The Last Samurai (2003)

R | 154 mins | Drama | 5 December 2003

THIS TITLE IS OUTSIDE THE AFI CATALOG OF FEATURE FILMS (1893-1993)
You may also like these titles from the AFI Catalog of Feature Films, the most authoritative documentation of the First 100 Years of American filmmaking.
Full page view
HISTORY

At the end of the film, the first time the cast credits appear, Tom Cruise is listed first and above title followed by principal actors. After initial crew credits, the cast is listed again in order of appearance. Opening voice-over narration by Timothy Spall, who portrayed “Simon Graham,” describes the legend of the Japanese islands' formation. Throughout the film, Cruise, as the character “Nathan Algren,” also provides voice-over narration from his notebooks, which recount his captivity, and growing interest and resulting conversion to the ways of the Samurai. Spall provides a voice-over narration at several other times in the film, explaining some historical context and concluding at the end of the film that although no one ever saw Algren again, he may have finally found peace. In the closing credits, special thanks was given to the following people: Government of New Zealand, The People of Taranaki, New Zealand, Peabody Essex Museum, Weta Workshop, City of Himeji, City of Kyoto, Engyoji Temple on Mt. Shosha and United Performers Studio.
       The Last Samurai was based, in part, on the Samurai Revolt of 1876--1877 and the Meiji Restoration in a rapidly modernizing Japan. For hundreds of years, Samurai had acted as personal armies for warring land owners, but by the 1600s, Shogun Tokugawa created peace among the factions, causing the Samurai class to turn to more domestic life. By 1854, the Japanese had signed the Treaty of Kanagawa, opening the country to international trade. However, by 1868, the Samurai, disgruntled by poor wages, led a successful insurgency against the Shogunate regime, thus beginning the period known as the Meiji Restoration. The new genro, ruling court officials, abolished the ancient class ... More Less

At the end of the film, the first time the cast credits appear, Tom Cruise is listed first and above title followed by principal actors. After initial crew credits, the cast is listed again in order of appearance. Opening voice-over narration by Timothy Spall, who portrayed “Simon Graham,” describes the legend of the Japanese islands' formation. Throughout the film, Cruise, as the character “Nathan Algren,” also provides voice-over narration from his notebooks, which recount his captivity, and growing interest and resulting conversion to the ways of the Samurai. Spall provides a voice-over narration at several other times in the film, explaining some historical context and concluding at the end of the film that although no one ever saw Algren again, he may have finally found peace. In the closing credits, special thanks was given to the following people: Government of New Zealand, The People of Taranaki, New Zealand, Peabody Essex Museum, Weta Workshop, City of Himeji, City of Kyoto, Engyoji Temple on Mt. Shosha and United Performers Studio.
       The Last Samurai was based, in part, on the Samurai Revolt of 1876--1877 and the Meiji Restoration in a rapidly modernizing Japan. For hundreds of years, Samurai had acted as personal armies for warring land owners, but by the 1600s, Shogun Tokugawa created peace among the factions, causing the Samurai class to turn to more domestic life. By 1854, the Japanese had signed the Treaty of Kanagawa, opening the country to international trade. However, by 1868, the Samurai, disgruntled by poor wages, led a successful insurgency against the Shogunate regime, thus beginning the period known as the Meiji Restoration. The new genro, ruling court officials, abolished the ancient class system, redistributed land and banned the wearing of swords in public, a direct insult to the Samurai.
       Information found in a Sep 2003 Premiere article and the pressbook on the film states that Radar Picture’s producer Scott Kroopf claimed the original idea for the film was based on the first cattle drive in Japan during the country’s modernization in the late 1870s. After several drafts from various writers, Kroopf hired Vincent Ward, who changed the cowboy drama into a saga about a Civil War veteran. After Ward and Kroopf went on to other projects, Zwick took charge of the film and hired John Logan to complete the script. The final screenplay includes writing from Academy Award-winning director Zwick and producer Marshall Herskovitz, who are both AFI alumni and longtime writing and producing partners.
       Although the character of Algren is fictional, according to the pressbook, the character “Katsumoto” is based on Samurai warrior Saigo Takamori, who led the defeat against the Shogunate Army to restore imperial power. Additionally, Simon Graham was based on American photographer Lafcadio Hearn, who lived in Japan in the 1890s writing for Harper’s and The Atlantic Monthly . Zwick stated that he was influenced by Takamori’s story as it was told in the book The Nobility of Failure by Ivan Morris. After installing fifteen-year-old Emperor Meiji, Takamori was appointed to the post of commander-in-chief of the armed services. Disgruntled by the Meiji regime opening its doors to western ideas, the more traditional Takamori soon retired from public service to Satsuma.
