Where the Lilies Bloom (1974)

G | 95 or 97 mins | Drama | 24 April 1974

Director:

William A. Graham

Producer:

Robert B. Radnitz

Cinematographer:

Urs Furrer

Production Designer:

Tambi Larsen

Production Company:

Radnitz/Mattel Productions, Inc.
Full page view
HISTORY

       A 30 Nov 1971 HR news item announced that Radnitz/Mattel Productions, Inc. had purchased the rights to Vera and Bill Cleaver’s Where the Lilies Bloom, and 1970 Newberry Award runner-up, Earl Hamner Jr., was hired to write the screen adaptation. As noted in publicity materials from AMPAS library files, Hamner was a native of the Appalachians like the Cleavers and had previously adapted his own 1961 novel, Spencer’s Mountain, into both a picture of the same name (1963, see entry) and the popular television series, The Waltons. Producer Robert B. Radnitz had formerly worked independently to develop children’s novels into feature films, but Where the Lilies Bloom was only the second film generated through his collaboration with the toy company Mattel Inc., Radnitz/Mattel Productions. The studio’s first release, Sounder (1972, see entry), achieved box-office success and four Academy Award nominations. The Radnitz/Mattel merger formed in 1970, according to a 26 Jan 1983 Var report that announced Radnitz’s $10 million lawsuit against Mattel. Although Radnitz served as the Radnitz/Mattel’s president and chief executive officer, Mattel obtained his entire stock in the business in 1974. At the time, Radnitz and Mattel negotiated an agreement stipulating that the rights to their feature film productions, including Where the Lilies Bloom, could only be purchased for cash in the event of a buy out. When Mattel allegedly attempted to “barter” Radnitz/Mattel’s productions to the Rainbow Group and its associate, Deerfield Communications Corp., in 1983, Radnitz sought legal protection against the deal, claiming the 1974 agreement would be violated. According ...

More Less

       A 30 Nov 1971 HR news item announced that Radnitz/Mattel Productions, Inc. had purchased the rights to Vera and Bill Cleaver’s Where the Lilies Bloom, and 1970 Newberry Award runner-up, Earl Hamner Jr., was hired to write the screen adaptation. As noted in publicity materials from AMPAS library files, Hamner was a native of the Appalachians like the Cleavers and had previously adapted his own 1961 novel, Spencer’s Mountain, into both a picture of the same name (1963, see entry) and the popular television series, The Waltons. Producer Robert B. Radnitz had formerly worked independently to develop children’s novels into feature films, but Where the Lilies Bloom was only the second film generated through his collaboration with the toy company Mattel Inc., Radnitz/Mattel Productions. The studio’s first release, Sounder (1972, see entry), achieved box-office success and four Academy Award nominations. The Radnitz/Mattel merger formed in 1970, according to a 26 Jan 1983 Var report that announced Radnitz’s $10 million lawsuit against Mattel. Although Radnitz served as the Radnitz/Mattel’s president and chief executive officer, Mattel obtained his entire stock in the business in 1974. At the time, Radnitz and Mattel negotiated an agreement stipulating that the rights to their feature film productions, including Where the Lilies Bloom, could only be purchased for cash in the event of a buy out. When Mattel allegedly attempted to “barter” Radnitz/Mattel’s productions to the Rainbow Group and its associate, Deerfield Communications Corp., in 1983, Radnitz sought legal protection against the deal, claiming the 1974 agreement would be violated. According to Var, Radnitz had previously offered to buy the properties, himself, with financing from Jeffrey Alan Associates of New York, for a price that exceeded the “aggregate barter credits” by $100,000, but he was unable to settle an arrangement with Mattel and, in turn, sued the company for damages and contract violations. Radnitz also demanded $10 million from the Rainbow Group and Deerfield.
       The opening credits state that the film was “based on the Newberry Award winning honor book by Vera and Bill Cleaver,” but Children’s Books and Their Creators, a 1995 publication edited by Anita Silvey, noted that Where the Lilies Bloom was not awarded a Newberry despite its popularity and its caliber.
       According to publicity materials, thirteen-year-old actress Julie Gholson was cast in the role of “Mary Call” after a nationwide search; of the 631 girls interviewed, Gholson was the 631st. A 19 May 1972 DV news item announced Gholson’s casting and reported that the unknown actress was discovered during auditions at the University of Alabama. Twenty casting calls were held throughout the Southern U.S. Harry Dean Stanton, who was one of the few professional actors in the film, was born just fifty miles from the novel’s Appalachian setting. The film marked musician Earl Scruggs’s first credit as a motion picture composer, according to a 28 Mar 1973 DV report that announced his appointment.
       A 4 May 1972 HR news item stated that principal photography was scheduled to begin 15 May 1972 in Boone, NC, and its surrounding locales. On 23 Jun 1972, HR reported that Hurricane Agnes passed over the set in Boone and noted that Hurricane Edith swept the Baton Rogue, LA, location of Radnitz/Mattel’s Sounder a year earlier, halting production for several days. However, the shooting schedule for Where the Lilies Bloom coincidentally called for rain on the day of the hurricane and filming only benefited from the storm.
       On 18 Jul 1973, Var announced that United Artists Corp. had negotiated to distribute the film in order to shore up its slate of “family-oriented” films, but added that the picture was “fully bankrolled” by Radnitz/Mattel.
       After receiving generally positive reviews, the film fared well at theaters. An undated 1974 advertisement highlighted the picture’s box office grosses at its first two engagements in Dallas, TX, and Cincinnati, OH, and reported record earnings for the theaters. Within one week of the film’s opening a 500 seat theater in Dallas grossed $12,398 while a 400 seat venue in Cincinnati made $19,543. The advertisement stated that the picture would be released for “Easter playdates” in fifteen cities nationwide with Radnitz and “the three young stars” making personal appearances; however, Easter 1974 landed on 14 Apr, the day before Federal Income Tax filings are due, and the film did not open in Los Angeles, CA, until 24 Apr 1974. Release dates in other cities, including New York City, followed.
       Morality in Media, a team of leaders from political, educational, religious and business associations nationwide, named Where the Lilies Bloom “the film for 1974,” according to a 2 Jan 1974 HR announcement. On 10 Jun 1974, the film was honored with Box’s Blue Ribbon Award for “the best picture of the month for the whole family” for Apr 1974.

