The Tunnel of Love (1958)

98 mins | Romantic comedy | November 1958

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HISTORY

The Tunnel of Love was based on the successful Joseph Fields-Jerome Chodorov play and novel of the same name, although only Fields was credited onscreen. As noted in an HR news article, blacklisted writer Chodorov's screen credit as a co-author of the original play was reinstated by the WGA in 1998. The Broadway production of the play starred Tom Ewell, Nancy Olson and Darren McGavin. According to the DV review of the film, the only major change made by Fields in his screenplay adaptation was an explanation that "Augie Poole" is not the father of "Estelle's" child. In the play, Estelle seduces Augie intentionally in order to get pregnant so that she might experience firsthand the plight of unwed mothers, the topic of her PhD thesis, which, as in the film, she reveals she is working on part-time.
       An Aug 1957 HR news items indicated that Glenn Ford was set to co-star with popular singer Doris Day in the film, but a Nov 1957 "Rambling Reporter" item noted that Ford had dropped out of the production because of commitments to two other projects. Day performs the title song, but does not sing within the film. The Tunnel of Love marked the first film directed by Gene Kelly in which he did not appear. ...

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The Tunnel of Love was based on the successful Joseph Fields-Jerome Chodorov play and novel of the same name, although only Fields was credited onscreen. As noted in an HR news article, blacklisted writer Chodorov's screen credit as a co-author of the original play was reinstated by the WGA in 1998. The Broadway production of the play starred Tom Ewell, Nancy Olson and Darren McGavin. According to the DV review of the film, the only major change made by Fields in his screenplay adaptation was an explanation that "Augie Poole" is not the father of "Estelle's" child. In the play, Estelle seduces Augie intentionally in order to get pregnant so that she might experience firsthand the plight of unwed mothers, the topic of her PhD thesis, which, as in the film, she reveals she is working on part-time.
       An Aug 1957 HR news items indicated that Glenn Ford was set to co-star with popular singer Doris Day in the film, but a Nov 1957 "Rambling Reporter" item noted that Ford had dropped out of the production because of commitments to two other projects. Day performs the title song, but does not sing within the film. The Tunnel of Love marked the first film directed by Gene Kelly in which he did not appear.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
13 Oct 1958
---
Daily Variety
9 Oct 1958
p. 3
Film Daily
9 Oct 1958
p. 6
Hollywood Reporter
18 Jan 1957
p. 3
Hollywood Reporter
26 Aug 1957
p. 2
Hollywood Reporter
14 Nov 1957
p. 2
Hollywood Reporter
24 Jan 1958
p. 16
Hollywood Reporter
28 Feb 1958
p. 28
Hollywood Reporter
18 Apr 1958
---
Hollywood Reporter
9 Oct 1958
p. 3
Hollywood Reporter
4 Nov 1958
p. 6
Hollywood Reporter
30 Jul 1998
---
Motion Picture Herald Product Digest
11 Oct 1958
p. 4
New York Times
22 Nov 1958
p. 27
Variety
15 Oct 1958
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Joseph Fields Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
WRITERS
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
FILM EDITOR
SET DECORATORS
Set dec
COSTUMES
Gowns for Doris Day and Gia Scala
SOUND
MAKEUP
Hairstyles
PRODUCTION MISC
Prod mgr
SOURCES
LITERARY
Based on the play The Tunnel of Love by Joseph Fields and Peter DeVries, performed on stage by The Theatre Guild (New York, 13 Feb 1957) and the novel The Tunnel of Love by Peter DeVries and Jerome Chodorov (Boston, 1954).
LITERARY SOURCE AUTHORS
SONGS
"Have Lips, Will Kiss in the Tunnel of Love," words and music by Patty Fisher and Bob Roberts; "Run Away, Skidaddle, Skidoo," words and music by Ruth Roberts and Bill Katz.
SONGWRITERS/COMPOSERS
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
November 1958
Premiere Information:
World premiere in Chicago: 7 Nov 1958
Production Date:
late Jan--late Feb 1958
Copyright Info
Claimant
Date
Copyright Number
Fields Productions, Inc. & Arwin Productions, Inc.
15 September 1958
LP12232
Physical Properties:
Sound
Perspecta Sound; Westrex Recording System
Black and White
Widescreen/ratio
CinemaScope
Lenses/Prints
Process lenses by Panavision
Duration(in mins):
98
Length(in feet):
8,832
Length(in reels):
11
Country:
United States
Language:
English
PCA No:
19000
SYNOPSIS

In Westport, Connecticut, Augie and Isolde Poole celebrate their fifth wedding anniversary by turning in an application to the Rock-a-Bye adoption agency. Encouraged by their friends and next-door neighbors, Dick and Alice Pepper, who have three children and another due, Isolde, who has been unsuccessful in her attempts to become pregnant, is determined that she and Augie will eventually be parents. While awaiting news of the application to the agency, Isolde decides that she and Augie should continue to try to have a baby on their own, and she enthusiastically follows all the latest advice by pregnancy experts. Although exhausted by Isolde’s resolve, Augie worries about having a child while they are living off Isolde’s family money as he struggles to make a success as a serious cartoonist. Dick, editor of The Townsman magazine, assures Augie that his publication would gladly hire Augie to write gags, but Isolde insists that Augie hold out for a more important offer. Dick criticizes Augie for being too serious, compared to his own lighthearted manner, which, to Augie’s dismay, includes perpetual infidelity. One afternoon some weeks after their application, Estelle Novick, a striking young representative from Rock-a-Bye, visits the Pooles’ neighborhood. Having learned of Estelle’s presence from other neighbors, Alice takes Isolde home to dress her properly for the interview. When Estelle comes to the Pooles’ house, Augie is unaware of her identity and, believing she works for a local charity, drinks two cocktails and behaves casually. When Dick comes over and makes a pass at Estelle, however, she is outraged and reveals her identity. Reminding the ...

