The Hangman (1959)

86-87 mins | Western | May 1959

Director:

Michael Curtiz

Writer:

Dudley Nichols

Producer:

Frank Freeman Jr.

Cinematographer:

Loyal Griggs

Editor:

Terry Morse

Production Designers:

Hal Pereira, Henry Bumstead

Production Company:

Paramount Pictures Corp.
Full page view
HISTORY

In Mar 1957, LAT announced that Paramount had bought the Luke Short story "The Hangman" and was considering starring James Cagney in the film. According to modern information, Short's story first appeared under the title "Pull Your Freight" in Riders West, but the date of that publication has not been determined. The story was later published as "The Hangman" in a short story compilation entitled Iron Men and Silver Stars (Greenwich, CT, 1967).
       By Aug 1958, HR stated that Inger Stevens was being cast as "Selah Jennison" and that, because Edward Dmytryk was busy shooting Warlock (see entry), Michael Curtiz would also take over as the producer and director of The Hangman. Although HR also noted in Aug 1958 that W. R. Burnett had been hired to work on the screenplay, Dudley Nichols is the only writer credited onscreen. An Apr 1959 IHR news item stated that John Ashley was to record the film's title song, but no such song is included in the final film. Reviews for The Hangman were generally poor, with both Var and HR criticizing the filmmakers for including two scenes of Tina Louise bathing. ...

More Less

In Mar 1957, LAT announced that Paramount had bought the Luke Short story "The Hangman" and was considering starring James Cagney in the film. According to modern information, Short's story first appeared under the title "Pull Your Freight" in Riders West, but the date of that publication has not been determined. The story was later published as "The Hangman" in a short story compilation entitled Iron Men and Silver Stars (Greenwich, CT, 1967).
       By Aug 1958, HR stated that Inger Stevens was being cast as "Selah Jennison" and that, because Edward Dmytryk was busy shooting Warlock (see entry), Michael Curtiz would also take over as the producer and director of The Hangman. Although HR also noted in Aug 1958 that W. R. Burnett had been hired to work on the screenplay, Dudley Nichols is the only writer credited onscreen. An Apr 1959 IHR news item stated that John Ashley was to record the film's title song, but no such song is included in the final film. Reviews for The Hangman were generally poor, with both Var and HR criticizing the filmmakers for including two scenes of Tina Louise bathing.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
27 Apr 1959
---
Daily Variety
23 Apr 1959
p. 3
Film Daily
23 Apr 1959
p. 6
Filmfacts
1959
p. 176
Hollywood Reporter
12 Aug 1958
p. 1
Hollywood Reporter
18 Aug 1958
p. 3
Hollywood Reporter
18 Sep 1958
p. 1
Hollywood Reporter
19 Sep 1958
p. 10
Hollywood Reporter
17 Oct 1958
p. 10
Hollywood Reporter
19 Dec 1959
p. 19
Hollywood Reporter
10 Apr 1959
p. 2
Hollywood Reporter
23 Apr 1959
p. 3
Los Angeles Times
8 Mar 1957
---
Motion Picture Herald Product Digest
2 May 1959
p. 245
Variety
29 May 1959
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
C. C. Coleman Jr.
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
Art dir
FILM EDITOR
SET DECORATORS
Set dec
Set dec
COSTUMES
Cost
MUSIC
Mus scored and cond
SOUND
VISUAL EFFECTS
Spec photog eff
MAKEUP
Makeup supv
Hair style supv
PRODUCTION MISC
Prod mgr
SOURCES
LITERARY
Based on the short story "Pull Your Freight" by Luke Short in Riders West (publication undetermined).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
May 1959
Production Date:
22 Sep--late Oct 1958
Copyright Info
Claimant
Date
Copyright Number
Paramount Pictures Corp.
1 May 1959
LP13503
Physical Properties:
Sound
Westrex Recording System
Black and White
Duration(in mins):
86-87
Country:
United States
Language:
English
PCA No:
19180
SYNOPSIS

After a deputy U.S. Marshal is killed tracking the four outlaws who robbed a Wells Fargo stage, Marshal Mackenzie Bovard, known as “The Hangman” for his relentless tenacity in the line of duty, manages to capture three of the gang. Two hang, and the third, Zimmerman, awaits his death sentence. Mac is desperate to catch the fourth outlaw, John Butterfield, before Zimmerman's execution, so that Zimmerman, the only remaining eye witness, can identify his accomplice. Because Mac does not know what Butterfield looks like, he travels to Butterfield’s old cavalry station, Fort Kenton, hoping that someone there can identify him. There, the colonel refuses to allow Mac to take one of his men to the town where Butterfield is rumored to be living, but the colonel’s aide tips off Mac that Butterfield’s ex-girl friend, Selah Jennison, might help him. Mac finds Selah performing back-breaking labor in the fort’s laundry, but despite her wretched circumstances, she defends Butterfield and refuses to help. Believing that every person has a price, Mac leaves her a ticket to Butterfield’s town and promises $500 if she joins him there. He travels alone to the town and rents two hotel rooms, then visits the local sheriff, Buck Weston, who is impressed with Mac’s reputation and promises to help him. Over lunch, Buck chides Mac for his cynical outlook, but Mac insists that everyone can be bought. Mac is shocked, therefore, when Selah does not appear on any stage that day. When Mac learns that local freight driver Johnny Bishop fits Butterfield’s description, Buck informs Mac that Johnny is one of the most beloved men in town, but Mac is sure he is the right man, ...