      The film ends with the following written statement: "Where the Lilies Bloom was filmed in its entirety on location in and around Watauga County, North Carolina. We wish to thank the teachers and children of the Elk Park School, the staff of Blowing Rock Hospital, State Forester Crayle Teague, and all the other people of the area who were so helpful.” Voice-over narration by the character “Mary Call” is featured throughout the story.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
18 Feb 1974
p. 4664
Box Office
10 Jun 1974
p. 15
Daily Variety
19 May 1972
---
Daily Variety
28 Mar 1973
---
Hollywood Reporter
30 Nov 1971
---
Hollywood Reporter
4 May 1972
---
Hollywood Reporter
14 May 1972
p. 17
Hollywood Reporter
23 Jun 1972
---
Hollywood Reporter
11 Aug 1972
p. 13
Hollywood Reporter
2 Jan 1974
---
Hollywood Reporter
4 Mar 1974
p. 3, 8
LAHExam
24 Apr 1974
---
Los Angeles Times
21 Apr 1974
Calendar, p. 1
Motion Picture Herald Product Digest
13 Jan 1974
p. 36
New York Times
8 Jun 1974
p. 18
Time
11 Feb 1974
p. 65
Variety
18 Jul 1973
---
Variety
6 Feb 1974
p. 18
Variety
26 Jan 1983
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Robert B. Radnitz Film
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr/Asst dir
Asst dir
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
Ron Lautore
Cam op
Asst cam
Still photog
Key grip
Gaffer
ART DIRECTOR
Art dir
FILM EDITORS
Asst ed
SET DECORATORS
Const coord
Propmaster
Greensman
COSTUMES
MUSIC
Orig mus comp
Orig mus performed by the
Mus supv
Mus ed
SOUND
Prod mixer
Post-prod sd
Sd eff ed
Sd eff ed
Dubbing mixer
VISUAL EFFECTS
Spec eff
MAKEUP
Monty Westmore
Makeup
PRODUCTION MISC
Scr supv
Loc auditor
Prod secy
Prod secy
Loc secy
Casting
Transportation
SOURCES
LITERARY
Based on the novel Where the Lilies Bloom by Vera & Bill Cleaver (Philadelphia, 1970).
LITERARY SOURCE AUTHORS
SONGS
"Where the Lilies Bloom," composed and sung by Barbara Mauritz; "All the Things Inside of Me," composed and sung by Barbara Mauritz.
SONGWRITER/COMPOSER
DETAILS
Release Date:
24 April 1974
Premiere Information:
St. Petersburg screening: 10 Apr 1974; Los Angeles opening: 24 Apr 1974; New York opening: week of 8 Jun 1974
Production Date:
mid May--mid Aug 1972 in North Carolina
Copyright Info
Claimant
Date
Copyright Number
Radnitz/Mattel Productions, Inc.
16 October 1973
LP43371
Physical Properties:
Sound
Color
Color by DeLuxe®
Lenses/Prints
Cameras and lenses by Panavision®
Duration(in mins):
95 or 97
MPAA Rating:
G
Country:
United States
Language:
English
SYNOPSIS

In the rural Appalachian mountains, fourteen-year-old Mary Call Luther cares for her siblings in the wake of her mother’s death and the illness of her father, Roy Luther. On a walk through the woods, Roy teaches his four children about “wildcrafting,” the medicinal use of wild herbs, but he struggles with a chronic cough. Later, Devola, the eldest sister, serves the family dinner and Mary Call and her brother, Romey, bathe their young sibling, Ima Dean. As Mary Call writes in her secret journal before bed, Roy approaches his daughter with a request that she take over as head of household upon his death. Roy warns that Kiser Pease, a neighbor who usurped the Luther’s land by paying their back taxes and making them sharecroppers, is intent on marrying Devola and Mary Call promises to prevent the union. The next day, Roy’s condition worsens, but the children ease their father’s illness with herbal tinctures and he slowly improves. Sometime later, Kiser stops by the homestead to ask Roy for Devola’s hand in marriage. Although the young man claims he prevented the Luther family from being evicted by taking ownership of their land, Mary Call declares that he will never marry her sister. One day, Mary Call and Romey deliver potatoes to Kiser and find him incapacitated with pneumonia. Mary Call saves Kiser’s life with a bath of hot onions and demands that he relinquish the Luther homestead in return. When Kiser signs Mary Call’s handcrafted contract, she agrees to keep him well. Later, at the town store, shopkeepers Mr. and Mrs. Connell warn Mary Call that she and ...

