Secrets of the French Police (1932)

55 or 58 mins | Drama | 2 December 1932

Cinematographer:

Alfred Gilks

Editor:

Arthur Roberts

Production Designer:

Carroll Clark

Production Company:

RKO Radio Pictures, Inc.
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HISTORY

The working title of this film was Mysteries of the French Secret Police. An early pre-production FD news item announced that detective fiction author Rufus King was writing the screenplay for the film. King's contribution to the final film has not been determined. According to RKO inter-department memos, after investigating the legal ramifications of portraying actual people in the film, including the late French detective Bertillon, studio representatives discovered that writer H. Ashton-Wolfe, who was reported to be a former assistant investigator in the Lyons police department, was a fraud and was wanted on swindling charges in France and England at the time of this production. Ashton-Wolfe's character was subsequently dropped from the script and replaced with "St. Cyr." Studio executives also worried about possible lawsuits resulting from their portrayal of Princess Anastasia, whose existence was being contested by a woman in Europe, but deemed it unlikely that any legal action against RKO would be taken. ...

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The working title of this film was Mysteries of the French Secret Police. An early pre-production FD news item announced that detective fiction author Rufus King was writing the screenplay for the film. King's contribution to the final film has not been determined. According to RKO inter-department memos, after investigating the legal ramifications of portraying actual people in the film, including the late French detective Bertillon, studio representatives discovered that writer H. Ashton-Wolfe, who was reported to be a former assistant investigator in the Lyons police department, was a fraud and was wanted on swindling charges in France and England at the time of this production. Ashton-Wolfe's character was subsequently dropped from the script and replaced with "St. Cyr." Studio executives also worried about possible lawsuits resulting from their portrayal of Princess Anastasia, whose existence was being contested by a woman in Europe, but deemed it unlikely that any legal action against RKO would be taken.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
12 Jul 1932
p. 4
Film Daily
10 Dec 1932
p. 18
Hollywood Reporter
25 Oct 1932
p. 7
International Photographer
1 Nov 1932
p. 31
Motion Picture Herald
17 Dec 1932
p. 35
Motion Picture Herald
24 Dec 1932
p. 61
New York Times
12 Dec 1932
p. 18
Variety
13 Dec 1932
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Edward Sutherland
Dir
Asst dir
PRODUCER
Exec prod
WRITERS
PHOTOGRAPHY
Photog
Cam op
Joe Biroc
Asst cam
Asst cam
Asst cam
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
MUSIC
Mus dir
SOUND
PRODUCTION MISC
Still photog
SOURCES
LITERARY
Based on the series of articles Secrets of the Surete by H. Ashton Wolfe in American Weekly Sunday Magazine (4 Oct--20 Dec 1931) and the novel The Lost Empress by Samuel Ornitz (publication undetermined).
LITERARY SOURCE AUTHORS
DETAILS
Alternate Title:
Mysteries of the French Secret Police
Release Date:
2 December 1932
Production Date:

Copyright Info
Claimant
Date
Copyright Number
RKO-Radio Pictures, Inc.
11 November 1932
LP3452
Physical Properties:
Sound
RCA Photophone System
Black and White
Duration(in mins):
55 or 58
Length(in reels):
6
Country:
United States
SYNOPSIS

Soon after the murder of Danton, an agent of the French secret police, beautiful Parisian flower vendor Eugenie Dorain is kidnapped by minions of General Hans Moloff, a half-Russian, half-Chinese madman. Then, after determining that only Danton and Anton, Eugenie's foster father, were informed of the identity of Eugenie's Russian parents, Moloff murders Anton. When police detective François St. Cyr later discovers Anton's body, he suspects Eugenie's boyfriend, Leon Renault, a notorious pickpocket, but on a hunch, decides to use him as a guide into the Parisian underworld. While St. Cyr has his undercover agents comb the city for Eugenie, Moloff cables the Grand Duke Maxim, the brother of the slain Czar Nicholas II, that he has located Princess Anastasia, Nicholas' only surviving child, then hypnotizes Eugenie and brainwashes her to believe that she is the princess. Soon after, St. Cyr hears a report that the supposed princess bears a resemblance to Eugenie and dispatches Leon to Moloff's chateau to investigate. As Moloff tries to convince Maxim that the entranced Eugenie is Anastasia, Leon breaks into the heavily guarded chateau and stumbles into Moloff's basement, which is filled with sinister looking scientific tools. Although he is chased off before finding Eugenie, Leon conveys his suspicions to St. Cyr, who is then called to investigate an automobile accident near the chateau. At the accident site, St. Cyr finds Maxim's body and a document signed by Maxim declaring Moloff's Anastasia as Nicholas II's rightful heir. After St. Cyr's men determine that Maxim's death was caused by an elaborately produced optical illusion, St. Cyr tries to question Eugenie but is turned away from the ...

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Soon after the murder of Danton, an agent of the French secret police, beautiful Parisian flower vendor Eugenie Dorain is kidnapped by minions of General Hans Moloff, a half-Russian, half-Chinese madman. Then, after determining that only Danton and Anton, Eugenie's foster father, were informed of the identity of Eugenie's Russian parents, Moloff murders Anton. When police detective François St. Cyr later discovers Anton's body, he suspects Eugenie's boyfriend, Leon Renault, a notorious pickpocket, but on a hunch, decides to use him as a guide into the Parisian underworld. While St. Cyr has his undercover agents comb the city for Eugenie, Moloff cables the Grand Duke Maxim, the brother of the slain Czar Nicholas II, that he has located Princess Anastasia, Nicholas' only surviving child, then hypnotizes Eugenie and brainwashes her to believe that she is the princess. Soon after, St. Cyr hears a report that the supposed princess bears a resemblance to Eugenie and dispatches Leon to Moloff's chateau to investigate. As Moloff tries to convince Maxim that the entranced Eugenie is Anastasia, Leon breaks into the heavily guarded chateau and stumbles into Moloff's basement, which is filled with sinister looking scientific tools. Although he is chased off before finding Eugenie, Leon conveys his suspicions to St. Cyr, who is then called to investigate an automobile accident near the chateau. At the accident site, St. Cyr finds Maxim's body and a document signed by Maxim declaring Moloff's Anastasia as Nicholas II's rightful heir. After St. Cyr's men determine that Maxim's death was caused by an elaborately produced optical illusion, St. Cyr tries to question Eugenie but is turned away from the chateau. As Moloff prepares to flee with Eugenie, Leon returns to the chateau to rescue her but is caught by the general. Seconds before her death at the hands of Moloff, St. Cyr and the police break into the chateau and force Moloff to kill himself using his own instruments of death.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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