The Fall of the House of Usher (1960)

79 or 85-87 mins | Horror | July 1960

Director:

Roger Corman

Producer:

Roger Corman

Cinematographer:

Floyd Crosby

Editor:

Anthony Carras

Production Designer:

Daniel Haller

Production Company:

Alta Vista Productions
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HISTORY

The working titles of this film were Mysterious House of Usher and Haunted House of Usher. The film's presenters and four actors' names precede the main title, which reads "Edgar Allan Poe's The Fall of the House of Usher." All other credits appear at the film's conclusion, beginning with portraits of the four leading actors and their character names. After music composer Les Baxter's name, the following credit appears: "Album available on American International Records." Although the film's onscreen title is The Fall of the House of Usher, it was also reviewed and advertised as House of Usher.
       Contemporary reviews remarked on the dissimilarities between the film and the story on which it was based. In Poe's story, "Philip" is not "Madeline's" fiancé but "Roderick's" old friend, invited to the house by Roderick. In addition, in the Poe story Philip does not try to escape the mansion, and Roderick is driven to madness after hearing the moans of the buried Madeline.
       The film marked the first time producer-director Roger Corman adapted a story by Poe. He produced seven more by 1965, ending with The Tomb of Ligeia (see AFI Catalog of Feature Films, 1961-70). Many of Corman's Poe films starred Vincent Price. In his autobiography, Corman stated that The Fall of the House of Usher was shot in fifteen days on a budget of $270,000, $50,000 of which went to Price. That was the highest budget American International had allotted any film up to that time. Corman also noted that the success of the Poe films was due in ...

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The working titles of this film were Mysterious House of Usher and Haunted House of Usher. The film's presenters and four actors' names precede the main title, which reads "Edgar Allan Poe's The Fall of the House of Usher." All other credits appear at the film's conclusion, beginning with portraits of the four leading actors and their character names. After music composer Les Baxter's name, the following credit appears: "Album available on American International Records." Although the film's onscreen title is The Fall of the House of Usher, it was also reviewed and advertised as House of Usher.
       Contemporary reviews remarked on the dissimilarities between the film and the story on which it was based. In Poe's story, "Philip" is not "Madeline's" fiancé but "Roderick's" old friend, invited to the house by Roderick. In addition, in the Poe story Philip does not try to escape the mansion, and Roderick is driven to madness after hearing the moans of the buried Madeline.
       The film marked the first time producer-director Roger Corman adapted a story by Poe. He produced seven more by 1965, ending with The Tomb of Ligeia (see AFI Catalog of Feature Films, 1961-70). Many of Corman's Poe films starred Vincent Price. In his autobiography, Corman stated that The Fall of the House of Usher was shot in fifteen days on a budget of $270,000, $50,000 of which went to Price. That was the highest budget American International had allotted any film up to that time. Corman also noted that the success of the Poe films was due in large part to the creativity and ingenuity of production designer Daniel Haller. Modern sources point out Corman's own ingenuity in shooting the opening sequence, in which Philip rides through a desolate countryside, in the Hollywood Hills the day after a devastating fire. In addition, for the film's climax, Corman arranged to burn an old barn that was about to be demolished in Orange County. The resultant footage was reused in Corman's other Poe films.
       According to MPD, the premiere for The Fall of the House of Usher, held in Palm Springs, CA on 18 Jun 1960, benefited the Angel View Crippled Children's Foundation. The reviews were generally laudatory, with LAT referring to Price as "masterful" and LAEx stating that Corman "has done himself proud, both as producer and director." The picture marked the first starring role and last feature film appearance of Myrna Fahey (1933--1973), who appeared frequently on television throughout the 1960s.
       Among the many other versions of Poe's story are the 1928 French film directed by famed Surrealists Jean Epstein and Luis Buñuel; a 1982 television feature directed by James L. Conway and starring Martin Landau; and a 2002 version entitled The Fall of the Louse of Usher, directed by Ken Russell and starring Russell and James Johnson.

