Johnny Trouble (1957)

79-80 mins | Melodrama | 21 September 1957

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HISTORY

Nate Barragar's onscreen credit reads: "Production Manager and Assistant Director." Although the initial HR production chart lists Peerless Productions as the production company, later charts and other sources credit Clarion Enterprises, Inc. It is possible that the initial chart erroneously listed Peerless, a company owned by Edward Small. According to Warner Bros. production notes and the DV review, Johnny Trouble was Clarion's first production. A HR production chart noted that the independent film was planned for United Artists release, but a Jun 1957 DV news item reported that Warner Bros. later acquired the distribution rights of the film, which John Carroll, who was president and executive producer of Clarion, and former Republic producer-director John H. Auer produced together.
       According to a Jan 1957 DV article, the PCA twice rejected the script, citing "unacceptable treatment of illicit sex." A Jan 1957 HR news item reported that Auer and Carroll continued shooting the script without PCA approval, gambling that their method of handling the "delicate situation" would be approved when the picture was screened. After viewing the completed picture, the officials awarded the film the PCA seal. An Oct 1957 Var article reported that David Lord (a pseudonym for writer Henry Peter David), sued Warner Bros. for misspelling his surname as "Loren" on all publicity materials. Ben Ames Williams' screen story, which was titled "Prodigal's Mother," was also the basis for the 1943 Republic production, Someone to Remember, which was directed by Robert Siodmak and starred Mabel Paige and John Craven (see AFI Catalog of Feature Films, 1941-50). ...

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Nate Barragar's onscreen credit reads: "Production Manager and Assistant Director." Although the initial HR production chart lists Peerless Productions as the production company, later charts and other sources credit Clarion Enterprises, Inc. It is possible that the initial chart erroneously listed Peerless, a company owned by Edward Small. According to Warner Bros. production notes and the DV review, Johnny Trouble was Clarion's first production. A HR production chart noted that the independent film was planned for United Artists release, but a Jun 1957 DV news item reported that Warner Bros. later acquired the distribution rights of the film, which John Carroll, who was president and executive producer of Clarion, and former Republic producer-director John H. Auer produced together.
       According to a Jan 1957 DV article, the PCA twice rejected the script, citing "unacceptable treatment of illicit sex." A Jan 1957 HR news item reported that Auer and Carroll continued shooting the script without PCA approval, gambling that their method of handling the "delicate situation" would be approved when the picture was screened. After viewing the completed picture, the officials awarded the film the PCA seal. An Oct 1957 Var article reported that David Lord (a pseudonym for writer Henry Peter David), sued Warner Bros. for misspelling his surname as "Loren" on all publicity materials. Ben Ames Williams' screen story, which was titled "Prodigal's Mother," was also the basis for the 1943 Republic production, Someone to Remember, which was directed by Robert Siodmak and starred Mabel Paige and John Craven (see AFI Catalog of Feature Films, 1941-50).

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PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
General (mod):
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
14 Sep 1957
---
Daily Variety
16 Jan 1957
---
Daily Variety
13 Jun 1957
---
Daily Variety
11 Sep 1957
p. 3
Film Daily
24 Sep 1957
p. 10
Hollywood Reporter
30 Nov 1956
p. 12
Hollywood Reporter
14 Dec 1956
p. 12
Hollywood Reporter
23 Jan 1957
p. 1
Hollywood Reporter
11 Sep 1957
p. 3
Hollywood Reporter
26 Feb 1958
p. 1, 11
Motion Picture Herald Product Digest
14 Sep 1957
p. 529
Variety
30 Oct 1957
---
Variety
11 Sep 1957
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
Exec prod
PHOTOGRAPHY
J. Peverell Marley
Photog
ART DIRECTOR
James W. Sullivan
Art dir
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
MUSIC
Frank DeVol
Mus comp and cond
SOUND
VISUAL EFFECTS
Spec eff
Spec eff
MAKEUP
Makeup supv
Hairstylist
PRODUCTION MISC
Prod mgr
SOURCES
SONGS
"Johnny Trouble," music and lyrics by Peggy Lee, sung by Eddie Robertson.
PERFORMED BY
SONGWRITER/COMPOSER
DETAILS
Release Date:
21 September 1957
Production Date:
late Nov--mid Dec 1956 at KTTV Studios and Paramount Sunset Studios
Copyright Info
Claimant
Date
Copyright Number
Clarion Enterprises, Inc.
21 September 1957
LP12504
Physical Properties:
Sound
Westrex Recording System
Black and White
Widescreen/ratio
1.85:1
Duration(in mins):
79-80
Length(in feet):
7,132
Country:
United States
Language:
English
PCA No:
18453
SYNOPSIS

