Wild and Woolly (1937)

64-65 mins | Comedy | 10 September 1937

Director:

Alfred Werker

Cinematographer:

Harry Jackson

Production Designer:

Lewis Creber

Production Company:

Twentieth Century-Fox Film Corp.
Full page view
HISTORY

According to information in the Twentieth Century-Fox Records of the Legal Department, the locomotive used in the film was owned by Paramount Pictures. Reviewers praised the performance of Carl Switzer, better known as "Alfalfa" in the "Our Gang" comedy series. Var stated that he "steals the show," and HR noted, "His excruciating song number brought down the house." About the star, Jane Withers, Var commented, "There have been times when the precocious Jane Withers has been somewhat trying on the nerves of grownups, regardless of that she has built up sizeable follwing among children. In this film, however, she has been held in restraint by Alfred Werker, the director, and she turns in a good piece of work." ...

More Less

According to information in the Twentieth Century-Fox Records of the Legal Department, the locomotive used in the film was owned by Paramount Pictures. Reviewers praised the performance of Carl Switzer, better known as "Alfalfa" in the "Our Gang" comedy series. Var stated that he "steals the show," and HR noted, "His excruciating song number brought down the house." About the star, Jane Withers, Var commented, "There have been times when the precocious Jane Withers has been somewhat trying on the nerves of grownups, regardless of that she has built up sizeable follwing among children. In this film, however, she has been held in restraint by Alfred Werker, the director, and she turns in a good piece of work."

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
24-Jul-37
---
Daily Variety
14 Jul 1937
p. 3
Film Daily
19 Jul 1937
p. 10
Hollywood Reporter
10 May 1937
p. 7
Hollywood Reporter
14 Jun 1937
p. 17
Hollywood Reporter
14 Jul 1937
p. 3
Motion Picture Daily
15 Jul 1937
p. 6
Motion Picture Herald
24 Jul 1937
p. 47
New York Times
6 Sep 1937
p. 20
Variety
21 Jul 1937
p. 19
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dial dir
Asst dir
Asst dir
PRODUCER
Assoc prod
WRITERS
Orig scr, Orig scr
Orig scr, Orig scr
Contr wrt
PHOTOGRAPHY
Photog
Cam op
Asst cam
ART DIRECTOR
Lewis Creber
Art dir
FILM EDITOR
Al De Gaetano
Film ed
COSTUMES
Cost
Bob Martien
Ward man
Ward woman
MUSIC
Mus dir
SOUND
Asst sd mixer
Boom man
Ray Martin
Cableman
PRODUCTION MISC
Prod mgr
Unit mgr
Scr clerk
Grip
Best boy
Best boy
Still photog
SOURCES
SONGS
"Whoa Whoopee, Whoa Whipee (Yippy-I-O-I-Ay)," music and lyrics by Sidney Clare and Harry Akst; "When Did You Leave Heaven," music by Richard A. Whiting, lyrics by Walter Bullock.
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
10 September 1937
Production Date:
10 May--mid Jun 1937
Copyright Info
Claimant
Date
Copyright Number
Twentieth Century-Fox Film Corp.
10 September 1937
LP7715
Physical Properties:
Sound
Western Electric Mirrophonic Recording
Black and White
Duration(in mins):
64-65
Length(in feet):
5,800
Length(in reels):
7
Country:
United States
PCA No:
3441
SYNOPSIS

A week before the "Pioneer Days" celebration in Mesa City, which marks the town's fiftieth anniversary, Chaunce Ralston, the straitlaced son of the town's banker, disputes the claim of precocious Arnette Flynn about her grandfather Hercules' past heroics. Arnette contends that "Gramp" was the first sheriff of Mesa County and, before that, a bandit who held up the old "iron horse." As she and Chaunce argue aboard the train, Arnette pulls a lever, which causes the train to speed away. Meanwhile, Frank Bailey is on his way to town to run the newspaper, which his father owns, as the first step toward eventually taking over the business. Frank sees the screaming children on the runaway train and jumps aboard. He stops the train, and when they see the eastbound express heading for them, Frank runs the train in reverse back to town, where Arnette's young friend Zero switches the tracks just in time to avoid an accident. Later, when Arnette sees her schoolteacher, Ruth Morris, approach, she enlists Frank's help to keep Ruth from telling Gramp that she has been playing "hookey." Attracted to Ruth, Frank is happy to accept the assignment. That night, Zero overhears Chaunce's egotistical and blustering father, Edward E. Ralston, agree to arrange for two men from Reno, Blackie Morgan and Lutz, to run an old-fashioned dance-hall and gambling dive during the celebration for a cut of the take. The next day, Arnette convinces Frank to give her a job as a reporter, and she has Zero tell Frank what he heard. Later, as Ralston makes a speech in city hall, Arnette shoots spitballs and hits ...

