The Bed You Sleep In
(1993)
113 mins | Drama | 20 May 1993
Director:
Jon JostWriter:
Jon JostProducer:
Henry S. RosenthalEditor:
Jon JostProduction Company:
Complex Corporation
The Winter 1992 Filmmaker reported that principal photography began on 6 Apr 1992 in Newport, Oregon, and continued until 10 May 1992. Noting a $250,000 budget, Filmmaker stated that the Complex Corporation production was the third collaboration between director Jon Jost and actor Tom Blair.
The picture screened at the 1994 Sundance Film Festival, according to a festival program excerpt in AMPAS library files.
The film concludes with the following quotation: “‘Every violation of truth is not only a sort of suicide in the liar, but is a stab at the health of human society,’ - Ralph Waldo Emerson, Essays, First Series: Prudence.” End credits include the following title card: “In November 1992, Wheeler Manufacturing, the mill shown in this film, was closed for lack of the availability of raw timber. Environmental concern for the Marbled Murrelet and financial competition from Japan for raw logs were cited as causes for the closure. Seventy jobs were lost.” End credits acknowledge: “Special Thanks: Jim Landon, Toledo City Hall; Don Williams, Wheeler MFG; Mike Caldwell; Randy & Sharon Parrow; Doug & Patsy Hunt; Jerry Prior, Toledo Police Dept; Kathy Teague, City of Toledo; Jim Ruggeri; Fred Locke; Peter Raymient, Oregon Dept of Fish & Wildlife; Trent Stickell.” Also, “More Thanx: Robert Harvey, Panavision; Goody Cable; Maria Cable; Jerry Fisher, Coastal Fibre; Eileen Hernandez; Bub Wilson; Dennis Mullier; Michael Hill; Judy Lewis; Craig Banner, The Vikings Cottages; Lance Burke; Dick Woods, The Timbers; Karen Runkle, Oregon State Film Commission.” Additional acknowledgements include: “This film was made possible in part by a grant from the National Endowment for the ...
The Winter 1992 Filmmaker reported that principal photography began on 6 Apr 1992 in Newport, Oregon, and continued until 10 May 1992. Noting a $250,000 budget, Filmmaker stated that the Complex Corporation production was the third collaboration between director Jon Jost and actor Tom Blair.
The picture screened at the 1994 Sundance Film Festival, according to a festival program excerpt in AMPAS library files.
The film concludes with the following quotation: “‘Every violation of truth is not only a sort of suicide in the liar, but is a stab at the health of human society,’ - Ralph Waldo Emerson, Essays, First Series: Prudence.” End credits include the following title card: “In November 1992, Wheeler Manufacturing, the mill shown in this film, was closed for lack of the availability of raw timber. Environmental concern for the Marbled Murrelet and financial competition from Japan for raw logs were cited as causes for the closure. Seventy jobs were lost.” End credits acknowledge: “Special Thanks: Jim Landon, Toledo City Hall; Don Williams, Wheeler MFG; Mike Caldwell; Randy & Sharon Parrow; Doug & Patsy Hunt; Jerry Prior, Toledo Police Dept; Kathy Teague, City of Toledo; Jim Ruggeri; Fred Locke; Peter Raymient, Oregon Dept of Fish & Wildlife; Trent Stickell.” Also, “More Thanx: Robert Harvey, Panavision; Goody Cable; Maria Cable; Jerry Fisher, Coastal Fibre; Eileen Hernandez; Bub Wilson; Dennis Mullier; Michael Hill; Judy Lewis; Craig Banner, The Vikings Cottages; Lance Burke; Dick Woods, The Timbers; Karen Runkle, Oregon State Film Commission.” Additional acknowledgements include: “This film was made possible in part by a grant from the National Endowment for the Arts.”
In an Oregon logging community, mill owner Ray Weiss faces raw timber shortages due to government interference. He worries about having to layoff his sixty workers, and comes up with an idea to partner with their Japanese competitors. Ray eases his stress by going fly-fishing with his wife, Jean. She surprises him by suggesting they make love in the woods. Later, Ray returns to work, and Jean keeps in touch with her step-daughter, Tracy, who is away at college. Afterward, Jean visits with her friend, Beth and they share their mutual worries over money troubles. Beth reveals that her husband, John, has become physically abusive. However, she will not allow Jean to report him to the authorities. Ray goes fishing with a young man named Scott, and shares his knowledge of the sport. Later, Scott admits that he knows Ray’s daughter, Tracy. Ray is approached on the street by an evangelist, and is surprised when the young man calls him by his name. Ray warns the man not to bother other townsfolk with his aggressive approach. Jean tells Ray that she received a disturbing letter from Tracy, which accuses her father of sexually abusing her. Jean reads the letter aloud describing how Tracy has been exploring vague memories from her childhood, and refuses to come home for a visit. Ray is dumbfounded. Jean asks him point-blank if the accusations are true and he vehemently denies any abuse. Ray destroys the letter, and Jean is unsure what to believe. She considers Tracy to be like her own daughter, and implies that Ray is ...
In an Oregon logging community, mill owner Ray Weiss faces raw timber shortages due to government interference. He worries about having to layoff his sixty workers, and comes up with an idea to partner with their Japanese competitors. Ray eases his stress by going fly-fishing with his wife, Jean. She surprises him by suggesting they make love in the woods. Later, Ray returns to work, and Jean keeps in touch with her step-daughter, Tracy, who is away at college. Afterward, Jean visits with her friend, Beth and they share their mutual worries over money troubles. Beth reveals that her husband, John, has become physically abusive. However, she will not allow Jean to report him to the authorities. Ray goes fishing with a young man named Scott, and shares his knowledge of the sport. Later, Scott admits that he knows Ray’s daughter, Tracy. Ray is approached on the street by an evangelist, and is surprised when the young man calls him by his name. Ray warns the man not to bother other townsfolk with his aggressive approach. Jean tells Ray that she received a disturbing letter from Tracy, which accuses her father of sexually abusing her. Jean reads the letter aloud describing how Tracy has been exploring vague memories from her childhood, and refuses to come home for a visit. Ray is dumbfounded. Jean asks him point-blank if the accusations are true and he vehemently denies any abuse. Ray destroys the letter, and Jean is unsure what to believe. She considers Tracy to be like her own daughter, and implies that Ray is capable of lying by mentioning that their relationship began when Ray cheated on his former wife. Ray accuses his daughter of acting crazy, and is stunned that her allegations make him seem like a “monster” to Jean. In time, Jean asks her friend, Beth, what to do. She wants to visit Tracy at college, but knows that doing so will put a wedge between her and Ray. When Beth asks if she believes Ray is guilty, Jean is unsure and breaks down in tears. Sometime later, Ray receives a telephone call at the mill from Tracy’s boyfriend, Scott, and learns that Tracy committed suicide. Ray races home to tell Jean, but he arrives to find that she, too, has killed herself. Ray crouches over her body and sobs. After a while, he drives to the river and shoots himself in the head.
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