Come Back Charleston Blue (1972)

PG | 100 mins | Comedy | June 1972

Director:

Mark Warren

Producer:

Samuel Goldwyn Jr.

Cinematographer:

Dick Kratina

Production Designer:

Robert Gundlach

Production Companies:

Formosa Productions, Inc., Warner Bros., Inc.
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HISTORY

The working title for this film was The Heat's On, the name of the Chester Himes novel on which the film was based. The following acknowledgment is listed in the onscreen credits: "Filmed with the cooperation of the Mayor of New York and the people of Harlem." Although a 10 Nov 1971 HR news item stated that Sam Goldwyn, Jr. signed Ernest Kinoy to write the screenplay, Kinoy's name is not listed onscreen and the extent of his partcipation in the film remains undetermined. A modern source adds Al Kirk and Sterling St. Jacques, son of Raymond St. Jacques, to the cast.
       The film marked the feature film directorial debut of television director Mark Warren. Actor Philip Michael Thomas, who was billed onscreen as "Philip Thomas," made his film debut in Come Back Charleston Blue. Thomas is best known for his role as "Detective Ricardo Tubbs" on the 1980s television series Miami Vice. Actors Godfrey Cambridge and Raymond St. Jacques also starred as the detective team of "Gravedigger Jones" and "Coffin Ed Johnson," respectively, in the 1970 film Cotton Comes to Harlem (See Entry), also based on a Himes novel. ...

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The working title for this film was The Heat's On, the name of the Chester Himes novel on which the film was based. The following acknowledgment is listed in the onscreen credits: "Filmed with the cooperation of the Mayor of New York and the people of Harlem." Although a 10 Nov 1971 HR news item stated that Sam Goldwyn, Jr. signed Ernest Kinoy to write the screenplay, Kinoy's name is not listed onscreen and the extent of his partcipation in the film remains undetermined. A modern source adds Al Kirk and Sterling St. Jacques, son of Raymond St. Jacques, to the cast.
       The film marked the feature film directorial debut of television director Mark Warren. Actor Philip Michael Thomas, who was billed onscreen as "Philip Thomas," made his film debut in Come Back Charleston Blue. Thomas is best known for his role as "Detective Ricardo Tubbs" on the 1980s television series Miami Vice. Actors Godfrey Cambridge and Raymond St. Jacques also starred as the detective team of "Gravedigger Jones" and "Coffin Ed Johnson," respectively, in the 1970 film Cotton Comes to Harlem (See Entry), also based on a Himes novel.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
17 Jul 1972
---
Daily Variety
8 Jun 1972
---
Filmfacts
1972
pp. 542-44
Hollywood Reporter
10 Nov 1971
---
Hollywood Reporter
13 Dec 1971
---
Hollywood Reporter
18 Feb 1972
p. 13, 16
Hollywood Reporter
21 Apr 1972
p. 10
Hollywood Reporter
29 Jun 1972
p. 3
Los Angeles Herald Examiner
12 Jul 1972
---
Los Angeles Times
12 Jul 1972
Section IV, p. 12
New York Times
30 Jun 1972
p. 25
New York Times
13 Aug 1972
Section II, p. 9
Time
24 Jul 1972
---
Variety
1 Feb 1972
---
Variety
9 Feb 1972
---
Variety
5 Jul 1972
p. 16
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
Samuel Goldwyn Jr.'s production
NAME
CREDITED AS
CREDIT
DIRECTORS
2d unit dir
2d asst dir
2d asst dir
PRODUCERS
Exec in charge of prod
Assoc prod
WRITERS
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
2d asst cam
Head grip
Frank Schulz
Chief elec
Harlem dawn seq created by
ART DIRECTORS
Prod des
Art dir
FILM EDITORS
SET DECORATORS
Set dresser
Propertyman
Propertyman
Carpenter
Master scenic artist
Chargeman scenic artist
COSTUMES
Ward supv
MUSIC
Mus comp and cond
Asst ed
Asst ed
Asst ed
Mus consultant
VISUAL EFFECTS
Spec eff
Asst spec eff
Titles by
MAKEUP
Makeup artist
Hairstylist
PRODUCTION MISC
DGA trainee
Scr supv
Company auditor
Prod office coord
Transportation capt
Casting asst
Asst to prod
Asst to des
Locs
STAND INS
Stunts
Stunts
Stunts
Stunts
Stunts
SOURCES
LITERARY
Based on the novel The Heat's On by Chester Himes (London, 1966).
LITERARY SOURCE AUTHOR
SONGS
"Come Back Charleston Blue," music by Donny Hathaway, lyrics by Quincy Jones and Al Cleveland, sung by Donny Hathaway and Valerie Simpson.
DETAILS
Alternate Title:
The Heat's On
Release Date:
June 1972
Premiere Information:
New York opening: 29 Jun 1972; Chicago opening: 30 Jun 1972
Production Date:
late Jan--late Apr 1972 in New York City
Copyright Info
Claimant
Date
Copyright Number
Warner Bros., Inc. and Formosa Productions, Inc.
29 June 1972
LP41790
Physical Properties:
Sound
Color
Technicolor
Duration(in mins):
100
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
23317
SYNOPSIS

