The Miracle of Our Lady of Fatima
(1952)
101-102 or 104 mins | Drama | 11 October 1952
Director:
John BrahmWriters:
Crane Wilbur, James O'HanlonProducer:
Bryan FoyCinematographer:
Edwin DuParEditor:
Thomas ReillyProduction Designer:
Edward CarrereProduction Company:
Warner Bros. Pictures, Inc.The title was changed to The Miracle of Fatima to fit on marquees, according to an undated DV news item found in the production files at the AMPAS Library. After the opening credits, a montage with voice-over narration describes how a socialist minority proclaimed a "Peoples' Republic," which sought to destroy the power of the Church through the uprising of a police state in Portugal. The first name of actress Frances Morris was mistakenly spelled "Francis" in the onscreen credits. Actress Nanette Fabares, who played "Florinda" in the film, subsequently changed her name to Nanette Fabray. According to a Feb 1952 HR news item, radio actor Steve Roberts was cast, under a different name, but that name has not been determined. Juvenile actress Susan Whitney portrayed "Lucia" both as a child and as a forty-year-old nun.
The true story of the events at Fatima began in 1916 when a nine-year-old Portuguese girl, Lucia Dos Santos, and her cousins Francisco and Jacinta Martos, aged eight and six respectively, reported seeing a vision of a male angel who called himself "the Angel of Peace." According to the children, the angel, who appeared to them while they tended their parents' sheep, appeared again a year later. When he vanished, the form of a beautiful Lady appeared, who promised to appear at the same time each month until October. During her appearances, the Lady reportedly predicted the deaths of Francisco and Jacinta, the end of World War I and the subjugation of religion in Russia. In Jul 1917, the children related that the Lady told them what is now called the "Secret" or the "Three Secrets," as ...
The title was changed to The Miracle of Fatima to fit on marquees, according to an undated DV news item found in the production files at the AMPAS Library. After the opening credits, a montage with voice-over narration describes how a socialist minority proclaimed a "Peoples' Republic," which sought to destroy the power of the Church through the uprising of a police state in Portugal. The first name of actress Frances Morris was mistakenly spelled "Francis" in the onscreen credits. Actress Nanette Fabares, who played "Florinda" in the film, subsequently changed her name to Nanette Fabray. According to a Feb 1952 HR news item, radio actor Steve Roberts was cast, under a different name, but that name has not been determined. Juvenile actress Susan Whitney portrayed "Lucia" both as a child and as a forty-year-old nun.
The true story of the events at Fatima began in 1916 when a nine-year-old Portuguese girl, Lucia Dos Santos, and her cousins Francisco and Jacinta Martos, aged eight and six respectively, reported seeing a vision of a male angel who called himself "the Angel of Peace." According to the children, the angel, who appeared to them while they tended their parents' sheep, appeared again a year later. When he vanished, the form of a beautiful Lady appeared, who promised to appear at the same time each month until October. During her appearances, the Lady reportedly predicted the deaths of Francisco and Jacinta, the end of World War I and the subjugation of religion in Russia. In Jul 1917, the children related that the Lady told them what is now called the "Secret" or the "Three Secrets," as it consisted of three parts; the secrets were not disclosed to the public for many years.
As depicted in the film, the children were kidnapped and held for two days in Aug 1917 by civil authorities, who threatened and interrogated them. The Lady then appeared to the children on 19 Aug and promised a great miracle in October. The miracle on 13 Oct 1917 was witnessed by thousands of pilgrims who described how the sun seemed to fall from the sky twice and bathe the area in colored lights, healing many of the sick and disabled, and leaving the earth dry, in spite of an earlier rain. Witnesses included a skeptical Lisbon journalist, whose reports in O Seculo, changed from mocking to astonishment after the event. By 1920, both Marto children had died, and later, Lucia became a Carmelite nun.
In 1941, Lucia wrote memoirs in which two of the three parts of the "Secret" were revealed. The first part was a vision of hell and a plea to pray and sacrifice to save souls. The second part prophesied the beginning of World War II and called for the consecration of Russia. The last part, which Lucia later wrote down and which had been kept in a sealed envelope by Pope Pius XII, was to be unveiled in 1960. Pope John XXIII read it in 1960, resealed it and, although every successive pope read it, according to a Dec 1999 LAT article, it remained secret from the public. Although many followers speculated that the third part was a prediction of either a major spiritual crisis in the Catholic Church or, as the twentieth century came to a close, of an apocalypse, the LAT article reported that Cardinal Joseph Ratzinger, who read the secret, claimed that no apocalyptic events were predicted. At that time, Monsignor Francis Maniscalco, a spokesman for the Bishops Conference held in Washington, D.C, announced that Pope John Paul II had no plans to release the "Secret."