       When he later discovered that the government, fearing a revolt, was monitoring him and his students, Takamori, insulted by the distrust, led his 20,000 Samurai into battle against the government’s 50,000 soldiers, who were armed with Western firearms. In 1877, after months of battle, a wounded Takamori, unable to continue fighting, committed seppuku, a ritual suicide using the Samurai’s own sword. Japanese still honor Takamori as a symbol of devotion to one’s principles, although others believe he was a pampered and conservative aristocrat. The Samurai code, known as Bushido, emphasized loyalty, courage and sacrifice. It was also influenced by Zen Buddhism’s concept of living in the moment and incorporated both meditation and the art of the “tea ceremony,” which are both depicted in the film.
       According to Tom Cruise, The Last Samurai , a book about the film published by Warner Bros., the brutal battles against Cheyenne Native Americans, which Algren relives in flashback sequences throughout the film, are based on two actual battles: the 1864 Sand Creek, CO massacre and the 1868 attack at the Washita River in Oklahoma Indian Territory by General George Armstrong Custer on the same tribe, which had surrendered only days before.
       According to the pressbook, Cruise trained for over eight months to perfect Japanese swordsmanship and martial arts, and performed all his own stunts during over two months of battle sequences. Supporting actor Ken Watanabe also trained intensely and performed most of his stunts. Over 400 New Zealanders, including 75 of Japanese ancestry, and 600 Japanese extras were used in the film.
       Meiji-era costumes created by award-winning designer Ngila Dickson and her 80-member team included over 250 sets of armor and period dress for village life, American Indian wars and diverse Japanese street scenes. Portions of the film were shot at Kyoto, Mt. Shosha, the village of Himeji and nearby Engyoji Temple, Japan, which had not allowed filming on the premise previously. Shooting also took place in Los Angeles, CA, where the Warner Bros. New York Street lot was turned into the congested 19th century Ginza district in Tokyo. New Zealand locations included New Plymouth, the Lake Mangamahoe area and the Taranaki region, where set decorators planted period gardens and hundreds of pear, apple, cherry and bamboo trees to recreate a rural Samurai village.
       According to a 14 Jan 2003 HR article, members of the Maori, indigenous New Zealanders, objected to filming at Taranaki, which they consider sacred, and sought compensation for the footage of the mountain. The outcome of this dispute is undetermined.
       An 11 Nov 2003 DV article states that writer Garner Simmons filed charges against the Writers Guild of America-West (WGA) for their refusal to arbitrate his writing credit on The Last Samurai . Simmons argued that he and Michael Alan Eddy wrote a script with a plot similar to that of the film in 1992, and Warner Bros. refused to give them writing credit onscreen for their initial work. After the WGA found insufficient evidence of a link between the two scripts in a "participating writers investigation," Simmons and Eddy appealed to the WGA Board, but were refused an arbitration hearing. A 6 Jan 2004 LAT article reported that Eddy filed a federal lawsuit against the WGA on 5 Jan 2004, accusing them of spurning his efforts to secure proper writing credit and compensation for his screenplay by blocking Eddy from entering the arbitration proceedings. Documentation filed that week states that Interscope Communications, predecessor to Radar Pictures, paid Eddy for a screenplay entitled Eastern Western and then hired Simmons to rewrite the script, which was retitled West of the Rising Sun . The article then states that Ward gave this draft to Zwick, who stated that this draft was the script about an early Japanese cattle drive. A 26 Mar 2004 LAT article states that a federal judge dismissed a suit filed by Eddy against Zwick, Herskovitz, Radar Pictures Inc. and Warner Bros., in which he had accused them of depriving him of onscreen credit writing credit. This ruling did not effect Eddy’s federal lawsuit against the WGA, which Eddy continued to pursue. The outcome of this suit is unknown.
       As noted in a 19 Dec 2003 Entertainment Weekly article, The Last Samurai marked the first American feature film role for actor Ken Watanabe, a famous Japanese film and television actor. The picture also marked the film debuts of Shichinosuke Nakamura and kung-fu expert Shin Koyamada. In addition to being selected as one of AFI's top ten films of 2003, The Last Samurai was selected as one of the top ten films by the National Board of Review, which also named Zwick as Best Director of 2003.
