The Sea Around Us (1953)

61-62 mins | Documentary | 1953

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HISTORY

The film's title card reads: "Rachel L. Carson's The Sea Around Us." Onscreen credits include a written acknowledgment for the following people, businesses and organizations: Australian News and Information Bureau, Noel Monkman, F.R.M.S.; Crawley Films Limited; Fouke Fur Company; Allan Hancock Foundation; University of Southern California; Imperial Oil Limited; National Federation of American Shipping, Inc.; Marine Studios, Marineland, Florida; Wm. Harold Oliver, Jr.; Standard Oil Company of California; George Tahara; Union Pacific Railroad Company; Wakefield's Deep Sea Trawlers, Inc.; William Francis Whitman; and Dudley A. Whitman.
       According to contemporary sources, to make the project financially feasible, producer Irwin Allen wrote letters to the forty people Carson acknowledged in her book, asking for help compiling footage. A 20 Jan 1953 LADN article stated that some of the people who were solicited shot footage for free, while others "released footage on a royalty basis." Other footage was purchased outright by RKO. Approximately 1,620,000 feet of 16mm color film was collected from 2,341 sources, according to the LADN article. The same article notes that Capt. Allan Hancock of the University of Southern California's Hancock Foundation assisted Allen, and significant footage was taken aboard Hancock's "floating marine laboratory Velero." Although the exact date of the first theatrical showing has not been determined, the picture was screened in Dec 1952 to qualify for Academy Award consideration. The film won the 1952 Oscar for Best Documentary Feature. ...

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The film's title card reads: "Rachel L. Carson's The Sea Around Us." Onscreen credits include a written acknowledgment for the following people, businesses and organizations: Australian News and Information Bureau, Noel Monkman, F.R.M.S.; Crawley Films Limited; Fouke Fur Company; Allan Hancock Foundation; University of Southern California; Imperial Oil Limited; National Federation of American Shipping, Inc.; Marine Studios, Marineland, Florida; Wm. Harold Oliver, Jr.; Standard Oil Company of California; George Tahara; Union Pacific Railroad Company; Wakefield's Deep Sea Trawlers, Inc.; William Francis Whitman; and Dudley A. Whitman.
       According to contemporary sources, to make the project financially feasible, producer Irwin Allen wrote letters to the forty people Carson acknowledged in her book, asking for help compiling footage. A 20 Jan 1953 LADN article stated that some of the people who were solicited shot footage for free, while others "released footage on a royalty basis." Other footage was purchased outright by RKO. Approximately 1,620,000 feet of 16mm color film was collected from 2,341 sources, according to the LADN article. The same article notes that Capt. Allan Hancock of the University of Southern California's Hancock Foundation assisted Allen, and significant footage was taken aboard Hancock's "floating marine laboratory Velero." Although the exact date of the first theatrical showing has not been determined, the picture was screened in Dec 1952 to qualify for Academy Award consideration. The film won the 1952 Oscar for Best Documentary Feature.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
17 Jan 1953
---
Daily Variety
14 Jan 1953
p. 6
Film Daily
15 Jan 1953
p. 13
Hollywood Reporter
30 Oct 1952
---
Hollywood Reporter
14 Jan 1953
p. 3
Los Angeles Daily News
20 Jan 1953
---
Motion Picture Herald Product Digest
17 Jan 1953
p. 1686
Newsweek
20 Jul 1953
---
New York Times
8 Jul 1953
p. 24
Time
20 Jul 1953
---
Variety
11 Feb 1953
p. 6
CAST
NAME
CREDITED AS
CREDIT

NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITER
Cont and commentary wrt
FILM EDITORS
Supv film ed
Film ed
MUSIC
C. Bakaleinikoff
Mus dir
VISUAL EFFECTS
Linwood Dunn
Photog eff
PRODUCTION MISC
Asst to the prod
Technical asst
SOURCES
LITERARY
Based on the book The Sea Around Us by Rachel L. Carson (New York, 1951).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Rachel L. Carson's The Sea Around Us
Release Date:
1953
Premiere Information:
New York opening: 7 Jul 1953
Production Date:

Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
2 July 1953
MP3705
Physical Properties:
Sound
RCA Sound System
Color
Lenses/Prints
print by Technicolor
Duration(in mins):
61-62
Country:
United States
Language:
English
PCA No:
16211
SYNOPSIS

This documentary examines the world's seas and oceans, from Australia's tropical Barrier Reef to Alaska's arctic waters. After a brief discussion of the evolutionary development of the earth's waters and the many ways by which people benefit from them, the film explores microscopic marine life. Footage of diatoms and the tiny crustaceans that eat them is followed by shots of colorful hydras. Next, an octopus and shark are shown fighting each other, a bloody battle won by the shark. The film then describes how sharks are captured by Florida's Marineland using tranquilizer-laced bait and revived by professional "shark walkers." Crab herding and Otis Barton's benthascope, a steel underwater chamber that on 16 Aug 1949 descended to a record-breaking depth of 4,500 feet, are depicted. Footage of enormous seismic waves, caused by undersea earthquakes is seen, along with shots of storm-tossed ships and boats. Various dangerous sea animals, including the twenty-foot long medusa jellyfish and the moray eel, are then shown. The film next examines the fishing industry, from giant crab trapping to sponge diving. After a look at Australia's Great Barrier Reef, with its colorful fish and plant life, salmon of the Pacific Northwest are seen fighting their way from the ocean to their upriver spawning ground. Sea mammals such as porpoises, turtles, arctic seals and whales are discussed, as are marine birds. Footage of a whale hunt then is shown. The film concludes with the question "What is the fate of the world?" noting that if the polar caps continue melting at a steady rate, the earth's waters will rise one hundred feet, enough to submerge every coastal ...

More Less

This documentary examines the world's seas and oceans, from Australia's tropical Barrier Reef to Alaska's arctic waters. After a brief discussion of the evolutionary development of the earth's waters and the many ways by which people benefit from them, the film explores microscopic marine life. Footage of diatoms and the tiny crustaceans that eat them is followed by shots of colorful hydras. Next, an octopus and shark are shown fighting each other, a bloody battle won by the shark. The film then describes how sharks are captured by Florida's Marineland using tranquilizer-laced bait and revived by professional "shark walkers." Crab herding and Otis Barton's benthascope, a steel underwater chamber that on 16 Aug 1949 descended to a record-breaking depth of 4,500 feet, are depicted. Footage of enormous seismic waves, caused by undersea earthquakes is seen, along with shots of storm-tossed ships and boats. Various dangerous sea animals, including the twenty-foot long medusa jellyfish and the moray eel, are then shown. The film next examines the fishing industry, from giant crab trapping to sponge diving. After a look at Australia's Great Barrier Reef, with its colorful fish and plant life, salmon of the Pacific Northwest are seen fighting their way from the ocean to their upriver spawning ground. Sea mammals such as porpoises, turtles, arctic seals and whales are discussed, as are marine birds. Footage of a whale hunt then is shown. The film concludes with the question "What is the fate of the world?" noting that if the polar caps continue melting at a steady rate, the earth's waters will rise one hundred feet, enough to submerge every coastal city worldwide.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.