Carolina Cannonball (1955)

73 mins | Comedy | 28 January 1955

Director:

Charles Lamont

Cinematographer:

Reggie Lanning

Editor:

Tony Martinelli

Production Designer:

Frank Hotaling

Production Company:

Republic Pictures Corp.
Full page view
HISTORY

In the opening scenes, voice-over narration by Art Gilmore describes the beginning of the atomic age, and footage is shown of a mushroom cloud and the atomic-powered submarine, U.S.S. Nautilus. According to an Aug 1954 HR news item, portions of the film were shot in the Mojave Desert of California. Although modern sources add Roy Barcroft to the cast, he was not discernable in the viewed print. About the film's portrayal of the enemy spies, the Var review stated, "This may be taking an insignificant picture too seriously, but the reality of recent times relating to spies, enemy agents, and atomic secrets, hardly makes the subject a laughing matter. In the light of what has happened and the continuing danger, it seems a disservice to portray these agents as stupid, left-footed nincompoops." ...

More Less

In the opening scenes, voice-over narration by Art Gilmore describes the beginning of the atomic age, and footage is shown of a mushroom cloud and the atomic-powered submarine, U.S.S. Nautilus. According to an Aug 1954 HR news item, portions of the film were shot in the Mojave Desert of California. Although modern sources add Roy Barcroft to the cast, he was not discernable in the viewed print. About the film's portrayal of the enemy spies, the Var review stated, "This may be taking an insignificant picture too seriously, but the reality of recent times relating to spies, enemy agents, and atomic secrets, hardly makes the subject a laughing matter. In the light of what has happened and the continuing danger, it seems a disservice to portray these agents as stupid, left-footed nincompoops."

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
5 Feb 1955
---
Film Daily
2 Feb 1955
p. 7
Hollywood Reporter
28 Jul 1954
p. 2
Hollywood Reporter
19 Aug 1954
p. 6
Hollywood Reporter
20 Aug 1954
p. 8
Hollywood Reporter
25 Aug 1954
p. 6
Hollywood Reporter
3 Sep 1954
p. 5
Hollywood Reporter
21 Dec 1954
p. 22
Variety
26 Jan 1955
p. 20
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
A. J. Vitarelli
Asst dir
Asst dir
PRODUCERS
Assoc prod
WRITERS
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
COSTUMES
Cost des
MUSIC
R. Dale Butts
Mus
VISUAL EFFECTS
Spec eff
MAKEUP
Makeup supv
PRODUCTION MISC
Scr supv
SOURCES
MUSIC
"The Carolina Cannonball," "Wishin' and Waitin'" and "Busy as a Beaver," music and lyrics by Donald Kahn and Jack Elliott.
SONGWRITER/COMPOSER
DETAILS
Release Date:
28 January 1955
Production Date:
20 Aug--early Sep 1954
Copyright Info
Claimant
Date
Copyright Number
Republic Pictures Corp.
14 January 1955
LP4577
Physical Properties:
Sound
RCA Sound System
Black and White
Duration(in mins):
73
Length(in reels):
8
Country:
United States
Language:
English
PCA No:
17186
SYNOPSIS

After their initial success with atomic power, scientists in the United States secretly launch the XGMI, the first atomic-powered guided missile. Soon after the launch, three foreign agents, Otto, Stefan and Hogar, seize radio control of the missile, but lose their navigational ability when their equipment malfunctions. After XGMI crashes in the Nevada desert, the spies, hoping to retrieve the rocket for their country, hurry there. Posing as uranium prospectors, they board the rickety “Carolina Cannonball,” a steam-driven streetcar that runs along a spur between a deserted whistle stop at a remote railroad junction and the town of Roaring Gulch. Operating the trolley are Judy Canova and her speed-demon grandfather, Rutherford Canova. When the spies arrive in town, they discover that Judy and her grandpa are the sole remaining inhabitants of the former gold mining boomtown, which is falling apart from neglect. After settling into a dusty room in the town’s dilapidated hotel, the spies tell Judy that they are expecting a shipment containing their prospecting equipment. That evening, as Judy pines for love, Grandpa, heartened by the arrival of prospectors, anticipates the town’s revival and promises that she will soon have a tall, strong and brown-eyed sweetheart. On their next trolley run to the junction, Judy encounters the tall, strong and brown-eyed Don Mack, who claims to be a prospector, but is really an undercover government intelligence agent pursuing the spies. On the ride to Roaring Gulch, Don’s baggage containing his walkie-talkie is crushed, severing his contact with headquarters. In town, Don tries to warn Grandpa about the spies, but the hard-of-hearing older man misunderstands him and thinks he is expressing his admiration for Judy. Don then ...

