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HISTORY

The working title of this film was Return to Treasure Island. The title card of the viewed print, which was from the film’s 1968 re-release, reads: “Robert Newton as Robert Louis Stevenson’s immortal Long John Silver in Long John Silver’s Return to Treasure Island (formerly Long John Silver).” The film is based on the characters created by Stevenson in his book Treasure Island (London, 1883). Newton had previously starred as “Long John Silver” in the 1950 Walt Disney production Treasure Island, which was also directed by Byron Haskin (see AFI Catalog of Feature Films, 1941-50).
       A 25 Jun 1954 HR news item includes Martex Clark in the cast of Long John Silver, but his appearance in the completed film has not been confirmed. The picture marked the film debut of Kit Taylor. Interiors of the film were shot at the Pagewood Studios in Sydney, Australia, and some of the exteriors were shot at Botany Bay, according to HR news items and reviews. The film’s pressbook noted that the cave sequences were shot in the Jenolan Caves in the Blue Mountain ranges of New South Wales.
       Long John Silver was the first CinemaScope picture filmed in Australia. According to a 2 Jun 1954 HR news item, the film was also shot in a regular 35mm format. A 3 Jun 1954 HR news item noted that Twentieth Century-Fox “advanced part of the sterling [British] financing” for the picture in exchange for the eastern hemisphere distribution rights. Fox was thus able to count the film as part ...

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The working title of this film was Return to Treasure Island. The title card of the viewed print, which was from the film’s 1968 re-release, reads: “Robert Newton as Robert Louis Stevenson’s immortal Long John Silver in Long John Silver’s Return to Treasure Island (formerly Long John Silver).” The film is based on the characters created by Stevenson in his book Treasure Island (London, 1883). Newton had previously starred as “Long John Silver” in the 1950 Walt Disney production Treasure Island, which was also directed by Byron Haskin (see AFI Catalog of Feature Films, 1941-50).
       A 25 Jun 1954 HR news item includes Martex Clark in the cast of Long John Silver, but his appearance in the completed film has not been confirmed. The picture marked the film debut of Kit Taylor. Interiors of the film were shot at the Pagewood Studios in Sydney, Australia, and some of the exteriors were shot at Botany Bay, according to HR news items and reviews. The film’s pressbook noted that the cave sequences were shot in the Jenolan Caves in the Blue Mountain ranges of New South Wales.
       Long John Silver was the first CinemaScope picture filmed in Australia. According to a 2 Jun 1954 HR news item, the film was also shot in a regular 35mm format. A 3 Jun 1954 HR news item noted that Twentieth Century-Fox “advanced part of the sterling [British] financing” for the picture in exchange for the eastern hemisphere distribution rights. Fox was thus able to count the film as part of its “quota” of pictures shot in the United Kingdom, using funds obtained from distributing its pictures there. Distributors Corporation of America (DCA), which also supplied part of the financing, distributed the film in the United States. As noted in contemporary sources, the picture was the first “big release” by DCA, which was headed by theater circuit owner Fred J. Schwartz. The picture was released on a double bill with Hunters of the Deep, a documentary that was the company’s first production (see above).
       After Long John Silver completed filming, producer Joseph Kaufman maintained his lease on the Pagewood Studios and filmed a series of twenty-six, half-hour television programs, which aired on the CBS network in 1956. The series, originally titled The Adventures of Long John Silver and later syndicated as Long John Silver, starred Newton, Taylor and Connie Gilchrist. The programs, which were among the first color television shows broadcast in the United States, were released theatrically in Great Britain.

