Distance (1975)

R | 94 mins | Drama | 10 November 1975

Director:

Anthony Lover

Writer:

Jay Castle

Producer:

George Coe

Cinematographer:

Anthony Lover

Editor:

Anthony Lover

Production Designer:

Raymond Samitz

Production Companies:

George Coe Productions, Liberty Studios
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HISTORY

The Summary for this unviewed film is based on reviews in the 24 Sep 1975 Var, the 10 Nov 1975 Chicago Sun-Times, the 22 Dec 1975 NYT, the 5 Jan 1976 WSJ, the 5 Jan 1976 Box, and the 29 Mar 1976 Box.
       Georgia Governor and future president Jimmy Carter announced that Distance and another film were scheduled to be made in the state, according to the 8 Oct 1973 Box. Filmmaker Anthony Lover’s Liberty Studios set up offices in Hinesville, GA, and principal photography was scheduled to take place at Fort Stewart and Savannah Beach. The 30 Oct 1973 Var estimated the budget at $600,000.
       The film premiered at the Deauville Film Festival on 16 Sep 1975, according to the 24 Sep 1975 Var. Chicago Sun-Times critic Roger Ebert picked Distance as one of several independent pictures to be screened at the USA Film Festival in Dallas, TX, in early April 1976, the 29 Mar 1976 Box reported. “This is a very good film,” Ebert said. ...

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The Summary for this unviewed film is based on reviews in the 24 Sep 1975 Var, the 10 Nov 1975 Chicago Sun-Times, the 22 Dec 1975 NYT, the 5 Jan 1976 WSJ, the 5 Jan 1976 Box, and the 29 Mar 1976 Box.
       Georgia Governor and future president Jimmy Carter announced that Distance and another film were scheduled to be made in the state, according to the 8 Oct 1973 Box. Filmmaker Anthony Lover’s Liberty Studios set up offices in Hinesville, GA, and principal photography was scheduled to take place at Fort Stewart and Savannah Beach. The 30 Oct 1973 Var estimated the budget at $600,000.
       The film premiered at the Deauville Film Festival on 16 Sep 1975, according to the 24 Sep 1975 Var. Chicago Sun-Times critic Roger Ebert picked Distance as one of several independent pictures to be screened at the USA Film Festival in Dallas, TX, in early April 1976, the 29 Mar 1976 Box reported. “This is a very good film,” Ebert said.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
8 Oct 1973
---
Box Office
5 Jan 1976
---
Box Office
29 Mar 1976
---
Chicago Sun-Times
10 Nov 1975
---
Daily Variety
30 Oct 1973
p. 150
New York Times
22 Dec 1975
p. 44
Variety
30 Oct 1973
p. 150
Variety
24 Sep 1975
p. 22
Wall Street Journal
5 Jan 1976
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Prod
WRITER
PHOTOGRAPHY
Gaffer
Still photog
Grip
ART DIRECTOR
Art dir
FILM EDITORS
Asst ed
Asst ed
SET DECORATORS
COSTUMES
Seamstress
Seamstress
SOUND
Asst sd ed
Studio mixer
Studio mixer
VISUAL EFFECTS
Spec eff
Title des
MAKEUP
PRODUCTION MISC
Loc coord
Prod secy
Prod asst
Prod asst
Tech adv
Consultant for prizefight seq
United States Army tech adv
DETAILS
Release Date:
10 November 1975
Premiere Information:
Chicago opening: 10 Nov 1975; New York opening: 21 Dec 1975
Production Date:
1973 at Fort Stewart and Savannah Beach, GA
Copyright Info
Claimant
Date
Copyright Number
In Clover, Inc.
11 May 1982
PA154681
Physical Properties:
Sound
Color
Duration(in mins):
94
MPAA Rating:
R
Country:
United States
Language:
English
SYNOPSIS

In 1955, U.S. Army Master Sergeant Elwood Horne, an African American, brings his younger, blonde German wife, Greta Horne, back to America when he is reassigned to Fort Stewart in Georgia. A self-taught intellectual, he believes himself superior to his fellow Southern soldiers and the officers above him. Although his high rank protects him on base, the moment he steps into the Jim Crow civilian world, Elwood is a second-class citizen. Both whites and other blacks, including his brother, Jesse Horne, resent his beautiful white wife. Though Greta loves him, Elwood realizes they are not intellectually compatible, and that he married her twelve years earlier for her racial status, not for love. Elwood becomes not only contemptuous of his wife, but jealous. As he emotionally withdraws from Greta, her isolation overwhelms her. Meanwhile, Private Larry Vincent, who works for Elwood in the base’s mail department, has a casual, but affectionate sexual relationship with an older woman, Joanne Morse, an insurance saleswoman who usually has affairs with high-ranking officers. Elwood likes Larry because he is educated and comes from an upper-class family, but he cannot understand the young man’s rejection of his privileged background. Greta’s frustration eventually drives her to seduce Larry, but when he rejects her, she commits suicide at an officer’s retirement party. Elwood calls Larry into his office for a final confrontation, blaming the private for the failure of his ...

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In 1955, U.S. Army Master Sergeant Elwood Horne, an African American, brings his younger, blonde German wife, Greta Horne, back to America when he is reassigned to Fort Stewart in Georgia. A self-taught intellectual, he believes himself superior to his fellow Southern soldiers and the officers above him. Although his high rank protects him on base, the moment he steps into the Jim Crow civilian world, Elwood is a second-class citizen. Both whites and other blacks, including his brother, Jesse Horne, resent his beautiful white wife. Though Greta loves him, Elwood realizes they are not intellectually compatible, and that he married her twelve years earlier for her racial status, not for love. Elwood becomes not only contemptuous of his wife, but jealous. As he emotionally withdraws from Greta, her isolation overwhelms her. Meanwhile, Private Larry Vincent, who works for Elwood in the base’s mail department, has a casual, but affectionate sexual relationship with an older woman, Joanne Morse, an insurance saleswoman who usually has affairs with high-ranking officers. Elwood likes Larry because he is educated and comes from an upper-class family, but he cannot understand the young man’s rejection of his privileged background. Greta’s frustration eventually drives her to seduce Larry, but when he rejects her, she commits suicide at an officer’s retirement party. Elwood calls Larry into his office for a final confrontation, blaming the private for the failure of his marriage.

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GENRE
Genre:
Sub-genre:
Postwar life, African American


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.