More Less

After their initial success with atomic power, scientists in the United States secretly launch the XGMI, the first atomic-powered guided missile. Soon after the launch, three foreign agents, Otto, Stefan and Hogar, seize radio control of the missile, but lose their navigational ability when their equipment malfunctions. After XGMI crashes in the Nevada desert, the spies, hoping to retrieve the rocket for their country, hurry there. Posing as uranium prospectors, they board the rickety “Carolina Cannonball,” a steam-driven streetcar that runs along a spur between a deserted whistle stop at a remote railroad junction and the town of Roaring Gulch. Operating the trolley are Judy Canova and her speed-demon grandfather, Rutherford Canova. When the spies arrive in town, they discover that Judy and her grandpa are the sole remaining inhabitants of the former gold mining boomtown, which is falling apart from neglect. After settling into a dusty room in the town’s dilapidated hotel, the spies tell Judy that they are expecting a shipment containing their prospecting equipment. That evening, as Judy pines for love, Grandpa, heartened by the arrival of prospectors, anticipates the town’s revival and promises that she will soon have a tall, strong and brown-eyed sweetheart. On their next trolley run to the junction, Judy encounters the tall, strong and brown-eyed Don Mack, who claims to be a prospector, but is really an undercover government intelligence agent pursuing the spies. On the ride to Roaring Gulch, Don’s baggage containing his walkie-talkie is crushed, severing his contact with headquarters. In town, Don tries to warn Grandpa about the spies, but the hard-of-hearing older man misunderstands him and thinks he is expressing his admiration for Judy. Don then tries to talk to Judy, but the spies show up and, to avoid being seen by them, he leaves abruptly without getting his message across. After unpacking their equipment, the spies steal the “Carolina” to search the desert for XGMI, but when the trolley’s boiler explodes, they must walk back to town. Upon discovering that their room has been searched, they realize Don is a government agent and capture him with Judy’s misguided help. Believing that Don is a thief and that the men just want to help him reform, Judy leaves Don alone with the enemy agents. After she departs, they begin to interrogate Don, but Otto’s fumbling attempts backfire and the spy confesses more than his prisoner. Outside, Judy and Grandpa discover that the “Carolina” is missing and follow the track to where it sits, broken and abandoned. While Grandpa begins repairs, Judy searches the nearby desert for the trolley’s pieces and finds the XGMI, which she mistakes for a wing tank of an airplane. The resourceful Canovas then use the XGMI to replace the boiler and Judy fashions discarded pieces of the rocket into a bracelet. With more vigor than before, the “Carolina” takes them back to town, where the spies’ equipment, a radiation detector, registers the XGMI’s proximity. However, readings from the equipment become garbled in the presence of Judy’s bracelet, which causes lights, pinball machines and the player piano to act bizarrely. When the spies eventually learn from the gullible Judy that the XGMI now serves as the trolley’s boiler, they tie her up next to Don and hijack the vehicle with Grandpa still on board. Motivated by the threat to national security, Don and Judy quickly untie themselves and jump on the “Carolina” before it leaves town. As the atomic-powered “Carolina” speeds along the track at a frightening rate, a fight ensues, but Don and Judy eventually overcome the spies and tie them up. Unable to stop the rocket-fueled trolley, Don fears that it will increase speed until it blows up and kills innocent bystanders. After the “Carolina” leaves the spur and races toward Las Vegas on a main railroad line, Don writes a note of warning and throws it to the bewildered stationmaster at a small whistle stop along the route. The stationmaster relays the message to the proper authorities and soon Air Force planes fly above the “Carolina,” dropping bombs to blow it off the track before it reaches the populated area. Unsupervised by their captors, the spies free themselves and force Don and the Canovas to jump off the racing trolley. Afterward, the bombers hit their target and the “Carolina” and its occupants are blown to bits. Later, in Don and Judy’s presence, Grandpa demonstrates to the Atomic Power Commission a working model of the “Carolina,” which has been declared the first atomic-powered streetcar and proof that the country has entered the atomic age.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

Loophole

This film's working title was Off the Record . A HR production chart adds Don Harvey to the cast but his appearance in the released film ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.