The Tijuana Story (1957)

72 mins | Drama | October 1957

Director:

Leslie Kardos

Writer:

Lou Morheim

Producer:

Sam Katzman

Cinematographer:

Benjamin H. Kline

Editor:

Edwin Bryant

Production Designer:

Paul Palmentola

Production Company:

Clover Productions, Inc.
Full page view
HISTORY

The film opens with an offscreen narrator describing Tijuana in 1956 as the "sin town of the world." The narrator explains that Tijuana newspaper man Manuel Acosta Mesa was the only person willing to wage war against the "vice lords." Paul Coates, a television personality and reporter for the Los Angeles Mirror-News, then appears on screen to give a brief history of Acosta Mesa's paper El Imparcial and describe the paper's campaign against the forces of organized crime in Tijuana, a campaign that began in Apr 1956 and ended with Acosta Mesa's death on 31 Jul 1956.
       Although HR news items add Sam Scar, Michael Monroe, John Ayres, Troy Patterson, Don Diamond, Val Damian, Abel Fernandez, Lydia Paige, Charles La Torre and Gloria Rhoads to the cast, their appearance in the released film has not been confirmed. A 24 May 1957 HR news item adds that Gil Perkins, Sol Gorss, Wally Rose, Al Cantor and Rube Schaefer performed the stunts in the skid row brawl scene, but their appearance in the released film has not been confirmed. The Tijuana Story marked character actor Rodolfo Acosta's only starring role. ...

More Less

The film opens with an offscreen narrator describing Tijuana in 1956 as the "sin town of the world." The narrator explains that Tijuana newspaper man Manuel Acosta Mesa was the only person willing to wage war against the "vice lords." Paul Coates, a television personality and reporter for the Los Angeles Mirror-News, then appears on screen to give a brief history of Acosta Mesa's paper El Imparcial and describe the paper's campaign against the forces of organized crime in Tijuana, a campaign that began in Apr 1956 and ended with Acosta Mesa's death on 31 Jul 1956.
       Although HR news items add Sam Scar, Michael Monroe, John Ayres, Troy Patterson, Don Diamond, Val Damian, Abel Fernandez, Lydia Paige, Charles La Torre and Gloria Rhoads to the cast, their appearance in the released film has not been confirmed. A 24 May 1957 HR news item adds that Gil Perkins, Sol Gorss, Wally Rose, Al Cantor and Rube Schaefer performed the stunts in the skid row brawl scene, but their appearance in the released film has not been confirmed. The Tijuana Story marked character actor Rodolfo Acosta's only starring role.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
12 Oct 1957
---
Daily Variety
9 Oct 1957
p. 3
Film Daily
1 Nov 1957
p. 19
Hollywood Reporter
6 May 1957
---
Hollywood Reporter
8 May 1957
p. 19
Hollywood Reporter
13 May 1957
p. 3
Hollywood Reporter
14 May 1957
p. 7
Hollywood Reporter
16 May 1957
p. 6
Hollywood Reporter
17 May 1957
---
Hollywood Reporter
21 May 1957
p. 6
Hollywood Reporter
22 May 1957
p. 3
Hollywood Reporter
23 May 1957
p. 9
Hollywood Reporter
24 May 1957
p. 2, 5
Hollywood Reporter
27 May 1957
p. 6
Hollywood Reporter
28 May 1957
p. 11
Hollywood Reporter
9 Oct 1957
p. 3
Motion Picture Herald Product Digest
12 Oct 1957
p. 561
Variety
9 Oct 1957
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Benjamin H. Kline
Dir of photog
Still cam
ART DIRECTORS
Art dir
FILM EDITOR
Film ed
SET DECORATOR
Set dec
COSTUMES
MUSIC
DANCE
Choreog
MAKEUP
Hairdresser
PRODUCTION MISC
Prod coord
Casting dir
Scr supv
George E. Stone
Dial coach
DETAILS
Release Date:
October 1957
Production Date:
14 May--23 May 1957
Copyright Info
Claimant
Date
Copyright Number
Columbia Pictures Corp.
3 October 1957
LP9257
Physical Properties:
Sound
Westrex Recording System
Black and White
Widescreen/ratio
1.85:1
Duration(in mins):
72
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

In Tijuana, Mexico, in Apr 1956, schoolteacher Alberto Rodriguez stumbles into the office of El Sol newspaper, asking to see the paper’s crusading editor, Manuel Acosta Mesa. Alberto has been badly beaten by the local crime syndicate for telling the police that syndicate employee Miguel Fuentes was selling drugs on school grounds. After Alberto collapses and is rushed to the hospital, Manuel goes to confront Peron Diaz, the local crime lord who operates out of a nightclub fronted by American Eddie March. When Manuel demands that Peron pay Alberto’s hospital bill, the crime lord’s thugs attack him. Eddie, his conscience shaken, helps the injured Manuel out of the club. To silence Manuel, Peron approaches Reuben Galindo, the owner of ^El Sol , and offers to launch a lucrative ad campaign in the paper if Manuel will tone down his editorials. After Galindo informs Peron that Manuel’s contract allows him complete editorial control, Peron makes a sinister threat against Galindo’s family. Soon after, a group of American teenage boys comes to Tijuana looking for a good time. When Mitch, one of the boys, sees Linda Alvarez, the young woman who works as Manuel’s secretary, waiting for her bus, he makes a pass at her. Insulted by Mitch’s presumption that everyone in Mexico is for sale, Linda slaps him. Later, at Eddie’s club, one of the bar girls lures Mitch into buying some marijuana. Eddie, upset that drugs are being sold at his club, protests to Peron’s thugs, but they ignore him. ...

