Sparkle (1976)

PG | 100 mins | Drama, Musical | 7 April 1976

Director:

Sam O'Steen

Producer:

Howard Rosenman

Cinematographer:

Bruce Surtees

Editor:

Gordon Scott

Production Designer:

Peter Wooley

Production Company:

Warner Bros
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HISTORY

The 17 Jan 1973 DV announced that the Robert Stigwood Organisation signed screenwriter Lonnie Elder to write a “preliminary draft” for Sparkle. Elder was ultimately replaced by Joel Schumacher.
       The 3 Jul 1975 DV reported that principal photography on Sparkle ended that day, almost two weeks ahead of schedule. The 30 Nov 1975 LAT reported that the “Harlem” exterior scenes were filmed on the “Brownstone Street” of Warner Bros Studios’ back lot in Burbank, CA. The film was ostensibly “based on the early life of the Supremes” vocal group, but producer Howard Rosenman earlier told the 10 Jun 1975 HR that the trio in Sparkle was “a collage of all black groups.” The film’s budget, said Roseman, was $1.6 million.
       Early in the film, one of the first group names that the five starring actresses and actors formed was called the Hearts. In 1950s Harlem, there was a female vocal group called the Hearts, whose lead singer, Baby Washington, went on to have a solo Soul music career. Also, early in the film, the five leads attend a doo-wop show headlined by a group called “the Moonlights,” who perform the song “Sincerely.” A popular 1950s R&B group called the Moonglows wrote and recorded “Sincerely,” a hit single. Despite the filmmakers’ comparisons of “Sister and the Sisters” to the Supremes, Sparkle begins in 1958, and does not progress far beyond that year, whereas the Supremes did not record until 1962. Also, the mid-1960s Soul-style performances by Sister and the Sisters and Sparkle would have been anachronisms in 1958.
       Sparkle was veteran ...

