The Strange One (1957)

97 mins | Drama | May 1957

Director:

Jack Garfein

Producer:

Sam Spiegel

Cinematographer:

Burnett Guffey

Editor:

Sidney Katz

Production Designer:

Joseph C. Wright

Production Company:

Horizon-American Pictures, Inc.
Full page view
HISTORY

The working titles of this film were End as a Man and The Young One. The opening and closing credits differ slightly in order. There are some significant differences between the film and its source material: In Calder Willingham's play and novel, it is established that Jocko de Paris is the son of a powerful man whose enmity is feared by school authorities. In both the play and the novel, the school authorities are responsible for ridding their institution of Jocko. In addition, the character of "Rosebud" does not appear in the play or the novel. According to the DV review, the PCA mandated that three minutes of footage dealing with homosexuality be deleted on the grounds that it "violated the rules banning sex perversion or any inference of it." The film's file in the MPAA/PCA COllection at the AMPAS Library contains no reference to those cuts, however. Although there is no overt reference to homosexuality, there is an undercurrent of homosexuality, which was also present in the play and novel, that runs throughout the film.
       Although an Aug 1956 HR news item adds Vergel Cook to the cast, his appearance in the released film has not been confirmed. According to a Jul 1956 HR news item, location shooting was done at Rollins College in Orlando, FL and at The Citadel in South Carolina and interiors were filmed at the Shamrock Studios in Winter Park, FL. Ben Gazzara, Arthur Storch, Pat Hingle and Paul E. Richards all reprised their Broadways roles for the film. The Strange One marked the ...

More Less

The working titles of this film were End as a Man and The Young One. The opening and closing credits differ slightly in order. There are some significant differences between the film and its source material: In Calder Willingham's play and novel, it is established that Jocko de Paris is the son of a powerful man whose enmity is feared by school authorities. In both the play and the novel, the school authorities are responsible for ridding their institution of Jocko. In addition, the character of "Rosebud" does not appear in the play or the novel. According to the DV review, the PCA mandated that three minutes of footage dealing with homosexuality be deleted on the grounds that it "violated the rules banning sex perversion or any inference of it." The film's file in the MPAA/PCA COllection at the AMPAS Library contains no reference to those cuts, however. Although there is no overt reference to homosexuality, there is an undercurrent of homosexuality, which was also present in the play and novel, that runs throughout the film.
       Although an Aug 1956 HR news item adds Vergel Cook to the cast, his appearance in the released film has not been confirmed. According to a Jul 1956 HR news item, location shooting was done at Rollins College in Orlando, FL and at The Citadel in South Carolina and interiors were filmed at the Shamrock Studios in Winter Park, FL. Ben Gazzara, Arthur Storch, Pat Hingle and Paul E. Richards all reprised their Broadways roles for the film. The Strange One marked the film debuts of Hingle (1924--2009), Gazzara, George Peppard (1928--1994), Geoffrey Horne (1933--) and Julie Wilson !924--), and the motion picture directorial debut of Jack Garfein, who directed the play on Broadway.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
6 Apr 1957
---
Daily Variety
3 Apr 1957
p. 3
Film Daily
3 Apr 1957
p. 6
Hollywood Reporter
27 Mar 1956
p. 2
Hollywood Reporter
22 May 1956
p. 1, 21
Hollywood Reporter
29 Jun 1956
p. 13
Hollywood Reporter
12 Jul 1956
p. 2
Hollywood Reporter
2 Aug 1956
p. 13
Hollywood Reporter
3 Apr 1957
p. 3
Motion Picture Herald Product Digest
6 Apr 1957
p. 329
New York Times
13 Apr 1957
p. 12
Variety
3 Apr 1957
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Sam Spiegel Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
1st asst dir
2nd asst dir
PRODUCERS
Prod exec
WRITER
PHOTOGRAPHY
Addl photog in collaboration with
ART DIRECTOR
FILM EDITORS
Film ed
Film ed
COSTUMES
Ward master
MUSIC
Mus score comp and cond by
SOUND
MAKEUP
Robert E. Jiras
Makeup supv
Hairdresser
PRODUCTION MISC
Dial supv
Sam Rheiner
Asst to prod
SOURCES
LITERARY
Based on the play End as a Man by Calder Willingham (New York, 15 Sep 1953) and the novel of the same name (n.d., n.p.)
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
End as a Man
The Young One
Release Date:
May 1957
Premiere Information:
Los Angeles premiere: 27 Mar 1957; New York opening: 12 Apr 1957
Production Date:
9 Jul--24 Aug 1956 at the Shamrock Studios in Winter Park, Florida
Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Corp.
1 May 1957
LP9009
Physical Properties:
Sound
Black and White
Duration(in mins):
97
Length(in reels):
10
Country:
United States
Language:
English
PCA No:
18423
SYNOPSIS

At the Southern Military College, brutish upper-classman Jocko de Paris intimidates freshmen Robert Marquales and Simmons into inviting the school's dimwitted football star, Roger Gatt, to their room for a crooked card game. Although Jocko’s amiable roommate, Harold Knoble, assures the reluctant freshmen that the game is just a good-natured prank, in reality, the vindictive Jocko has planned the evening as a ruse to get even with Major Avery, the schoolmaster who once disciplined him. Jocko orders the whining Simmons to act as bartender and ply Gatt with alcohol. Once Gatt becomes drunk and belligerent, Jocko provokes him into beating Simmons with a broom. In the next room, Avery’s cadet son Georgie hears Simmons' cries and hurries to alert his father, who is the officer on duty. When Avery reaches the freshmen’s room, however, he finds them sound asleep in their bunks, thus casting doubt on Georgie’s story. After the major departs, the freshmen jump out of their bunks and Roger emerges from his hiding place in their closet just as Georgie runs into the room. At reveille the next morning, Georgie’s badly beaten body is found sprawled next to a tree. When Colonel Cliff Ramey, the officer in charge, summons Jocko to his office and informs him that Georgie has accused him of assault, Jocko asserts that Georgie fell down the stairs while drunk and is now suffering delusions of persecution. The colonel then states that he doubts that Georgie was drunk and has taken a sample of the cadet’s blood to prove it. The colonel warns that a negative test result will prove that Georgie was framed. ...

