the “Belle of New York” by her Bowery clientele, who admire her singing and her beauty. Wealthy patroness Mrs. Phineas Hill likes Angela, but frowns on the distraction she creates. Mrs. Hill’s playboy nephew, Charlie Hill, who has never been near the charity, prefers the joys of café society and the company of beautiful women. On the night Mrs. Hill returns from Washington, Charlie is hosting a bachelor party prior to his wedding to sharpshooter Dixie McCoy. All of the guests are women, aside from Charlie’s friend and lawyer, Max Ferris. When Mrs. Hill arrives, she disapproves of the revelry and sends the guests away, not realizing that they are celebrating Charlie's forthcoming wedding. Later, Charlie goes out with one of his friends, Frenchie, and admits that he does not want to get married. While they are driving in an open carriage, Charlie spots Angela singing with the Daughters' band and falls immediately in love. Leaving the understanding Frenchie in the carriage, Charlie approaches Angela, who is also attracted to him, but fears that he is not really in love, which she contends should make someone walk on air. After Angela leaves Charlie, he begins to walk on air and realizes for the first time he is in love. The next morning, after Charlie has failed to show up for their wedding, Dixie storms over to his house, prompting Mrs. Hill to write a $10,000 check to keep her quiet. Although Mrs. Hill is fond of Charlie, she angrily tells Max that she will cut him off without a cent unless he changes. Meanwhile, Charlie has gone to see Angela and shows her his sincerity by walking on air in her office and asking to join the Daughters. Still skeptical, Angela tells him that he must do an honest day’s work before she will let him join them. Charlie makes several attempts to get a job, but each time is fired when he is distracted by Angela passing by. Charlie finally becomes a streetcar driver and at the end of the day offers Angela a ride back to the garage. As he then tries to convince her of his love, the couple dances and both start walking on air. Charlie then takes Angela home to see his aunt, who is pleasantly shocked to learn the identity of his new girl. Happy that Charlie has finally found a nice girl, Mrs. Hill offers to pay for their wedding. The night before their wedding, workers and friends decorate the Daughters' meeting house, while a now temperate Charlie refuses all of Max’s offers at a bachelor party. Friends of Angela’s, though, decide to pay Charlie a visit and wish him well. Starting with police officer Clancy and some of the loyal Bowery bums, Charlie is forced into drinking a polite toast to Angela. After more toasts, everyone gets drunk and Charlie and Max wake up 1:30 the next afternoon. Although the wedding was supposed to be at noon, Max tries to convince Charlie that it is not too late, but Charlie is convinced that he is no good and it is better for Angela that they not get married. At home, Angela is waiting, still in her wedding dress, and says that it is not too late, but Charlie tells her that he is no good. Angela insists that she stills wants to marry a man who can walk on air and kisses him, but when neither starts to levitate, she quickly runs away. Some later later, Charlie goes looking for Angela, who has been avoiding him. Her friend, Elsie Wilkins, who also works with the Daughters, tells him that Angela has left, because she no longer wants to be “too good.” When Charlie leaves, the hiding Angela scolds Elsie for making Charlie think she is no longer a good girl, but Elsie hits upon an idea to bring the two back together. She and Angela go shopping for stylish evening clothes and make a reservation at Webber’s Casino, where Charlie now works as a singing waiter. Charlie is shocked when he sees them there and tries to make them leave, but they refuse and order champagne. He only brings them soda water, but they think it is champagne. After Charlie performs onstage, he is asked by one of the male diners to deliver a note to Angela. When she reads the note, she is shocked and decides to leave, but when Charlie reads the note, he angrily punches the diner in the nose. A brawl ensues throughout the café, and even envelopes Max and Mrs. Hill, who arrive at the café just before the police. As they all try to sneak out during the melée, Angela and Charlie start to argue and do not notice that they are beginning to levitate until they are outside and are cheered on by the gathering crowd. Finally, Charlie and Angela are married and dance on air in their wedding clothes.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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