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HISTORY

The working title of the film was Cinemiracle Adventure, and it was exhibited abroad under the title Windjammer: The Voyage of the Christian Radich. Although copyright records list the registration number as LP21189, the copyright date indicates that that number may have been a typographical error for 12189 or 11289.
       The actual schooner used in the film continues to provide tours for the public across the Atlantic. Windjammer was the only film produced in the Cinemiracle process, developed by Russell H. McCullough under the direction of National Theatres' president Elmer Rhoden, Sr. Photographed with three cameras, Cinemiracle differed from the other popular widescreen processes by projecting the images out of a single booth, with the three projectors electronically synchronized and the image corrected via mirrors and a special printing process.
       Both the HR and Var reviews noted that the distortion of the floor-to-ceiling curved screen had almost been eliminated, and the "seams," or area of overlapping images, were barely visible. HR indicated that the accompanying sound system, the RCA 7-Track Stereo Hi-Fi Transistor Sound, was developed specifically for Cinemiracle exhibition.
       According to a Mar 1958 NYT article, completion of the film was delayed while a new sequence, shot in New York City and created by renowned press photographer Weegee (the adopted nickname of Arthur H. Fellig), was added. Reviews praised the originality of Weegee's montage sequence. Information from the FD review states that the complete voyage of the Christian Radich took 238 days. HR production charts indicate filming took place over more than ...

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The working title of the film was Cinemiracle Adventure, and it was exhibited abroad under the title Windjammer: The Voyage of the Christian Radich. Although copyright records list the registration number as LP21189, the copyright date indicates that that number may have been a typographical error for 12189 or 11289.
       The actual schooner used in the film continues to provide tours for the public across the Atlantic. Windjammer was the only film produced in the Cinemiracle process, developed by Russell H. McCullough under the direction of National Theatres' president Elmer Rhoden, Sr. Photographed with three cameras, Cinemiracle differed from the other popular widescreen processes by projecting the images out of a single booth, with the three projectors electronically synchronized and the image corrected via mirrors and a special printing process.
       Both the HR and Var reviews noted that the distortion of the floor-to-ceiling curved screen had almost been eliminated, and the "seams," or area of overlapping images, were barely visible. HR indicated that the accompanying sound system, the RCA 7-Track Stereo Hi-Fi Transistor Sound, was developed specifically for Cinemiracle exhibition.
       According to a Mar 1958 NYT article, completion of the film was delayed while a new sequence, shot in New York City and created by renowned press photographer Weegee (the adopted nickname of Arthur H. Fellig), was added. Reviews praised the originality of Weegee's montage sequence. Information from the FD review states that the complete voyage of the Christian Radich took 238 days. HR production charts indicate filming took place over more than 70 days. Post-production on the film was completed shortly before its Apr 1958 premiere.
       Publicity material for the film acknowledges the assistance of many to the production including members of the Eastern Norwegian Schoolship Association, the officers and men of the Royal Norwegian Navy and the personnel and ships of the United States Navy.
       Although reviews listed the film's running times as between 142 and 144 minutes, information in the copyright file on the film indicates a running time of 113 minutes. The FD review's running time of 209 minutes may have been a typographical error. Windjammer set a record at the Grauman's Chinese Theatre in Hollywood, playing over 30 weeks in a reserved-seat engagement. An Apr 1961 HR item revealed that the film still had to recoup $1,000,000 to return negative costs.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
American Cinematographer
Apr 1958
pp. 220-21, 242-44
Box Office
14 Apr 1958
p. 6
Box Office
28 Apr 1958
---
Daily Variety
9 Apr 1958
p. 3
Film Daily
10 Apr 1958
p. 6
Hollywood Reporter
22 Mar 1957
p. 17
Hollywood Reporter
3 May 1957
p. 13
Hollywood Reporter
9 Apr 1958
p. 3
Hollywood Reporter
10 Apr 1958
---
Hollywood Reporter
13 Apr 1961
---
Los Angeles Mirror
3 Nov 1958
---
Los Angeles Times
8 Apr 1958
Part III, p. 3
New York Times
2 Mar 1958
---
New York Times
10 Apr 1958
p. 32
Variety
9 Apr 1958
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
PRODUCERS
Assoc prod
Assoc prod
Assoc prod
WRITERS
Story consultant
Story consultant
PHOTOGRAPHY
Dir of photog
Dir of photog
New York photog
Prologue photog
Prologue photog
FILM EDITORS
Film ed
Asst film ed
Asst film ed
Asst film ed
MUSIC
Mus score
Mus cond
Mus cond
Mus played by
PRODUCTION MISC
Tech adv
S/S Danmark
Tech adv
S/S Sorlandet
Prod staff
James A. Petrie
Prod staff
Prod staff
Prod staff
Prod staff
Prod staff
Prod staff
Prod staff
Ship's scribe
SOURCES
MUSIC
"Concerto in A Minor" by Edvard Grieg; "Song of the Birds," calypso traditional; "The Battle Hymn of the Republic," music by William Steffe.
SONGS
"Kari Waits for Me," "The Sea Is Green," "Everybody Loves Saturday Night," "The Village of New York," "Sweet Sugar Cane," "Don't Hurry-Worry Me" and "Life on the Ocean Wave," music and lyrics by Richard Dehr and Frank Miller.
SONGWRITERS/COMPOSERS
+
DETAILS
Alternate Titles:
Cinemiracle Adventure
Windjammer: The Voyace of the Christian Radich
Release Date:
April 1958
Premiere Information:
World premiere in Los Angeles: 8 Apr 1958; New York opening: 9 Apr 1958
Production Date:
early Feb--early May 1957
Copyright Info
Claimant
Date
Copyright Number
Louis de Rochemont Cinemiracle Productions, Inc.
6 April 1958
LP21189
Physical Properties:
Sound
RCA 7-Track Stereo Hi-Fi Transistor Sound
Color
Eastman color
Widescreen/ratio
Cinemiracle
Duration(in mins):
113,142 or 144
Country:
United States
Language:
English
SYNOPSIS

