The Raging Tide (1951)

91-93 mins | Drama | November 1951

Full page view
HISTORY

The working title of this film was Fiddler's Green. According to a Mar 1951 HR news item, technical advisor Harvey McDowell was also cast in a role, but his appearance in the final film has not been confirmed. Some scenes were shot on location in San Francisco, CA. Additional HR news items state that Broadway actor Jesse White was originally cast in the role of "General Ball," but was replaced by Chubby Johnson after White contracted a virus. A Jul 1953 HR article reported that the Ferry and Pickman agency sued Charles Bickford for $2,500 in commissions for the film and were awarded the money by SAG. Bickford, however, stated that he acted in the film after his contract with the agency expired. The disposition of the suit is not known. ...

More Less

The working title of this film was Fiddler's Green. According to a Mar 1951 HR news item, technical advisor Harvey McDowell was also cast in a role, but his appearance in the final film has not been confirmed. Some scenes were shot on location in San Francisco, CA. Additional HR news items state that Broadway actor Jesse White was originally cast in the role of "General Ball," but was replaced by Chubby Johnson after White contracted a virus. A Jul 1953 HR article reported that the Ferry and Pickman agency sued Charles Bickford for $2,500 in commissions for the film and were awarded the money by SAG. Bickford, however, stated that he acted in the film after his contract with the agency expired. The disposition of the suit is not known.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
20 Oct 1951
---
Daily Variety
11 Oct 1951
p. 3
The Exhibitor
24 Oct 1951
pp. 3175-76
Film Daily
15 Oct 1951
p. 6
Harrison's Reports
13 Oct 1951
p. 164
Hollywood Reporter
21 Feb 1951
p. 12
Hollywood Reporter
23 Feb 1951
p. 8, 13
Hollywood Reporter
2 Mar 1951
p. 13
Hollywood Reporter
14 Mar 1951
p. 7
Hollywood Reporter
30 Mar 1951
p. 13, 17
Hollywood Reporter
4 Apr 1951
p. 6
Hollywood Reporter
11 Oct 1951
p. 3
Hollywood Reporter
1 Nov 1951
p. 2
Hollywood Reporter
8 Jul 1953
p. 2
Motion Picture Herald Product Digest
13 Oct 1951
p. 1057
Variety
17 Oct 1951
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Dial dir
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
Art dir
FILM EDITOR
Film ed
SET DECORATORS
Set des
COSTUMES
Gowns
MUSIC
VISUAL EFFECTS
Spec photog
MAKEUP
Hairstylist
Makeup
PRODUCTION MISC
Tech adv
Unit mgr
SOURCES
LITERARY
Based on the novel Fiddler's Green by Ernest K. Gann (New York, 1950).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Fiddler's Green
Release Date:
November 1951
Premiere Information:
World premiere in San Francisco: 2 Nov 1951
Production Date:
24 Feb--3 Apr 1951
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Co.
25 September 1951
LP1192
Physical Properties:
Sound
Western Electric Recording
Black and White
Duration(in mins):
91-93
Length(in feet):
8,339
Country:
United States
Language:
English
PCA No:
15302
SYNOPSIS

In San Francisco, racketeer Bruno Felkin murders his rival Marty Prince, and calls the police to report the death, then escapes into the night. Bruno first goes to his girl friend Connie Thatcher's apartment, believing she will provide him with an alibi, but when he discovers she is not home, hides in a boat at the wharf which sails out at four the next morning. In the meantime, police detective Kelsey has already pegged Bruno as a likely suspect, and questions Connie. Connie, a tough hat check girl whom Bruno treats like a princess, is shocked to learn that Bruno may be a murderer and defends him, although she allows Kelsey to remain in her apartment to see if Bruno returns. When the boat Taage reaches the open sea, Bruno overhears the Swedish captain, Hamil Linder, arguing with his grown son Carl, who hates his father's "old world" ways as much as he hates working as a fisherman. Carl is surprised when he sees Bruno through the window, and Hamil, a judicious and compassionate man, allows Bruno to stay aboard after he explains that he fell asleep in the boat because he was drunk and lost his job. Later, when Bruno offers Carl a job collecting money from resistant customers so that Bruno can maintain his business while he hides, Carl leaps at the chance. Bruno stays aboard the boat and learns the fishing trade while Carl runs his collection business on land. Bruno comes to appreciate the beauty of the sea, Hamil's kindness and philosophical nature, and the honest hard work. Carl, meanwhile, befriends Connie when he brings money from Bruno to pay ...

