Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972)

R | 88 mins | Comedy-drama, Adventure | February 1972

Director:

Paul Williams

Producer:

Edward R. Pressman

Cinematographer:

Ed Brown

Editor:

Sidney Katz

Production Designer:

Gene Callahan
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HISTORY

The working title for the film was Lucifer Harkness: In Concert. Some reviews referred to the film as Dealing. The synopsis was based on an incomplete print viewed, supplemented by reviews. The missing section of the viewed print encompassed one reel and contained the portion of the narrative in which "Peter" and "Susan" spend the day touring San Francisco and Berkeley. As noted in news items, the name of the novel's author, Michael Douglas, was a pseudonym for writers Michael Crichton and his brother Douglas. An Apr 1970 Var news item indicated that Michael Crichton had written the screenplay for the film, but only David Odell and Paul Williams are credited onscreen. According to contemporary sources, the film was shot on location in Toronto, Canada, Boston, MA and Berkeley and San Francisco, CA. The film marked the feature film debut of John Lithgow (1945-- ). ...

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The working title for the film was Lucifer Harkness: In Concert. Some reviews referred to the film as Dealing. The synopsis was based on an incomplete print viewed, supplemented by reviews. The missing section of the viewed print encompassed one reel and contained the portion of the narrative in which "Peter" and "Susan" spend the day touring San Francisco and Berkeley. As noted in news items, the name of the novel's author, Michael Douglas, was a pseudonym for writers Michael Crichton and his brother Douglas. An Apr 1970 Var news item indicated that Michael Crichton had written the screenplay for the film, but only David Odell and Paul Williams are credited onscreen. According to contemporary sources, the film was shot on location in Toronto, Canada, Boston, MA and Berkeley and San Francisco, CA. The film marked the feature film debut of John Lithgow (1945-- ).

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
7 Feb 1972
---
Daily Variety
23 Apr 1970
---
Daily Variety
26 Jan 1972
p. 3
Filmfacts
1972
pp. 80-82
Hollywood Reporter
3 Sep 1970
---
Hollywood Reporter
5 Feb 1971
p. 12
Hollywood Reporter
18 Feb 1971
---
Hollywood Reporter
30 Apr 1971
p. 13
Hollywood Reporter
26 Jan 1972
---
Los Angeles Times
14 Apr 1972
---
New York Times
26 Feb 1972
p. 18
Variety
29 Apr 1970
---
Variety
3 Feb 1971
---
Variety
26 Jan 1972
p. 24
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
Asst dir
PRODUCER
WRITERS
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Prod des
FILM EDITOR
Film ed
SET DECORATORS
Set dec
Prop master
MUSIC
SOUND
MAKEUP
Makeup
Hairstylist
PRODUCTION MISC
Unit prod mgr
Casting
Casting
Creative consultant
STAND INS
Stunt coord
Stunts and stunt double
Stunts and stunt double
SOURCES
LITERARY
Based on the novel Dealing; Or, the Berkeley-to-Boston Forty-Brick Lost-Bag Blues by Michael Douglas (New York, 1971).
LITERARY SOURCE AUTHOR
SONGS
"I Can't Turn You Loose," words and music by Otis Redding, performed by Otis Redding; "Sympathy for the Devil," words and music by Mick Jagger and Keith Richards, performed by The Rolling Stones; "Bluebird," words and music by Stephen Stills, performed by Buffalo Springfield; "Attics of My Life," words and music by Jerome J. Garcia and Robert C. Hunter, performed by The Grateful Dead; "The Tootle Record," composer undetermined.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Alternate Titles:
Dealing
Lucifer Harkness: In Concert
Release Date:
February 1972
Premiere Information:
New York opening: 25 Feb 1972
Production Date:
5 Feb--mid Mar 1971
Copyright Info
Claimant
Date
Copyright Number
Warner Bros., Inc. & Pressman-Williams Enterprises, Inc.
27 January 1972
LP41648
Physical Properties:
Sound
Color
Technicolor
Widescreen/ratio
Panavision
Duration(in mins):
88
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
23056
SYNOPSIS

In Cambridge, Massachusetts, bored Harvard law student Peter Harkness considers making a marijuana run for his acquaintance, theater instructor and dealer John Hartnup. Despite his board exams scheduled for the following day, Peter meets with John and his girl friend Sandra. Peter offers to pick up eight “bricks” of marijuana in Berkeley, California and return it to Boston. After Peter cavalierly skips his exams, his conservative girl friend and fellow law student Annie learns that he is working for John and threatens to report him to the police. The following day, Peter arrives in the San Francisco Bay area with a special suitcase designed by John and travels to Berkeley where, at the appointed house, he is met by Susan Kunen and dealers Rupert, Musty and Emir. Uneasy about having to wait the entire day before his return flight, Peter asks where to store the suitcase safely and Susan offers to take him to the train station. After placing the suitcase in a locker there, Susan offers to show Peter around and later, after sniffing some cocaine, the couple has sex in an empty recording studio. Upon Peter’s safe return to Boston, he chafes about settling back down with the conventional Annie, but when he attempts to pick up a girl in Cambridge, he is mugged by her associates. Smitten with Susan, Peter pleads with John to allow her to make the next marijuana delivery so that she can come to Boston. Although wary of Susan’s inexperience, John agrees; when Peter phones Susan with the offer, she only reluctantly accepts. On the day of her arrival, Peter ...