       The film was nominated for Golden Globe Awards for Best Actor in a Leading Role--Drama (Cruise), Best Actor in a Supporting Role (Watanabe) and Best Original Score (Hans Zimmer). Watanabe received a nomination for Best Supporting Actor by the Screen Actors Guild. Additionally, producers Herskovitz, Zwick, Cruise and Paula Wagner were nominated for the PGA’s Darryl F. Zanuck Producer of the Year Award. The Art Directors Guild nominated the picture for Best Production Design of a Period or Fantasy Film. The Last Samurai also received Academy Award nominations in the following categories: Art Direction/Set Decoration, Costume Design, Sound Editing and Best Supporting Actor (Watanabe).

More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
25 Feb 2002.
---
Daily Variety
11 Nov 2003
p. 1, 22.
Daily Variety
1 Dec 2003.
---
Daily Variety
3 Dec 2003.
---
Entertainment Weekly
5 Dec 2003
pp. 63-64.
Entertainment Weekly
19 Dec 2003
p. 39.
Hollywood Reporter
15-21 Oct 2002.
---
Hollywood Reporter
14 Jan 2003.
---
Hollywood Reporter
15-21 Apr 2003.
---
Hollywood Reporter
1 Dec 2003.
---
Los Angeles Times
5 Dec 2003.
---
Los Angeles Times
6 Jan 2004
p. 1, 6.
Los Angeles Times
26 Mar 2004
p. C2.
National Geographic News
2 Dec 2003.
---
New York Times
7 Sep 2003.
---
New York Times
5 Dec 2003.
---
People
27 Jan 2003.
---
Premiere
Sep 2003.
---
Time
8 Dec 2003.
---
CAST
NAME
CREDITED AS
CREDIT
In Order of Appearance
Samurai ensemble
Battle Corps
Battle Extra Platoon Leaders
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
An Edward Zwick Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
2d unit dir, splinter unit
1st asst dir
1st asst dir, splinter unit
2d asst dir
2d asst dir, splinter unit
2d 2d asst dir
2d 2d asst dir
2d 2d asst dir
2d 2d asst dir
Addl 2d asst dir
Addl 2d asst dir
Key off set 2d asst dir
Off set 2d asst dir
Off set addl 2d asst dir
Off set 3rd asst dir
3rd asst dir, splinter unit
Off set addl 3rd asst dir
Addl 3rd asst dir
Addl 3rd asst dir
Addl 3rd asst dir
PRODUCERS
Prod
Exec prod
Exec prod
Exec prod
Assoc prod
Assoc prod
Assoc prod
PHOTOGRAPHY
Dir of photog
Dir of photog, splinter unit
"A" cam op
"B" cam/Steadicam op
"B" cam/Steadicam op, Los Angeles unit
"B" cam op, splinter unit
"C" cam op
"D" cam op
VFX cam op
"A" cam 1st asst
"A" cam 1st asst, splinter unit
"B" cam/Steadicam 1st asst
"B" cam 1st asst, splinter unit
"C" cam 1st asst
"D" cam 1st asst
VFX cam 1st asst
"A" cam 2d asst
"A" cam 2d asst, splinter unit
"B" cam 2d asst
"B" cam 2d asst, Japan unit
"B" cam 2d asst, splinter unit
"C" cam asst
2d cam asst
VFX cam 2d asst
Libra head
Wescam
Still photog
Video assist
Video asst
Video assist, Los Angeles unit
Video assist, splinter unit
Video assist/Transmitter tech, splinter unit
Gaffer
Rigging gaffer
Rigging gaffer, Los Angeles unit
Best boy
NZ best boy
Rigging best boy elec, Los Angeles unit
Facilities lighting
Key grip
Key grip, Los Angeles unit
Key grip, splinter unit
Dolly grip
Dolly grip, Los Angeles unit
"B" dolly grip
"B" dolly grip, Los Angeles unit
Rigging grip
Best boy grip, Los Angeles unit
Luna crane op
Cam loader, Los Angeles unit
Loader, Japan unit
Chief lighting tech, Los Angeles unit
Asst chief lighting tech, Los Angeles unit
Cable, Japan unit
Cam, cranes and dollies
ART DIRECTORS
Prod des
Supv art dir
Lead art dir
Art dir
Asst art dir
Asst art dir, Los Angeles unit
Asst art dir, Los Angeles unit
Asst art dir, Los Angeles unit
Asst art dir, Japan unit
Asst art dir, Japan unit
Storyboard artist
Storyboard artist, Los Angeles unit
Storyboard artist, Los Angeles unit
Graphic artist
Art dept coord
Art dept coord, Los Angeles unit
Art dept coord, Japan unit
Graphic des, Los Angeles unit
Art dept prod asst, Japan unit
FILM EDITORS
Assoc ed
1st Avid asst ed
Avid asst
Asst film ed
Asst film ed
Asst film ed
Asst film ed
Projectionist
Projectionist
Projectionist
Ed staff asst
Ed staff asst
Video op/Online supv, splinter unit