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The 17 Jan 1973 DV announced that the Robert Stigwood Organisation signed screenwriter Lonnie Elder to write a “preliminary draft” for Sparkle. Elder was ultimately replaced by Joel Schumacher.
       The 3 Jul 1975 DV reported that principal photography on Sparkle ended that day, almost two weeks ahead of schedule. The 30 Nov 1975 LAT reported that the “Harlem” exterior scenes were filmed on the “Brownstone Street” of Warner Bros Studios’ back lot in Burbank, CA. The film was ostensibly “based on the early life of the Supremes” vocal group, but producer Howard Rosenman earlier told the 10 Jun 1975 HR that the trio in Sparkle was “a collage of all black groups.” The film’s budget, said Roseman, was $1.6 million.
       Early in the film, one of the first group names that the five starring actresses and actors formed was called the Hearts. In 1950s Harlem, there was a female vocal group called the Hearts, whose lead singer, Baby Washington, went on to have a solo Soul music career. Also, early in the film, the five leads attend a doo-wop show headlined by a group called “the Moonlights,” who perform the song “Sincerely.” A popular 1950s R&B group called the Moonglows wrote and recorded “Sincerely,” a hit single. Despite the filmmakers’ comparisons of “Sister and the Sisters” to the Supremes, Sparkle begins in 1958, and does not progress far beyond that year, whereas the Supremes did not record until 1962. Also, the mid-1960s Soul-style performances by Sister and the Sisters and Sparkle would have been anachronisms in 1958.
       Sparkle was veteran film editor Sam O’Steen’s first assignment as a theatrical film director.
       Curtis Mayfield produced a soundtrack album for Sparkle, but instead of using the actors who performed the music in the film, he added soul singer Aretha Franklin's voice to the original instrumental tracks, even though Franklin had no role in Sparkle. Her version of "Something He Can Feel" was a Top 40 hit in 1976.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
3 May 1976
---
Daily Variety
14 Jan 1973
---
Daily Variety
2 Apr 1976
---
Daily Variety
3 Jun 1975
---
Daily Variety
3 Jul 1975
---
Hollywood Reporter
15 May 1975
---
Hollywood Reporter
28 May 1975,
---
Hollywood Reporter
30 May 1975
---
Hollywood Reporter
26 Feb 1976
---
Hollywood Reporter
10 Jun 1975
---
Los Angeles Sentinel
20 May 1976
Section B, p. 9
Los Angeles Times
30 Nov 1975
Section U, p. 42
Los Angeles Times
16 May 1976
Section L, p. 8
Los Angeles Times
21 May 1976
Section G, p. 18
Motion Picture Herald Product Digest
7 Apr 1976
---
New York Times
8 Apr 1976
p. 43
Variety
7 Apr 1976
p. 26
Warner Bros Rambling Reporter
Sep 1974
---
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Robert Stigwood Organisation Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
Asst dir
2d asst dir
PRODUCERS
Exec prod
Exec prod
PHOTOGRAPHY
Dir of photog
Cam op
1st asst cam
Still man
2d asst cam
ART DIRECTORS
Art dir
Set des
FILM EDITORS
Film ed
Asst ed
SET DECORATORS
Set dec
Lead man
Const coord
Swing gang
COSTUMES
Ward man
MUSIC
Mus comp and scored
Choir supv and arr
Mus rec
Mus ed
SOUND
Sd mixer
VISUAL EFFECTS
Spec eff
DANCE
Choreog
MAKEUP
Fred C. Blau, Jr.
Makeup artist
Hair stylist
PRODUCTION MISC
Scr supv
Casting
Casting
Secy to the prod
Prod services and equip provided by
STAND INS
Stunts/Stunt double
Stunts/Stunt double
COLOR PERSONNEL
Col by
SOURCES
SONGS
"Take My Hand, Precious Lord," written by Thomas A. Dorsey, performed by Irene Cara and choir; "Twilight Time," words by Buck Ram, music by Morty Nevins, Al Nevins, and Artie Dunn, performed by The Platters; "Yakety Yak," written by Jerry Leiber and Mike Stoller, performed by The Coasters; "Personality," words and music by Harold Logan, performed by Lloyd Price; "Love Potion #9," written by Jerry Leiber and Mike Stoller; "Jim Dandy," written by Lincoln Chase, performed by Renn Woods and group; "Sincerely," written by Alan Freed and Harvey Fuqua; "Lucky Lips," written by Jerry Leiber and Mike Stoller, performed by Norma Miller; "Jump," written by Curtis Mayfield, performed by Lonette McKee, Irene Cara, Dwan Smith, Philip Michael Thomas, and Dorian Harewood; "Dedicated To The One I Love," written by Ralph Bass and Lowman Pauling, performed by The Shirelles; "Hooked On Your Love," written by Curtis Mayfield, performed by Lonette McKee, Irene Cara, and Dwan Smith; "Something He Can Feel," written by Curtis Mayfield, performed by Lonette McKee, Irene Cara, and Dwan Smith; "Giving Up," written by Van McCoy, performed by Lonette McKee; "A (Theme From) Summer Place," music by Max Steiner; "Look Into Your Heart," written by Curtis Mayfield, performed by Irene Cara and Philip Michael Thomas; "Loving You Baby," written by Curtis Mayfield, performed by Irene Cara.
PERFORMED BY
+
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
7 April 1976
Premiere Information:
New York opening: 7 Apr 1976; Los Angeles opening: 19 May 1976
Production Date:
ended 3 Jul 1975 in Burbank, CA
Copyright Info
Claimant
Date
Copyright Number
Warner Brothers Entertainment, Inc.
7 April 1976
LP46210
Physical Properties:
Sound
Color
Lenses/Prints
filmed with Panavision Equipment®
Duration(in mins):
100
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
24415
SYNOPSIS