More Less

In San Francisco, racketeer Bruno Felkin murders his rival Marty Prince, and calls the police to report the death, then escapes into the night. Bruno first goes to his girl friend Connie Thatcher's apartment, believing she will provide him with an alibi, but when he discovers she is not home, hides in a boat at the wharf which sails out at four the next morning. In the meantime, police detective Kelsey has already pegged Bruno as a likely suspect, and questions Connie. Connie, a tough hat check girl whom Bruno treats like a princess, is shocked to learn that Bruno may be a murderer and defends him, although she allows Kelsey to remain in her apartment to see if Bruno returns. When the boat Taage reaches the open sea, Bruno overhears the Swedish captain, Hamil Linder, arguing with his grown son Carl, who hates his father's "old world" ways as much as he hates working as a fisherman. Carl is surprised when he sees Bruno through the window, and Hamil, a judicious and compassionate man, allows Bruno to stay aboard after he explains that he fell asleep in the boat because he was drunk and lost his job. Later, when Bruno offers Carl a job collecting money from resistant customers so that Bruno can maintain his business while he hides, Carl leaps at the chance. Bruno stays aboard the boat and learns the fishing trade while Carl runs his collection business on land. Bruno comes to appreciate the beauty of the sea, Hamil's kindness and philosophical nature, and the honest hard work. Carl, meanwhile, befriends Connie when he brings money from Bruno to pay for her education. As time passes, Kelsey hangs around the docks and has Connie followed. Bruno learns that an elderly seaman, Corky Mullins, saw him running to the pier on the night of the murder, so Bruno gives Corky enough money to fix his unreliable boat and put out to sea. One day Hamil berates Carl for his sloppy work on the boat, and Carl knocks his father off the deck onto the pier. Bruno becomes enraged, as he has already warned Carl that he should treat his father with respect, and attacks Carl. After Bruno beats Carl in the fistfight, Hamil tends to his son's injuries, and thanks Bruno for standing up for him. One day, Kelsey tells Connie, who has fallen in love with Carl despite her loyalty to Bruno, that he knows about her "new boyfriend," and that Carl purchased a new car in Corky's name because he is on probation for auto theft. Connie denies that Carl is her boyfriend, but later confronts him. Carl admits the truth, and she worries that Kelsey will find Bruno through Carl. On the next fishing trip, Carl apologizes to his father for pushing him, marking his first step toward an emotional reconciliation. One day, the fishermen realize that Corky is dead after finding a piece of his boat floating in the water. Bruno secretly meets with Connie and after reaffirming their love, he asks her to obtain letterhead from Marty Prince's company. When they meet the next night, Bruno tells Connie that he plans to sail for South America and wants her to accompany him, but she must first call Kelsey and identify Carl as Marty's killer. Connie tries to protest, but Bruno quiets her with a kiss and leaves. That night, Carl tells Bruno that he has decided to quit working for him and return to fishing to help his father, so that he can marry Connie. Carl also demands that Bruno leave the boat after they return to the dock. Bruno receives the news quietly, having already hidden the murder weapon among Carl's clothes. Connie reluctantly tells Kelsey the truth about Bruno's whereabouts. That night, the Taage is caught in a violent storm, and Hamil, who has become a father figure to Bruno, tells Bruno that he is grateful for steering Carl back to him, and thinks of him as a son. Bruno feels guilty for trying to frame Carl and removes the gun. As the storm worsens, Bruno and Carl struggle to keep the boat afloat. Carl is washed overboard by a giant wave, and, knowing that he cannot swim, Bruno dives into the ocean to rescue him. Although he gets Carl safely aboard, Bruno is drowned by a massive wave. Later, Kelsey gently delivers the news of Bruno's death to Connie. Hamil retires from fishing and turns his business over to Carl, who has plans to marry Connie.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Yankee Doodle Dandy

George M. Cohan wrote and produced more than thirty-five plays, many of them with his partner Sam H. Harris, and composed more than 500 songs. Modern critics have attributed ... >>

Citizen Kane

This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.