Negative cutter, splinter unit
SET DECORATORS
Set des
Set des
Set des, Los Angeles unit
Set des, Los Angeles unit
Set des, Los Angeles unit
Set des, Los Angeles unit
Set des, Los Angeles unit
Set des, Los Angeles unit
Set des, Los Angeles unit
Set dec/Props coord
Set dec
Asst set dec
Buyer
Buyer, Los Angeles unit
Lead, Los Angeles unit
Lead, New Zealand unit
Lead
Lead
On-set dresser
2d on-set dresser
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Los Angeles unit
Set dresser, Japan unit
Set dresser, Japan unit
Set dresser, Japan unit
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Prop master
3rd prop master, Los Angeles unit
Asst prop master
Asst prop master
Asst prop master
Japanese prop master
Japanese prop master
Prop asst, Los Angeles unit
Prop asst, Japan unit
Prop asst, Japan unit
Prop asst, Japan unit
Greens foreman
Greens foreman
Greens foreman, Japan unit
Head greensman, Los Angeles unit
Greens foreman, Los Angeles unit
Greens foreman, Los Angeles unit
Lead greensman, Japan unit
Greensperson
Greensperson
Greensperson
Greensperson
Greensperson
Standby greensperson, splinter unit
Const supv
Const mgr
Const coord
Const gen foreman
Foreman
Paint supv
Paint foreman
Paint foreman
Illustrator, Los Angeles unit
Model maker, Los Angeles unit
Set dec foreman, Los Angeles unit
Lead scenic
2d scenic
Standby painter
Standby painter, Japan unit
COSTUMES
Cost des
Cost supv
Cost supv
Cost supv
Cost supv, Japan unit
Cost mgr
Cost prod coord
Mr. Cruise's cost
Cost coord
Villager cost coord
Civilian cost coord
Army cost coord
Cost assoc
Illustrator
Illustrator
Head buyer/Cost props researcher
Cost asst
Cost asst
Cost asst
Cost asst, Japan unit
Cost asst, Japan unit
Cost asst, Japan unit
Cost props supv
Cost props supv
Cost props head tech
Chain mail assembly
Chain mail assembly
Chain mail assembly
Chain mail assembly
Chain mail assembly
Chain mail assembly
Chain mail assembly
Jeweller
Jeweller
Jeweller
Emperor's cost adv
Key cost
Cost
Set cost
Set cost
Set cost
MUSIC
Mus/Mus score arr and programmed by
Mus score arr and programmed by
Mus score arr and programmed by
Mus score arr and programmed by/Mus score consulta
Asst mus ed
Score rec/Score mixed by
Score rec
Mus score consultant
Mus score consultant
Mus score consultant
Musician
Musician
Musician
Musician
Musician
Musician
Musician
SOUND
Prod sd mixer
Boom op
Utility sd tech, Los Angeles unit
Re-rec mixer
Re-rec mixer
Sd des
Supv sd ed
Sd ed
Sd ed
Sd ed
Sd ed
1st asst sd ed
Asst sd ed
Dial ed
Dial ed
Supv ADR ed
ADR ed
Addl audio
Addl audio
Foley artist
Foley artist
Foley artist
Foley artist
Supv foley ed
Foley ed
Foley ed
Foley mixer
Foley mixer
ADR mixer
ADR mixer
ADR mixer
VISUAL EFFECTS
Visual eff supv
Visual eff supv, Flash Film Works
Visual eff co-supv, Flash Film Works
Visual eff supv, Pixel Magic
VFX supv, Rising Sun Pictures
Facility visual eff supv, Digital Dimension
Visual eff tech supv, Flash Film Works
Visual eff des and matte paintings
Matte painting supv, Flash Film Works
Visual eff ed
Visual eff ed, Flash Film Works
Visual eff ed, Flash Film Works
Visual eff prod
Visual eff prod, Flash Film Works
Visual eff prod, Pixel Magic
Visual eff asst coord
Visual eff prod asst
Visual eff coord
Visual eff
Addl visual eff
Visual eff
Visual eff
Visual eff
Visual eff
Spec eff supv
Spec eff foreman
Spec eff foreman
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech
Spec eff tech, Japan unit
Spec eff tech, Japan unit
Hero horse made by
Title des, splinter unit
Opticals, splinter unit
Facility prod, Digital Dimension
Head compositor, Digital Dimension
Compositing supv, Flash Film Works
Digital compositor, Flash Film Works
Digital artist, Pixel Magic
Digital artist, Pixel Magic
Digital artist, Pixel Magic
Digital artist, Pixel Magic
Digital artist, Pixel Magic
Anim supv, Flash Film Works
Character anim supv, Flash Film Works
Paint/Rotoscope supv, Flash Film Works
MAKEUP
Makeup dept head
Key makeup artist
Makeup artist
Makeup artist
