Storm Center
(1956)
86-87 mins | Drama | September 1956
Cast:
Bette Davis, Brian Keith, Kim Hunter [ More ]Director:
Daniel TaradashWriters:
Daniel Taradash, Elick MollProducer:
Julian BlausteinCinematographer:
Burnett GuffeyEditor:
William A. LyonProduction Designer:
Cary OdellProduction Company:
Phoenix Productions, Inc.Working titles of the film were The Library, This Time Tomorrow and Circle of Fire. According to a NYT article, co-screenwriter and director Daniel Taradash and co-writer Elick Moll began writing the script in Oct 1950. A Nov 1951 DV news item notes that Stanley Kramer would produce the film and that silent film legend Mary Pickford would come out of retirement to play the lead role of “Alicia Hull.” Pickford had last appeared onscreen in the 1933 production Secrets (see AFI Catalog of Feature Films, 1931-40). In an Oct 1956 NYT article written by Taradash, he indicated that Kramer had selected Irving Reis to direct the film, which was then scheduled to begin filming in the summer of 1952. A brief postponement caused the production date to be moved to fall of 1952 after Pickford had made tests and costume fittings.
According to a Sep 1952 DV report, after one day of rehearsal, Pickford withdrew from The Library upon discovering that it would be shot in black and white. The item quotes Pickford as saying “I do feel that after my long absence from the screen my return should be in Technicolor.” In a modern oral history at the AMPAS Library, Taradash states his belief that Pickford was pressured to withdraw from the film by right wing associates in the film industry, including well-known conservative journalist, Hedda Hopper. Pickford never returned to the screen.
According to a Sep 1952 HR item, within days of Pickford’s ...
Working titles of the film were The Library, This Time Tomorrow and Circle of Fire. According to a NYT article, co-screenwriter and director Daniel Taradash and co-writer Elick Moll began writing the script in Oct 1950. A Nov 1951 DV news item notes that Stanley Kramer would produce the film and that silent film legend Mary Pickford would come out of retirement to play the lead role of “Alicia Hull.” Pickford had last appeared onscreen in the 1933 production Secrets (see AFI Catalog of Feature Films, 1931-40). In an Oct 1956 NYT article written by Taradash, he indicated that Kramer had selected Irving Reis to direct the film, which was then scheduled to begin filming in the summer of 1952. A brief postponement caused the production date to be moved to fall of 1952 after Pickford had made tests and costume fittings.
According to a Sep 1952 DV report, after one day of rehearsal, Pickford withdrew from The Library upon discovering that it would be shot in black and white. The item quotes Pickford as saying “I do feel that after my long absence from the screen my return should be in Technicolor.” In a modern oral history at the AMPAS Library, Taradash states his belief that Pickford was pressured to withdraw from the film by right wing associates in the film industry, including well-known conservative journalist, Hedda Hopper. Pickford never returned to the screen.
According to a Sep 1952 HR item, within days of Pickford’s announcement, Kramer signed Barbara Stanwyck for the lead role, but scheduling conflicts, due to Stanwyck’s previous commitment to Twentieth Century-Fox’s Titanic (see below), delayed the start of filming. In Nov 1952, DV reported that Kramer would postpone production of the film due to continued scheduling conflicts with Stanwyck. In the NYT article, Taradash indicated that Kramer withdrew from the project after continued disagreements with Columbia, forcing another delay in production. The death of Reis in 1953 placed the film on indefinite hold. Taradash related in the NYT piece that after the success of From Here To Eternity (see above), for which he wrote the screenplay, he hoped to revive interest in The Storm Center and offered to direct the film himself. In 1955, Taradash and producer Julian Blaustein formed Phoenix Productions and when Blaustein secured Bette Davis in the starring role, Columbia production head Harry Cohn approved Storm Center's production. A Jul 1955 DV article reports that Taradash and Moll were requested to turn their original script for The Library into a novel by publishing house J. B. Lippincott, but there is no indication that a deal was ever agreed upon. As noted in an Oct 1956 NYT news item, the film was shot on location in Santa Rosa, CA.
According to a Jul 1956 DV news item, upon the release of Storm Center, for only the second time in its twenty-year history, the Legion of Decency “separately classified” a film. The Legion stated that the “propaganda film offers a warped, over simplified emotional solution to the complex problems of civil liberties in American life.” The HR review similarly commented on the film’s “over simplification” of Communism and noted the inability of the script to bring together the various plotlines in a more effective manner. A Jul 1956 DV column by Joe Schoenfeld debated the Legion’s classification of the film, insisting that “it’s almost impossible to over-dramatize human liberty whether it’s a depiction of Patrick Henry… or a librarian sacrificing her reputation rather than her democratic principles."
