The Clown (1953)

89 or 91 mins | Drama | 16 January 1953

Director:

Robert Z. Leonard

Producer:

William H. Wright

Cinematographer:

Paul Vogel

Editor:

Gene Ruggiero

Production Designers:

Cedric Gibbons, Wade B. Rubottom

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

The order of names in the opening cast credits differs slightly from the order of the end credits. The DV review noted that "Dodo Delwyn's" television show was closely patterned on Red Skelton's own popular weekly program. Skelton began his television career in 1951 with The Red Skelton Show, broadcast on the NBC network. In 1953, he switched to CBS, and continued to appear on that network until 1970. Tim Considine, who made his film debut in The Clown, was the third generation of an established theatrical family. His grandfathers were rival theater owners John W. Considine, Sr. and Alexander Pantages, and his father, John W. Considine, Jr., was a prominent producer at M-G-M.
       According to an 11 Mar 1952 HR news item, Gene Fowler and Gene Towne were writing a treatment of the story, which was owned by Skelton, but the extent of their contribution to the final film has not been determined. The same news item reported that Mervyn LeRoy was interested in directing the film. A 23 Oct 1952 HR news item stated that Robert Burton had been cast in the role of "Dr. Strauss." Fay Roope played the part in the film, however. The Clown is a remake of the 1931 M-G-M film The Champ (see AFI Catalog of Feature Films, 1931-40), which was directed by King Vidor and starred Wallace Beery as a washed-up boxer and Jackie Cooper as his son. Frances Marion and Leonard Praskins, who were credited with the story and adaptation of The Clown, wrote ...

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The order of names in the opening cast credits differs slightly from the order of the end credits. The DV review noted that "Dodo Delwyn's" television show was closely patterned on Red Skelton's own popular weekly program. Skelton began his television career in 1951 with The Red Skelton Show, broadcast on the NBC network. In 1953, he switched to CBS, and continued to appear on that network until 1970. Tim Considine, who made his film debut in The Clown, was the third generation of an established theatrical family. His grandfathers were rival theater owners John W. Considine, Sr. and Alexander Pantages, and his father, John W. Considine, Jr., was a prominent producer at M-G-M.
       According to an 11 Mar 1952 HR news item, Gene Fowler and Gene Towne were writing a treatment of the story, which was owned by Skelton, but the extent of their contribution to the final film has not been determined. The same news item reported that Mervyn LeRoy was interested in directing the film. A 23 Oct 1952 HR news item stated that Robert Burton had been cast in the role of "Dr. Strauss." Fay Roope played the part in the film, however. The Clown is a remake of the 1931 M-G-M film The Champ (see AFI Catalog of Feature Films, 1931-40), which was directed by King Vidor and starred Wallace Beery as a washed-up boxer and Jackie Cooper as his son. Frances Marion and Leonard Praskins, who were credited with the story and adaptation of The Clown, wrote the earlier film.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
3 Jan 1953
---
Daily Variety
23 Dec 1952
p. 3, 15
Film Daily
15 Jan 1953
p. 13
Hollywood Reporter
11 Mar 1952
p. 1
Hollywood Reporter
18 Sep 1952
pp. 7-8
Hollywood Reporter
19 Sep 1952
p. 14
Hollywood Reporter
23 Oct 1952
p. 3
Hollywood Reporter
24 Oct 1952
p. 12
Hollywood Reporter
23 Dec 1952
p. 3
Hollywood Reporter
9 Jan 1953
p. 11
Motion Picture Daily
24 Dec 1952
---
Motion Picture Herald Product Digest
27 Dec 1952
p. 1662
New York Times
29 Jan 1953
p. 25
Variety
24 Dec 1952
p. 6
CAST
NAME
CREDITED AS
CREDIT
Charles Buchinsky
Jesse Kirkpatrick
Thomas Dillon
Tony Merrill
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
From an adapt by
PHOTOGRAPHY
Paul Vogel
Dir of photog
ART DIRECTORS
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Fred MacLean
Set dec
MUSIC
SOUND
Rec dir
VISUAL EFFECTS
Montage seq
MAKEUP
Hairstylist
Makeup created by
PRODUCTION MISC
Unit mgr
DETAILS
Release Date:
16 January 1953
Production Date:
19 Sep--late Oct 1952
Copyright Info
Claimant
Date
Copyright Number
Loew's Inc.
18 December 1952
LP2298
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
89 or 91
Length(in feet):
8,080
Length(in reels):
10
Country:
United States
Language:
English
PCA No:
16210
Passed by NBR:
Yes
SYNOPSIS