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PERSONAL & COMPANY INDEX CREDITS
CREDIT
HISTORY CREDITS
CREDIT TYPE
CREDIT
Corporate note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
27 Jun 1960
---
Daily Variety
21 May 1959
---
Daily Variety
22 Jun 1960
p. 3
Film Daily
23 Jun 1960
p. 6
Filmfacts
1960
pp. 206-208
Hollywood Reporter
15 Dec 1959
p. 1, 13
Hollywood Reporter
31 Dec 1959
p. 8
Hollywood Reporter
15 Jan 1960
p. 16
Hollywood Reporter
21 Jan 1960
p. 16
Hollywood Reporter
29 Jan 1960
p. 20
Hollywood Reporter
22 Jun 1960
p. 3
Los Angeles Examiner
21 Jun 1960
---
Los Angeles Times
21 Jul 1960
---
Motion Picture Daily
12 Jun 1960
---
Motion Picture Herald Product Digest
25 Jun 1960
p. 749
New York Times
15 Sep 1960
p. 45
Variety
29 Jun 1960
p. 8
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
WRITER
PHOTOGRAPHY
Dir of photog
Stills
Gaffer
Best boy
ART DIRECTOR
Prod des
FILM EDITOR
Film ed
SET DECORATORS
Props
Paintings
Const
Set dec
COSTUMES
MUSIC
Mus ed
SOUND
Phil Mitchell
Sd
Sd ed
VISUAL EFFECTS
Larry Butler
Process photog dir
Spec eff
Photog eff
MAKEUP
Makeup
Hairdresser
PRODUCTION MISC
Scr supv
SOURCES
LITERARY
Based on the short story "The Fall of the House of Usher" by Edgar Allan Poe in Burton's Gentleman's Magazine and American Monthly Review (Sep 1839).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
Edgar Allan Poe's The Fall of the House of Usher
Haunted House of Usher
House of Usher
Mysterious House of Usher
Release Date:
July 1960
Premiere Information:
World premiere in Palm Springs, CA: 18 Jun 1960; Los Angeles opening: 20 Jul 1960
Production Date:
mid Jan--late Jan 1960 at Amco Studios
Copyright Info
Claimant
Date
Copyright Number
Alta Vista Productions
14 June 1960
LP18236
Physical Properties:
Sound
Color
Widescreen/ratio
CinemaScope
Duration(in mins):
79 or 85-87
Length(in feet):
7,104
Length(in reels):
9
Country:
United States
Language:
English
PCA No:
19597
SYNOPSIS

Early in the 19th century, Philip Winthrop rides from Boston to rural Massachusetts, to visit his fiancée, Madeline Usher, at her family’s estate. As he nears his destination, Philip passes through a very stark, barren area until he reaches the decaying, foreboding Usher mansion. Although Bristol, the family’s longtime retainer, tells Philip that he cannot admit him, as Madeline is ill and confined to her bed, Philip insists upon talking with Madeline’s brother Roderick. After Roderick upbraids Bristol for having permitted Philip to enter, he asks Philip to speak softly, as he is afflicted by a condition that amplifies even minor sounds. Roderick insists that Philip leave and terminate his betrothal to Madeline. Suddenly, Madeline appears and informs her brother that Philip must stay, then returns to her room. Roderick, greatly disturbed that Philip still intends to marry his sister, tells him that the majority of his ancestors have succumbed to madness and that he and Madeline are dying. After Philip accuses Roderick of exaggerating and refuses to leave the house, Bristol shows him to a guest room. As Philip unpacks, the house trembles and vibrates and when he goes downstairs for dinner, a falling chandelier narrowly misses him. That night, Philip creeps into Madeline’s room, awakens her and asks her to leave with him in the morning, but she insists she cannot. When Roderick discovers them together, Philip accuses him of keeping Madeline a prisoner, but Roderick insists that it is his love for his sister that makes him protective. Later, after hearing more creaking and clanking sounds, Philip checks Madeline’s room and, finding it empty, goes downstairs where he discovers her, lying in a trance-like state. Bristol ...