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In Cambridge, Massachusetts, bored Harvard law student Peter Harkness considers making a marijuana run for his acquaintance, theater instructor and dealer John Hartnup. Despite his board exams scheduled for the following day, Peter meets with John and his girl friend Sandra. Peter offers to pick up eight “bricks” of marijuana in Berkeley, California and return it to Boston. After Peter cavalierly skips his exams, his conservative girl friend and fellow law student Annie learns that he is working for John and threatens to report him to the police. The following day, Peter arrives in the San Francisco Bay area with a special suitcase designed by John and travels to Berkeley where, at the appointed house, he is met by Susan Kunen and dealers Rupert, Musty and Emir. Uneasy about having to wait the entire day before his return flight, Peter asks where to store the suitcase safely and Susan offers to take him to the train station. After placing the suitcase in a locker there, Susan offers to show Peter around and later, after sniffing some cocaine, the couple has sex in an empty recording studio. Upon Peter’s safe return to Boston, he chafes about settling back down with the conventional Annie, but when he attempts to pick up a girl in Cambridge, he is mugged by her associates. Smitten with Susan, Peter pleads with John to allow her to make the next marijuana delivery so that she can come to Boston. Although wary of Susan’s inexperience, John agrees; when Peter phones Susan with the offer, she only reluctantly accepts. On the day of her arrival, Peter waits anxiously, only to learn from John that Susan has telephoned from the airport that her bag was lost in transit and she is reporting its loss. Horrified that Susan is placing herself at great risk of being discovered, Peter demands that John help her, but the dealer angrily reveals that Susan ignored his detailed instructions about making the trip, which included not checking the bags. To Peter’s further dismay, John reveals that Susan was carrying not one, but two bags with a total of forty bricks, or $7,200 worth of marijuana. Peter races to the airport on his motorcycle, arriving just as undercover narcotics detective Lt. Edward Murphy arrests Susan. Upon returning to John’s apartment, Peter finds him hastily packing in fear of discovery. Settling at Sandra’s apartment, John and Peter watch the news, and John is startled to hear Murphy tell a reporter that he has made a seizure of twenty bricks of marijuana. Suspecting that Murphy is corrupt and selling the other half of the drugs on the side, John talks Peter into joining him that evening to follow Murphy. After staking out Murphy’s home for several hours, the men see him leave carrying a bag and follow him to a warehouse, where he meets with a Cuban dealer named Cortez. After Murphy departs, John convinces the nervous Peter to hold Cortez up with the only gun he has, a flare pistol, and the pair retrieves the marijuana. In addition, John playfully steals the cigar-smoking Cortez’s single humidor. Later, back at Sandra’s, John is startled to find Peter on the telephone with Murphy, trying to arrange an exchange of the drugs for Susan. As Murphy rejects the proposal and hangs up on Peter, John discovers that the humidor is full of heroin. Peter excitedly tells John they now have a tool to lure Murphy into freeing Susan, but John refuses involvement, insisting that he only traffics in marijuana. Stubbornly proceeding on his own, Peter takes the humidor and informs Murphy of its contents. Setting up an elaborate process that will allow Murphy to sample a small amount of the heroin to validate it while he remains safely hidden, Peter again demands Susan's release. Murphy agrees and, following Peter’s instructions, brings Susan to the city train station. There, Peter instructs him by telephone to leave Susan, then take a cab to Walden Pond, where he can retrieve the heroin. As Murphy departs in a cab that Peter has previously arranged, Peter greets Susan, who acknowledges that all charges against her have been dropped. The couple then hastens to Peter’s motorbike where they race off to reach Walden Pond before Murphy. Leaving the heroin container in the snow with a marker, Peter and Susan hide behind a building to observe the pickup. Unknown to everyone, Cortez and two of his men have been following Murphy, and when the detective retrieves the heroin, they run him down with their car. Meanwhile, Murphy’s backup detectives arrive as the Cubans are making their escape. After a fierce gunfight, everyone but Cortez is killed, but as the dealer walks away with the remains of the heroin, a revived Murphy shoots him down, then reports the confrontation on the police radio and drives away to a hospital. Stunned by the events, Peter and Susan come out of hiding, look at the heroin clutched in Cortez’s hand, then ride away together.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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