Radio City Revels (1938)

84-85 or 90 mins | Comedy | 11 February 1938

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HISTORY

RKO first planned to produce this film in 1934. According to a Nov 1934 HR, Fred Astaire and Ginger Rogers were announced as the picture's original stars. In May 1937, HR reported that the project had been "revived," with P. J. Wolfson replacing Jesse L. Lasky as producer. Paul Yawitz was announced as the new scriptwriter. A Nov 1937 HR news item stated that Harold Kusell was polishing the script, which Joseph Santley was to co-direct with credited director Ben Stoloff. While the participation of Santley in the production is doubtful, the contribution of Yawitz and Kusell to the final script has not been determined. RKO borrowed Bob Burns from Paramount for this production. Although RKO's Radio City Music Hall is featured in the film, the picture actually opened at the Globe Theatre. The Var review noted that the "credits, which require numerous frames, are imposed on art work depicting Radio City. The background of the latter would have been more effective with actual camera shots. As things stand, the picture is not especially a plug for R. C. and there are no exterior shots during the action of the Music Hall or other parts of the Rockefeller Center." According to modern sources, the production cost $810,000 and lost $300,000 at the box office. ...

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RKO first planned to produce this film in 1934. According to a Nov 1934 HR, Fred Astaire and Ginger Rogers were announced as the picture's original stars. In May 1937, HR reported that the project had been "revived," with P. J. Wolfson replacing Jesse L. Lasky as producer. Paul Yawitz was announced as the new scriptwriter. A Nov 1937 HR news item stated that Harold Kusell was polishing the script, which Joseph Santley was to co-direct with credited director Ben Stoloff. While the participation of Santley in the production is doubtful, the contribution of Yawitz and Kusell to the final script has not been determined. RKO borrowed Bob Burns from Paramount for this production. Although RKO's Radio City Music Hall is featured in the film, the picture actually opened at the Globe Theatre. The Var review noted that the "credits, which require numerous frames, are imposed on art work depicting Radio City. The background of the latter would have been more effective with actual camera shots. As things stand, the picture is not especially a plug for R. C. and there are no exterior shots during the action of the Music Hall or other parts of the Rockefeller Center." According to modern sources, the production cost $810,000 and lost $300,000 at the box office.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
29 Jan 1938
p. 3
Film Daily
31 Jan 1938
pp. 5-6
Film Daily
1 Feb 1938
p. 9
Hollywood Reporter
10 Nov 1934
p. 5
Hollywood Reporter
13 May 1937
p. 1
Hollywood Reporter
11 Nov 1937
p. 2
Hollywood Reporter
22 Nov 1937
p. 7
Hollywood Reporter
27 Dec 1937
p. 7
Hollywood Reporter
29 Jan 1938
p. 3
Motion Picture Daily
26 Jan 1938
p. 6
Motion Picture Herald
8 Jan 1938
p. 44, 46
Motion Picture Herald
5 Feb 1938
p. 48
New York Times
21 Mar 1938
p. 18
Variety
2 Feb 1938
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
Ben Stoloff
Dir
PRODUCER
PHOTOGRAPHY
Photog
ART DIRECTORS
Al Herman
Art dir assoc
FILM EDITOR
SET DECORATOR
Set dresser
COSTUMES
MUSIC
SOUND
VISUAL EFFECTS
Spec eff
DANCE
Dances staged by
PRODUCTION MISC
SOURCES
SONGS
"Speak Your Heart," "Take a Tip from the Tulip," "Taking a Shine to You," "Good-Night, Angel," "Swingin' in the Corn" and "There's a New Moon Over the Old Mill," music by Allie Wrubel, lyrics by Herb Magidson.
SONGWRITER/COMPOSER
DETAILS
Release Date:
11 February 1938
Production Date:
mid Nov--late Dec 1937
Copyright Info
Claimant
Date
Copyright Number
RKO Radio Pictures, Inc.
11 February 1938
LP7838
Physical Properties:
Sound
RCA Victor System
Black and White
Duration(in mins):
84-85 or 90
Length(in reels):
10
Country:
United States
PCA No:
3913
SYNOPSIS

Frustrated by his inability to write original songs while he is awake, or remember the tunes that he writes while he is sleeping, Arkansas hillbilly Lester Robin travels to New York City to receive instruction from Harry Miller, a songwriter with whom he has been taking a correspondence course. At Harry's apartment, Lester meets Billie Shaw, an aspiring dancer, and instantly falls in love with her. Although Lester has lost his money, Harry, who with his partner Teddy, has gone broke trying to sell a song to musical producer Paul Plummer, invites him to stay. A tired Lester soon falls asleep on Harry's couch and begins composing a catchy tune out loud. As the song pours out of him, Harry and Teddy copy down every note and word, then rush to Billie's apartment, where Plummer and radio "crooner" Kenny Baker are visiting. After claiming the song as his own, Harry performs for Plummer, who recognizes the composition as a "sure-fire" hit. Now the musical talk-of-the-town, Harry and Teddy, who have already plundered Lester's dreams for another song, throw a lavish party in their apartment. There, Harry proposes unsuccessfully to Billie, who in turn rejects the proposal of Kenny because her older sister Gertie, who is in love with Lester, is still single. At the climax of the party, Lester falls asleep in Gertie's arms and reveals his songwriting ability to her. At the same time, Plummer signs Harry to write the score for a new musical revue but stipulates that the songs must be finished by the next morning. Desperate to succeed, Harry and Teddy prepare to put Lester to sleep, but ...

More Less

Frustrated by his inability to write original songs while he is awake, or remember the tunes that he writes while he is sleeping, Arkansas hillbilly Lester Robin travels to New York City to receive instruction from Harry Miller, a songwriter with whom he has been taking a correspondence course. At Harry's apartment, Lester meets Billie Shaw, an aspiring dancer, and instantly falls in love with her. Although Lester has lost his money, Harry, who with his partner Teddy, has gone broke trying to sell a song to musical producer Paul Plummer, invites him to stay. A tired Lester soon falls asleep on Harry's couch and begins composing a catchy tune out loud. As the song pours out of him, Harry and Teddy copy down every note and word, then rush to Billie's apartment, where Plummer and radio "crooner" Kenny Baker are visiting. After claiming the song as his own, Harry performs for Plummer, who recognizes the composition as a "sure-fire" hit. Now the musical talk-of-the-town, Harry and Teddy, who have already plundered Lester's dreams for another song, throw a lavish party in their apartment. There, Harry proposes unsuccessfully to Billie, who in turn rejects the proposal of Kenny because her older sister Gertie, who is in love with Lester, is still single. At the climax of the party, Lester falls asleep in Gertie's arms and reveals his songwriting ability to her. At the same time, Plummer signs Harry to write the score for a new musical revue but stipulates that the songs must be finished by the next morning. Desperate to succeed, Harry and Teddy prepare to put Lester to sleep, but when Teddy tells him that Billie and Kenny are engaged, the love-struck Lester develops instant insomnia. In spite of Harry and Teddy's night-long attempts at putting Lester to sleep, the depressed hillbilly remains awake until Billie telephones and tells him that she is not engaged. Overjoyed, Lester falls asleep and starts composing Harry's new score. As planned, Harry's show opens at Radio City Music Hall, but Gertie, who is determined to win Lester for herself, exposes Harry's deception to Plummer during the performance. Forced to give half of the show's royalties to Lester, who has fallen in love with Gertie, Harry announces that Lester is his new "protege," and the now engaged Kenny and Billie perform the grand finale.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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