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In Westport, Connecticut, Augie and Isolde Poole celebrate their fifth wedding anniversary by turning in an application to the Rock-a-Bye adoption agency. Encouraged by their friends and next-door neighbors, Dick and Alice Pepper, who have three children and another due, Isolde, who has been unsuccessful in her attempts to become pregnant, is determined that she and Augie will eventually be parents. While awaiting news of the application to the agency, Isolde decides that she and Augie should continue to try to have a baby on their own, and she enthusiastically follows all the latest advice by pregnancy experts. Although exhausted by Isolde’s resolve, Augie worries about having a child while they are living off Isolde’s family money as he struggles to make a success as a serious cartoonist. Dick, editor of The Townsman magazine, assures Augie that his publication would gladly hire Augie to write gags, but Isolde insists that Augie hold out for a more important offer. Dick criticizes Augie for being too serious, compared to his own lighthearted manner, which, to Augie’s dismay, includes perpetual infidelity. One afternoon some weeks after their application, Estelle Novick, a striking young representative from Rock-a-Bye, visits the Pooles’ neighborhood. Having learned of Estelle’s presence from other neighbors, Alice takes Isolde home to dress her properly for the interview. When Estelle comes to the Pooles’ house, Augie is unaware of her identity and, believing she works for a local charity, drinks two cocktails and behaves casually. When Dick comes over and makes a pass at Estelle, however, she is outraged and reveals her identity. Reminding the men that Dick is the Pooles’ reference, Estelle waves aside their abject apologies and insists that she must report her findings to the agency. When Estelle departs as soon as Isolde returns, Isolde is hurt and angry at Augie and goes home with Alice. Dick tries to comfort Augie by suggesting that Augie might relax if he had an affair, but when Augie scoffs, Dick offers him tranquilizers and leaves. Moments later, Estelle returns to the Pooles’, apologizes for her severe behavior and accepts the cocktail Augie offered her earlier. Considering Dick’s advice and dispirited by Isolde’s anger, Augie is emboldened to ask Estelle to dinner. While driving into town, however, Augie panics and takes one of Dick’s tranquilizers. Later, when Augie becomes drowsy, Estelle drives him to a motel and checks him into a room to let him sleep off the pill’s effect. The next morning, Augie is mortified to find himself in the motel and, finding a note from Estelle thanking him for his kindness, believes he has been unfaithful to Isolde. Three months later, Isolde is disheartened to have heard nothing from Rock-a-Bye or any of the other adoption agencies. Augie visits Dick and confesses the incident with Estelle, from whom he has just received a call informing him that she is pregnant and leaving the area for her confinement. Fearful that she will demand money, Augie pleads with Dick to hire him at the magazine, then give him a thousand dollar advance. Later that day, Estelle drops by to visit the Pooles to advise them that she believes in a few months they may at last get their baby. Isolde is delighted by the news and Augie weakly announces his new job with Dick’s magazine. Alone with Estelle later, Augie presses the money on her, then demands an explanation. Estelle promises to repay the loan, then explains that she owes the Pooles for all of Augie’s assistance to her. A few months later, Dick and Alice throw Augie and Isolde a party in anticipation of the arrival of the new baby. While dancing with Dick, Isolde confides that she has found a mysterious thousand dollar imbalance in the Pooles’ finances. Realizing this must be the money Augie has given Estelle, Dick invents a story of losing an investment on the stock market and Augie giving him a loan. Surprised but pleased, Isolde asks for the money to be repaid for preparations for the baby. That night, Isolde tells Augie about the bank imbalance and, panicked, Augie hastily admits that he borrowed money from Dick several times and paid it back in full once he was employed. Certain that Augie is covering for Dick, the next day Isolde tells Alice, who promises to repay the money. Some weeks later, Miss MacCracken from Rock-a-Bye telephones to schedule a visit. Unnerved, Augie wonders if he should confess everything to Isolde. Miss MacCracken arrives and informs Isolde and Augie that a baby has just been born and they have been moved to the top of the agency’s list. Thrilled, Augie and Isolde welcome the infant baby boy to their home days later, and soon everyone notices the baby’s similarity to Augie. Weeks afterward, as the physical similarity grows, Isolde becomes suspicious. When Isolde has Augie’s baby picture blown up and Alice mistakes it for the baby, Isolde furiously accuses Augie of infidelity and declares she is leaving him. As Isolde is packing, Miss MacCracken returns to make an inspection of the couples’ first month with the baby. Realizing that the couple is breaking up, she declares she must make a report to the agency, but Augie pleads for a week and Miss MacCracken agrees. Desperate to stop Isolde from leaving, Augie then confesses the incident with Estelle. Just then, however, Estelle arrives to congratulate the Pooles and repay Augie the loan. She explains the money made it possible for her husband to continue his research in Australia while she had her baby girl. With her husband’s success at publishing a book on his work, she and the baby will join him in Australia. After showing the Pooles a picture of her baby girl and admiring how well the agency did placing the Pooles with their baby, Estelle departs. Isolde apologizes to Augie for her suspicions, then admits to feeling unusual. The Pooles then realize that Isolde is pregnant and retire to the house to celebrate.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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