The Shaggy Dog (1959)

101 or 104 mins | Comedy, Fantasy | March 1959

Director:

Charles Barton

Cinematographer:

Edward Colman

Editor:

James D. Ballas

Production Designer:

Carroll Clark

Production Company:

Walt Disney Productions
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HISTORY

The film’s opening and closing credits feature an animated, stop-motion sheep dog that interacts with the titles. The picture begins with a voice-over narration describing the character of “Wilson Daniels” and his aversion to dogs. Throughout the film, footage of a real dog is intercut with shots of a prop dog, whose mouth moves to approximate speech. The film's title, while referring to the dog in the picture, is also a reference to the old expression "a shaggy dog story," indicating a tall tale.
       According to a 14 Apr 1958 HR news item, before production of The Shaggy Dog began, Walt Disney considered releasing the film exclusively on television. As noted in a 22 Aug 1958 news item, the film was partially shot on the Universal lot. Contemporary sources disagree as to the real name of the dog who played "Chiffon"; while most refer to the dog as Shaggy, LAMirror states that his name was Mr. Hyde, and HCN lists him as Sammy's Shadow.
       The picture marked the feature-film debuts of former Mickey Mouse Club "Mousketeers" Annette Funicello and Roberta Shore. It also marked the first time Fred MacMurray appeared in a Disney film; he went on to star in six more of the studio’s pictures, including The Absent-Minded Professor (1961) and Son of Flubber (1963; see AFI Catalog of Feature Films, 1961-70). Although Aug and Sep 1958 HR news items add Charles Lane, Larry Blake and Gregg Palmer to the cast, neither Lane nor Blake were in the released film, and the appearance of Palmer has not been confirmed. ...

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The film’s opening and closing credits feature an animated, stop-motion sheep dog that interacts with the titles. The picture begins with a voice-over narration describing the character of “Wilson Daniels” and his aversion to dogs. Throughout the film, footage of a real dog is intercut with shots of a prop dog, whose mouth moves to approximate speech. The film's title, while referring to the dog in the picture, is also a reference to the old expression "a shaggy dog story," indicating a tall tale.
       According to a 14 Apr 1958 HR news item, before production of The Shaggy Dog began, Walt Disney considered releasing the film exclusively on television. As noted in a 22 Aug 1958 news item, the film was partially shot on the Universal lot. Contemporary sources disagree as to the real name of the dog who played "Chiffon"; while most refer to the dog as Shaggy, LAMirror states that his name was Mr. Hyde, and HCN lists him as Sammy's Shadow.
       The picture marked the feature-film debuts of former Mickey Mouse Club "Mousketeers" Annette Funicello and Roberta Shore. It also marked the first time Fred MacMurray appeared in a Disney film; he went on to star in six more of the studio’s pictures, including The Absent-Minded Professor (1961) and Son of Flubber (1963; see AFI Catalog of Feature Films, 1961-70). Although Aug and Sep 1958 HR news items add Charles Lane, Larry Blake and Gregg Palmer to the cast, neither Lane nor Blake were in the released film, and the appearance of Palmer has not been confirmed. Modern sources add John Hart (Police broadcaster) and Mack Williams (Betz) to the cast.
       As noted in a May 1959 LAMirror article, The Shaggy Dog proved Disney's biggest box-office hit of the time, earning over $8 million in its first domestic release. The studio re-released the film in 1967 and in 1976 produced a sequel, The Shaggy D.A., directed by Robert Stevenson and starring Dean Jones and Tim Conway. Several made-for-television films followed, included 1987's The Return of the Shaggy Dog and 1994's The Shaggy Dog, which starred Ed Begley Jr. In 2006, Buena Vista released a remake of The Shaggy Dog directed by Brian Robbins and starring Tim Allen and Kristin Davis.

