Crossing Delancey (1988)

PG | 97 mins | Romance | 24 August 1988

Writer:

Susan Sandler

Producer:

Michael Nozik

Cinematographer:

Theo Van de Sande

Editor:

Rick Shaine

Production Designer:

Dan Leigh

Production Company:

Midwest Film Productions
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HISTORY

       The film is based on the off-off-Broadway play, Crossing Delancey, written by Susan Sandler, which opened on 25 Apr 1985 at the Jewish Repertory Theatre in New York, NY, and closed on 12 May 1988 after thirty performances. Production notes in AMPAS library files state that director Joan Micklin Silver saw the play and hired Sandler to write a screenplay. According to an article in the 2--8 Sep 1988 The Jewish Journal, Micklin Silver’s husband, executive producer Raphael Silver, had been unsuccessful in gaining studio interest in the film. However, upon casting actress Amy Irving, her then husband director Steven Spielberg, was able to bring the film to Terry Semel’s attention at Warner Bros.
       Production charts in the 14 Oct 1987 Var and 10 Nov 1987 HR announced principal photography began on 12 Oct 1987 in New York City. Production notes state that filming in New York lasted eight weeks with locations in Manhattan’s Lower East Side, including Essex Street and Orchard Street, and Hoboken, NJ. Although a 7 Aug 1988 NYT article reported locations in Hoboken were used to “masquerade as the Lower East Side” of Manhattan, production notes state the New Jersey location was used for the setting of the film’s Manhattan Upper West Side bookstore, “New Day Books.” The 30 Aug 1988 Montreal Gazette listed the film’s budget as $6 million, while The Jewish Journal reported the budget being $5.5 million, and the 6 Oct 1988 HR reported $5 million budget.
       The 10 Nov 1987 HR production chart listed actor Victor ...

