The Revolt of Mamie Stover (1956)

93 mins | Drama | April 1956

Director:

Raoul Walsh

Writer:

Sydney Boehm

Producer:

Buddy Adler

Cinematographer:

Leo Tover

Editor:

Louis Loeffler

Production Designers:

Lyle Wheeler, Mark-Lee Kirk

Production Company:

Twentieth Century-Fox Film Corp.
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HISTORY

Although HR news items add Paul Glass, Ellsworth Kissinger, Paul Sorenson, Dorothy Ford and Bill Dane to the cast, their appearance in the released film has not been confirmed. A Dec 1955 HR news item notes that Cosmo Sardo was to play a wealthy playboy, but his appearance in the released film has not been confirmed. The Var review incorrectly spells Joan Leslie's name as "Jean." According to studio publicity materials contained in the film's production file at the AMPAS Library, 90% of the exteriors were filmed on location around Honolulu, HI. The beach scenes were filmed at Waikiki Beach and the shipboard scenes were shot aboard the freighter Hawaiian Educator.
       An undated but contemporary news item in the production file notes that Elia Kazan originally bought the rights to William Bradford Huie's novel. The novel, according to studio publicity, was a commentary about how the social order of Hawaii was shattered after members of the Armed Forces poured into the islands during World War II. The book described at great length the measures, including prostitution, that "Mamie" was willing to take to achieve success; the film, however, eliminated most of this material. In an undated studio synopsis of the film contained in the production files, the story ends with the scene in which "Jim" rejects Mamie.
       According to materials contained in the film's file in the MPAA/PCA Collection at the AMPAS Library, the PCA approved this version. The ending in which Mamie returns to San Francisco, broke and defeated, was not mandated by the PCA, whose only concern was that "The Bungalow" be clearly established as a dance hall ...

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Although HR news items add Paul Glass, Ellsworth Kissinger, Paul Sorenson, Dorothy Ford and Bill Dane to the cast, their appearance in the released film has not been confirmed. A Dec 1955 HR news item notes that Cosmo Sardo was to play a wealthy playboy, but his appearance in the released film has not been confirmed. The Var review incorrectly spells Joan Leslie's name as "Jean." According to studio publicity materials contained in the film's production file at the AMPAS Library, 90% of the exteriors were filmed on location around Honolulu, HI. The beach scenes were filmed at Waikiki Beach and the shipboard scenes were shot aboard the freighter Hawaiian Educator.
       An undated but contemporary news item in the production file notes that Elia Kazan originally bought the rights to William Bradford Huie's novel. The novel, according to studio publicity, was a commentary about how the social order of Hawaii was shattered after members of the Armed Forces poured into the islands during World War II. The book described at great length the measures, including prostitution, that "Mamie" was willing to take to achieve success; the film, however, eliminated most of this material. In an undated studio synopsis of the film contained in the production files, the story ends with the scene in which "Jim" rejects Mamie.
       According to materials contained in the film's file in the MPAA/PCA Collection at the AMPAS Library, the PCA approved this version. The ending in which Mamie returns to San Francisco, broke and defeated, was not mandated by the PCA, whose only concern was that "The Bungalow" be clearly established as a dance hall and not misconstrued as a brothel. Consequently, in the film, Mamie is depicted as a hostess who entertains sailors at a bar rather than as a prostitute.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
5 May 1956
---
Daily Variety
2 May 1956
p. 3
Film Daily
3 May 1956
p. 8
Hollywood Reporter
16 Nov 1955
p. 3, 6
Hollywood Reporter
25 Nov 1955
p. 12
Hollywood Reporter
29 Dec 1955
p. 8
Hollywood Reporter
30 Dec 1955
p. 6
Hollywood Reporter
10 Jan 1956
p. 3
Hollywood Reporter
18 Jan 1956
p. 2
Hollywood Reporter
20 Jan 1956
p. 6, 12
Hollywood Reporter
2 May 1956
p. 3
Motion Picture Herald Product Digest
5 May 1956
p. 881
New York Times
12 May 1956
p. 12
Variety
2 May 1956
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Lyle R. Wheeler
Art dir
Art dir
FILM EDITOR
Louis R. Loeffler
Film ed
SET DECORATORS
Set dec
Set dec
COSTUMES
Exec ward des
Cost des
VISUAL EFFECTS
Spec photog eff
MAKEUP
Makeup
Hair styles
PRODUCTION MISC
Joe Behm
Unit mgr
Plato Skouras
Asst unit mgr
Transportation mgr
COLOR PERSONNEL
Col consultant
SOURCES
LITERARY
Based on the novel The Revolt of Mamie Stover by William Bradford Huie (New York, 1951).
LITERARY SOURCE AUTHOR
SONGS
"Keep Your Eyes on the Hands," words and music by Tony Todaro and Mary Johnston; "If You Wanna See Mame Tonight," words and music by Paul Francis Webster and Sammy Fain, as recorded by The Ames Brothers.
PERFORMED BY
SONGWRITERS/COMPOSERS
+
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
April 1956
Production Date:
late Nov 1955--late Jan 1956
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corp.
5 May 1956
LP6518
Physical Properties:
Sound
Westrex Recording System
Color
De Luxe
Widescreen/ratio
CinemaScope
Lenses/Prints
lenses by Bausch & Lomb
Duration(in mins):
93
Length(in feet):
8,341
Country:
United States
Language:
English
PCA No:
17866
SYNOPSIS