According to a May 2000 LAT article, John Paul finally unveiled the remaining secret, announcing that it was a "prophetic vision" of Christian suffering and martyrdom in the twentieth century and that among the many events the "Secret" foretold was a 13 May 1981 assassination attempt on his life, which occurred exactly sixty-four years after the first reported sighting of the Lady on what became the feast day of Our Lady of Fatima. Some followers were skeptical, however, as many of the predictions of the "Secret" have been revealed only after the events occurred. As of 2003, Francisco and Jacinta had been beatified, the first pre-adolescent candidates who did not die as martyrs. Lucia, a cloistered Carmelite nun in Portugal, was not eligible for beatification at that time, as it is only bestowed on the dead. She died on 13 Feb 2005 at the age of 97.
Two fictitious characters in The Miracle of Our Lady of Fatima, "Ferreira" and "DaSilva" may have been named to honor Bishop DaSilva, the Bishop of Leiria/Fatima, who ordered Lucia to write down the third part of the "Secret," and Bishop Ferreira, Archbishop of Gurza, whom Lucia entrusted with the sealed envelope containing the "Secret." According to a Jan 1952 HR news item, the film was rushed into production after two foreign-made pictures on the same subject were exhibited in the U.S. According to several contemporary sources, much of the film was shot in Portugal, and the Var review reported that footage was used of the 13 Oct 1951 Fatima celebration, when Fatima was the site of the solemn closing of the Holy Year. In a HR news item, Bryan Foy stated that the cost of the film was $1,400,000, and the same source states that this was the first film to use the WarnerColor process. However, two films, The Lion and the Horse and Carson City, began production using WarnerColor in mid-1951, several months prior to The Miracle of Our Lady of Fatima, and were the first two WarnerColor films to be released.
According to a Nov 1952 Var news item, the Allied Independent Theatre Owners of Iowa and Nebraska complained that the high terms demanded by Warner Bros. made it impossible for members to show the film, claims which Warner Bros. denied. Max Steiner was nominated for an Academy Award for Best Scoring of a Dramatic or Comedy Picture for this film, but lost to Dimitri Tiomkin for High Noon. According to a Jul 1952 LADN news item, the film won a special award from the Los Angeles Electrical Engineers Association for its unusual lighting effects. It also received the National Screen Council's Blue Ribbon Award for Oct 1952, according to a Nov 1952 Box article. In a Dec 1952 HR news item, the film was announced as the outstanding picture of the year by the national Catholic monthly, The Sign, and a Sep 1952 MPH news item reported that it won the Christopher Award. The Miracle of Our Lady of Fatima marked the film debut of fifteen-year-old Albert Walters. Susan Whitney, Sammy Ogg and Jay Novello reprised their roles in a Lux Radio Theatre broadcast called The Miracle of Fatima on 30 Mar 1953. J. Carrol Naish played "Hugo" and Jeanette Nolan played "Rosa Maria." Several films have been made in Portugal about the vision at Fatima, including the 1951 La Señora de Fátima, directed by Rafael Gil.
On 13 May 1917, in the Cova Da Iria, near the mountain village of Fatima, Portugal, a vision of a beautiful Lady appears to three shepherd children, Lucia Dos Santos and her younger cousins, Jacinta and Francisco Marto. Appearing above a tree, the Lady asks the children to return to the cova on the thirteenth day of each month for the next six months. Upon returning to the village, the children describe their encounter to Hugo DaSilva, an educated, agnostic peddler and friend, who counsels them to keep silent about it for their own protection. However, Jacinta tells her parents, Manuel and Olimpia Marto, who believe the story and tell Lucia's parents, Antonio and Maria Rosa Dos Santos. Fearing repercussions from the police, Maria Rosa accuses Lucia of playing tricks on her little cousins, and later tells the story to the village priest, Father Ferreira, who suggests it is a manifestation of girlish hysteria that should be ignored. By the middle of the following month, word has spread about the vision of the Lady, and pilgrims trek to the cova, but Maria Rosa forbids Lucia to go. Instead, she is taken to a village celebration, where the crowd taunts her until the village administrator, Arturo, arrives with the police. Having heard reports of religious sightings, which are punishable by law in the current police state, he questions the villagers and demands to be shown Lucia, but Hugo sneaks her away. After Lucia convinces Hugo to take her to the cova, a cloud appears and moves to the same place above the tree, but when the Lady appears, only the three children see her. She tells them that Jesus wants ...