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       The film is based on the off-off-Broadway play, Crossing Delancey, written by Susan Sandler, which opened on 25 Apr 1985 at the Jewish Repertory Theatre in New York, NY, and closed on 12 May 1988 after thirty performances. Production notes in AMPAS library files state that director Joan Micklin Silver saw the play and hired Sandler to write a screenplay. According to an article in the 2--8 Sep 1988 The Jewish Journal, Micklin Silver’s husband, executive producer Raphael Silver, had been unsuccessful in gaining studio interest in the film. However, upon casting actress Amy Irving, her then husband director Steven Spielberg, was able to bring the film to Terry Semel’s attention at Warner Bros.
       Production charts in the 14 Oct 1987 Var and 10 Nov 1987 HR announced principal photography began on 12 Oct 1987 in New York City. Production notes state that filming in New York lasted eight weeks with locations in Manhattan’s Lower East Side, including Essex Street and Orchard Street, and Hoboken, NJ. Although a 7 Aug 1988 NYT article reported locations in Hoboken were used to “masquerade as the Lower East Side” of Manhattan, production notes state the New Jersey location was used for the setting of the film’s Manhattan Upper West Side bookstore, “New Day Books.” The 30 Aug 1988 Montreal Gazette listed the film’s budget as $6 million, while The Jewish Journal reported the budget being $5.5 million, and the 6 Oct 1988 HR reported $5 million budget.
       The 10 Nov 1987 HR production chart listed actor Victor Raider Wexler as a cast member. However, he is not credited onscreen. A brief in the 23 Nov 1987 New York magazine and a 25 Aug 1988 Exhibitor Relations Co., Inc. press release cited author Judith Rossner as being an extra in the film, although she is not credited onscreen.
       Although the Exhibitor Relations press release noted 30 Sep 1988 as the picture’s “projected release date,” the film was released earlier at the Plaza Theatre in New York on 24 Aug 1988, as reported by the NYT review of the same day. One week later, an advertisement in the 31 Aug 1988 DV announced that the film took in a record-breaking “$71,003” over five days at the Plaza Theatre.
       The 10 Aug 1988 Var reported the picture’s world premiere was to occur at the 12th World Film Festival in Montreal, Canada. According to the 30 Aug 1988 edition of the Montreal Gazette, the picture was shown on 29 Aug 1988 at Le Parisien theater during the festival, five days after its Plaza Theatre opening.
       The film received positive reviews, in the 22 Aug 1988 HR and 31 Aug 1988 LAT. A news item in the 9 Sep 1988 HR announced that one week after the New York release, the film opened at two theaters in Los Angeles, CA, Cineplex Odeon’s Fairfax Theatre and The AMC Theatre in Century City, and broke “opening-week records” at each venue. The 6 Oct 1988 HR stated that on 16 Sep 1988, the picture was expanded to theaters in Chicago, IL, Dallas, TX, Detroit, MI, Miami, FL, Philadelphia, PA, San Francisco, CA, and Washington, DC. By the week of 23 Sep 1988, the picture was released in Boston, MA, Seattle, WA, Montreal, and Toronto, Canada.
      End credits state: “Made with the cooperation of The City of New York Mayor’s Office For Film, Theatre and Broadcasting.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
22 Aug 1988
p. 3, 8
Daily Variety
31 Aug 1988
p. 11
Gazette [Montreal]
30 Aug 1988
---
Hollywood Reporter
10 Nov 1987
---
Hollywood Reporter
22 Aug 1988
p. 3, 14
Hollywood Reporter
9 Sep 1988
---
Hollywood Reporter
6 Oct 1988
---
Jewish Journal
2--8 Sep 1988
p. 30
Los Angeles Times
31 Aug 1988
Calendar, p. 1, 8
New York
23 Nov 1987
---
New York Times
7 Aug 1988
Section A, p. 1
New York Times
24 Aug 1988
Section C, p. 15
Variety
14 Oct 1987
p. 6
Variety
10 Aug 1988
p. 7
CAST
NAME
CREDITED AS
CREDIT
Special Appearance by
David Pierce
+ −
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Warners Bros. Presents
A Joan Micklin Silver Film
Distributed By Warner Bros. A Warner Communications Company
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
DGA trainee
PRODUCERS
Assoc prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
1st cam asst
2d cam asst
Stand-by op
Gaffer
Key grip
Dolly grip
Stills photog
Loc lighting and grip equip supplied by
Arriflex cam supplied by
ART DIRECTORS
Prod des
Asst art dir
FILM EDITORS
Asst ed
Apprentice ed
Negative cutting by
SET DECORATORS
Prop master
Asst prop master
Const coord
Key set builder
Scenic artist
Set dec
Leadman
COSTUMES
Cost des
Ward supv
Costumer
Selected clothing provided by
MUSIC
Addl mus comp and performed by
Mus ed
Mus eng
SOUND
Prod sd mixer
Boom op
Supv sd ed
Asst sd ed
Asst sd ed
Asst sd ed
Re-rec mixer
VISUAL EFFECTS
MAKEUP
Makeup artist
Hairdresser
PRODUCTION MISC
Casting
Casting
Extras casting
Asst to Mr. Nozik
Asst to Ms. Silver
Prod secy
Prod secy
Office asst
Prod auditor
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Prod aide
Casting asst
Parking coord
Parking coord
Craft services
Transportation capt
Transportation co-capt
STAND INS
Stunt coord
Tom Wright
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
Stunt player
COLOR PERSONNEL
SOURCES
LITERARY
Based on the play Crossing Delancey by Susan Sandler (New York, 25 Apr 1985).
LITERARY SOURCE AUTHOR
SONGS
“Come Softly To Me,” performed by The Roches, written by Gretchen Christopher, Barbara Ellis and Gary Troxel; “Pounding,” performed by The Roches, written by Terre and Suzzy Roche; “Lieutenant Kije,” composed by Serge Prokofieff, arranged by Paul Chihara; “It’s Like That,” performed by RUN DMC, written by Joseph Simmons, Darryl McDaniels and Larry Smith, courtesy of Profile Records, Inc.; “Some Enchanted Evening,” performed by Paula Laurence, composed by Richard Rodgers and Oscar Hammerstein II; “Nocturne,” performed by The Roches, written by Margaret A. Roche; “Get Your Hands Off Her,” composed and performed by Pat Oleszko; “She’s Going,” written and performed by The English Beat, courtesy of IRS Records; “It Had To Be You,” performed by Benny Goodman, music by Isham Jones, words by Gus Kahn, courtesy of RCA RECORDS; “Lucky,” performed by The Roches, written by Terre and David Roche.
PERFORMED BY
+ −
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
24 August 1988
Premiere Information:
New York opening at Plaza Theatre: 24 Aug 1988; 12th World Film Festival in Montreal, Canada: 29 Aug 1988; Los Angeles opening: 31 Aug 1988
Production Date:
12 Oct--early Dec 1987
Copyright Info
Claimant
Date
Copyright Number
Warner Brothers, Inc.
16 December 1988
PA395730
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Duration(in mins):
97
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
29164
SYNOPSIS