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Early in the 19th century, Philip Winthrop rides from Boston to rural Massachusetts, to visit his fiancée, Madeline Usher, at her family’s estate. As he nears his destination, Philip passes through a very stark, barren area until he reaches the decaying, foreboding Usher mansion. Although Bristol, the family’s longtime retainer, tells Philip that he cannot admit him, as Madeline is ill and confined to her bed, Philip insists upon talking with Madeline’s brother Roderick. After Roderick upbraids Bristol for having permitted Philip to enter, he asks Philip to speak softly, as he is afflicted by a condition that amplifies even minor sounds. Roderick insists that Philip leave and terminate his betrothal to Madeline. Suddenly, Madeline appears and informs her brother that Philip must stay, then returns to her room. Roderick, greatly disturbed that Philip still intends to marry his sister, tells him that the majority of his ancestors have succumbed to madness and that he and Madeline are dying. After Philip accuses Roderick of exaggerating and refuses to leave the house, Bristol shows him to a guest room. As Philip unpacks, the house trembles and vibrates and when he goes downstairs for dinner, a falling chandelier narrowly misses him. That night, Philip creeps into Madeline’s room, awakens her and asks her to leave with him in the morning, but she insists she cannot. When Roderick discovers them together, Philip accuses him of keeping Madeline a prisoner, but Roderick insists that it is his love for his sister that makes him protective. Later, after hearing more creaking and clanking sounds, Philip checks Madeline’s room and, finding it empty, goes downstairs where he discovers her, lying in a trance-like state. Bristol advises Philip not to wake her and carries her back to her room. In the morning, Bristol agrees to let Philip take Madeline her breakfast, giving him the opportunity again to implore her to leave. Madeline refuses to go with Philip, however, and tells him that she will soon be dead. Madeline, by way of explanation, takes Philip to a crypt in the mansion’s basement, where she shows him the coffins of her great-grandparents, grandparents and parents, all victims of madness. Suddenly, her grandmother’s coffin falls from its niche and breaks open, revealing a skeleton and causing Madeline to faint. As Philip carries Madeline out, Roderick appears and insists on returning her to her room. Roderick then decides to reveal more of the Usher family’s curse to Philip and informs him that long ago the area surrounding the mansion was fertile and abundant until devastated by a plague of evil. Roderick explains that the centuries-old house was brought from England, where many evil people had inhabited it. Philip, convinced that Roderick is mad, goes to Madeline’s room and orders her to prepare to leave. As Philip packs, he hears Madeline and Roderick arguing and rushes to her, but finds her dead in her bed. Roderick swears that he never touched his sister and that she has died from strain upon her heart. After a brief ceremony in the family chapel, Roderick insists upon immediately placing Madeline’s coffin in the crypt. Later, when Philip goes to bid Bristol farewell, he asks the butler if perhaps his visit may have caused Madeline’s death. In trying to reassure Philip, Bristol casually mentions a history of catalepsy in the Usher family, causing Philip suddenly to realize that Madeline may still be alive. He rushes to the crypt and breaks open her padlocked coffin with a battle axe, but Madeline is not inside. Roderick denies having buried Madeline alive, but says that she is now dead and Philip will not find her. Utterly exhausted, Philip falls asleep and dreams of entering the crypt and encountering the ghosts of the Usher family members he has seen in portraits Roderick has painted. Awakened by the thunder and lightning of a massive storm that threatens to destroy the house, Philip is warned by Roderick to leave or perish with him. After hearing a scream from the area of the crypt, Philip runs there and follows a trail of blood through corridors that finally lead back to a room in the house. When he enters, a crazed Madeline, now endowed with a superhuman strength, attacks him and tries to strangle him, then runs away. While the house continues to shake, Philip traces Madeline to Roderick’s room where, again, she attempts to choke him to death. The violent wind blows open a window, causing a fire that begins to spread as Madeline attacks Roderick. As the house begins to disintegrate, Bristol drags Philip from the room, but is killed by a falling beam when he returns for Madeline, who is choking her brother. The house is now engulfed in flames and falls in on Roderick and Madeline as Philip runs out and watches the house sink into an abyss.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.