One Way Passage (1932)

67 or 69 mins | Drama, Romance | 22 October 1932

Director:

Tay Garnett

Cinematographer:

Robert Kurrle

Editor:

Ralph Dawson

Production Designer:

Anton Grot

Production Company:

Warner Bros. Pictures, Inc.
Full page view
HISTORY

The film's working title was S.S. Atlantic. Writer Robert Lord received an Academy Award nomination for Best Original Story. In his autobiography, director Garnett remembers writing the treatment from Lord's original idea, but says he refused credit and was not recognized with an Oscar. Modern sources list Ruth Hall and Allan Lane in the cast. According to modern sources the film did so well at the box office that Warner Bros. remade it in l940 as 'Til We Meet Again (see entry). ...

More Less

The film's working title was S.S. Atlantic. Writer Robert Lord received an Academy Award nomination for Best Original Story. In his autobiography, director Garnett remembers writing the treatment from Lord's original idea, but says he refused credit and was not recognized with an Oscar. Modern sources list Ruth Hall and Allan Lane in the cast. According to modern sources the film did so well at the box office that Warner Bros. remade it in l940 as 'Til We Meet Again (see entry).

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
23 Aug 1932
p. 9
Motion Picture Herald
30 Jul 1932
p. 31
New York Times
14 Oct 1932
p. 23
Variety
18 Oct 1932
p. 15
DETAILS
Alternate Title:
S.S. Atlantic
Release Date:
22 October 1932
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
10 September 1932
LP3236
Physical Properties:
Sound
Black and White
Duration(in mins):
67 or 69
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

In a Hong Kong bar, Joan Ames and Dan Hardesty literally bump into each other, and fall in love at first sight. Joan goes back to her friends, and without taking his eyes off her, Dan leaves the bar. Outside he is arrested by Steve Burke, a policeman who has been hunting him since he escaped from San Quentin, where he was imprisoned after being convicted of murder. Steve is a sympathetic man and, after Dan saves him from drowning while they are on board a San Francisco-bound ship, agrees to remove his handcuffs. Joan is also aboard the ship, and although she seems healthy, she is actually very ill with only a short time to live. During the voyage, Dan and Joan spend every minute together, and grow to love each other deeply. They develop a ritual of breaking their glasses after a drink to symbolize their desire to live in the moment. Dan cannot bear to tell Joan the truth about himself, but while she plans a trip ashore in Honolulu, he plans to escape. Expecting just such an attempt, Steve locks Dan in the brig. Barrel House Betty, a confidence woman posing as a countess, decides to help Dan out. Flirting with Steve, she gets the key to the brig and passes it to Skippy, a petty thief escaping from the Chinese police, who releases Dan from the cell. Steve and Betty go ashore, as do Joan and Dan. After a romantic day, Dan is about to tell Joan about his planned escape when she collapses. To save her life, Dan gives up his last chance at ...

More Less

In a Hong Kong bar, Joan Ames and Dan Hardesty literally bump into each other, and fall in love at first sight. Joan goes back to her friends, and without taking his eyes off her, Dan leaves the bar. Outside he is arrested by Steve Burke, a policeman who has been hunting him since he escaped from San Quentin, where he was imprisoned after being convicted of murder. Steve is a sympathetic man and, after Dan saves him from drowning while they are on board a San Francisco-bound ship, agrees to remove his handcuffs. Joan is also aboard the ship, and although she seems healthy, she is actually very ill with only a short time to live. During the voyage, Dan and Joan spend every minute together, and grow to love each other deeply. They develop a ritual of breaking their glasses after a drink to symbolize their desire to live in the moment. Dan cannot bear to tell Joan the truth about himself, but while she plans a trip ashore in Honolulu, he plans to escape. Expecting just such an attempt, Steve locks Dan in the brig. Barrel House Betty, a confidence woman posing as a countess, decides to help Dan out. Flirting with Steve, she gets the key to the brig and passes it to Skippy, a petty thief escaping from the Chinese police, who releases Dan from the cell. Steve and Betty go ashore, as do Joan and Dan. After a romantic day, Dan is about to tell Joan about his planned escape when she collapses. To save her life, Dan gives up his last chance at freedom and carries her back to the ship. The doctor warns him that another shock could kill Joan, so he keeps his secret. Steve and Betty have also fallen in love. When Steve asks her to marry him, Betty tells him who she really is, but Steve doesn't change his mind. Joan learns the truth about Dan when she overhears a ship's porter talking, but says goodbye to Dan, pretending that everything is fine. They agree to meet in Caliente on New Year's Eve even though they know that this is impossible. At midnight on New Year's Eve, a bartender in Caliente hears a sound and turns to find the shattered stems of two glasses, broken in the same way that Dan and Joan always broke them, but no one is there.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Night Moves

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Matt Stepanski, a student at ... >>

Stagecoach

The American folk songs adapted for the score included the traditional ballads "Lily Dale," "Rosa Lee," "Joe Bowers," "Joe the Wrangler," "She's More to Be Pitied Than Censured," "She ... >>

The Hurricane

Charles Nordhoff and James Norman Hall's novel was serialized in The Saturday Evening Post (28 Dec 1935--1 Feb 1936). A 5 Dec 1935 HR ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.