Makeup artist
Makeup/Hair coord
Lead crowd makeup artist
Crowd makeup artist
Crowd makeup artist
Crowd makeup artist
Crowd makeup artist/Fittings
Crowd makeup artist, Japan unit
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Addl makeup
Makeup asst, Japan unit
Spec makeup eff dept head
Spec makeup eff coord
Sr animatronic tech
Prosthetic tech
Prosthetic tech
Sculptor
Sculptor
Sculptor
Sculptor/Moulder
Prosthetic painter
Prosthetic makeup
Hair dept head
Key hair stylist
Hairstylist
Hairstylist
Hairstylist
Hairstylist
Hair stylist, Japan unit
Wig maker
Lead crowd hair stylist
Crowd hair stylist
Crowd hair stylist
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Addl hair
Hair asst, Japan unit
Hair asst, Japan unit
PRODUCTION MISC
Casting
Casting, Japan
Casting, New Zealand
Extras casting
Extras casting
Extras casting asst
Casting assoc
Casting asst
Asst casting, Japan unit
Casting asst, Japan unit
Unit prod mgr
Unit prod mgr
Unit prod mgr, Japan unit
Prod mgr, Shochiku, Japan unit
Scr supv, splinter unit
Firing weapons coord
Firing weapons specialist
Firing weapons specialist
Armorer
Cannon master
Cannoneer
Cannoneer
Head horse wrangler
Key wrangler/Horse trainer
Horse trainer
Horse wrangler
Horse wrangler
Horse wrangler
Horse wrangler
Horse wrangler
Horse wrangler
Horse wrangler
Horse wrangler
Horse wrangler
Horse wrangler
Horse wrangler
Horse wrangler, Los Angeles unit
Horse dept coord
Animal trainer
Asst animal trainer
Oxen trainer
Oxen wrangler
Small animal coord/Trainer
Small animal coord/Trainer
Tiger provided by
Tiger provided by
Fabrication coord
1st unit coord
2d unit coord
Blacksmith
Blacksmith
Prod supv
Prod supv
Prod supv
Pre-prod supv
Post-prod supv
Prod coord
Prod coord, Japan unit
Prod coord, splinter unit
Post-prod coord
Asst prod coord
Asst prod coord
Asst prod coord
Asst prod coord
Asst prod coord
Prod secy
Prod secy
Prod secy
Prod secy
Prod secy, Japan unit
Prod staff asst
Prod staff asst
Prod staff asst
Prod staff asst
Prod staff asst
Staff asst
Staff asst
Staff asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
On set prod asst, splinter unit
Set prod asst/Translator
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst, Japan unit
Office prod asst
Office prod asst
Prod office asst, Japan unit
Prod office asst, Japan unit
Prod office asst, Japan unit
Post prod asst
Prod accountant
Asst prod accountant
New Zealand loc accountant
Japan loc accountant
Japan asst loc accountant
Accounting asst
Loc mgr
Key asst loc mgr
Asst loc mgr
Key loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst
Loc asst, Japan unit
Loc asst, Japan unit
Loc asst, Japan unit
Loc liaison, Japan unit
Asst loc mgr, Japan unit
Loc foreman
Health & safety coord
Paramedic
Paramedic
Paramedic
Paramedic
Japanese doctor
Japanese set nurse
Japanese set nurse
Japanese set nurse
Nurse, Himeji, Japan unit
Nurse, Kyoto, Japan unit
Key set medic
Set medic
Const medic
Military tech adv
Asst military tech adv
Japanese tech adv
Project consulant
Project consulant
Asst to Mr. Zwick
Asst to Mr. Herskovitz
Exec asst to Mr. Cruise
Personal asst to Mr. Cruise
Exec asst to Ms. Wagner
Asst to Ms. Wagner
Asst to Mr. Mulvehill
Asst to Mr. Kroopf
Asst to Mr. Engelman
Asst to Mr. Solomon
Asst to Mr. Watanabe
Transportation coord
Transportation capt
Transportation capt
Transportation capt
Transportation capt
Spec transportation
Spec transportation
Catering by
Addl catering by
Caterer, Japan unit
Caterer, Japan unit
Caterer, Japan unit
Craft service
Craft service
Facilities asst
Facilities asst
DGA trainee
Japan prod services
STAND INS
Stunt coord
Asst stunt coord
Co-fight arr
Stunt double
Stunt double
Stunt double
Stunt double
Stunt double
Stunt double
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt performer
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rider
Stunt rigger
SOURCES
SONGS
"Kagura-No-Netori," performed by Tokyo Gakuso, courtesy of Columbia Music Entertainment, Inc.
