That Man from Tangier (1953)

80 mins | Romantic comedy | 8 May 1953

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HISTORY

The film begins with the following written prologue: "Tangier, an International Zone in Spanish Morocco, North Africa, is probably the wickedest city in the world...It is a haven for political outcasts, spies, tax dodgers, thieves and the dregs of society...It is almost impossible to break the law in Tangier, simply because there are few laws to be broken...Smuggling is a legitimate business and is listed as 'Import-Export' in the telephone directory...Dope merchants, black marketeers operate openly...Every known vice is legal...This story is laid in Tangier and Sevilla, Spain...It was actually filmed in Spain and Tangier." Despite the latter statement, the shots of Tangier are limited to a few scenic views; Tangier's Casbah was built on land adjacent to the studio in Madrid.
       The film was shot in 1950, but was not released in the U.S. until May 1953. The print viewed had English credit titles, but was dubbed into Spanish. It is possible that assistant director Wm. Jugo is a pseudonym for Luis María Delgado who worked on the film and also supervised its dubbing into Spanish. Some sources add Carlos Díaz de Mendoza as "Hotel manager" and Casimiro Hurtado as "Concierge" to the cast, but they were not in the print viewed. That Man from Tangier was the last film of longtime character actor Roland Young (1887--1953). The film was released in Spain as Aquel hombre de Tanger. ...

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The film begins with the following written prologue: "Tangier, an International Zone in Spanish Morocco, North Africa, is probably the wickedest city in the world...It is a haven for political outcasts, spies, tax dodgers, thieves and the dregs of society...It is almost impossible to break the law in Tangier, simply because there are few laws to be broken...Smuggling is a legitimate business and is listed as 'Import-Export' in the telephone directory...Dope merchants, black marketeers operate openly...Every known vice is legal...This story is laid in Tangier and Sevilla, Spain...It was actually filmed in Spain and Tangier." Despite the latter statement, the shots of Tangier are limited to a few scenic views; Tangier's Casbah was built on land adjacent to the studio in Madrid.
       The film was shot in 1950, but was not released in the U.S. until May 1953. The print viewed had English credit titles, but was dubbed into Spanish. It is possible that assistant director Wm. Jugo is a pseudonym for Luis María Delgado who worked on the film and also supervised its dubbing into Spanish. Some sources add Carlos Díaz de Mendoza as "Hotel manager" and Casimiro Hurtado as "Concierge" to the cast, but they were not in the print viewed. That Man from Tangier was the last film of longtime character actor Roland Young (1887--1953). The film was released in Spain as Aquel hombre de Tanger.

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GEOGRAPHIC LOCATIONS
LOCATION
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
6 Jun 1953
---
Daily Variety
16 Apr 1953
p. 3
The Exhibitor
22 Apr 1953
---
Motion Picture Herald Product Digest
2 May 1953
p. 1823
Variety
15 Apr 1953
p. 22
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Pres
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Asst cam
Asst cam
FILM EDITORS
Film ed
Asst ed
SET DECORATORS
Props
COSTUMES
Ward
MUSIC
Mus dir and arr
VISUAL EFFECTS
Spec eff
MAKEUP
Makeup
Hairdresser
Hairdresser
PRODUCTION MISC
Prod chief
Prod asst
Administrator
Stage mgr
Scr supv
SOURCES
SONGS
"Tangier," "Tell Me" and "Where Do I Go," music by Elizabeth Firestone, lyrics by Michael Carr.
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
Aquel hombre de Tanger
Release Date:
8 May 1953
Production Date:
began 17 Aug 1950 at Estudios Chamartín, Madrid
Copyright Info
Claimant
Date
Copyright Number
Elemsee Overseas Productions, Inc.
8 May 1953
LP3690
Physical Properties:
Sound
Western Electric Recording
Black and White
Duration(in mins):
80
Length(in reels):
9
Countries:
Spain, United States
Language:
English
PCA No:
16527
SYNOPSIS

