The 30-Foot Bride of Candy Rock (1959)

73 or 75 mins | Comedy, Science fiction | August 1959

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HISTORY

The working titles of this film were The Secret Bride of Candy Rock and Lou Costello and His 30-Foot Bride. The onscreen credit for the production company reads "A D.R.B. Production. DeWitt-Rabin-Block." Louis DeWitt, Jack Rabin and Irving Block are also credited with the film's special effects, and Rabin and Block are credited with the story idea. Edward Sherman, the film's executive producer, was Lou Costello's manager. Although a Dec 1958 HR news item notes that the film was to mark the film debut of Lou's daughter, Carole Costello, her appearance in the released picture has not been confirmed.
       The 3-Foot Bride of Candy Rock was the only film in which Costello appeared without his longtime partner, Bud Abbott, and was Costello's last film. Costello died of a heart attack on 3 Mar 1959, less than three months after production was completed. The film also marked the feature film directorial debut of Sidney Miller, who began his career as a child actor in the 1930s, and had previously worked as a television director. ...

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The working titles of this film were The Secret Bride of Candy Rock and Lou Costello and His 30-Foot Bride. The onscreen credit for the production company reads "A D.R.B. Production. DeWitt-Rabin-Block." Louis DeWitt, Jack Rabin and Irving Block are also credited with the film's special effects, and Rabin and Block are credited with the story idea. Edward Sherman, the film's executive producer, was Lou Costello's manager. Although a Dec 1958 HR news item notes that the film was to mark the film debut of Lou's daughter, Carole Costello, her appearance in the released picture has not been confirmed.
       The 3-Foot Bride of Candy Rock was the only film in which Costello appeared without his longtime partner, Bud Abbott, and was Costello's last film. Costello died of a heart attack on 3 Mar 1959, less than three months after production was completed. The film also marked the feature film directorial debut of Sidney Miller, who began his career as a child actor in the 1930s, and had previously worked as a television director.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
24 Aug 1959
---
Daily Variety
5 Aug 1959
p. 3
Film Daily
6 Aug 1959
p. 7
Hollywood Reporter
1 Oct 1958
p. 1
Hollywood Reporter
6 Nov 1958
p. 2
Hollywood Reporter
5 Dec 1958
p. 6
Hollywood Reporter
11 Dec 1958
p. 4
Hollywood Reporter
12 Dec 1958
p. 12
Hollywood Reporter
24 Feb 1959
p. 4
Hollywood Reporter
5 Aug 1959
p. 3
Motion Picture Herald Product Digest
15 Aug 1959
p. 373
Variety
12 Aug 1959
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCERS
Exec prod
WRITERS
Story idea
Story idea
PHOTOGRAPHY
Frank G. Carson
Dir of photog
Cam op
Asst cam
Still photog
Grip
Grip
Gaffer
Best boy
ART DIRECTOR
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Props
Props
MUSIC
Mus comp and cond
SOUND
Rec supv
Rec
Sd ed
Sd ed
Cable
Mikeman
VISUAL EFFECTS
Spec photog eff created by
Spec photog eff created by
Spec photog eff created by
MAKEUP
Makeup supv
Hairstylist
PRODUCTION MISC
Scr supv
DETAILS
Alternate Titles:
Lou Costello and His 30-Foot Bride
The Secret Bride of Candy Rock
Release Date:
August 1959
Production Date:
3 Dec--19 Dec 1958
Copyright Info
Claimant
Date
Copyright Number
D.R.B., Inc.
1 August 1959
LP14709
Physical Properties:
Sound
RCA Sound Recording
Black and White
Widescreen/ratio
Wonderama; MattaScope
Duration(in mins):
73 or 75
Country:
United States
Language:
English
PCA No:
19273
SYNOPSIS

In the small town of Candy Rock, rubbish collector and amateur inventor Artie Pinsetter tinkers with “Max,” his thinking machine. Artie owns the only independent business in a town controlled by Raven Rossiter, who has decided to expand his venue by running for governor. One day, while Raven is being interviewed by television personality Bill Burton, Artie walks into the Rossiter-owned radio station to buy more radio parts and tubes to implant in Max. Raven agrees to extend the cash-strapped Artie credit in exchange for his promise to stop dating Raven’s niece Emmy Lou. Later, at the Rossiter home, Emmy Lou sings Artie’s praises to her aunt May. When Artie arrives to pick up the trash, Emmy Lou climbs into an empty trash barrel that Artie loads onto his truck. Artie then drives to Dinosaur State Park with his dog Corporal. After climbing out of the barrel, Emmy Lou asks Artie to marry her, and when Max forbids the union, Emmy Lou angrily runs into a nearby cave. Minutes later, she emerges as a woman who is now thirty-feet tall. A panicked Artie drives to the Rossiter home to inform Raven that Emmy Lou has “gotten big.” Thinking that Artie means she is pregnant, Raven, fearing a scandal, arranges for Magruder, the justice of the peace, immediately to marry Emmy Lou and Artie. On the drive back to the park, Artie stops at a surplus store to buy a parachute that Emmy Lou later fashions into a wedding dress. Magruder, who is blind without his glasses, is unable to see Emmy Lou until he asks ...