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
29 Jan 1955
---
Daily Variety
12 Jan 1955
---
Daily Variety
11 Feb 1955
---
Film Daily
21 Jan 1955
p. 10
Hollywood Reporter
5 Jan 1954
p. 7
Hollywood Reporter
3 May 1954
p. 6
Hollywood Reporter
21 May 1954
p. 7
Hollywood Reporter
2 Jun 1954
p. 1
Hollywood Reporter
3 Jun 1954
p. 1
Hollywood Reporter
25 Jun 1954
p. 4
Hollywood Reporter
30 Jun 1954
p. 6
Hollywood Reporter
4 Aug 1954
p. 1
Hollywood Reporter
17 Aug 1954
p. 1, 6
Hollywood Reporter
30 Sep 1954
p. 1
Hollywood Reporter
11 Nov 1954
p. 2
Hollywood Reporter
17 Dec 1954
p. 4
Hollywood Reporter
13 Jan 1955
p. 11
Hollywood Reporter
27 Jan 1955
p. 1, 9
Hollywood Reporter
14 Feb 1955
p. 3
Los Angeles Examiner
1 Apr 1955
---
Motion Picture Herald Product Digest
5 Feb 1955
p. 314
New York Times
7 Apr 1955
p. 24
Newsweek
7 Feb 1955
---
Variety
3 Nov 1954
p. 11
Variety
22 Dec 1954
p. 6
Variety
10 Jan 1968
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCER
Joseph Kaufman
Prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Cam op
Chief elec
ART DIRECTORS
Asst des
FILM EDITOR
Manuel del Campo
Film ed
SET DECORATOR
COSTUMES
Cost
SOUND
Sd rec
Sd rec
DANCE
MAKEUP
Makeup
Hairdresser
PRODUCTION MISC
Prod exec
SOURCES
LITERARY
Inspired by characters created by Robert Louis Stevenson.
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
Long John Silver's Return to Treasure Island
Return to Treasure Island
Release Date:
February 1955
Premiere Information:
World premiere in Sydney, Australia: 16 Dec 1954; London opening: 17 Dec 1954; Boston opening: 16 Feb 1955
Production Date:
4 May--early Aug 1954 at the Pagewood Studios, Sydney, Australia
Copyright Info
Claimant
Date
Copyright Number
Treasure Island Pictures Pty., Ltd.
21 December 1954
LP4657
Physical Properties:
Sound
Western Electric Recording
Color
Eastman Color
Widescreen/ratio
CinemaScope
Lenses/Prints
print by De Luxe
Duration(in mins):
106
Length(in reels):
12
Countries:
Australia, United States
Language:
English
PCA No:
17144
SYNOPSIS

In the late 1760s, wily, one-legged pirate Long John Silver is brooding in the Porto Bello, Panama tavern owned by his would-be sweetheart, Purity Pinker, because he and his crew no longer have their own ship. Upon learning that his most-hated rival, Mendoza, has kidnapped Elizabeth, the daughter of Governor Henry Strong, and young Jim Hawkins, with whom Silver shared an adventure, Silver plots to use the situation to his advantage. Silver shows his men a map of Treasure Island, to which he had traveled with Jim, and claims that it still holds a fortune in buried gold. Silver relates that he needs a special medallion to decipher the map, although he does not know who has it. To obtain money to buy a ship, Silver goes to the governor’s mansion, where he convinces Strong that because he is also a pirate, he is the most capable to negotiate with Mendoza. Silver tells the governor that he will alert him to Mendoza’s location after Mendoza departs, then takes the ransom to the spot on the beach designated by Mendoza. Silver is surprised when the ransom is collected not by Mendoza, but by one of his cohorts, Billie Bowlegs, who double-crosses his two companions by killing them. Silver captures Bowlegs and forces him to row to Mendoza’s ship, where Silver threatens to reveal to the crew that Mendoza was trying to cheat them out of their share of the ransom unless Mendoza agrees to meet with him. Mendoza then dines with Silver and listens to his plan to rob the governor’s wealthy warehouse. Silver is pleased to see young Jim, although he pretends not to know him in order to ...