According to a letter in the file on the film in the MPAA/PCA Collection at the AMPAS Library, the Motion Picture Association designed a brochure on the film offered to theater owners which included an open letter from Community Relations Department representative Arthur H. DeBra describing Storm Center as a “provocative, intriguing and controversial motion picture” about book burning. The brochure, which was endorsed by the American Library Association, reproduced several questions and answers from a news conference with President Dwight D. Eisenhower after his speech against book burning given at Dartmouth in Jun 1955.
In Taradash’s oral history, he indicated that his inexperience as a director affected the outcome of the film, including his inability to properly handle young child actor Kevin Coughlin. In her autobiography, Davis states that Storm Center was “an exciting project to me and a subject I felt important to make a film about. The film was not a success at the box office and not in my opinion, because of the subject matter. I never felt it turned out to be a good picture.” Storm Center was the only film directed by Taradash.
The Library
This Time Tomorrow
In the small New England town of Kenport, widow Alicia Hull celebrates her twenty-fifth year as the town librarian with her assistant Martha Lockridge and good friend Judge Robert Ellerbe. Across town, George and Laura Slater quarrel over their ten-year old son Freddie’s preoccupation with the stories he reads in books. When blue collar worker George insists that Freddie should spend more time involved in outdoor sports and Laura challenges him, the couple accidentally tear one of Freddie’s library books in half. Freddie later takes the book to Alicia, who assures him that she can mend it, and encourages him to continue reading. That evening, George visits Alicia to pay for damaging the book, but admits he would rather Freddie play baseball than read. Alicia suggests that George allow Freddie to be himself. At the request of city council head Paul Duncan, Robert invites Alicia to the council’s monthly luncheon. Alicia arrives at the lunch with the blueprints for the proposed children’s wing addition to the library and is surprised when Mayor Levering and the other council members rapidly and unanimously approve the wing without debate. Then Paul informs Alicia that the council is concerned about a book in the library entitled The Communist Dream , and Levering adds that complaints have been filed about it. Alicia is taken aback when Paul and a few other council members advise her to remove the book from the library shelves. While Alicia agrees that the book could be viewed as political propaganda, she nevertheless recommends that the public be ...
In the small New England town of Kenport, widow Alicia Hull celebrates her twenty-fifth year as the town librarian with her assistant Martha Lockridge and good friend Judge Robert Ellerbe. Across town, George and Laura Slater quarrel over their ten-year old son Freddie’s preoccupation with the stories he reads in books. When blue collar worker George insists that Freddie should spend more time involved in outdoor sports and Laura challenges him, the couple accidentally tear one of Freddie’s library books in half. Freddie later takes the book to Alicia, who assures him that she can mend it, and encourages him to continue reading. That evening, George visits Alicia to pay for damaging the book, but admits he would rather Freddie play baseball than read. Alicia suggests that George allow Freddie to be himself. At the request of city council head Paul Duncan, Robert invites Alicia to the council’s monthly luncheon. Alicia arrives at the lunch with the blueprints for the proposed children’s wing addition to the library and is surprised when Mayor Levering and the other council members rapidly and unanimously approve the wing without debate. Then Paul informs Alicia that the council is concerned about a book in the library entitled The Communist Dream , and Levering adds that complaints have been filed about it. Alicia is taken aback when Paul and a few other council members advise her to remove the book from the library shelves. While Alicia agrees that the book could be viewed as political propaganda, she nevertheless recommends that the public be allowed access to it. When the council members insist, however, Alicia, who knows the library needs the new wing, reluctantly agrees to remove the book. That evening, Paul and Martha go out together, but Martha evades Paul’s marriage proposal. Meanwhile, in the library, Alicia realizes that she cannot remove the book and replaces it back on the shelf. A little while later at the restaurant, a council member stops by Paul’s table to inform him and Martha that Alicia has telephoned Levering and refused to remove the book from the library. The following day, Alicia meets with the council again and decries their attempt to bribe her with the children’s wing and insists that she cannot remove a book simply because it contains unpopular ideas. Several council members explain that the complaints have come from many of their constituents and that the Women’s Committee Against Subversion has threatened to take the issue to the local newspaper. Alicia responds that the library carried Adolf Hitler’s Mein Kampf all during the pre-war years with no