This Is My Love (1954)

91 mins | Melodrama, Mystery | 11 November 1954

Director:

Stuart Heisler

Producer:

Hugh Brooke

Cinematographer:

Ray June

Editor:

Otto Ludwig

Production Designer:

Wiard Ihnen

Production Company:

Allan Dowling Productions, Inc.
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HISTORY

The working titles of this film were People Like Us, Night Music and Night Without End. Voice-over narration, spoken by Linda Darnell as her character, “Vida Dove,” is heard at the beginning and end of the film. Although HR production charts indicate that the picture was shot using Eastman Color, onscreen credits list Pathé Color. An Apr 1954 HR news item lists Charles Sullivan in the cast, but his appearance in the final film has not been confirmed. Jerry and Susie Mathers, who play siblings in the film, were brother and sister in real life; This Is My Love marked their first screen appearance together and was Susie's debut. ...

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The working titles of this film were People Like Us, Night Music and Night Without End. Voice-over narration, spoken by Linda Darnell as her character, “Vida Dove,” is heard at the beginning and end of the film. Although HR production charts indicate that the picture was shot using Eastman Color, onscreen credits list Pathé Color. An Apr 1954 HR news item lists Charles Sullivan in the cast, but his appearance in the final film has not been confirmed. Jerry and Susie Mathers, who play siblings in the film, were brother and sister in real life; This Is My Love marked their first screen appearance together and was Susie's debut.

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PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
9 Oct 1954
---
Daily Variety
8 Jul 1954
---
Daily Variety
28 Sep 1954
p. 3
Film Daily
30 Sep 1954
p. 10
Hollywood Reporter
26 Mar 1954
p. 10
Hollywood Reporter
29 Apr 1954
p. 4
Hollywood Reporter
30 Apr 1954
p. 11
Hollywood Reporter
28 Sep 1954
p. 3
Motion Picture Herald Product Digest
2 Oct 1954
p. 169
Newsweek
25 Oct 1954
---
New York Times
25 Dec 1954
p. 7
Variety
29 Sep 1954
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Stuart Heisler Picture
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
WRITERS
From the story "Fear Has Black Wings" by
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Wiard Ihnen
Prod des
FILM EDITOR
Ed supv
SET DECORATOR
Set dec
COSTUMES
MUSIC
SOUND
T. A. Carman
Sd mixer
VISUAL EFFECTS
Mont seq
MAKEUP
Makeup artist
Hairstylist
PRODUCTION MISC
Prod supv
Scr supv
SOURCES
SONGS
"This Is My Love," music by Franz Waxman, lyrics by Hugh Brooke.
SONGWRITER/COMPOSER
DETAILS
Alternate Titles:
Night Music
Night Without End
People Like Us
Release Date:
11 November 1954
Premiere Information:
Los Angeles opening: 3 Nov 1954
Production Date:
late Mar--early May 1954 at Republic Studios
Copyright Info
Claimant
Date
Copyright Number
Allan Dowling Pictures
24 October 1954
LP4196
Physical Properties:
Sound
Color
Pathé Color
Widescreen/ratio
1.66:1
Duration(in mins):
91
Length(in feet):
8,174
Length(in reels):
10
Country:
United States
Language:
English
PCA No:
16910
SYNOPSIS

One day, while typing lines of a manuscript during a rainstorm, aspiring writer Vida Dove cries, recalling the events of the past few weeks: Thirty-year-old Vida, who lives with her paraplegic brother-in-law, Murray Myer, her younger sister Evelyn, and their two young children, David and Shirley, gets into an argument with Murray about her stalled romance with fiancé Eddie Collins. Embittered by his condition, former dancer Murray calls Vida a sex-starved spinster, then tries to goad her into saying that he is not “man enough” for Evelyn. Vida, who once dated Murray, refuses to respond to his taunts and leaves for the Circle Inn, a diner owned by Murray, but maintained by Vida and Evelyn. Soon after Vida relieves Evelyn at the counter, Eddie shows up with Glenn Harris, an old Army buddy who owns a nearby gas station. Smitten by the handsome Glenn, Vida happily entertains him after Eddie, a public utilities worker, is called out on an emergency. Over coffee, Vida tells Glenn about her writing and her relationship with Murray, who was paralyzed in a car accident. His work done, Eddie returns to the diner to escort Vida home and annoys her with his adolescent joking. At home, Murray tells Eddie and Vida about recent medical studies that tout sea bathing as a cure for paralysis and reveals his desire to sell the diner and move to the seashore. When Vida balks, questioning how they will live without income from the diner, Murray insults her repeatedly and becomes so agitated that he tips over in his wheelchair. While Evelyn and Eddie rush to Murray’s side, Vida ...