Harlem police detectives Gravedigger Jones and Coffin Ed Johnson are working a routine security shift at a lavish debutante ball when a dead body is found in the kitchen's cold storage. They discover that the killer has left the murder weapon, a South Carolina blue switchblade, and taken off with dozens of frozen turkeys. Meanwhile at the party, suave fashion photographer Joe Painter, who is secretly conspiring to take over the Harlem drug trade from drug lord Caspar, easily charms a dance from Caspar's niece Carol and begins dating her soon after. Days later while visiting an elderly psychic, Her Majesty, the detectives learn that Her Majesty's murdered lover, Charleston Blue, got his nickname from using the blue switchblade. Discovering the box of switchblades she had set aside for her lover is empty, Her Majesty is convinced that Charleston Blue has returned to avenge his death. After the police report two more deaths using the signature blade and Her Majesty discovers Charleston’s coffin empty, rumors spread throughout Harlem that Charleston’s ghost has returned and is responsible for the disappearance of heroin in Harlem. In reality, Joe and his thugs are hijacking Caspar's drug shipments, using information he has culled from Carol. Joe has also broken into Caspar’s drug operation, killing several men and stealing the turkeys in which Caspar and his men have hidden drugs. Meanwhile, naïve officers follow new precinct chief Bryce's mandate to arrest anyone even loosely associated with the militant group Black Berets for the recent murders, including twelve-year-old Douglas, a bookish boy who merely talks about revolution. When Digger and Coffin learn from Her Majesty that Joe has questioned her about Charleston’s history, they suspect ...