adverse effects and challenges the council. Paul points out that Alicia once belonged to several organizations that were later discovered to be Communist fronts. Alicia insists that she quit each association upon learning of their politics, then angrily objects to Paul’s implication that her affiliation with those groups suggests Communist sympathies. When Paul replies that Communism spreads by preying on those easily fooled, Alicia alarms Robert by announcing her intention to quit the library if the council insists on the book’s removal. Robert pleads with Alicia to reconsider, but she refuses and departs. Paul demands that the council fire Alicia, and despite the reluctance of three members, including Robert, they agree. The next day, Freddie reads the newspaper headlines about Alicia’s firing and, distressed, visits her to learn why. Alicia is unable to clearly explain the situation, leaving Freddie upset. That evening, a sparse crowd of townspeople turn out for a meeting to support Alicia. In spite of the group’s concern over Alicia’s firing, however, most remain afraid to publicly support her for fear of losing their jobs. Alicia defuses the tension by thanking those attending, but declaring that she has no wish to cause any of them difficulty. At the Slaters' house, Freddie asks Laura to explain what it means to be a Communist, when George arrives home and expresses surprise that Laura is not packing for their planned vacation. Laura feels that because of Freddie’s distress over Alicia’s firing, they should postpone their trip, which angers George. Freddie overhears George berating Alicia for her intellectual biases and Laura repeats the newspaper’s declaration of Alicia’s harmful influence and sadly expresses her own disappointment in the librarian. A few days later, Alicia dines at a local café and notices hostility from several patrons. When Freddie walks by with some friends, Alicia goes outside to speak with him and is surprised when the boy ignores her. The boys with Freddie tease him about his friendship with the librarian, but when Freddie fabricates fantastic accusations against Alicia inspired by the stories he has read, they scoff and kick him out of their group. That night before closing the library, Martha is startled when she discovers Freddie destroying several books among the stacks, but he runs away. Martha seeks advice from Alicia, but she remains puzzled by the boy’s behavior. That night at a country club party, Paul disturbs Martha when he reveals his plans to run for state legislature on the “Red menace” issue. Several women discuss their belief that Alicia held questionable influence over the towns children, but Hazel, the daughter of one council member, insists that Alicia was one of the best influences she had while growing up. That night Freddie has a nightmare and George takes him for a walk, ending with his declaration that Alicia has poisoned the library for years. Several weeks later, when Alicia is not at the new children’s wing ground-breaking ceremony, Robert visits her and finds her packing to move to California. Robert insists that Alicia attend the ceremony, and they arrive just as Freddie finishes reading out the titles of the ten best books he has chosen. Despite unease in the crowd, Robert asks Alicia to officially break the new library ground, but when she asks Freddie to help her, the boy breaks down, repeatedly screaming that Alicia is a Communist, until she slaps him and he runs away. That evening, the Slaters worry about the missing Freddie, and Martha is angry over Paul’s continued ambitions, which she feels have destroyed Alicia. At a council meeting, Robert insists Alicia receive an apology and reinstatement and accuses the group of behaving suspicious and distrustful, like Communists. Meanwhile, Freddie has hidden in the library and sets several books on fire in the stacks. In his haste to leave, Freddie falls and is knocked out as fire engulfs the building. As a crowd gathers outside and the town’s firemen arrive, Martha disputes Paul’s earlier allegation that he has done nothing to cause serious damage and breaks up with him. Laura frantically searches for Freddie, who is finally rescued by the firemen. Alicia joins the crowd to sadly watch the library’s destruction. Reverend Wilson apologizes to Alicia and she admits that she should have fought the council harder. When several townspeople plead with Alicia to stay and help them rebuild their library, she agrees.
TOP SEARCHES
Bye Bye Birdie
The 10 Feb 1961 NYT announced that theater director Gower Champion signed a multi-picture deal with Columbia Pictures. His first assignment was a film version of ... >>
Clarence G. Badger
The Edison catalog summarized this film as follows: “Shows the famous boxing horses in a bout of two rounds. After the gloves have been placed on the forelegs of ... >>
It Started with Eve
The working titles of this film were Almost an Angel and It Started with Adam . This film was originally scheduled to begin production in Mar ... >>
Clash by Night
Many aspects of the story were changed for the screen version of Clifford Odets' play, which starred Tallulah Bankhead and Lee J. Cobb on Broadway. In the play, ... >>
Campus Rhythm
The working title of this film was College Sweetheart . Although a HR news item reported that the film was to be based on the short ... >>
