The Chicken Chronicles (1977)

PG | 94 mins | Comedy | 19 October 1977

Director:

Francis Simon

Writer:

Paul Diamond

Producer:

Walter Shenson

Cinematographer:

Matthew F. Leonetti

Production Designer:

Ray Markham

Production Companies:

Saltair Productions , Simon Productions
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HISTORY

An undated HR news item reported that Paul Monash would produce the film for Paramount Pictures, based on Paul Diamond’s upcoming novel, though neither Monash nor the studio is included in the final credits. The piece also stated that Delacorte Press would be publishing the book. An undated DV article announced that Ned Wynn, son of actor Keenen Wynn, would adapt Diamond’s novel as his first screenplay. Publishers Weekly reported on 6 Jun 1977 that Irving Lazar "placed the book rights with Dell," the paperback arm of Delacorte Press. According to AMPAS library production files, Diamond’s script was considered an original screenplay despite the onscreen credit that reads “based on his novel.” A novelization of the movie was published a month after the film was released in Nov 1977 by Dell Books.
       A DV news item announced on 10 Mar 1977 that producer Walter Shenson had hired award-winning documentary director Francis Simon to direct the film.
       The LAHExam review of 21 Oct 1977 and others noted that Diamond graduated from Beverly Hills High School and was the son of screenwriter I. A. L. Diamond. An uncredited and undated news item in the AMPAS files noted that the film marked producer Walter Shenson’s American debut after more than twelve features in Europe. Several reviews refered to his previous credits, including the Beatles’ films A Hard Day’s Night and Help.
       The film was shot in and around Beverly Hills and Los Angeles, CA. A 30 May 1977 Box news item reported that principal photography ...

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An undated HR news item reported that Paul Monash would produce the film for Paramount Pictures, based on Paul Diamond’s upcoming novel, though neither Monash nor the studio is included in the final credits. The piece also stated that Delacorte Press would be publishing the book. An undated DV article announced that Ned Wynn, son of actor Keenen Wynn, would adapt Diamond’s novel as his first screenplay. Publishers Weekly reported on 6 Jun 1977 that Irving Lazar "placed the book rights with Dell," the paperback arm of Delacorte Press. According to AMPAS library production files, Diamond’s script was considered an original screenplay despite the onscreen credit that reads “based on his novel.” A novelization of the movie was published a month after the film was released in Nov 1977 by Dell Books.
       A DV news item announced on 10 Mar 1977 that producer Walter Shenson had hired award-winning documentary director Francis Simon to direct the film.
       The LAHExam review of 21 Oct 1977 and others noted that Diamond graduated from Beverly Hills High School and was the son of screenwriter I. A. L. Diamond. An uncredited and undated news item in the AMPAS files noted that the film marked producer Walter Shenson’s American debut after more than twelve features in Europe. Several reviews refered to his previous credits, including the Beatles’ films A Hard Day’s Night and Help.
       The film was shot in and around Beverly Hills and Los Angeles, CA. A 30 May 1977 Box news item reported that principal photography began 4 Apr 1977 and a 13 Jun 1977 HR brief noted that filming had recently concluded. According to a 19 Aug 1977 Var news item, the film received a PG-rating on appeal, after initially being rated R by the Motion Picture Association of America (MPAA). The 19 Oct 1977 Var review noted the advantages and disadvantages of the rating change.
       According to an 18 Oct 1977 item in the HR, the film was released on 19 Oct 1977 in over 400 “situations” and began an exclusive Los Angeles engagement at the Pacific Cinerama Dome on 21 Oct 1977. The 19 Oct 1977 review in the UCLA Daily Bruin questioned the appropriateness of opening a teen comedy during the fall in such a large venue. The film was mainly panned, but several critics thought Diamond’s script was better than Simon’s direction. The 19 Oct 1977 Var review compared it to one of the “youth-oriented tell-it-like-is atrocities” of ten years earlier and called it “tasteless.” Most reviews and the film’s credits marked the film as Steven Guttenberg’s debut.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
30 May 1977
---
Box Office
24 Oct 1977
---
Daily Variety
10 Mar 1977
---
Daily Variety
13 Jun 1977
---
Hollywood Reporter
12 Oct 1977
p. 5
Hollywood Reporter
18 Oct 1977
---
LAHExam
21 Oct 1977
---
Los Angeles Times
21 Oct 1977
p. 34
Motion Picture Herald Product Digest
2 Nov 1977
---
Publishers Weekly
6 Jun 1977
---
UCLA Daily Bruin
19 Oct 1977
---
Variety
19 Aug 1977
---
Variety
19 Oct 1977
p. 26
CAST
NAME
CREDITED AS
CREDIT

PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
An Avco Embassy Film
A Walter Shenson production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
2d asst dir
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Asst cam
Gaffer
Best boy
Key grip
2d grip
Dolly man
Jim Globus
Stills
ART DIRECTOR
Art dir
FILM EDITORS
SET DECORATORS
Prop master
Asst props
COSTUMES
MUSIC
VISUAL EFFECTS
Titles and opticals
MAKEUP
Make-up
PRODUCTION MISC
Casting dir
Scr supv
Prod coord
Transportation coord
SOURCES
SONGS
"Every Day With You Girl," written by Perry Buie and James B. Cobb Jr., performed by Classics IV, courtesy of United Artists Records; "Spooky," written by Perry Buie, James B. Cobb Jr., Harry Middlebrooks and Mike Shapiro, performed by Classics IV, courtesy of United Artists Records; "Stormy," written by Perry Buie and James B. Cobb Jr., Classics IV, courtesy of United Artists Records; "Traces," written by Perry Buie, James B. Cobb Jr. and Emory Gordy Jr., Classics IV, courtesy of United Artists Records; "Put a Little Love in Your Heart," by Jackie de Shannon, courtesy of United Artists Records; "But for Me to the Rain," written by Greg Copeland and Steve Noonan, performed by the Nitty Gritty Dirt Band, courtesy of United Artists Records; "Sea Is Getting Rougher," by Boffolongo, courtesy of United Artists Records; "On the Road Again," written by Floyd Jones and Alan C. Wilson, performed by Canned Heat, courtesy of United Artists Records; "Going Up the Country," written by Alan C. Wilson, performed by Canned Heat, courtesy of United Artists Records.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
19 October 1977
Premiere Information:
opened 19 Oct 1977 nationwide; Los Angeles opening: 21 Oct 1977
Production Date:
4 Apr -- early Jun 1977
Copyright Info
Claimant
Date
Copyright Number
Chicken Enterprises
14 December 1978
PA27399
Physical Properties:
Sound
Color
Prints
CFI
Duration(in mins):
94
MPAA Rating:
PG
Country:
United States
Language:
English
SYNOPSIS

In May 1969, high school senior David Kessler lives with his parents and 14-year-old brother Charlie in a large Beverly Hills, California, house, where they communicate almost exclusively with a ubiquitous video intercom system. As David approaches the final weeks before graduation, the Vietnam War is a constant presence on radio and television. David makes it clear to his best friend, Mark, that his priority is to find a place to lose his virginity to his girlfriend, Margaret. Mark suggests David pursue Tracy, a girl David has known since they were six. At school, David runs track, writes for the student newspaper, and hopes to be accepted by Stanford University. Mr. Phinney, the journalism teacher, rejects David’s final column and asks him to rewrite it because it expresses opposition to the war. After school, David and Mark work at a takeout chicken restaurant called "Chicken on the Run," where they smoke marijuana and engage in hijinks under the nose of the proprietor, Max "Cap" Ober. Later, at David’s parents’ house, he and Margaret are being intimate on the couch, but she gets spooked. She complains that David smells like chicken and insists that he find a “safe place” for sex before they go any further. The next day, after David receives detention from vice principal Mr. Nastase for not having a hall pass, David and Mark steal a batch of blank passes, the time-stamp clock, and a rubber stamp with Nastase’s signature from the office. That afternoon, at David’s final track meet, an official tries to keep David from competing because of the length of his hair. David rallies the other athletes for a boycott and the ...