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Harlem police detectives Gravedigger Jones and Coffin Ed Johnson are working a routine security shift at a lavish debutante ball when a dead body is found in the kitchen's cold storage. They discover that the killer has left the murder weapon, a South Carolina blue switchblade, and taken off with dozens of frozen turkeys. Meanwhile at the party, suave fashion photographer Joe Painter, who is secretly conspiring to take over the Harlem drug trade from drug lord Caspar, easily charms a dance from Caspar's niece Carol and begins dating her soon after. Days later while visiting an elderly psychic, Her Majesty, the detectives learn that Her Majesty's murdered lover, Charleston Blue, got his nickname from using the blue switchblade. Discovering the box of switchblades she had set aside for her lover is empty, Her Majesty is convinced that Charleston Blue has returned to avenge his death. After the police report two more deaths using the signature blade and Her Majesty discovers Charleston’s coffin empty, rumors spread throughout Harlem that Charleston’s ghost has returned and is responsible for the disappearance of heroin in Harlem. In reality, Joe and his thugs are hijacking Caspar's drug shipments, using information he has culled from Carol. Joe has also broken into Caspar’s drug operation, killing several men and stealing the turkeys in which Caspar and his men have hidden drugs. Meanwhile, naïve officers follow new precinct chief Bryce's mandate to arrest anyone even loosely associated with the militant group Black Berets for the recent murders, including twelve-year-old Douglas, a bookish boy who merely talks about revolution. When Digger and Coffin learn from Her Majesty that Joe has questioned her about Charleston’s history, they suspect he is using Charleston as a ruse for his own drug hijacking and murders. While Digger and Coffin confront Joe about the Harlem drug trade, two of Caspar’s hit men shoot at Joe from the skylight. Digger and Coffin easily outshoot them, saving Joe’s life. Soon after, Digger and Coffin inform Italian Mafia leader Frank Mago, Caspar's supplier, that Joe has vowed to run him out of Harlem and have the drug trade run only by blacks. Back at his photography studio, Joe tells Carol that he is stealing the drugs and throwing them in the river to save the neighborhood, thus winning her admiration. Soon after, Digger and Coffin, suspecting Mago is using a coffin to ship his drugs from overseas, follow a hearse containing the latest coffin that has just arrived at the port. Within minutes, the hearse, which is filled with Mago’s men wearing afro wigs and black face, is detoured into a cemetery by Joe’s sanitation trucks blocking the road. Joe and his thugs are holding a mock graveside funeral and easily shoot and kill Mago's men, then escape in the hearse with Digger and Coffin in hot pursuit. Narrowly escaping Joe's sanitation trucks and a bomb thrown at them, Digger and Coffin shoot out the hearse's tires, causing the vehicle to flip. When the detectives find Caspar’s dead body inside but lose Joe, Bryce adamantly demands they be taken off the case and reassigned to crosswalk guard duty under the supervision of a dim-witted white officer. Meanwhile, Joe meets with Mago, who offers him the same deal as Caspar's. However, Joe, who has stolen enough drugs to supply Harlem for a year, announces that he will find other suppliers in Southeast Asia before his current supply runs out, effectively cutting Mago out of the loop. Meanwhile, Joe's drug supply is easily distributed throughout Harlem, concealed in basketballs and dolls. Desperate to outwit Bryce so they can crack the case, Digger places an anonymous call to the police reporting a knife-wielding lunatic at a nearby building. When their white supervising officer is called to the scene, he confers with Digger and Coffin, who tell him that the building is a Black Beret hangout. The fearful officer promptly hands Digger and Coffin his gun and orders them to go into the building without him. As they enter, an explosion occurs, leading everyone to believe that the two detectives are dead. Back at Joe’s place, Carol finally realizes that Joe is a drug dealer and is responsible for her uncle’s death, but a transvestite, who is part of Joe’s team, stops her before she can flee. Later, during a memorial service for Digger and Coffin at police headquarters , Joe tries to bribe Bryce into leaving his drug operation alone, but Bryce refuses. The next morning, Carol escapes the transvestite’s clutches, catches a cab outside and soon recognizes that her driver is Digger. Sobbing that she does not belong anywhere, Carol agrees to show Digger and Coffin the storage room where Joe keeps the dolls and basketballs he uses to transport drugs. The detectives then sabotage each item by mixing a smoke bomb material into the drugs, so that as the addicts light up, smoke explodes in apartments, bars and on the streets. Learning of his ruined supply, Joe races to the mausoleum to retrieve his hidden dope in Charleston’s coffin. Finding Douglas there, Joe tries to kill the young boy, but is thwarted by Coffin and Digger. When Joe tries to flee, he is confronted by Her Majesty, who, recognizing that Joe is far from being the real Charleston, slashes his throat with a blue blade. As Joe’s body falls into the coffin, the others escape just as the mausoleum explodes from a bomb Douglas planted to destroy the remaining drugs. Her Majesty then calmly gets into a 1932 Lincoln, Charleston’s favorite car, with a mysterious driver at the wheel.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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