PERFORMER
DETAILS
Release Date:
5 December 2003
Premiere Information:
World premiere in Tokyo, Japan: 22 November 2003
Los Angeles premiere: 1 December 2003
New York premiere: 2 December 2003
Production Date:
10 October 2002--7 May 2003 in New Zealand
Copyright Claimant:
Warner Bros. Entertainment, Inc.
Copyright Date:
16 January 2004
Copyright Number:
PA0001195970
Physical Properties:
Sound
Dolby Digital; dts Digital Sound; SDDS Sony Dynamic Digital Sound in selected theatres
Color
Technicolor
Lenses/Prints
Kodak Motion Picture Products; Fujifilm Motion Picture Products
Duration(in mins):
154
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
40226
Passed by NBR:
No
SYNOPSIS

In 1876, a drunk and disillusioned Civil War hero, Captain Nathan Algren, haunted by his role in a massacre of innocent Native Americans, interrupts his performance at a San Francisco sideshow advertising rifles, by hysterically recounting the bloodshed and then shooting above the terrified crowd. After the show, his former commander, the rapacious Colonel Benjamin Bagley, introduces him to Omura, a Japanese businessman bent on making feudal Japan into a modern nation for his own financial gain. Omura offers Algren a lucrative job working with Bagley to mold conscripted farmers into Japan’s first modern army. Realizing his outburst at the sideshow has cost him his job and needing to feed his penchant for alcohol, Algren accepts the offer to work with Bagley and his loyal former sergeant, Zebulon Gant, in Japan, but seethes with rage against Bagley for having ordered Algren to slaughter innocent Native Americans. Arriving in Yokohama Harbor weeks later, Algren is greeted by English expatriate Simon Graham, a translator and photographer, who, after showing him Tokyo’s bustling streets, escorts the visitor to the palace for an audience with Emperor Meiji. Once there, despite Graham’s etiquette advice, Algren breaks the imperial code by boldly looking into the young emperor's eyes. Days later, during training, Algren learns that veteran Samurai Katsumoto, once a member of the Emperor's Guard and Meiji’s personal teacher, is offended by the country's modernization and plans to lead a rebellion against which the army must soon be prepared to fight. After General Hasegawa, who once fought with Katsumoto, informs Algren that Katsumoto and his Samurai are only armed with swords and arrows, not firearms, the American decides to study his enemy by reading Graham’s ... +


In 1876, a drunk and disillusioned Civil War hero, Captain Nathan Algren, haunted by his role in a massacre of innocent Native Americans, interrupts his performance at a San Francisco sideshow advertising rifles, by hysterically recounting the bloodshed and then shooting above the terrified crowd. After the show, his former commander, the rapacious Colonel Benjamin Bagley, introduces him to Omura, a Japanese businessman bent on making feudal Japan into a modern nation for his own financial gain. Omura offers Algren a lucrative job working with Bagley to mold conscripted farmers into Japan’s first modern army. Realizing his outburst at the sideshow has cost him his job and needing to feed his penchant for alcohol, Algren accepts the offer to work with Bagley and his loyal former sergeant, Zebulon Gant, in Japan, but seethes with rage against Bagley for having ordered Algren to slaughter innocent Native Americans. Arriving in Yokohama Harbor weeks later, Algren is greeted by English expatriate Simon Graham, a translator and photographer, who, after showing him Tokyo’s bustling streets, escorts the visitor to the palace for an audience with Emperor Meiji. Once there, despite Graham’s etiquette advice, Algren breaks the imperial code by boldly looking into the young emperor's eyes. Days later, during training, Algren learns that veteran Samurai Katsumoto, once a member of the Emperor's Guard and Meiji’s personal teacher, is offended by the country's modernization and plans to lead a rebellion against which the army must soon be prepared to fight. After General Hasegawa, who once fought with Katsumoto, informs Algren that Katsumoto and his Samurai are only armed with swords and arrows, not firearms, the American decides to study his enemy by reading Graham’s extensive writings on the Samurai and Bushido, their code of honor. When days later, Katsumoto attacks a railroad owned by Omura, Algren refuses to follow Omura’s orders to enter into immediate battle and attempts to prove the army’s lack of preparedness by ordering one of his men to shoot at