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PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
2 Mar 1959
---
Daily Variety
24 Feb 1959
p. 3
Film Daily
26 Feb 1959
p. 6
Filmfacts
1959
pp. 61-62
Hollywood Citizen-News
14 Mar 1959
---
Hollywood Reporter
14 Apr 1958
p. 1
Hollywood Reporter
29 Jul 1958
p. 14
Hollywood Reporter
30 Jul 1958
p. 3
Hollywood Reporter
1 Aug 1958
p. 8
Hollywood Reporter
22 Aug 1958
p. 6
Hollywood Reporter
29 Aug 1958
p. 1
Hollywood Reporter
29 Sep 1958
p. 4
Hollywood Reporter
17 Oct 1958
p. 10
Hollywood Reporter
15 Dec 1958
p. 2
Hollywood Reporter
24 Dec 1958
p. 2
Hollywood Reporter
24 Feb 1959
p. 3
Hollywood Reporter
8 May 1959
p. 1
Los Angeles Mirror
22 Nov 1958
---
Los Angeles Mirror
20 May 1959
---
Motion Picture Herald Product Digest
7 Mar 1959
p. 180
New York Times
20 Mar 1959
p. 26
Time
20 Apr 1959
---
Variety
25 Feb 1959
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
A Walt Disney Production
NAME
CREDITED AS
CREDIT
DIRECTORS
Arthur J. Vitarelli
Asst dir
PRODUCERS
Assoc prod
WRITERS
PHOTOGRAPHY
Dir of photog
Asst cam
Cam op
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Fred MacLean
Set dec
COSTUMES
SOUND
Sd supv
Harry M. Lindgren
Sd mixer
VISUAL EFFECTS
Spec titles
Spec titles
Spec titles
Spec processes
DANCE
Dance dir
MAKEUP
Makeup
Hairstylist
PRODUCTION MISC
Animal supv
SOURCES
LITERARY
Suggested by the novel Der Hund von Florenz (The Hound of Florence) by Felix Salten (Vienna, 1923).
LITERARY SOURCE AUTHOR
SONGS
"The Shaggy Dog," words and music by Gil George and Paul Smith.
SONGWRITER/COMPOSER
DETAILS
Release Date:
March 1959
Premiere Information:
New York opening: 19 Mar 1959; Los Angeles opening: 20 Mar 1959
Production Date:
4 Aug--late Oct 1958; addl scenes shot week of 15 Dec 1958
Copyright Info
Claimant
Date
Copyright Number
Walt Disney Productions
20 January 1959
LP13829
Physical Properties:
Sound
RCA Sound Recording
Black and White
Duration(in mins):
101 or 104
Country:
United States
Language:
English
PCA No:
19126
SYNOPSIS

Wilson Daniels, a mailman who despises dogs, lives in the suburbs with his wife Frieda and sons Wilby, a teenager, and young Moochie. Wilby, whose curiosity and intelligence are matched only by his clumsiness, is constantly infuriating his father, who explodes in anger after Wilby blows a hole through the roof while testing his new invention, a missile interceptor. As Wilby patches the roof, he spots his friend, Buzz Miller, picking up the neighbor on whom Wilby has a crush, Allison D’Allessio. Suddenly realizing that the money Buzz borrowed earlier will be spent on his date with Allison, Wilby demands the money back, but the boys are distracted from their argument by the arrival of new neighbor Franceska Andrassy. While Frieda gossips to Wilson about Franceska’s father, Dr. Mikhail Andrassy, the new assistant curator of the county museum, Wilson frets over the sight of the Andrassy pet, a huge, shaggy sheepdog named Chiffon. Outside, the dog runs straight to Wilby, and when he and Buzz insist on returning Chiffon to Franceska, Allison stalks into her house in disgust. At the Andrassys’, sophisticated Franceska shows the boys her family's art collection, including a portrait of the Borgia family that features a dog identical to Chiffon. The boys drive Franceska to the museum, where Buzz steals Franceska away, leaving Wilby alone among the ancient artifacts. Prof. Plumcott is working at the museum and, upon seeing Wilby examining another Borgia portrait, explains that the Italian family was notorious for their dabbling in the occult practices of spell-casting and shape-shifting, or changing from human to animal form. Apprehensive, Wilby rushes to leave, accidentally overturning a tray of Borgia jewels. At home Wilby discovers ...

