She's Back on Broadway (1953)

95 mins | Romance | 14 March 1953

Director:

Gordon Douglas

Writer:

Orin Jannings

Producer:

Henry Blanke

Cinematographer:

Edwin DuPar

Production Designer:

Edward Carrere

Production Company:

Warner Bros. Pictures, Inc.
Full page view
HISTORY

The working title of the film was Back to Broadway. Although Aug 1952 HR news items add Ed Hinton and Michael Baiano to the cast, their appearance in the completed picture has not been confirmed. The CBCS lists John Monks as one of the screen writers for the film, but he is not credited onscreen. According to an Aug 1952 HR news item, exterior shots were filmed at a Beverly Hills private residence. ...

More Less

The working title of the film was Back to Broadway. Although Aug 1952 HR news items add Ed Hinton and Michael Baiano to the cast, their appearance in the completed picture has not been confirmed. The CBCS lists John Monks as one of the screen writers for the film, but he is not credited onscreen. According to an Aug 1952 HR news item, exterior shots were filmed at a Beverly Hills private residence.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
31 Jan 1953
---
Daily Variety
22 Jan 1953
p. 3
Film Daily
6 Feb 1953
p. 8
Hollywood Reporter
22 Jul 1952
p. 2
Hollywood Reporter
25 Jul 1952
p. 11
Hollywood Reporter
4 Aug 1952
p. 3
Hollywood Reporter
6 Aug 1952
p. 5
Hollywood Reporter
13 Aug 1952
p. 6
Hollywood Reporter
29 Aug 1952
p. 5
Hollywood Reporter
10 Oct 1952
p. 11
Hollywood Reporter
22 Jan 1953
p. 3
Motion Picture Herald Product Digest
24 Jan 1953
p. 1693
New York Times
11 Mar 1953
p. 35
New York Times
12 Mar 1953
p. 24
Newsweek
23 Mar 1953
---
Variety
28 Jan 1953
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
BRAND NAME
A Warner Bros.--First National Picture
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Lee White
2d asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Stills
Gaffer
Best boy
ART DIRECTOR
Art dir
FILM EDITOR
Folmar Blangsted
Film ed
SET DECORATORS
Set dec
Weldon H. Patterson
Props
COSTUMES
Men's ward
Women's ward
MUSIC
Mus dir
Vocal arr
SOUND
Charles Lang
Sd
DANCE
Mus numbers staged and dir
MAKEUP
Makeup artist
Makeup
Hairdresser
Hairdresser
PRODUCTION MISC
Alma D. Young
Scr supv
STAND INS
Singing voice double for Virginia Mayo
SOURCES
SONGS
"I'll Take You as You Are," "One Step Ahead of Everybody," "Breakfast in Bed," "I Think You're Wonderful" and "Ties That Bind," music Carl Sigman, lyrics by Bob Hilliard; "Behind the Mask," "Voodoo" and "Mardi Gras," music by Ray Heindorf, lyrics by Charles Henderson.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Title:
Back to Broadway
Release Date:
14 March 1953
Premiere Information:
New York opening: 11 Mar 1953
Production Date:
21 Jul--mid Oct 1952
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
15 April 1953
LP2509
Physical Properties:
Sound
RCA Sound System
Color
WarnerColor
Duration(in mins):
95
Country:
United States
Language:
English
PCA No:
16035
SYNOPSIS

Fearing that her once successful film career is now "washed up," actress Catherine Terris reluctantly takes the advice of her agent, Mitchell Parks, and accepts the lead role in a Broadway musical revue that is to be directed by her former flame, Rick Sommers. The brilliant, but moody Rick resents learning from John Webber, the producer of the show, that Catherine has been cast without his input and argues that she will let them down, as six years before she left a show he was directing when offered a film role. Rick relents after John tells him that having Catherine's name connected with the show has doubled the financial backing in two days. Later at auditions, Rick recognizes the talent of an unknown dancer, Gordon Evans, and fights to give him a lead role, just as he once did for Catherine. Rehearsals begin after the performers have been cast, including Rick's current girl friend, dancer Karen Keene. Then a motion picture executive, Lew Ludlow, tells Rick that Mitch is Catherine's boyfriend and has raised the last half of the money, hoping that a Broadway success will lead to her being "rediscovered" by the film industry. Angry that he is expected to make Catherine "look good" so that she can again walk out on him, Rick harasses her during rehearsals until she walks off the stage. When John confronts Rick about his behavior, Rick quits and John takes over temporarily until a new director is found. That evening Rick tells Karen that, six years before, under his direction Catherine first became a success, but then she left the show and jeopardized its financial future. Although Karen wonders if there is ...

More Less

Fearing that her once successful film career is now "washed up," actress Catherine Terris reluctantly takes the advice of her agent, Mitchell Parks, and accepts the lead role in a Broadway musical revue that is to be directed by her former flame, Rick Sommers. The brilliant, but moody Rick resents learning from John Webber, the producer of the show, that Catherine has been cast without his input and argues that she will let them down, as six years before she left a show he was directing when offered a film role. Rick relents after John tells him that having Catherine's name connected with the show has doubled the financial backing in two days. Later at auditions, Rick recognizes the talent of an unknown dancer, Gordon Evans, and fights to give him a lead role, just as he once did for Catherine. Rehearsals begin after the performers have been cast, including Rick's current girl friend, dancer Karen Keene. Then a motion picture executive, Lew Ludlow, tells Rick that Mitch is Catherine's boyfriend and has raised the last half of the money, hoping that a Broadway success will lead to her being "rediscovered" by the film industry. Angry that he is expected to make Catherine "look good" so that she can again walk out on him, Rick harasses her during rehearsals until she walks off the stage. When John confronts Rick about his behavior, Rick quits and John takes over temporarily until a new director is found. That evening Rick tells Karen that, six years before, under his direction Catherine first became a success, but then she left the show and jeopardized its financial future. Although Karen wonders if there is more to the story, she gently shows him a newspaper article about his departure from the show, which accuses him of throwing a tantrum and questions his viability as a director. The next day, when a new article reports that Rick slugged the columnist, Karen accuses Catherine, in front of the rest of the cast, of getting Rick fired. After consulting with John, Catherine, who is still in love with Rick, goes to his apartment and asks him to return to the show. Although surprised to learn from him that Mitch, who has often proposed marriage to her, is one of the backers, Catherine is also amused that Rick is jealous. She admits that she has hoped for years that they would reconcile and they kiss. However, when Karen shows up, Catherine realizes that Rick has been seeing her and leaves. Rick returns to the show and, making up for lost time, rehearses the cast for long hours, but three days before they are to open in New Haven, Connecticut, he admits to Catherine that although she is doing well, the show is "flat and dull." When the troupe performs in New Haven, the reviewers agree, praising Catherine and Gordon, while damning the show. Back in New York, John offers to finance time for rewrites and to work out the kinks in the show. Rick is willing until Ludlow informs him that, based on Catherine's good New Haven reviews, his company has offered her an incredibly good motion picture deal. Assuming that Catherine has accepted, Rick gives word to send the cast home, but then Catherine shows up for rehearsal. Taking Rick aside, she tells him she would rather stay with him, unless they have no future together, and asks him if she should accept the offer. When he advises her to go, she leaves the theater. However, Karen is nearby and quietly urges him to pursue her. After catching up with Catherine on the street, Rick asks her to stay. Rehearsals resume and the troupe works together to improve the show.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Incendiary Blonde

The working titles of this film were The Smoothest Gal in Town , The Life of Texas Guinan and Texas Guinan . The film opens ... >>

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

Pretty Baby

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Jeremy Carr, Visiting Research Fellow ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.