At the Coney Island amusement park, clown Dodo Delwyn entertains the crowds as his young son Dink watches proudly, but then is fired when his teasing goes too far and angers a customer. Dodo and Dink call on Dodo's agent, Danny Daylor, who reproaches Dodo for his recent spate of problems on the job but arranges an audition for that evening. After leaving Danny's office, however, Dodo goes to a bar and drinks until he passes out. Dink fetches his father and takes him to the audition, but the client smells liquor on his breath and walks out. Dink sadly takes his father home and puts him to bed, listening impassively when Dodo vows to quit drinking. The next morning, Dink goes to see agent Benjamin Y. "Goldie" Goldenson and asks him to manage Dodo, as he did in the past. The kind-hearted Goldie reminisces fondly about Dodo's days with the Ziegfeld Follies and gives Dink fifty dollars as an "advance." Dodo rejects the money as charity, but when he indignantly phones the agency, Goldie's associate, Joe Hoagley, who overheard his conversation with Dink, tells Dodo he has a booking that evening at a convention at the Ritz Plaza. In high spirits, Dodo and Dink go to a pawn shop, where Dodo retrieves both his tuxedo and his most prized possession, an engraved watch given to him by Ziegfeld. Dodo gives the watch to Dink, who is overwhelmed by the gift. That evening, Goldie is unpleasantly surprised when Dodo shows up for work and tries in vain to dissuade him from going on in the thankless stooge role. Goldie takes Dink to the ...

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At the Coney Island amusement park, clown Dodo Delwyn entertains the crowds as his young son Dink watches proudly, but then is fired when his teasing goes too far and angers a customer. Dodo and Dink call on Dodo's agent, Danny Daylor, who reproaches Dodo for his recent spate of problems on the job but arranges an audition for that evening. After leaving Danny's office, however, Dodo goes to a bar and drinks until he passes out. Dink fetches his father and takes him to the audition, but the client smells liquor on his breath and walks out. Dink sadly takes his father home and puts him to bed, listening impassively when Dodo vows to quit drinking. The next morning, Dink goes to see agent Benjamin Y. "Goldie" Goldenson and asks him to manage Dodo, as he did in the past. The kind-hearted Goldie reminisces fondly about Dodo's days with the Ziegfeld Follies and gives Dink fifty dollars as an "advance." Dodo rejects the money as charity, but when he indignantly phones the agency, Goldie's associate, Joe Hoagley, who overheard his conversation with Dink, tells Dodo he has a booking that evening at a convention at the Ritz Plaza. In high spirits, Dodo and Dink go to a pawn shop, where Dodo retrieves both his tuxedo and his most prized possession, an engraved watch given to him by Ziegfeld. Dodo gives the watch to Dink, who is overwhelmed by the gift. That evening, Goldie is unpleasantly surprised when Dodo shows up for work and tries in vain to dissuade him from going on in the thankless stooge role. Goldie takes Dink to the hotel's soda fountain, where they encounter Paula Henderson, who is attending the convention with her husband Ralph, a successful businessman. Later, while Dodo is being humiliated onstage in the comic sketch, he and Paula spot each other. At Paula's request, Ralph goes backstage to see Dodo, who confirms that Dink is the son Paula has not seen since her divorce from Dodo years before. When Ralph gives him two hundred dollars, Dodo reluctantly agrees to let Dink visit the Hendersons briefly in their suite. Dodo sends the boy up with no explanation, and when Paula tells Dink she is his mother, he is surprised but unmoved. Dodo then takes Dink to an all-night dice game, where he loses all his money and the watch, which he removes from his sleeping son. Later that morning, Ralph calls on Dodo and asks him to let Dink live with them for a while, but Dodo refuses. When Dink wakes up, he discovers the watch is missing, but Dodo promises to get it back. Desperate for money, Dodo agrees to entertain at a stag party for the shady Little Julie, but the party is raided by the police. After Goldie bails him out, Dodo says he has decided to give Dink to Paula. Dodo tells Dink he does not want him anymore, and strikes the boy when he tearfully objects. The crestfallen Dink leaves with Goldie, and Dodo weeps with anger at himself for having hit his son. Despite the Hendersons' kindness, Dink is miserable in their luxurious home, and one night he runs away. Goldie has just offered Dodo a shot at his own television series when Dink walks in, and father and son are happily reunited. The Dodo Delwyn Show goes into production, and one day Dodo has a dizzy spell during rehearsals. On the night of the first broadcast, Paula and Ralph are in the audience, and the show is going well until Dodo collapses offstage. Goldie and Dink beg Dodo not to go on with the show, but Dodo, determined to make his son proud, insists on performing the final sketch. Dodo finishes the show but collapses afterwards and dies in his dressing room. When Ralph and Paula come in, the grief-stricken Dink calls Paula "mother" for the first time, and the boy goes home with his new family.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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