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Wilson Daniels, a mailman who despises dogs, lives in the suburbs with his wife Frieda and sons Wilby, a teenager, and young Moochie. Wilby, whose curiosity and intelligence are matched only by his clumsiness, is constantly infuriating his father, who explodes in anger after Wilby blows a hole through the roof while testing his new invention, a missile interceptor. As Wilby patches the roof, he spots his friend, Buzz Miller, picking up the neighbor on whom Wilby has a crush, Allison D’Allessio. Suddenly realizing that the money Buzz borrowed earlier will be spent on his date with Allison, Wilby demands the money back, but the boys are distracted from their argument by the arrival of new neighbor Franceska Andrassy. While Frieda gossips to Wilson about Franceska’s father, Dr. Mikhail Andrassy, the new assistant curator of the county museum, Wilson frets over the sight of the Andrassy pet, a huge, shaggy sheepdog named Chiffon. Outside, the dog runs straight to Wilby, and when he and Buzz insist on returning Chiffon to Franceska, Allison stalks into her house in disgust. At the Andrassys’, sophisticated Franceska shows the boys her family's art collection, including a portrait of the Borgia family that features a dog identical to Chiffon. The boys drive Franceska to the museum, where Buzz steals Franceska away, leaving Wilby alone among the ancient artifacts. Prof. Plumcott is working at the museum and, upon seeing Wilby examining another Borgia portrait, explains that the Italian family was notorious for their dabbling in the occult practices of spell-casting and shape-shifting, or changing from human to animal form. Apprehensive, Wilby rushes to leave, accidentally overturning a tray of Borgia jewels. At home Wilby discovers that a ring from the Borgia jewel collection has fallen into his pant cuff, and upon reading the inscription, unwittingly sets into motion a shape-shifting spell. He immediately transforms into Chiffon, but retains his own mind and voice. Realizing that he must get help, Wilby, still in the embodiment of a dog, slips out of the house and visits Plumcott. Although the professor cannot break the spell, he guesses that an act of heroism might prove successful, as it did in the tale The Hound of Florence , and warns Wilby that he will probably change back and forth from dog to boy without warning. On the way home, Wilby frightens police sergeant Hanson by talking to him, then returns to his bedroom to sleep. Upon awakening, he is aghast to see Chiffon staring back at him in the mirror, but Moochie is thrilled finally to have a pet, and promises to walk and groom Wilby faithfully. Worried that Wilson will shoot his new "pet," Moochie hides Wilby, but Wilson soon breaks out in hives and deduces the presence of a dog. As Wilson reaches for his gun, Wilby races to Franceska’s, where he is disheartened by his breakfast of kibble. Stefano, the butler, locks “Chiffon” in a room under the stairs, and after napping and awakening as a boy, Wilby is able to escape. That night, Buzz visits to confess that he has asked both Allison and Franceska to the upcoming country club dance, and asks Wilby to accompany them so Buzz can pretend to each that the other is dating Wilby. At the dance, Buzz tells both girls that Wilby is in love with the other but is too shy to dance, thus convincing them to vie for Wilby’s attention. The other girls, noting Wilby’s sudden popularity, clamor to dance with him, and he is having the best night of his life when suddenly he takes on his dog form. Chased by both Franceska and Wilson, Wilby runs away, and when he later calls his father from a public phone, Sgt. Hanson again sees him and questions his sanity. Later, at Franceska’s house, Wilby’s appearance as a dog allows him to listen as Buzz lies to Franceska that Wilby is a troublemaker. He attacks Buzz, prompting the boy to leave, after which Wilby overhears visiting Mr. Thurm discuss with Dr. Andrassy their secret plans to smuggle a “Section 32” hydrogen missile out of the country. Wilby escapes from the house through the laundry chute, and hurriedly conveys to Moochie the information that Andrassy is a spy. Moochie tells Wilson, but his father assumes the boy is just playing, until Wilby, still a dog, approaches his father and convinces him of his plight. Wilson brings Moochie to the police department to inform them, and is proclaimed mentally unstable until he mentions Section 32, a piece of classified information. Now suspecting Wilson may be a spy, the police interrogate him until Moochie saves him by claiming that his father is a master “storyteller.” Meanwhile, Wilby returns to Franceska’s, where he hears Andrassy tell Stefano to take the missile to the museum. Just then, Wilby returns to human form and is caught by the spies, who tie him up in the dressing room and, realizing they are now compromised, grab Franceska and rush to board a secret ship heading out of the country. As soon as they leave, Moochie, who has been hiding outside, sneaks in and rescues Wilby. Despite his return to dog form, Wilby jumps into Buzz’s jalopy and chases the spies. Moochie and Buzz convince Wilson to follow, and the convoy is soon tailed by Hanson. After Hanson reports that he is chasing a driving dog, however, his chief orders officer Mercer to pursue the sergeant, and Mercer slows the policeman’s progress. Wilby arrives at the dock just as the spies are casting off, and manages to jump on board. When Franceska tries to get away, she is knocked overboard, and Wilby leaps into the sea to save her. He pulls her ashore just as Wilson and the boys arrive, followed closely by the police, who chase after the boat. Upon seeing Buzz awaken Franceska and pretend that he rescued her, Wilby attacks him, but as they fight his act of heroism returns him permanently to human form. Franceska, meanwhile, recalls her dog saving her, and finding Chiffon nearby, hugs him gratefully. Soon, Wilson and Chiffon are nationally celebrated as spy-catching heroes, and Wilson’s allergies magically disappear as he agrees to adopt Chiffon after Franceska is sent away to school. Buzz and Wilby resume their squabbling over Allison, and are dismayed to see her new boyfriend, a college man, pick her up for a date.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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