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One day, while typing lines of a manuscript during a rainstorm, aspiring writer Vida Dove cries, recalling the events of the past few weeks: Thirty-year-old Vida, who lives with her paraplegic brother-in-law, Murray Myer, her younger sister Evelyn, and their two young children, David and Shirley, gets into an argument with Murray about her stalled romance with fiancé Eddie Collins. Embittered by his condition, former dancer Murray calls Vida a sex-starved spinster, then tries to goad her into saying that he is not “man enough” for Evelyn. Vida, who once dated Murray, refuses to respond to his taunts and leaves for the Circle Inn, a diner owned by Murray, but maintained by Vida and Evelyn. Soon after Vida relieves Evelyn at the counter, Eddie shows up with Glenn Harris, an old Army buddy who owns a nearby gas station. Smitten by the handsome Glenn, Vida happily entertains him after Eddie, a public utilities worker, is called out on an emergency. Over coffee, Vida tells Glenn about her writing and her relationship with Murray, who was paralyzed in a car accident. His work done, Eddie returns to the diner to escort Vida home and annoys her with his adolescent joking. At home, Murray tells Eddie and Vida about recent medical studies that tout sea bathing as a cure for paralysis and reveals his desire to sell the diner and move to the seashore. When Vida balks, questioning how they will live without income from the diner, Murray insults her repeatedly and becomes so agitated that he tips over in his wheelchair. While Evelyn and Eddie rush to Murray’s side, Vida retreats to the bedroom she shares with David and Shirley and daydreams about Glenn. Later, at the diner, Vida tells Evelyn about Glenn, comparing him to a panther. To Vida’s delight, Glenn returns to the diner to invite Eddie and her for drinks that evening. Soon after arriving at Glenn’s half-furnished house, Eddie receives another emergency call and leaves Vida with Glenn. Glenn and Vida flirt while discussing decorating ideas, and Glenn leads her into his bedroom and kisses her. Suddenly panicked, Vida runs off without explanation, but at the diner the next day, apologizes to Glenn for leaving so abruptly. Although Glenn reassures her, he lights up when pretty, friendly Evelyn walks in. Sensing Glenn’s attraction for her sister, Vida offers to stay during Evelyn’s shift, but Evelyn reminds her that David and Shirley need to be picked up. That night, Murray becomes upset when Evelyn returns home late, and Evelyn and Vida must give him an injection to prevent life-threatening convulsions. After getting Evelyn to admit privately that she was with Glenn, Vida weeps in her room, cursing her sister for stealing both Murray and Glenn. The following night, Evelyn again is late getting home, and despite attempts by Vida and Eddie to fool him, Murray deduces that she has been out dancing. Enraged, Murray accuses Evelyn of trying to “sign his death warrant” and reminds her that she is his only reason for living. Although guilt-ridden, Evelyn tells Vida the next morning that she and Glenn are deeply in love. Heartbroken, Vida gets Evelyn to take her shift at the diner and is surprised but overjoyed when Glenn drops by the house to ask her out. While Vida dresses for the occasion, Glenn chats with an unsuspecting Murray, who talks lovingly of Evelyn and his hopes for a complete recovery. On their way to a popular night spot, Vida gushes that she has been waiting for this moment for a long time and is oblivious to Glenn’s distracted mood. In the middle of a dance, Glenn suddenly pulls Vida outside and asks her to cover for Evelyn, whom he wants to take the beach. Although devastated, Vida agrees and, at the diner, hides her anger when Evelyn admits that it was her idea to ask Vida to help. Vida is unable to work, however, and walks the streets, haunted by romantic images of Glenn and Evelyn at the beach. When Vida arrives home in her diner uniform, Murray questions her and gets her to admit that Glenn is with Evelyn. Murray moans with self-pity and longing, and near hysterics, Vida screams that, even when they were children, she was expected to make sacrifices for her pampered sister. With Murray’s sarcastic rebukes ringing in her ears, Vida retreats to the bathroom and is unmoved when she hears him lapsing into convulsions. Vida downs some sleeping pills and the next morning, discovers that Murray is dead. While comforting the shocked Evelyn, who arrived home in time to give Murray an injection, Vida learns that her sister is suspected of murder, as the police have determined that the syringe was filled with poison. Later, at the police station, Vida is questioned about her sister’s affair and the fact that the medicine bottle was also found to contain poison. Unaware that Vida always filled the syringe for Evelyn and that Vida had brought home some cockroach poison from the diner, the police accept Vida’s explanation that her sister committed the crime under extreme emotional duress. Outside the station, Vida tells Eddie that their engagement is off, then goes to see Glenn at his gas station. There, Glenn rails against her, accusing her of betraying Evelyn. Glenn vows to prove Evelyn’s innocence and reveals that, at the beach, he and Evelyn had agreed to end their affair and that she therefore had no motive for murder. After Glenn states that he never cared for her, Vida, stunned, walks back to the police station in the rain, resolved to “finish the story she started a long time ago.”

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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