In New York City, independent bookstore, New Day Books, on the Upper Westside has a party to celebrate raising funds to remain in business. Employee Isabelle “Izzy” Grossman mingles with guests while tidying up the shop. Her boss, Lionel, tells her to enjoy herself and take the evening off. As Izzy leaves, Anton Maes, a local author with whom she has been infatuated, gives her copy of his book with a handwritten poetic inscription: “Izzy dear, it’s women like you, make the world liquid and even, still in beauty born.” Arriving at her apartment, Izzy sees her friend Nick waiting by the front door. When he asks to stay the night, Izzy says yes. In the morning, Izzy takes the subway to Delancey Station on the Lower East Side to visit her grandmother, “Bubbie” Ida Kantor. While sitting on a park bench, Bubbie informs Izzy that she has hired Jewish marriage broker Hannah Mandelbaum to find Izzy a husband. After meeting with Hannah, Izzy tells Bubbie that she loves her life with her rent control apartment, a job at a prestigious bookshop, and her modern friends. However, Bubbie insists there is nothing worse than being alone. Later, Izzy meets her friend, Candyce, at the West Side Y.M.C.A. to workout and tells Candyce about Maes’s note in the book. Candyce asks if Maes is married, and Izzy says he is separated. Candyce tries to dissuade her from getting involved with a married man. Undeterred, Izzy decides to telephone Maes. At New Day Books, Izzy obtains Maes’s unlisted telephone number from Lionel, saying she needs to confirm ...