More Less

In the rural Appalachian mountains, fourteen-year-old Mary Call Luther cares for her siblings in the wake of her mother’s death and the illness of her father, Roy Luther. On a walk through the woods, Roy teaches his four children about “wildcrafting,” the medicinal use of wild herbs, but he struggles with a chronic cough. Later, Devola, the eldest sister, serves the family dinner and Mary Call and her brother, Romey, bathe their young sibling, Ima Dean. As Mary Call writes in her secret journal before bed, Roy approaches his daughter with a request that she take over as head of household upon his death. Roy warns that Kiser Pease, a neighbor who usurped the Luther’s land by paying their back taxes and making them sharecroppers, is intent on marrying Devola and Mary Call promises to prevent the union. The next day, Roy’s condition worsens, but the children ease their father’s illness with herbal tinctures and he slowly improves. Sometime later, Kiser stops by the homestead to ask Roy for Devola’s hand in marriage. Although the young man claims he prevented the Luther family from being evicted by taking ownership of their land, Mary Call declares that he will never marry her sister. One day, Mary Call and Romey deliver potatoes to Kiser and find him incapacitated with pneumonia. Mary Call saves Kiser’s life with a bath of hot onions and demands that he relinquish the Luther homestead in return. When Kiser signs Mary Call’s handcrafted contract, she agrees to keep him well. Later, at the town store, shopkeepers Mr. and Mrs. Connell warn Mary Call that she and her siblings will be sent to an orphanage when their father dies, but Mary Call is resolute that Roy will heal. As Mr. Connell drives Mary Call and Romey home, he informs them that the medicinal herbs they harvest in the woods fetch a high price at market and offers them a means to support themselves. When Mary Call rushes to tell Roy the good news, she finds her father dead. That night, the children bury Roy and decide to keep his death a secret for fear of being separated. Kiser returns to the Luther homestead with an offering of hams and Devola is delighted to see him, but Mary Call tells him Roy is asleep and sends him away. The children spend the summer wildcrafting and when they return to school, Mary Call coaches her siblings to act as if their father is still alive. In class, Mary Call reveals her talent as a writer with a short story about an idyllic land where the lilies bloom and the teacher vows to nurture her talent, but Mary Call is hesitant to pursue anything other than her family’s livelihood. Sometime later, Mr. and Mrs. Connell surprise the Luthers with a visit, and the strong-willed matron is determined to see Roy. Although the children succeed in keeping Mrs. Connell out of Roy’s room, she becomes suspicious and promises to return. The next morning, Kiser leaves his car at the Luther homestead and Mary Call convinces him to give her the keys so she and her siblings can listen to the radio. The children take the car for a treacherous joy ride and when they return home, they find Kiser on the front porch, wondering about their father’s whereabouts. Kiser is appeased by their story that Roy decided to stay behind during their excursion and he gives Devola a piglet. When Mary Call suggests that Devola likes cows, too, Kiser returns with a cow for the family and demands to see Roy, but his efforts prove futile and he grows suspicious of Mary Call’s excuses. That night, Kiser is severely injured by a passing car and Devola tells her siblings that she loves him. Although Mary Call is outraged, Devola argues that their father was wrong about the young man. As time passes, the children begin to resent Mary Call’s austerity and the family grows somber. One day, Kiser’s sister, Goldie, stops by the Luther homestead to see Roy and is appalled by the condition of the house. Mary Call insists that Kiser signed the property over to Roy and hands her the contract for proof, but Goldie deems the agreement worthless and evicts the Luthers. Desperate to save her home, Mary Call visits Kiser in the hospital and proposes marriage; however, the young man misunderstands and believes she is referring to a union with Devola. When Mary Call corrects him, Kiser sparks her outrage with a refusal and she accidentally reveals that Roy is dead. Although Kiser tries to console her, Mary Call runs away. Sometime after the girl’s disappearance, Kiser finds Mary Call on a country road and sympathizes with her plight. Mary Call cries inside Kiser’s embrace and forgives him. Later, after Kiser and Devola are married at the Luther home, Mary Call returns to Roy’s grave and reports that he was mistaken about Kiser. Mary Call vows to take care of Romey and Ima Dean until they grow up, but determines to leave the family one day to pursue the promise of her future.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Loophole

This film's working title was Off the Record . A HR production chart adds Don Harvey to the cast but his appearance in the released film ... >>

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

East of Eden

An overture precedes the film. The opening title card reads: “John Steinbeck’s East of Eden .” The following written prologue appears after the opening credits: ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.