In Oslo, Norway, nearly fifty teenage boys join the crew of the windjammer training ship, the Christian Radich , to learn sailing and seamanship. Piloted by seventy-year-old Capt. Yngver Kjelstrup on his final voyage before retirement, the Christian Radich follows the course taken by explorer Christopher Columbus across the Atlantic in search of a new world. Serving as mascot on the voyage is a small dog named Stump, who engages in constant mischief. As the journey proceeds, the boys get to know one another and the peoples of their various ports-of-call, which include Madeira, the West Indies Islands, San Juan, Puerto Rico, Boston and New York City. Despite their hard work at sea, four crew members, Lasse Kolstad, Harald Tusberg, Sven Erik Libaek and Kaare Terland take up singing to entertain the others. Another adventure awaits the crew, when the film company on board records the submersion of a submarine and then films skin divers retrieving a practice torpedo. As a further complement to their travels, the boys experience a wide array of music from different cultures, performed by a number of native artists, including the Camacha Dancers of Madeira, the Mountain Shepherds Band and Dancers and the Folkloric Dancers. Famed cellist Pablo Casals performs for the crew in San Juan and in Boston Sven Erik is overjoyed to be invited to accompany the Boston Pops Orchestra led by conductor Arthur Fiedler. The Christian Radich then returns safely to ...

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In Oslo, Norway, nearly fifty teenage boys join the crew of the windjammer training ship, the Christian Radich , to learn sailing and seamanship. Piloted by seventy-year-old Capt. Yngver Kjelstrup on his final voyage before retirement, the Christian Radich follows the course taken by explorer Christopher Columbus across the Atlantic in search of a new world. Serving as mascot on the voyage is a small dog named Stump, who engages in constant mischief. As the journey proceeds, the boys get to know one another and the peoples of their various ports-of-call, which include Madeira, the West Indies Islands, San Juan, Puerto Rico, Boston and New York City. Despite their hard work at sea, four crew members, Lasse Kolstad, Harald Tusberg, Sven Erik Libaek and Kaare Terland take up singing to entertain the others. Another adventure awaits the crew, when the film company on board records the submersion of a submarine and then films skin divers retrieving a practice torpedo. As a further complement to their travels, the boys experience a wide array of music from different cultures, performed by a number of native artists, including the Camacha Dancers of Madeira, the Mountain Shepherds Band and Dancers and the Folkloric Dancers. Famed cellist Pablo Casals performs for the crew in San Juan and in Boston Sven Erik is overjoyed to be invited to accompany the Boston Pops Orchestra led by conductor Arthur Fiedler. The Christian Radich then returns safely to Oslo.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.