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In May 1969, high school senior David Kessler lives with his parents and 14-year-old brother Charlie in a large Beverly Hills, California, house, where they communicate almost exclusively with a ubiquitous video intercom system. As David approaches the final weeks before graduation, the Vietnam War is a constant presence on radio and television. David makes it clear to his best friend, Mark, that his priority is to find a place to lose his virginity to his girlfriend, Margaret. Mark suggests David pursue Tracy, a girl David has known since they were six. At school, David runs track, writes for the student newspaper, and hopes to be accepted by Stanford University. Mr. Phinney, the journalism teacher, rejects David’s final column and asks him to rewrite it because it expresses opposition to the war. After school, David and Mark work at a takeout chicken restaurant called "Chicken on the Run," where they smoke marijuana and engage in hijinks under the nose of the proprietor, Max "Cap" Ober. Later, at David’s parents’ house, he and Margaret are being intimate on the couch, but she gets spooked. She complains that David smells like chicken and insists that he find a “safe place” for sex before they go any further. The next day, after David receives detention from vice principal Mr. Nastase for not having a hall pass, David and Mark steal a batch of blank passes, the time-stamp clock, and a rubber stamp with Nastase’s signature from the office. That afternoon, at David’s final track meet, an official tries to keep David from competing because of the length of his hair. David rallies the other athletes for a boycott and the official backs down. David easily wins the 100-yard dash, but is denied the school record by the team manager, Saul, who breaks the stopwatch. Later, David’s friends goad him into asking the sexually-active Charlie for help in finding a “safe place.” Charlie offers a guest room above the garage belonging to his girlfriend’s parents, the Worths, but asks for marijuana in return for the favor. Back at "Chicken on the Run," David questions Mark about his mystery girlfriend. Mark is evasive, saying she works nights. David convinces Cap to let him leave early for his date. That evening, David gets a reluctant Margaret into the guest room, but doesn’t have a condom. David asks her to wait while he goes to Mark’s house to borrow a “balloon.” David returns to the guest room to find that the Worths have returned early and Margaret is gone. A neighbor mistakes David for a peeping Tom and he is chased through several yards by a pack of dogs and eludes the police. He returns to Mark’s and attempts to call Margaret, who can’t or won’t come to the phone. David is still feeling amorous, so Mark dials Tracy’s number and David asks her to meet him at his house. There, Tracy tells David that Margaret isn’t as innocent as David thought. Tracy realizes she was David’s second choice, and tells David that she doesn’t want to get involved until he figures out his feelings for Margaret. The next day at school, Mark tells David that Margaret is taking birth control pills. David confronts Margaret and they argue. Margaret breaks their date to the prom saying she never really wanted him. David goes to class and discovers that the police have Mark in Nastase’s office after catching him with a joint. David confesses to stealing the passes and the clock. Nastase suspends David and orders him to rewrite his anti-war column, which he had resubmitted after only changing the title. At home, David’s mother tells him he’s going to be drafted if he doesn’t straighten up. David goes to work and learns that the brother of a female co-worker, Maddy, was killed in Vietnam. Cap sends Maddy home and orders the boys back to work, but David has had enough and quits. Cap is shocked and tells him he had planned to turn the business over to David one day. David tells him he’s going to college and leaves. David sees Maddy waiting for a bus and offers her a ride, but she declines. Frustrated, David returns to school and sneaks his column into print. Later, David confesses to Tracy that he really wanted to go to the prom. Tracy tells him that they don’t need the prom and she wants to be his date for the after-party. Margaret arrives at the party with David’s friend Stuart and Mark brings his “mystery girl,” a 14-year-old prostitute named Vanessa. Charlie crashes the party and hits it off with Vanessa. Later, Tracy tells David that Vanessa is actually Pam, a 19-year-old married to a helicopter pilot in Vietnam. Pam lied so that Mark wouldn’t fall in love with her. Margaret tells David that she doesn’t like seeing him with Tracy, wishes she would have gone to prom with him and not Stuart, and doesn’t blame David for the debacle at the guest room. Margaret kisses David as Stuart walks in. Stuart punches David, knocking him down. David and Tracy go the Kessler house, but Stuart calls to say that Charlie was injured walking through a glass door at the party. At the hospital, David yells at Margaret for not taking care of his brother. Stuart apologizes for hitting David and says Margret isn’t worth it. David and Tracy locate Charlie, who is registered under an alias because he is intoxicated. The following morning, David arranges to have Cap, pretending to be Charlie’s Arizona rancher father, check Charlie out of the hospital so he won't get in trouble. At school, Nastase and Phinney, the journalism teacher, discover David’s story in the newspaper. To avoid negative publicity, they decide that David won’t graduate with his class, but will have his diploma mailed to him. Graduating means David is able to go to college and have a deferment from the draft. David finally loses his virginity to Tracy and vows to destroy his family's intercom system.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.