More Less

At the Southern Military College, brutish upper-classman Jocko de Paris intimidates freshmen Robert Marquales and Simmons into inviting the school's dimwitted football star, Roger Gatt, to their room for a crooked card game. Although Jocko’s amiable roommate, Harold Knoble, assures the reluctant freshmen that the game is just a good-natured prank, in reality, the vindictive Jocko has planned the evening as a ruse to get even with Major Avery, the schoolmaster who once disciplined him. Jocko orders the whining Simmons to act as bartender and ply Gatt with alcohol. Once Gatt becomes drunk and belligerent, Jocko provokes him into beating Simmons with a broom. In the next room, Avery’s cadet son Georgie hears Simmons' cries and hurries to alert his father, who is the officer on duty. When Avery reaches the freshmen’s room, however, he finds them sound asleep in their bunks, thus casting doubt on Georgie’s story. After the major departs, the freshmen jump out of their bunks and Roger emerges from his hiding place in their closet just as Georgie runs into the room. At reveille the next morning, Georgie’s badly beaten body is found sprawled next to a tree. When Colonel Cliff Ramey, the officer in charge, summons Jocko to his office and informs him that Georgie has accused him of assault, Jocko asserts that Georgie fell down the stairs while drunk and is now suffering delusions of persecution. The colonel then states that he doubts that Georgie was drunk and has taken a sample of the cadet’s blood to prove it. The colonel warns that a negative test result will prove that Georgie was framed. Soon after, word comes that Georgie has been expelled from the institute. Although Marquales expresses remorse for his role in the incident, he is afraid to speak out for fear that his complicity in the incident would result in expulsion. As Simmons chides Marquales for being a hypocrite, Jocko enters the room and taunts Simmons about his fear of women. When Jocko announces that he has arranged a date for Simmons to help him overcome his phobia, the panicked Simmons lies that he has chosen a life of celibacy in order to become a chaplain in honor of his cousin who sacrificed his life during the war. Dismissing Simmons' excuse, Jocko orders him to meet a woman named Rosebud later that night. Soon after, Avery summons Simmons and Marquales to the guard room and appeals to them to tell the truth about Georgie. Although Marquales insists that he was asleep at the time of the incident, Avery suspects that he is concealing something. Afterward, Marquales, furious at being made to lie, warns Jocko never again to involve him in one of his twisted schemes. Later, Cadet Perrin McKee, a sycophant who fawns over Jocko, tells him that he saw him shove a tube down Georgie’s throat and pour whiskey into it. Bragging that he is a writer with the “fire of genius in him,” Perrin announces that he is in the midst of writing Jocko’s biography. When Perrin tenderly places his hand on Jocko’s arm and offers to read an excerpt, Jocko, repulsed, calls him a cockroach. That night, Jocko escorts the slatternly Rosebud to the cheap café where they are to meet Simmons. As Jocko begins to toy with Simmons, several guards from the military school arrive to take Jocko back to campus. After he is brought to Avery’s office, Jocko is shown a rubber tube found in his locker. When Avery accuses him of using it to funnel alcohol down Georgie’s throat and states that whiskey residue was detected in the tube, Jocko, who had thoroughly scrubbed the tube, calls his bluff and cruelly implies that Georgie’s problems were caused by parental abuse. Enraged, Avery slaps Jocko and calls him a liar. The attack is witnessed by some cadets, and afterward, Jocko brags to Simmons that he has finally gotten Avery fired. Marquales overhears Jocko, and disgusted, asks Roger to join him and the others in telling the truth. Although he fears expulsion, Roger agrees to meet with Simmons, Harold and Marquales at the armory to discuss the situation. There Marquales accuses them of cowardice for letting Jocko use them. After Marquales asserts that the school is partially to blame by allowing Jocko to flourish, he convinces the others to tell their story to Roger’s roommate, Cadet Colonel Corger. Afterward, as Jocko and Rosebud wait for Simmons' arrival at the café, Marquales appears and tells Jocko that the cadets want to meet with him upstairs. There, Corger hands Jocko a confession and orders him to sign it. When Jocko demands to confront his accusers, Roger, Marquales, Simmons and Harold step forward. Claiming that it was all just a practical joke, Jocko refuses to sign the document. The cadets then take him prisoner, shove him into a car and drive into the swamp where they blindfold him. Hearing a train whistle approaching, Jocko, thinking that the cadets are going to hurl him beneath the train wheels, begs for his life. When the train stops, the cadets dump the blindfolded, whimpering Jocko into the passenger car and leave. After removing his blindfold, Jocko runs to the rear of the car defiantly shouting that he will get even.

Less

GENRE
Genre:
Sub-genre:
College


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Arabian Nights

Arabian Nights opens and closes with a framing story featuring an elderly guardian relating the story of two rival brothers, Haroum-al-Raschid and Kamar al Zaman, to six ... >>

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.