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In the small town of Candy Rock, rubbish collector and amateur inventor Artie Pinsetter tinkers with “Max,” his thinking machine. Artie owns the only independent business in a town controlled by Raven Rossiter, who has decided to expand his venue by running for governor. One day, while Raven is being interviewed by television personality Bill Burton, Artie walks into the Rossiter-owned radio station to buy more radio parts and tubes to implant in Max. Raven agrees to extend the cash-strapped Artie credit in exchange for his promise to stop dating Raven’s niece Emmy Lou. Later, at the Rossiter home, Emmy Lou sings Artie’s praises to her aunt May. When Artie arrives to pick up the trash, Emmy Lou climbs into an empty trash barrel that Artie loads onto his truck. Artie then drives to Dinosaur State Park with his dog Corporal. After climbing out of the barrel, Emmy Lou asks Artie to marry her, and when Max forbids the union, Emmy Lou angrily runs into a nearby cave. Minutes later, she emerges as a woman who is now thirty-feet tall. A panicked Artie drives to the Rossiter home to inform Raven that Emmy Lou has “gotten big.” Thinking that Artie means she is pregnant, Raven, fearing a scandal, arranges for Magruder, the justice of the peace, immediately to marry Emmy Lou and Artie. On the drive back to the park, Artie stops at a surplus store to buy a parachute that Emmy Lou later fashions into a wedding dress. Magruder, who is blind without his glasses, is unable to see Emmy Lou until he asks for a kiss from the bride. When Emmy Lou looms over him to proffer her cheek, he flees in fear. That night, Artie studies his colossal bride. The next morning, when Emmy Lou awakens and announces that she is ravenous, Artie hurries into town to forage for food. When Artie blurts out that Emmy Lou is now thirty-feet tall, Raven, concerned that the news may damage his campaign, arranges for a caravan of trucks to deliver food to his starving niece and gives her a barn located ten miles from town as a honeymoon cottage. After loading Emmy Lou onto a flatbed truck, they drive her to the barn where she asks to take a shower. As Artie sprays her with a fire hose, she begins to grow again. Meanwhile, a series of war games are being staged at the park, and when a military helicopter flies over the barn, the pilot spots Emmy Lou protruding from the roof. The pilot’s addled report about a giant woman causes the general in charge to cancel the games. Peeved, the Pentagon demands an explanation, and when a sergeant explains that they have sighted a monster, the Pentagon issues an alert about invaders from space. Meanwhile, at the Booster’s Club, a benevolent organization headed by Raven, Raven is boasting of his achievements to Burton when Artie bursts in to tell him that his niece is still growing. Flustered, Raven gets rid of Artie by making him a Booster and giving him a fancy new car. As Artie drives off, Jackie Delaney, the town flirt, jumps into his car. When they reach the barn, Emmy Lou jealously bellows at Jackie to “keep her hands off” Artie. After Jackie runs off screaming, Emmy Lou, angered by Artie’s “infidelity” and her uncle's insistence on controlling her life, decides to go to Candy Rock where she climbs atop a building and cackles down at the citizenry. Desperate, Artie returns to the park and asks Max for help. Meanwhile, the military has been trailing Emmy Lou and passes her coordinates along to the Pentagon. Emmy Lou returns to the park just as the military launches a series of missiles at her. After Max sends a signal that causes the missiles to collide, the troops arrive armed with bazookas. To avoid the weapons, Artie orders Max to take them all back in time, and after Max sends them to the era of the Civil War and then the Stone Age, Artie realizes that Max has finally proved its genius and asks the machine to shrink Emmy Lou. After Max shrinks Emmy Lou into a miniature woman, the soliders arrive and demand to see the giant from outer space. Raven then comes to the park with Burton, and when Artie boasts that he has developed a machine that can bend time and space, Burton invites him to appear on his show instead of Raven. After the soldiers confiscate Max, Emmy Lou returns to normal size and Corporal, now a giant, tags along behind them.


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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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