him. The peasant shakes in fear so uncontrollably that he repeatedly misses Algren, but Bagley nevertheless insists they fight Katsumoto. The next day at the foggy, forest battleground, the soldiers hear the approaching Samurai yell and, fearing for their lives, begin shooting too early, thus allowing dozens of Samurai on horseback to expertly wield their swords, wounding most of the men. When Gant is killed, Algren rushes to his side, and, having run out of ammunition, fights several Samurai in hand-to-hand combat, despite his own wounds. Katsumoto watches as a Samurai clad in red armor prepares to deliver the American a final blow, but the prone Algren manages to spear and kill his enemy. Impressed by Algren’s skill and perseverance, Katsumoto decides to take him prisoner rather than kill him. Following his capture, Algren witnesses Hasegawa, who has surrendered to Katsumoto, perform seppuku, a ritual in which a defeated Samurai disembowels himself with his sword to maintain his honor, while another Samurai assists by decapitating the dying man to prevent prolonged pain. After they arrive at a remote mountain village, Algren is housed with Katsumoto’s sister Taka, who is forced to nurse him back to health, despite knowing that the American killed her husband Hirotaro, the warrior in red. Later, Katsumoto, finding Algren's book about military strategies to conquer the Cheyenne, begins to study his enemy, but when he questions Algren about it, the American refuses to answer. Sober and sufficiently recovered from his wounds, Algren is then allowed to walk through the village accompanied by a guard, the Silent Samurai, and observes the Samurais’ diligent daily practice of martial arts and swordsmanship. When he is called before Katsumoto and asked his name, Algren at first refuses to answer, but his curiosity about the seppuku ritual opens up a conversation between the two. After Algren learns that Taka’s husband was the red-armored Samurai he killed during battle, Katsumoto tells the guilt-ridden Algren that it was a “good death.” Although, upon returning to Taka’s house Algren is pleased to be invited to dine with family, Taka insults him in Japanese, which he does not understand, and later begs Katsumoto to remove him from her house. One day, Ujio, the most traditional of Katsumoto’s Samurai, viciously knocks Algren down with his wooden practice sword, as Taka and her young son Higen watch with satisfaction. However, as Algren, despite his lack of skill or strength, continues to stand and face Ujio, Taka and Higen begin to feel sympathy for him. During one of their short conversations, Algren tells Katsumoto that he served under Lt. Col. George Armstrong Custer. Katsumoto praises the illustrious soldier, but Algren retorts that Custer was a vain and malicious murderer. After months of being treated with “mild neglect” while living among the villagers, Algren concludes that, despite their polite and quiet demeanor, the Japanese are filled with emotion and still dedicated to their emperor. Soon after, Algren, having won Taka and the Samurais’ respect, is given traditional Japanese clothing to wear and begins learning Samurai fighting and riding skills, while Higen teaches him Japanese. When one day, Algren expresses his regret to Taka for killing her husband, Taka reminds him that they were both only doing their duties. By the spring of 1877, Algren, who has finally found some peace, realizes that he has been in the village longer than anywhere else since he left home at seventeen, and dedicates himself to becoming as skilled as the Samurai. One day, during a practice fight with Ujio, Algren at first loses, but is then advised by Katsumoto’s son Nobutada to be of “no mind.” Remembering Ujio’s previous moves and honing his concentration, Algren forces his opponent to a draw, surprising all the Samurai. Later, as the town gathers to celebrate the spring planting by watching a comic play, Algren notices the guards have disappeared and, realizing they are about to be attacked, alerts Katsumoto to the danger. Cornered in Taka’s house by dozens of Omura’s warriors, Algren and Katsumoto fight side by side while Katsumoto’s men defeat the remaining attackers outside. Days later, Katsumoto explains Bushido to Algren by noting the timeless beauty of cherry blossoms nearby, and advising him to know life in every breath and face death without fear. Soon after, at the village baths, Algren’s eyes meet Taka’s and, realizing she has deep feelings for him, he thanks her for her kindness. After