On 13 May 1917, in the Cova Da Iria, near the mountain village of Fatima, Portugal, a vision of a beautiful Lady appears to three shepherd children, Lucia Dos Santos and her younger cousins, Jacinta and Francisco Marto. Appearing above a tree, the Lady asks the children to return to the cova on the thirteenth day of each month for the next six months. Upon returning to the village, the children describe their encounter to Hugo DaSilva, an educated, agnostic peddler and friend, who counsels them to keep silent about it for their own protection. However, Jacinta tells her parents, Manuel and Olimpia Marto, who believe the story and tell Lucia's parents, Antonio and Maria Rosa Dos Santos. Fearing repercussions from the police, Maria Rosa accuses Lucia of playing tricks on her little cousins, and later tells the story to the village priest, Father Ferreira, who suggests it is a manifestation of girlish hysteria that should be ignored. By the middle of the following month, word has spread about the vision of the Lady, and pilgrims trek to the cova, but Maria Rosa forbids Lucia to go. Instead, she is taken to a village celebration, where the crowd taunts her until the village administrator, Arturo, arrives with the police. Having heard reports of religious sightings, which are punishable by law in the current police state, he questions the villagers and demands to be shown Lucia, but Hugo sneaks her away. After Lucia convinces Hugo to take her to the cova, a cloud appears and moves to the same place above the tree, but when the Lady appears, only the three children see her. She tells them that Jesus wants her to be known, and predicts that although Lucia will remain on earth to carry out her mission, Jacinta and Francisco will soon return to heaven. Then the crowd witnesses the cloud move from the tree and disappear. Later, Hugo is arrested for obstructing a police investigation and the village church is closed. Ferreira, who now no longer doubts that the children saw something, is still not certain that the vision is good, as only evil has come from it so far, but he tells Arturo that closing the church only sanctions the visions. Arturo counters that if no crowd appears at the cova the following month, the church will be reopened. On the day of the next expected appearance, the crowd is even larger than before. The police arrest Ferreira as he pleads to the pilgrims to return home, but the crowd prevents them from taking the children. The Lady appears, again only to the children, and says that they will suffer for the conversion of sinners. She predicts that the world will be punished by a second big war and tells of an evil scheme in Russia. Before departing, she promises to give a sign for the unbelievers in October. Afterward, when the newspapers denounce the actions of the police, Ferreira is released, but on the thirteenth of the following month, the police abduct the children. At the province's police station, the children are bribed, harassed and threatened to deny their vision, but they do not relent. The magistrate tries to trick them into implicating Ferreira or admitting that the visions are a money-making scheme fabricated by Antonio, who owns the land of the cova. When the children remain true, they are jailed with adult criminals, where Hugo is being held. While believers hold a vigil outside the jail, the children recite the Rosary until the magistrate releases them along with Hugo. Then the bishop arrives and tries to shame Lucia into discrediting her story, but Maria Rosa and Antonio comfort her by saying that they believe. On a rainy 13th of October, the families escort the children to the cova, where thousands of pilgrims wait for the vision, who calls herself the Lady of the Rosary. She appears and predicts that the current war will soon end and God will triumph. For the restless crowd, she presents the promised miracle: the sun appears to fall to the earth and when it returns to the heavens, the earth is dry, in spite of the heavy rain, and many of the sick and injured are healed. On that day, many skeptics, including Hugo, become believers. Thirty-four years later, thousands of people again pay homage to the lady at a basilica which has been built on the site of the cova. Inside the basilica, visiting the graves of Francisco and Jacinta, is Hugo with the nun Lucia. She tells him that if the people will pray, God will send peace.
TOP SEARCHES
Psycho
Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>
The Grapes of Wrath
According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>
Blue Movie
The 25 Jun 1969 Var review noted that Blue Movie was shot in Sep 1968 in New York City. Along with several other contemporary sources, ... >>
Harold and Maude
During the opening credits for the film, Bud Cort, as the character "Harold Chasen," sets the stage for a mock suicide. As director Hal Ashby's credit appears, Harold jumps ... >>
Batman Returns
According to a 14 Jun 1992 LAT article, Warner Bros. was very eager for Tim Burton to direct the sequel to his 1989 film Batman ... >>