One Rainy Afternoon (1936)

75 or 79-80 mins | Romantic comedy | 13 May 1936

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HISTORY

A pre-production HR news item lists the title of the French play on which the film is based as M. Martin. Although onscreen credits refer only to an "original story" by Emmerich Pressburger and René Pujol, the film actually was based on their screenplay for the 1935 French film Monsieur Sans-Gêne, directed by Karl Anton. Ralph Irwin wrote music for both the French and American versions. Only Pressburger's last name appears on the screen. Although HR credits Arnold Pressburger as the screen story writer, biographic sources, as well as modern French film listings, suggest that Emmerich Pressburger was the true author. Pickford-Lasky Productions made its debut with this film. According to publicity, the interior of the famous Palais de Glace in Paris was reproduced in Hollywood studios for this film. Five thousand feet of synthetic, "hyposulphate" ice combined with twenty secret ingredients were boiled and hardened for twelve hours to create a noiseless skating surface. This film marked Francis Lederer's first starring role for United Artists. HR announced that Morrie Ryskind would be writing lyrics for the film, and he is listed as lyricist in early HR production charts, but his contribution to final film has not been confirmed. Production charts also include Mariska Aldrich and Ariane Borg in the cast, but no other source verifies their participation in the film. An anonymous contemporary source lists Edward Everett Horton in the cast, but that actor was not seen in the viewed print. An ad for this film calls Erik Rhodes' character "Count Alfredo Di Pignacelli Di Rostaganni." Seger Ellis and Margaret ...

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A pre-production HR news item lists the title of the French play on which the film is based as M. Martin. Although onscreen credits refer only to an "original story" by Emmerich Pressburger and René Pujol, the film actually was based on their screenplay for the 1935 French film Monsieur Sans-Gêne, directed by Karl Anton. Ralph Irwin wrote music for both the French and American versions. Only Pressburger's last name appears on the screen. Although HR credits Arnold Pressburger as the screen story writer, biographic sources, as well as modern French film listings, suggest that Emmerich Pressburger was the true author. Pickford-Lasky Productions made its debut with this film. According to publicity, the interior of the famous Palais de Glace in Paris was reproduced in Hollywood studios for this film. Five thousand feet of synthetic, "hyposulphate" ice combined with twenty secret ingredients were boiled and hardened for twelve hours to create a noiseless skating surface. This film marked Francis Lederer's first starring role for United Artists. HR announced that Morrie Ryskind would be writing lyrics for the film, and he is listed as lyricist in early HR production charts, but his contribution to final film has not been confirmed. Production charts also include Mariska Aldrich and Ariane Borg in the cast, but no other source verifies their participation in the film. An anonymous contemporary source lists Edward Everett Horton in the cast, but that actor was not seen in the viewed print. An ad for this film calls Erik Rhodes' character "Count Alfredo Di Pignacelli Di Rostaganni." Seger Ellis and Margaret Warner appeared in the film-within-the-film. An ad in HR contains one page of thank-you's for studio executives who allowed stars under contract to them to appear in this film. The ad promises: "We are returning these artists to you with increased box office value." A modern filmography of director Rowland V. Lee states that he contributed to the film's screenplay.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
23-Apr-36
---
Film Daily
27 Apr 1936
p. 8
Hollywood Reporter
2 Dec 1935
p. 2
Hollywood Reporter
13 Jan 1936
p. 7
Hollywood Reporter
22 Jan 1936
p. 4
Hollywood Reporter
23 Apr 1936
p. 3
Hollywood Reporter
24 Apr 1936
pp. 4-14
Hollywood Reporter
29-May-36
---
Motion Picture Daily
24 Apr 1936
p. 8
Motion Picture Herald
29 Feb 1936
p. 26
Motion Picture Herald
2 May 1936
p. 47
New York Times
14 May 1936
p. 29
New York Times
5-Jul-36
---
Variety
20 May 1936
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
WRITERS
Photoplay and dial
Addl dial
PHOTOGRAPHY
Ed Fitzgerald
2d cam
Asst cam
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
COSTUMES
Cost
MUSIC
Mus dir
SOUND
Sd rec
PRODUCTION MISC
Louis van den Ecker
Tech adv on French backgrounds
SOURCES
LITERARY
Based on the French film Monsieur Sans-Gêne by Emeric Pressburger and René Pujol (Amora Films, 1935).
LITERARY SOURCE AUTHORS
SONGS
"One Rainy Afternoon," music by Ralph Irwin, lyrics by Jack Stern and Harry Tobias; "Secret Rendezvous," music by Ralph Irwin, lyrics by Preston Sturges.
SONGWRITERS/COMPOSERS
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
13 May 1936
Production Date:
began early Jan 1936
Copyright Info
Claimant
Date
Copyright Number
Pickford-Lasky Productions, Inc.
5 May 1936
LP6331
Physical Properties:
Sound
Western Electric Wide Range Noiseless Recording
Black and White
Duration(in mins):
75 or 79-80
Country:
United States
PCA No:
2092
Passed by NBR:
Yes
SYNOPSIS