Every year, on the anniversary of young John Chandler's disappearance, Rev. Harrington preaches the story of the prodigal son to please wealthy, chair-ridden Katherine Chandler, who has waited for her son to return for twenty-seven years. Fearing that John will be unable to find her, Katherine refuses to vacate her elegant old apartment when the building is sold to the local university to be used as a mens' dormitory. When the university's liaison, Parsons, is sent to evict her, she produces a lease that is cancelable only at her own option. Parsons and the board hope that the renovation and removal of the old-fashioned elevator will drive her out, but Katherine charms the workmen into hammering only after she awakens in the morning. At the beginning of the term, the dormitory proctor, Phil Wilson, tries to keep the high-spirited men under control, but several jokers knock on Katherine's door. Surprised by the grandmotherly figure who answers, the students are shocked into respectfulness. Amused by their antics, Katherine graciously invites them to return during "visiting hours" for tea. At tea time, several young men, dressed in suits, show up, and after an initial awkwardness, warm to Katherine, whom they call "Nana." Phil tells her the disadvantages of living with rowdy students, but soon the men install a bellpull in her apartment and devise a system for efficiently clearing the hall of unclad men when Katherine leaves her apartment for outings. The men take turns assisting her longtime friend and chauffeur, Tom McKay, by carrying her in the wheelchair down the steps. The arrangements are working smoothly when, one night, a brassy young woman, Julie Horton, breaks into her apartment through ...

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Every year, on the anniversary of young John Chandler's disappearance, Rev. Harrington preaches the story of the prodigal son to please wealthy, chair-ridden Katherine Chandler, who has waited for her son to return for twenty-seven years. Fearing that John will be unable to find her, Katherine refuses to vacate her elegant old apartment when the building is sold to the local university to be used as a mens' dormitory. When the university's liaison, Parsons, is sent to evict her, she produces a lease that is cancelable only at her own option. Parsons and the board hope that the renovation and removal of the old-fashioned elevator will drive her out, but Katherine charms the workmen into hammering only after she awakens in the morning. At the beginning of the term, the dormitory proctor, Phil Wilson, tries to keep the high-spirited men under control, but several jokers knock on Katherine's door. Surprised by the grandmotherly figure who answers, the students are shocked into respectfulness. Amused by their antics, Katherine graciously invites them to return during "visiting hours" for tea. At tea time, several young men, dressed in suits, show up, and after an initial awkwardness, warm to Katherine, whom they call "Nana." Phil tells her the disadvantages of living with rowdy students, but soon the men install a bellpull in her apartment and devise a system for efficiently clearing the hall of unclad men when Katherine leaves her apartment for outings. The men take turns assisting her longtime friend and chauffeur, Tom McKay, by carrying her in the wheelchair down the steps. The arrangements are working smoothly when, one night, a brassy young woman, Julie Horton, breaks into her apartment through the fire escape. Enchanted by Katherine's old-worldly spell, Julie confides that she is trying to reach her boyfriend, John Chandler, to make up after a quarrel. Hoping that this John is related to her long-lost John, Katherine sends for him and finds that the troubled ex-Marine bears physical and emotional resemblance to her son. However, Tom, after being introduced to the student, gently advises that Katherine protect herself from disappointment. Meanwhile, troubled by poor grades and his many run-ins with Phil, John quarrels with Julie over her reputation as the college "tramp" and gets into a fight with Phil. When John's roommate Eddie reports that John is to be expelled, Katherine visits the school authorities. After explaining how the expulsion of her son from the same university resulted in unhappiness for three generations, she offers to move out of the dormitory after the term, if they will give John another chance. The board agrees, and John, who is touched by her efforts, begins to change. His grades improve, and he and Julie spend more time with Katherine. Near Christmas, while Katherine and Tom are out, Julie again slips into Katherine's apartment, where John is reading Shakespeare, and the two make love. At the end of the term, John learns that he has passed, but tells Katherine that he is leaving school to earn money for the pregnant Julie, who is putting the child up for adoption. While appearing to support his decision, Katherine tactfully helps the young couple change their plans. Julie moves in with Katherine, and John, who continues with school, gets a job at the university. The night before John's parents are expected to visit, Katherine prays for the reuniting of her family. The next morning, Julie finds that Katherine has died in her sleep. For the last time, the young men carry Katherine down the steps. At her funeral, Tom tells the one hundred and fifty young men, who have become her family, that Katherine's troubled son died many years ago after an accident in a stolen automobile. Although the son gave hospital officials an assumed name, Katherine's husband eventually learned about his son's death and made Tom swear to keep the secret. Tom, who has dreaded all these years that Katherine would learn the truth, concludes that Katherine waited for her son to come home, but finally went home to him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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