More Less

In Tijuana, Mexico, in Apr 1956, schoolteacher Alberto Rodriguez stumbles into the office of El Sol newspaper, asking to see the paper’s crusading editor, Manuel Acosta Mesa. Alberto has been badly beaten by the local crime syndicate for telling the police that syndicate employee Miguel Fuentes was selling drugs on school grounds. After Alberto collapses and is rushed to the hospital, Manuel goes to confront Peron Diaz, the local crime lord who operates out of a nightclub fronted by American Eddie March. When Manuel demands that Peron pay Alberto’s hospital bill, the crime lord’s thugs attack him. Eddie, his conscience shaken, helps the injured Manuel out of the club. To silence Manuel, Peron approaches Reuben Galindo, the owner of ^El Sol , and offers to launch a lucrative ad campaign in the paper if Manuel will tone down his editorials. After Galindo informs Peron that Manuel’s contract allows him complete editorial control, Peron makes a sinister threat against Galindo’s family. Soon after, a group of American teenage boys comes to Tijuana looking for a good time. When Mitch, one of the boys, sees Linda Alvarez, the young woman who works as Manuel’s secretary, waiting for her bus, he makes a pass at her. Insulted by Mitch’s presumption that everyone in Mexico is for sale, Linda slaps him. Later, at Eddie’s club, one of the bar girls lures Mitch into buying some marijuana. Eddie, upset that drugs are being sold at his club, protests to Peron’s thugs, but they ignore him. At home that night, Eddie begins to reevaluate his business relationship with Peron and confides to his pregnant wife Liz that he needs the gangster’s financial backing. Galindo, fearful for his family’s well-being, pleads with Manuel to leave Peron alone. At Galindo’s request, Manuel tones down his editorials, but when word comes that Alberto has died from his injuries, Manuel begins to question his decision. Soon after, Mitch returns to Tijuana to apologize to Linda and the two begin to date. While at the beach one day, Mitch gives Linda a bracelet owned by his deceased mother. The police, patrolling the shore, notice a dented fender on Mitch’s car and stop to question him. When they find marijuana ashes in his ashtray, they inform Mitch that he is under arrest. Terrified at spending time in a Mexican jail, Mitch runs into the surf to elude them. Linda, concerned about Mitch’s welfare, calls Manuel for help. When Mitch’s drowned body washes up on some rocks, Manuel blames the syndicate for his and Alberto’s deaths and vows to bring down Peron and his men. After Galindo buys out his contract at El Sol , Manuel uses the money to fund El Imparcial , a paper dedicated to reform, and appoints his son Enrique as co-editor. When the syndicate uses violence to intimidate the paper’s advertisers, the California papers rally behind Manuel. California’s crime syndicate, fearing that it may be the next target for reform, orders Peron to kill Manuel. Reasoning that no one would suspect a jailed man of murder, Peron hires Miguel, who has been jailed for selling drugs, to do the job, and bribes Miguel's guard to release him for twenty-four hours. Peron’s plans go awry, however, when Miguel, craving marijuana, breaks into the club and Eddie deduces that he has been hired to kill Manuel. To prevent Eddie from going to the police, Peron insists that he accompany him to a jai alai game that evening. At the game, Eddie excuses himself to call his wife and then sneaks out to warn Manuel. When he is unable to locate the editor, Eddie notifies the police, who arrive just in time to capture Miguel and save Manuel’s life. Eddie is spotted leaving by one of Peron’s thugs, who reports to his boss that Eddie has betrayed them. Aware of the peril, Eddie and Liz speed toward the border, with Peron’s thugs in pursuit. After Peron and his thugs force Eddie at gunpoint to pull over, Eddie tackles the criminals, sending one of the thug's pistol flying into the brush. As Peron and his men beat Eddie, Liz retrieves the weapon and orders Peron to leave. Vowing to tell Manuel all that he knows about the syndicate, Eddie returns to Tijuana with Liz. In the next issue of El Imparcial , Manuel reports that he has a complete list of syndicate members and will deliver it to the Legislative Hearing on Crime in Mexicali. Before he can testify, however, Manuel is slain while standing on his own front porch. At Manuel’s funeral, Galindo rallies the mourners to rise against the syndicate and clean up Tijuana. In the next issue of El Imparcial , Enrique issues a call for reform.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Arabian Nights

Arabian Nights opens and closes with a framing story featuring an elderly guardian relating the story of two rival brothers, Haroum-al-Raschid and Kamar al Zaman, to six ... >>

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.