Young Boston socialite Mary Ellen Sanders travels to Seville, Spain, to join her father, George and his mother, a very proper, domineering dowager, who is visiting an old school friend, a countess. On board the plane, Mary Ellen meets a gentleman who introduces himself as a French count in the import-export business in Tangier, Morocco, a city that has long fascinated Mary Ellen. When they part, the count gives her a telephone number where she can reach him. Once in Seville, Mary Ellen quickly becomes bored with the countess’ receptions and cultural excursions and spends a wild night out with a young man, angering her grandmother, whose sense of propriety is further offended when Mary Ellen tells her that, had she known that she would be so bored, she would have invented an excuse not to visit. Mary Ellen then phones the count and arranges to meet him in Tangier. After an evening of night-clubbing and heavy drinking, they end up getting married in a civil ceremony. On their way to another club to celebrate the wedding, the count is mugged and disappears, whereupon Mary Ellen telegrams her grandmother and father, informing them of her marriage to a nobleman, but also asking her father to come immediately to Tangier. After her father arrives, Mary Ellen explains the situation and both realize that they cannot return to Seville without her husband as her grandmother is expecting to meet him. In examining the count's passport, Mary Ellen finds an address in Tangier’s Casbah. As George and Mary Ellen walk through the Casbah, they are accosted by street children, anxious to sell them all manner of goods. When Mary Ellen expresses interest ...

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Young Boston socialite Mary Ellen Sanders travels to Seville, Spain, to join her father, George and his mother, a very proper, domineering dowager, who is visiting an old school friend, a countess. On board the plane, Mary Ellen meets a gentleman who introduces himself as a French count in the import-export business in Tangier, Morocco, a city that has long fascinated Mary Ellen. When they part, the count gives her a telephone number where she can reach him. Once in Seville, Mary Ellen quickly becomes bored with the countess’ receptions and cultural excursions and spends a wild night out with a young man, angering her grandmother, whose sense of propriety is further offended when Mary Ellen tells her that, had she known that she would be so bored, she would have invented an excuse not to visit. Mary Ellen then phones the count and arranges to meet him in Tangier. After an evening of night-clubbing and heavy drinking, they end up getting married in a civil ceremony. On their way to another club to celebrate the wedding, the count is mugged and disappears, whereupon Mary Ellen telegrams her grandmother and father, informing them of her marriage to a nobleman, but also asking her father to come immediately to Tangier. After her father arrives, Mary Ellen explains the situation and both realize that they cannot return to Seville without her husband as her grandmother is expecting to meet him. In examining the count's passport, Mary Ellen finds an address in Tangier’s Casbah. As George and Mary Ellen walk through the Casbah, they are accosted by street children, anxious to sell them all manner of goods. When Mary Ellen expresses interest in a bottle of expensive French perfume, a passing European gentleman advises them that the perfume is an excellent value. Whereupon, the gentleman is attacked by a lady tourist who states that the bottle contains drainage water and accuses him of being in league with the children. The gentleman runs off, but Mary Ellen and her father meet him again when he answers the door at the count’s house. They discover that he is the real Count Henri and that Mary Ellen has married an impostor who stole one of Henri’s passports and assumed his identity. In order to have someone to present to her grandmother, Mary Ellen and her father then offer the impoverished Henri five thousand dollars to play her husband for a month, after which a “divorce” will be arranged. Although this arrangement does not sit well with Henri’s Moroccan girl friend, Aixa, the trio returns to Seville, where the countess gives a large party for the newlyweds at which Henri charms all the ladies. Mary Ellen and Henri do not get along, however, and the sleeping arrangements at the countess’ mansion become complicated, with Henri having to share a bed with George. Grandmother is so taken with Henri that she suggests that he join the family business. When Henri points out that he is already making five thousand a month, she assures him that they can easily pay him more, much to George’s dismay. After Henri stays out all night at a party, his “employer,” Mary Ellen, chastises him and advises him that, for the rest of his contract he must behave like a monk. Their relationship becomes more acrimonious and, after nine days in Seville, they announce that Henri has to return briefly to Tangier on business. Once in Tangier, Henri tells Mary Ellen that he regrets accepting the arrangement, which he thought would be amusing, and does not intend to return to Spain. He does, however, agree to complete the contract and offers Mary Ellen a room in his house. Later, Henri tells Aixa, who is very jealous of Mary Ellen, that he intends to leave Tangier forever. Feeling less pressured in Tangier’s relaxing atmosphere, Mary Ellen and Henri get to know each other better and talk about their pasts. Aixa, believing that Mary Ellen is responsible for Henri’s flagging interest in her, places a poisonous snake in her room but Henri kills the reptile. Eventually, Mary Ellen and Henri admit to each other that they have fallen in love. Mary Ellen then phones her father to come once more to Tangier. George is happy to do so, realizing that he will not have to return to his mother with news of a divorce, and attends their religious marriage ceremony. Five years later, Henri and Mary Ellen reside with their children in very comfortable surroundings in Boston.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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