Director:
William DieterleWriters:
Sonya Levien, Bruno FrankProducer:
Pandro S. BermanCinematographer:
Joseph H. AugustEditors:
William Hamilton, Robert WiseProduction Designer:
Van Nest PolglaseProduction Company:
RKO Radio Pictures, Inc.The opening credits of this film read "RKO Radio Pictures, Inc. presents Victor Hugo's immortal classic The Hunchback of Notre Dame." According to a 1932 news item in HR, Universal announced that John Huston was writing a treatment for the first sound version of Hugo's story as a vehicle for Boris Karloff. In 1937, M-G-M considered making the film starring Peter Lorre. Pre-production news items in HR note that RKO considered Bela Lugosi, Claude Rains, Orson Welles, Robert Morley and Lon Chaney, Jr. for the role of the hunchback. The studio originally considered Charles Laughton for the role, but at the time, Laughton was negotiating with M-G-M to star in an adaptation of Cyrano de Bergerac. Materials contained in the RKO Production Files at the UCLA Library note that RKO paid $135,000 for the story rights for this film. The picture was shot at the RKO Ranch in the San Fernando Valley, where the studio constructed a 190 foot replica of Notre Dame, complete with gargoyles, vaulted ceilings and stained glass windows. A news item in HR adds that the film's budget, estimated at between $2,500,000-$3,000,000 was the largest budget in RKO's production history. Studio records note that Joyce Gardner was originally slated to play the role of "Fleur," but a scheduling conflict prevented her appearance. Sir Cedric Hardwicke replaced Basil Rathbone as "Frollo" when scheduling conflicts prevented Rathbone from playing the role. This picture marked Maureen O'Hara's debut in an American picture, radio actor Edmond O'Brien's screen debut, and stage actor Walter Hampden's screen debut. The picture was nominated for an Academy Award for ...
The opening credits of this film read "RKO Radio Pictures, Inc. presents Victor Hugo's immortal classic The Hunchback of Notre Dame." According to a 1932 news item in HR, Universal announced that John Huston was writing a treatment for the first sound version of Hugo's story as a vehicle for Boris Karloff. In 1937, M-G-M considered making the film starring Peter Lorre. Pre-production news items in HR note that RKO considered Bela Lugosi, Claude Rains, Orson Welles, Robert Morley and Lon Chaney, Jr. for the role of the hunchback. The studio originally considered Charles Laughton for the role, but at the time, Laughton was negotiating with M-G-M to star in an adaptation of Cyrano de Bergerac. Materials contained in the RKO Production Files at the UCLA Library note that RKO paid $135,000 for the story rights for this film. The picture was shot at the RKO Ranch in the San Fernando Valley, where the studio constructed a 190 foot replica of Notre Dame, complete with gargoyles, vaulted ceilings and stained glass windows. A news item in HR adds that the film's budget, estimated at between $2,500,000-$3,000,000 was the largest budget in RKO's production history. Studio records note that Joyce Gardner was originally slated to play the role of "Fleur," but a scheduling conflict prevented her appearance. Sir Cedric Hardwicke replaced Basil Rathbone as "Frollo" when scheduling conflicts prevented Rathbone from playing the role. This picture marked Maureen O'Hara's debut in an American picture, radio actor Edmond O'Brien's screen debut, and stage actor Walter Hampden's screen debut. The picture was nominated for an Academy Award for Best Musical Score and Best Sound Recording. Modern sources add that Charles Laughton and makeup director Perc Westmore argued over the makeup of "Quasimodo." Laughton wanted to wear a heavy hump to help him act the role, but Westmore disagreed. Among the many film adaptations of Hugo's novel are: the 1917 Fox film The Darling of Paris starring Theda Bara and Glen White and directed by J. Gordon Edwards (see AFI Catalog of Feature Films, 1911-20); Universal's 1923 film The Hunchback of Notre Dame starring Lon Chaney and directed by Wallace Worsley (see AFI Catalog of Feature Films, 1921-30); the 1957 French film Notre Dame de Paris starring Gina Lollobrigida and Anthony Quinn and Jean Delannoy; the 1982 television movie The Hunchback of Notre Dame directed by Michael Tuchner and starring Anthony Hopkins, Derek Jacobi and Lesley-Ann Down; and the 1996 Disney animated film directed by Gary Trousdale and Kirk Wise, featuring the voices of Tom Hulce and Demi Moore.
Ignorance, cruelty and superstition pervade France of the fifteenth century. Frollo, the King's high justice, exploits these evils, persecuting the gypsies and opposing any mode of progress. When the lovely gypsy dancer Esmeralda is threatened by the King's men, she seeks refuge in a church, Notre Dame, where she meets the grotesque hunchback Quasimodo. Frollo, who is Quasimodo's guardian, orders the hunchback to take the girl captive, and Esmeralda, terrified, escapes to the underworld of Clopin and his beggars. There, she saves the life of the poet Gringoire by consenting to take him as her husband, although she truly loves the soldier Phoebus. Frollo lusts after Esmeralda, however, and, unable to tolerate her love for Phoebus, kills his rival. Esmeralda is arrested for the crime, and Frollo, claiming that the girl had bewitched him with the power of Satan, demands her life. As Esmeralda is marched to die on the gallows, Quasimodo leaps from the building above and carries her to the sanctuary of the church. Not to be denied Esmeralda's life, Frollo incites the nobles to deny sanctuary, and the beggars, concerned for the girl's safety, storm the church. Amid the chaos, Frollo enters the church. Justice is finally served as Quasimodo hurls Frollo to his death from the bell ...
Ignorance, cruelty and superstition pervade France of the fifteenth century. Frollo, the King's high justice, exploits these evils, persecuting the gypsies and opposing any mode of progress. When the lovely gypsy dancer Esmeralda is threatened by the King's men, she seeks refuge in a church, Notre Dame, where she meets the grotesque hunchback Quasimodo. Frollo, who is Quasimodo's guardian, orders the hunchback to take the girl captive, and Esmeralda, terrified, escapes to the underworld of Clopin and his beggars. There, she saves the life of the poet Gringoire by consenting to take him as her husband, although she truly loves the soldier Phoebus. Frollo lusts after Esmeralda, however, and, unable to tolerate her love for Phoebus, kills his rival. Esmeralda is arrested for the crime, and Frollo, claiming that the girl had bewitched him with the power of Satan, demands her life. As Esmeralda is marched to die on the gallows, Quasimodo leaps from the building above and carries her to the sanctuary of the church. Not to be denied Esmeralda's life, Frollo incites the nobles to deny sanctuary, and the beggars, concerned for the girl's safety, storm the church. Amid the chaos, Frollo enters the church. Justice is finally served as Quasimodo hurls Frollo to his death from the bell tower.
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