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In the late 1760s, wily, one-legged pirate Long John Silver is brooding in the Porto Bello, Panama tavern owned by his would-be sweetheart, Purity Pinker, because he and his crew no longer have their own ship. Upon learning that his most-hated rival, Mendoza, has kidnapped Elizabeth, the daughter of Governor Henry Strong, and young Jim Hawkins, with whom Silver shared an adventure, Silver plots to use the situation to his advantage. Silver shows his men a map of Treasure Island, to which he had traveled with Jim, and claims that it still holds a fortune in buried gold. Silver relates that he needs a special medallion to decipher the map, although he does not know who has it. To obtain money to buy a ship, Silver goes to the governor’s mansion, where he convinces Strong that because he is also a pirate, he is the most capable to negotiate with Mendoza. Silver tells the governor that he will alert him to Mendoza’s location after Mendoza departs, then takes the ransom to the spot on the beach designated by Mendoza. Silver is surprised when the ransom is collected not by Mendoza, but by one of his cohorts, Billie Bowlegs, who double-crosses his two companions by killing them. Silver captures Bowlegs and forces him to row to Mendoza’s ship, where Silver threatens to reveal to the crew that Mendoza was trying to cheat them out of their share of the ransom unless Mendoza agrees to meet with him. Mendoza then dines with Silver and listens to his plan to rob the governor’s wealthy warehouse. Silver is pleased to see young Jim, although he pretends not to know him in order to protect him. Silver is especially gratified to see that Jim has the medallion, and arranges for him and Elizabeth to accompany the pirates to the warehouse. There, Silver’s men overwhelm Mendoza’s crew, allowing the youngsters to escape. Silver’s crew steals the supplies, including barrels of rum, and Silver releases Mendoza so that he will be blamed for the robbery. After ordering his men to trade the plunder for a ship, Silver goes to the governor’s mansion, where Elizabeth and Jim are regaling Strong with tales of Silver’s bravery. Silver returns the ransom money to Strong and asks if he can adopt Jim, but Strong refuses, stating that Jim must go home to England. Thwarted, Silver goes back to Purity’s, where she tries to convince him that if they were married, Strong might allow them to adopt Jim. Silver reluctantly agrees, and in the early morning, sneaks into Jim’s room to steal the medallion. Jim awakens, and so Silver tells him about the map and the rest of the gold buried on Treasure Island. Eager for adventure but wary of Silver, who had misled him in the past, Jim refuses to give him the medallion, but agrees to meet him later. Soon after, at the tavern, a constable arrives in search of Silver, whose men sacked a plantation after getting drunk on the stolen rum. Purity gets rid of him, then warns Silver to keep out of sight while she prepares for the wedding. While Purity is gone, Asa MacDougal, captain of the Thistle , which is to take Jim to England, arrives. When MacDougal laments the lack of a crew, Silver promises to find men and to meet him before he is due to sail. After Silver sends his cohort Patch to free the crew, Jim arrives at the tavern, and Silver lies to him, telling him that he is willing to return to England to stand trial for piracy. As Purity is preparing for the wedding, Silver learns that his men have been freed, so he dashes to the harbor to meet MacDougal. Although MacDougal is dubious about Silver’s scruffy men, he signs them on, with Silver to serve as cook, and soon they set sail. Silver’s men are baffled by Silver’s talk of England, but when they are alone, he assures them that they will mutiny, then head to Treasure Island. Jim overhears their scheming, and, crushed that Silver had lied, warns MacDougal. MacDougal, who professes to be a religious man, promises that no harm will come to Silver, but the next day, when the mutiny is foiled, orders that Silver and his men, including Jim, be marooned on lonely Socorro Island. Unknown to MacDougal, the island is the secret hideout of Mendoza, and after executing a cunning plan, Silver and his men steal Mendoza’s ship and set off in search of treasure. Jim is baffled by the change in plans, but Silver promises that after they find the gold, he will use it to pay for his defense when he stands trial. Meanwhile, Mendoza has learned of Silver’s destination and follows him in his other ship. When Silver’s crew lands, they are shot at by an unseen assailant, and Jim, remembering the stockade where they hid during their previous adventure, leads the men there. Jim is horrified to learn that their assailant is Israel Hands, who had attacked him during his first trip to Treasure Island. At the time, Jim shot Hands in self-defense, blinding Hands, who was then marooned on the island. When the crew is set upon by Mendoza's men, Hands leads them to safety, unaware that Jim is with them. Silver follows the map to the treasure, buried in a series of caves, while Jim stays above ground as a lookout. When Hands discovers that Jim is there, he begins to chase him, and the frightened boy runs to the edge of a cliff, where he dodges as Hands charges him. Hands falls to his death, and when Jim tries to return to Silver, he is captured by Mendoza. Using Jim as bait, Mendoza calls to Silver, who agrees to surrender himself in exchange for the lad’s freedom. Jim is so touched by Silver’s devotion that he refuses to leave his side until Silver slaps him. Jim then runs to join the other pirates, who use handmade grenades to launch an attack on Mendoza’s men. Silver’s crew triumphs, and Jim helps Silver trounce Mendoza. Silver maroons Mendoza on Treasure Island, then returns to Porto Bello, where he becomes “respectable” by helping Government House arm the harbor against piracy. Silver, Jim and the others are eating a celebratory dinner when Purity, wearing her wedding dress, enters, and a horrified Silver escapes with Jim to pursue more adventures.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.