More Less

After a deputy U.S. Marshal is killed tracking the four outlaws who robbed a Wells Fargo stage, Marshal Mackenzie Bovard, known as “The Hangman” for his relentless tenacity in the line of duty, manages to capture three of the gang. Two hang, and the third, Zimmerman, awaits his death sentence. Mac is desperate to catch the fourth outlaw, John Butterfield, before Zimmerman's execution, so that Zimmerman, the only remaining eye witness, can identify his accomplice. Because Mac does not know what Butterfield looks like, he travels to Butterfield’s old cavalry station, Fort Kenton, hoping that someone there can identify him. There, the colonel refuses to allow Mac to take one of his men to the town where Butterfield is rumored to be living, but the colonel’s aide tips off Mac that Butterfield’s ex-girl friend, Selah Jennison, might help him. Mac finds Selah performing back-breaking labor in the fort’s laundry, but despite her wretched circumstances, she defends Butterfield and refuses to help. Believing that every person has a price, Mac leaves her a ticket to Butterfield’s town and promises $500 if she joins him there. He travels alone to the town and rents two hotel rooms, then visits the local sheriff, Buck Weston, who is impressed with Mac’s reputation and promises to help him. Over lunch, Buck chides Mac for his cynical outlook, but Mac insists that everyone can be bought. Mac is shocked, therefore, when Selah does not appear on any stage that day. When Mac learns that local freight driver Johnny Bishop fits Butterfield’s description, Buck informs Mac that Johnny is one of the most beloved men in town, but Mac is sure he is the right man, and mistrusts Buck, whom he assumes is under Johnny's control. That night, Mac confides to Buck that he is returning to the fort briefly to pay off Selah, who has restored his faith in humanity by not accepting the job, but Mac is then chagrined when she arrives on the night stage. Furious, he treats her roughly, not realizing that Selah has come to warn Butterfield, who is indeed Johnny. In the morning, Mac, Selah and Buck watch as Johnny protects his friend Pedro Alonzo by beating up the much larger Murphy, after which Selah claims that Johnny is not Butterfield. Disbelieving her, Mac arranges for her to cross Johnny’s path the next morning, so the outlaw will greet her and give himself away. Although Mac does not trust Selah, when he hears nosy Amy Hopkins mock Selah’s dress, he gives the girl money to buy clothes. Later, Selah secretly warns Johnny of Mac’s plan, and although Johnny’s pregnant wife Kitty begs him to flee, he asserts that he is tired of running and did nothing but hold the horses for the outlaws, whom he did not realize were committing a crime. The next day, Mac’s suspicions are once again aroused when all the men in town, except Johnny, stop to whistle at Selah in her new dress. He decides to enlist the help of Johnny’s one enemy, Murphy, and later comes upon Selah bathing in a pond. There, she informs him that she ended up in desperate circumstances when her soldier husband died without a pension, after which Butterfield protected her. Later, Buck, who is falling in love with Selah, asks her to stay in town, but she demurs and later, not knowing that Mac has rigged her door so that he can hear her leave, sneaks over to Johnny’s house. Mac follows her as she warns Johnny that Murphy is going to double-cross him. While she talks to Johnny, Pedro spots Mac and shoots at him, grazing his arm. By the time Selah returns to the hotel a furious Mac is there and, calling her a “floozy,” handcuffs her to him to keep her in her room. When he leaves in the morning, however, Selah steals the handcuff key and then cuffs herself to him, ensuring that he cannot go after Johnny easily. When Murphy, on his way out of town, says Johnny and Kitty were last seen at the freight yard, they rush there, trailed by an angry Buck. However, Mac cannot find them anywhere, and it is not until he has searched all the wagons that he deduces that Murphy, in the end more loyal to Johnny than Mac, must have double-crossed him and spirited the Bishops away. When Buck refuses to chase Murphy, Mac swings Selah onto a horse with him and takes off. They soon catch the wagon and knock out Murphy, after which Johnny surrenders. At dinner that night, Mac offers the reward money to Selah, who calls him “hangman” and irately informs him that Johnny is innocent. Mac follows her to her room, where he apologizes and explains that he became a lawman after his brother was murdered and no one else was brave enough to capture the killers. Having lived a lonely life of chasing criminals, Mac now wants to retire to California to be a lawyer. Selah falls into his arms, crying, as Mac tells her to start over with a good man like Buck. Meanwhile, Johnny’s friends have planned a jailbreak, and soon smash the jail’s back window. As Johnny flees on horseback, Mac runs into the street and trains his gun on him, then deliberately shoots into the air, allowing Johnny to escape. The next morning, as he readies to leave town, Mac asks Selah what she plans to do next. Buck answers that he has asked her to marry him, and when Mac asks her for her response, Selah apologizes to Buck and announces that she is headed for California, with Mac.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Tokyo Joe

According to a 10 Dec 1948 HR news item, 2d unit director Art Black and cameramen Joseph Biroc and Emil Oster, Jr. shot 40,000 feet of background ... >>

The Killer Is Loose

Prior to the 13 Jun 1953 publication of the novelette The Killer Is Loose in The Saturday Evening Post , HR had reported, in ... >>

Zoot Suit

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Anjuli M. Singh, an independent ... >>

Ferris Bueller's Day Off

The picture begins with actor Matthew Broderick, in the role of “Ferris Bueller,” speaking directly to the audience. His commentary continues intermittently throughout the picture.
       A 13 Jun ... >>

Cape Fear

The film is bookended by scenes in which “Danielle Bowden” recites a reminiscence of the incident at Cape Fear that she wrote for a school assignment.
       A 31 Jul ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.