In 1941, with only a small suitcase and the clothes on her back, Mamie Stover is escorted by a San Francisco policeman to a freighter bound for Honolulu and told never to return. The only other passenger onboard is Jim Blair, a successful writer returning home to Honolulu, and one day, the brazen, sultry Mamie sidles up to him and suggests he write her life story. When Jim characterizes her as a "shapely Cinderella with a yearning heart," Mamie confides that she came from a poor Mississippi town and is determined to become a "big success" before returning home. The two enjoy a shipboard romance, and as they near Honolulu, Jim offers to help Mamie find a job. When he questions her plan to work as a hostess in a honky-tonk known as "The Bungalow," Mamie challenges him to take her to his house on the hill and make a lady out of her. Jim then rebuffs her and replies she must climb that hill by herself. Soon after, the ship docks in Honolulu and Jim is greeted by Annalee, his refined, hilltop sweetheart. As they part, Jim offers Mamie a $100 loan, and she proceeds to The Bungalow, where her old friend, Jackie Davis, introduces her to the owner, Bertha Parchman, a pragmatic businesswoman, and the manager, the sadistic Harry Adkins. Harry, the club's enforcer, enumerates the house rules: hostesses are forbidden to have boyfriends on the "outside," and are not permitted to go to Waikiki Beach or have a bank account. Some time later, Jim receives a note from Mamie, repaying his loan and inviting him to the club, where she is now ...

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In 1941, with only a small suitcase and the clothes on her back, Mamie Stover is escorted by a San Francisco policeman to a freighter bound for Honolulu and told never to return. The only other passenger onboard is Jim Blair, a successful writer returning home to Honolulu, and one day, the brazen, sultry Mamie sidles up to him and suggests he write her life story. When Jim characterizes her as a "shapely Cinderella with a yearning heart," Mamie confides that she came from a poor Mississippi town and is determined to become a "big success" before returning home. The two enjoy a shipboard romance, and as they near Honolulu, Jim offers to help Mamie find a job. When he questions her plan to work as a hostess in a honky-tonk known as "The Bungalow," Mamie challenges him to take her to his house on the hill and make a lady out of her. Jim then rebuffs her and replies she must climb that hill by herself. Soon after, the ship docks in Honolulu and Jim is greeted by Annalee, his refined, hilltop sweetheart. As they part, Jim offers Mamie a $100 loan, and she proceeds to The Bungalow, where her old friend, Jackie Davis, introduces her to the owner, Bertha Parchman, a pragmatic businesswoman, and the manager, the sadistic Harry Adkins. Harry, the club's enforcer, enumerates the house rules: hostesses are forbidden to have boyfriends on the "outside," and are not permitted to go to Waikiki Beach or have a bank account. Some time later, Jim receives a note from Mamie, repaying his loan and inviting him to the club, where she is now known as "Flaming Mamie," the main attraction. Disapproving, Jim goes to the club and offers to buy Mamie a return ticket home. At first wary of Jim's judgments, Mamie suggests they see each other outside the club and he agrees. After Jim picks her up the next day in his car, Mamie waves a bankroll in his face and boasts she will be rich one day. When Mamie separates out $200 and asks Jim to write a check to her father in that amount so that she can impress him, he at first refuses, but Mamie cajoles him with kisses. Later, Annalee comes to visit Jim and, sensing that he is uneasy, asks if Mamie is coming. When Jim answers yes, Annalee leaves, her feelings hurt. Soon after, Mamie appears and Jim angrily shows her a letter from her father addressed to "Mrs. Jim Blair." After Mamie explains that she was only trying to make her father proud of her, Jim agrees to continue the ruse, but once again implores Mamie to go home. Mamie defiantly replies that she intends to break all the prohibitions against her and become rich. When Jim criticizes her for measuring everything in terms of money, Mamie charges that he has never been poor and therefore cannot understand how she feels. Realizing that he has been insensitive, Jim apologizes and they embrace. Back in town, Harry spots Mamie climbing out of Jim's car and brutally beats her. With the bombing of Pearl Harbor, the islanders panic and real estate speculators begin to sell their property and flee to the mainland. Capitalizing on the situation, Mamie buys the land cheaply and rents it out. Jim decides to enlist in the infantry, and the night before he is to report for duty, he invites Mamie to go dancing with him at an exclusive resort in Waikiki. When Harry strolls across the hotel terrace and orders Mamie to leave with him, Jim challenges him and a fight ensues. Two M.P.s then arrive to restrain Jim, but when Mamie accuses Harry of beating women, they release Jim and decide to give Harry some of his own medicine. Jim then pledges his love to Mamie and asks her to leave The Bungalow and marry him after the war. After Mamie promises to quit her job, Jim places his ring on her finger. Back at The Bungalow, Bertha, worried that Harry's encounter with the military police may have dire consequences for the club, fires him, after which he cruelly insults her. When Mamie returns, she finds the girls celebrating Harry's departure. Bertha calls Mamie into her private quarters and offers to make her a star. When Mamie informs Bertha that she intends to quit the club for a man, Bertha entices her to stay by offering her half of the profits and suggesting that she establish a mailing address in the "good section" of town to placate Jim. While Mamie writes Jim, now in combat, that she has quit The Bungalow, Bertha emblazons Mamie's image on six-foot posters and commissions a song to be written about her. One day at Jim's camp, a soldier returns from furlough, bearing a photo of Mamie's poster. As Jim scrutinizes the photo, a bomb falls, wounding him. Granted leave because of his injury, Jim goes to The Bungalow, seething with resentment over Mamie's deception. Rebuffing her entreaties, Jim declares that they are too different to be together and leaves for good. Now alone, Mamie sobs as she plays her song on the phonograph and fondles Jim's ring. Some time later, Mamie returns to San Francisco wearing the same threadbare suit she had on when she left and is informed by the same policeman that she is not welcome. After she tells him that she is just passing through on her way home, he comments that she looks like she "didn't do so good in Hawaii." When she asks him if he would believe that she made a fortune and gave it away, he just shakes his head.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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