More Less

A week before the "Pioneer Days" celebration in Mesa City, which marks the town's fiftieth anniversary, Chaunce Ralston, the straitlaced son of the town's banker, disputes the claim of precocious Arnette Flynn about her grandfather Hercules' past heroics. Arnette contends that "Gramp" was the first sheriff of Mesa County and, before that, a bandit who held up the old "iron horse." As she and Chaunce argue aboard the train, Arnette pulls a lever, which causes the train to speed away. Meanwhile, Frank Bailey is on his way to town to run the newspaper, which his father owns, as the first step toward eventually taking over the business. Frank sees the screaming children on the runaway train and jumps aboard. He stops the train, and when they see the eastbound express heading for them, Frank runs the train in reverse back to town, where Arnette's young friend Zero switches the tracks just in time to avoid an accident. Later, when Arnette sees her schoolteacher, Ruth Morris, approach, she enlists Frank's help to keep Ruth from telling Gramp that she has been playing "hookey." Attracted to Ruth, Frank is happy to accept the assignment. That night, Zero overhears Chaunce's egotistical and blustering father, Edward E. Ralston, agree to arrange for two men from Reno, Blackie Morgan and Lutz, to run an old-fashioned dance-hall and gambling dive during the celebration for a cut of the take. The next day, Arnette convinces Frank to give her a job as a reporter, and she has Zero tell Frank what he heard. Later, as Ralston makes a speech in city hall, Arnette shoots spitballs and hits the cymbal which Chaunce plays. The continual interruptions cause the hall to explode in laughter. Frank nominates Gramp, who has been feuding with Ralston for forty years, to play the sheriff in the reenactment of the holdup of the "iron horse." When Ralston finds his car covered with "Flynn for Sheriff" stickers, he says that the town is not big enough for himself and Gramp. Happy to hear the words, Gramp challenges Ralston to a duel, and Chaunce accepts for his cowardly father. Ruth and Frank talk Gramp out of going through with the duel for Arnette's sake, although Gramp is worried about what she will think of him if he backs off. The next morning, Ralston nervously awaits Gramp, until word is sent that Gramp is drunk at the new saloon. Arnette leads the drunken Gramp home, amidst jeers and laughter. That night, Arnette, ashamed of her grandfather, awakens Zero in his treehouse to run away, but they spy Ruth's fiancé, Barton Henshaw, who is Ralston's nephew and a cashier at his bank, meeting with Morgan and Lutz. After overhearing Morgan, to whom Henshaw owes money, plan to really rob the bank during the supposed fake robbery the next day, Arnette returns and tells Gramp. Despite her pleas that this is his chance to prove he is a hero, Gramp says that he does not want to save Ralston's bank. The next day, during the robbery, when Henshaw says he can't go through with it, he is shot in the hand by one of the crooks. Gramp, seeing Arlette and Zero yelling from the stage on which the robbers have escaped, rides to the rescue. After the back wheels of the stage, which Arlette and Zero have loosened, fall off, Gramp captures the crooks, and he is acclaimed a hero by his proud granddaughter. Frank hugs Ruth, as Ralston attempts to apologize to Gramp. At Arlette's instigation, Ralston and Gramp shake hands, after which Chaunce kisses Arlette. Her initial grimace turns into laughter, and she slaps Chaunce on the shoulder.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Loophole

This film's working title was Off the Record . A HR production chart adds Don Harvey to the cast but his appearance in the released film ... >>

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

Pretty Baby

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Jeremy Carr, Visiting Research Fellow ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.