When debonair actor Philippe Martin attempts to meet his mistress Yvonne in a dark movie theater, he is mistakenly seated next to Monique Pelerin, the daughter of a wealthy newspaperman, who is engaged to Count Alfredo Donstelli. During the film, Philippe kisses Monique, and she publicly accuses him, causing the priggish President of the Purity League to exploit the incident as a scandal. In court, Philippe makes a case for French romance and is sentenced to only three days in prison. Philippe is released and discovers that Monique paid his fine. Although she says she did it only to avoid publicity, secretly she is attracted to him. The tabloids, meanwhile, continue to exploit the scandal, making Philippe enormously popular. After Maillot, Philippe's producer at the Savoy, fires him, Philippe returns to the theater with a considerable raise and meets Monique in order to return her money. At an ice skating rink, the couple repeatedly meets and again makes newspaper headlines. Philippe then meets his mistress Yvonne for the last time, but a picture of them kissing appears in the paper. Mr. Pelerin then warns Philippe to sever his ties with Monique and learns that she paid his fine. Hoping finally to bury the story, Pelerin has Philippe arrested the day of his show's opening. Yvonne, who turns out to be the Minister of Justice's wife, convinces Pelerin to release Philippe for that night's performance. As part of the show, Philippe is to reenact his romantic faux pas with his co-star, Clara. When he goes into the audience, however, he discovers Monique sitting in Clara's ...

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When debonair actor Philippe Martin attempts to meet his mistress Yvonne in a dark movie theater, he is mistakenly seated next to Monique Pelerin, the daughter of a wealthy newspaperman, who is engaged to Count Alfredo Donstelli. During the film, Philippe kisses Monique, and she publicly accuses him, causing the priggish President of the Purity League to exploit the incident as a scandal. In court, Philippe makes a case for French romance and is sentenced to only three days in prison. Philippe is released and discovers that Monique paid his fine. Although she says she did it only to avoid publicity, secretly she is attracted to him. The tabloids, meanwhile, continue to exploit the scandal, making Philippe enormously popular. After Maillot, Philippe's producer at the Savoy, fires him, Philippe returns to the theater with a considerable raise and meets Monique in order to return her money. At an ice skating rink, the couple repeatedly meets and again makes newspaper headlines. Philippe then meets his mistress Yvonne for the last time, but a picture of them kissing appears in the paper. Mr. Pelerin then warns Philippe to sever his ties with Monique and learns that she paid his fine. Hoping finally to bury the story, Pelerin has Philippe arrested the day of his show's opening. Yvonne, who turns out to be the Minister of Justice's wife, convinces Pelerin to release Philippe for that night's performance. As part of the show, Philippe is to reenact his romantic faux pas with his co-star, Clara. When he goes into the audience, however, he discovers Monique sitting in Clara's chair.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.