learning that he has been granted an audience with the emperor, Katsumoto returns Algren’s books to him, explaining that he is no longer an enemy, and they both depart for Tokyo. Algren returns to find Bagley has trained thousands of soldiers, and Omura has promised the army to the emperor if Meiji agrees to sign a new trade treaty. In an audience with Meiji, Katsumoto offers to end his life for the emperor, but when the inexperienced leader asks for advice from his former teacher, Katsumoto insists the emperor must make his own decisions. Later, Omura asks Algren to lead an attack against Katsumoto, but Algren insists he was only hired to train the army and leaves the meeting. Meanwhile, when Katsumoto meets with the council and suggests that Japan has become a “nation of whores” selling themselves to the West, the council arrests him without protest from the emperor. Learning of Katsumoto’s fate, Algren is determined to free his friend, but is attacked by Omura’s men and forced to fight them off with swords. With Graham’s help, Algren then gains entrance to Katsumoto’s cell, where he and Ujio convince Katsumoto to escape rather than kill himself. During the ensuing battle, Nobutada is mortally wounded and, after telling his father that “it is my time” to die, raises his sword and rushes into the enemy fire, allowing the others escape. Later, Katsumoto laments that the Samurai are no longer necessary in the new Japan, but Algren argues that the Samurai must fight Omura’s army to make the emperor understand that the ancient ways must not be forgotten in the wake of Japan’s modernization. Arriving at the village the next day, Algren tells Taka and Higen he will fight alongside the Samurai. When Taka informs Algren that his decision has caused Higen to fear that, in addition to losing his father, he might lose Algren as well, the soldier holds the boy in a tearful embrace. As they make battle plans to defeat Omura’s army, which is armed with machine guns, Algren suggests to Katsumoto that they must lure the enemy in close enough to engage them in sword battle. On 25 May 1877, the day of battle, as Algren prepares himself to greet death, Taka offers him her husband’s suit of armor and slowly undresses and kisses Algren. Later, Katsumoto gives him a handcrafted sword with the inscription “I belong to the warrior in whom the old ways have joined the new.” Later, as they approach the battlefield, Algren hands his notebooks to Graham, who positions himself high above the soldiers to document the battle with his camera. After the first round of cannon fire from Omura’s men, the Samurai light fires to cover their retreat with smoke, luring all of Omura’s infantry into marching behind a hill where the Samurai archers shoot and kill hundreds of the soldiers. After a round of hand-to-hand combat between bayonets and swords, Ujio leads an attack on horseback, but is soon killed. Suddenly a bugle is sounded, signifying the army’s retreat. Realizing that two more regiments will be brought in, Algren tells Katsumoto that the Samurai will now be forced to march into Omura’s machine guns. Lining up his remaining men on the battlefield, Katsumoto lets out a war cry and leads the suicidal charge with Algren at his side. The westernized Omura is incredulous that the defeated Samurai will not surrender despite their losses. Bagley, regaining his sense of honor, mounts his horse and rides into battle to meet his enemy and face his certain death. The soldiers then commence firing the new and powerful Howitzer machine guns, which litter the plain with dead Samurai, injuring both Algren and Katsumoto. Realizing that Katsumoto is mortally wounded, Algren assists his friend in his final courageous act, that of seppuku. As he dies, Katsumoto watches nearby cherry blossoms float through the air and whispers to Algren, “they are all perfect.” Filled with humility at the passing of so great a hero, Omura’s men kneel reverentially in tribute. Days later, Algren interrupts the emperor only moments before he is to sign an American trade treaty. Kneeling before Meiji, Algren offers him Katsumoto’s sword, asks that he remember what his ancestors died for and offers to end his own life at the emperor’s command. Having finally embraced Katsumoto’s advice, the emperor announces that he will not sign the treaty, because it is not in the best interest of his people. Algren then returns to the village, where he is reunited with Taka and her children to begin a new life. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.