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In New York City, independent bookstore, New Day Books, on the Upper Westside has a party to celebrate raising funds to remain in business. Employee Isabelle “Izzy” Grossman mingles with guests while tidying up the shop. Her boss, Lionel, tells her to enjoy herself and take the evening off. As Izzy leaves, Anton Maes, a local author with whom she has been infatuated, gives her copy of his book with a handwritten poetic inscription: “Izzy dear, it’s women like you, make the world liquid and even, still in beauty born.” Arriving at her apartment, Izzy sees her friend Nick waiting by the front door. When he asks to stay the night, Izzy says yes. In the morning, Izzy takes the subway to Delancey Station on the Lower East Side to visit her grandmother, “Bubbie” Ida Kantor. While sitting on a park bench, Bubbie informs Izzy that she has hired Jewish marriage broker Hannah Mandelbaum to find Izzy a husband. After meeting with Hannah, Izzy tells Bubbie that she loves her life with her rent control apartment, a job at a prestigious bookshop, and her modern friends. However, Bubbie insists there is nothing worse than being alone. Later, Izzy meets her friend, Candyce, at the West Side Y.M.C.A. to workout and tells Candyce about Maes’s note in the book. Candyce asks if Maes is married, and Izzy says he is separated. Candyce tries to dissuade her from getting involved with a married man. Undeterred, Izzy decides to telephone Maes. At New Day Books, Izzy obtains Maes’s unlisted telephone number from Lionel, saying she needs to confirm details relating to Maes’s upcoming reading at the store. When she calls, Maes thinks Izzy is his estranged wife, and tells her to meet him at the Provence restaurant. When Izzy arrives, Maes realizes his mistake and invites her to dine with him. She happily agrees. Later at the market, Bubbie informs Izzy that Hannah Mandelbaum has found her a possible match in Sam Posner, the owner of a local pickle stand. Izzy looks down upon being setup with “a pickle man,” but Bubbie tells her not to be a snob. At Bubbie’s apartment, Sam arrives for lunch with Izzy, Bubbie, and Hannah. While they eat, Hannah tells Izzy how Sam is a modern man who understands traditional Jewish values. When Hannah and Bubbie leave the table, Izzy says the matchmaking was her grandmother’s idea, and is not her style. Sam responds by telling her a story about his friend Harry, who wore the same cap for years. When Harry lost the cap, Sam told him to go to the shop across from the pickle stand and buy a new, but different hat. The daughter of the shopkeeper noticed Harry for the first time, as the old cap is not covering his face. The following day, Harry and shopkeeper’s daughter became engaged. When Bubbie and Hannah return, Sam informs them that he would like to take Izzy on a date. However, Izzy declines. As Sam leaves, he tells Izzy there is no harm in trying a new hat. Later at New Day Books, Izzy offers to treat Maes to lunch after his book reading. However, Myla Bondy, his former assistant, interrupts and reminds Maes that he is supposed treat her to lunch. Instead, Maes invites Myla to join him and Izzy. After lunch, Maes leaves with Myla for her apartment, leaving Izzy confused about his feelings toward her. Later, Izzy and her friends, Marilyn Cohen and Karen, attend a bris ceremony for Bart, the infant son of their friend, Ricki. Afterward, Marilyn tells them about her recent bad luck with dating. When asked about her love life, Izzy lies and says she is dating Maes. Later, Izzy is surprised on her birthday with a telephone call from her parents in Florida. When she visits Bubbie, a package arrives containing a birthday cake and a new hat. Recalling the story about Harry, Izzy knows the gift is from Sam Posner. Wearing her new hat, Izzy walks to Sam’s pickle stand. She thanks him, but states she is still not interested in dating him. The following evening, Izzy decides to introduce Sam to her friend Marilyn. She invites Sam to dinner, and instructs Marilyn to be at the restaurant, making their meeting appear coincidental. They arrive at the restaurant and Izzy apologizes for her behavior when she first met him. Sam agrees that the matchmaking meeting was awkward, and tells Izzy he should have spoken to her when he first saw her three and a half years ago. He continues, telling her Hannah has been showing him photographs of her matchmaking clients for years, but he always said no, until he saw Izzy’s picture. Shocked by his admission, Izzy excuses herself, and walks to Marilyn, saying she needs more time with Sam. Marilyn insists on joining them, and Izzy leads her to the table, saying she happened to run into her friend. However, when Sam recalls seeing Marilyn earlier, Marilyn confesses it was Izzy’s plan to have them meet. Telling him about herself, Marilyn hands Sam her telephone number and leaves. Izzy tries to apologize. Instead, Sam says he liked Marilyn’s style, and will be calling her. Later, Izzy tells Bubbie about introducing Sam and Marilyn. After she returns to her apartment, Izzy finds Nick waiting at her door. She tells him about Sam, and how she is starting to like him. The following morning, Bubbie decides to play matchmaker herself, and asks Sam to come over to help around her apartment. When Izzy arrives for her scheduled visit, Sam gets up to leave. Following him, Izzy tells him she had nothing to do with her grandmother inviting him over, but Sam does not believe her. To make amends, she invites him and Marilyn to a reception at the bookstore Saturday for author Pauline Swift. However, Sam tells her he and Marilyn will be at a baseball game. However, on Saturday, Sam arrives at New Day Books, without Marilyn. Izzy invites him inside, and they sit on the floor near Pauline Swift as Lionel, Mark, Cecilia, and Maes surround her. As Pauline makes a suggestion to Maes about improving his writing, Maes becomes irate and accidentally kicks Sam’s head. Not wanting to make a scene, Sam says he will return later when there is more room. Izzy leaves with him, and invites him to her apartment. Later, Nick arrives to talk to Izzy about a fight he had with his wife. When he sees Sam, Nick asks if he is the pickle vendor Izzy told him about. Sam informs Nick that his stand is near Delancey Street. Nick recognizes the location, telling Sam he remembers buying pickles from Sam’s father. Not wanting to leave Nick alone with Izzy, Sam makes an offer for Nick to stay with him and his brother Mickey for the night, and Nick gratefully agrees. Before the men leave, Sam asks Izzy out on a real date, and she accepts. On the evening of her scheduled date with Sam, Maes approaches Izzy and asks her to read his new manuscript. Izzy tells him she is meeting Sam at Bubbie’s apartment, but Maes convinces her to let him wait. Upon arriving at Maes’s home, Izzy calls Sam at Bubbie’s and tells him she will be late. As they wait for Izzy, Bubbie tells Sam about her courtship with the man who became her husband. Meanwhile, Izzy sits on Maes’s sofa bed to read the two-page manuscript. After telling him it is a good start, Maes kisses her. After they both fall off the sofa, Maes promises to purchase a new one after Izzy starts her new job, as he has arranged with Lionel for Izzy to work for him part-time as his assistant. Realizing that Maes never had any feelings for her, Izzy rejects his offer and leaves. Arriving at her grandmother’s, Izzy sees Bubbie asleep on the couch, but no sign of Sam. As she begins to cry, Sam comes from the balcony. Izzy admits she was not working, and that he is too nice a man for her. Confused, Sam asks what she wants. When Izzy is unable to answer his question, Sam kisses her. As they kiss, they are startled by Bubbie awakening. Upon seeing Sam, Bubbie pretends she has never seen him before. Assuming the alcohol has impaired her memory, Izzy prepares Bubbie’s bed. While Izzy is out of the room, Bubbie laughs and tells Sam she was joking. When Izzy returns, Bubbie again feigns not having met Sam, and asks Izzy if she likes him. Izzy admits she does, and promises Sam will be coming with her the next time she visits.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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