In 1958 Harlem, New York, Stix Warren, Levi Brown, and the three Williams sisters—Sister, Dolores, and fifteen-year-old Sparkle—sing in the church choir. Later, they sit on their tenement steps as Stix works on a song for them. After their mother, Effie Williams, calls them upstairs for the evening, Dolores, the middle sister, expresses her resentment that her mother rides a train several hours every day to work as a maid for white people on Long Island. The next day, when Sparkle takes the family’s wet laundry to hang on the roof, Stix waits for her. He kisses her, but Sparkle says such intimacy is a sin, even though she likes it. Meanwhile, Levi kisses more passionately with Sister, the oldest sister, in a borrowed car. Sister wants a man who can afford “the big time,” and Levi swears he can give it to her. Stix goes to Shimmy Dodson’s record store, where Stix works part time, and gets five promotional passes to the Moonlights’ show at the Brooklyn Paramount Theatre that Shimmy received from the Moonlights’ record label. After Stix, Levi, and the sisters attend the show, Stix is convinced they can form a doo-wop group like the Moonlights. The quintet, calling themselves the Hearts and featuring Sister on lead vocals, rehearses Stix’s songs, and he gets them a spot on a burlesque house’s amateur contest night. The group wins the approval of the crowd, along with prize money. However, when Stix and Levi ask a nightclub owner to book the Hearts, the man says he wants only the three sisters. Losing interest in the group, Levi attends a local cockfight, asks his friend Ham for an introduction to ...

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In 1958 Harlem, New York, Stix Warren, Levi Brown, and the three Williams sisters—Sister, Dolores, and fifteen-year-old Sparkle—sing in the church choir. Later, they sit on their tenement steps as Stix works on a song for them. After their mother, Effie Williams, calls them upstairs for the evening, Dolores, the middle sister, expresses her resentment that her mother rides a train several hours every day to work as a maid for white people on Long Island. The next day, when Sparkle takes the family’s wet laundry to hang on the roof, Stix waits for her. He kisses her, but Sparkle says such intimacy is a sin, even though she likes it. Meanwhile, Levi kisses more passionately with Sister, the oldest sister, in a borrowed car. Sister wants a man who can afford “the big time,” and Levi swears he can give it to her. Stix goes to Shimmy Dodson’s record store, where Stix works part time, and gets five promotional passes to the Moonlights’ show at the Brooklyn Paramount Theatre that Shimmy received from the Moonlights’ record label. After Stix, Levi, and the sisters attend the show, Stix is convinced they can form a doo-wop group like the Moonlights. The quintet, calling themselves the Hearts and featuring Sister on lead vocals, rehearses Stix’s songs, and he gets them a spot on a burlesque house’s amateur contest night. The group wins the approval of the crowd, along with prize money. However, when Stix and Levi ask a nightclub owner to book the Hearts, the man says he wants only the three sisters. Losing interest in the group, Levi attends a local cockfight, asks his friend Ham for an introduction to wheeler-dealer Satin Strothers, and convinces Strothers to hire him to run errands. Meanwhile, Stix and the Williams sisters use their contest prize money to buy musical arrangements for Stix’s songs and three red dresses for the new group, now called Sister & the Sisters. With choreography and new songs, the trio pleases the nightclub crowd and gets booked as regulars. Satin goes backstage, sees Sister, and tells his date to leave; when the woman objects, Satin takes her into a hallway, punches her, and tells Levi to get her out of the club. Stix takes Sparkle to a hotel and they make love for the first time. A few months later, Levi asks Satin for more responsibility in Satin’s organization, because he wants more money, but Satin says that Levi is not yet ready. When Effie Williams and her friend, Mrs. Waters, attend the nightclub without notice, Stix sits them at Satin’s table. Remembering the night Sister packed her bags and left the apartment, Effie realizes her daughter is living with Satin, a known criminal. Backstage, Dolores gets angry at Satin because Sister has a black eye, but Sister throws her out of the dressing room and snorts cocaine. When Effie goes backstage after the show, she warns Sister that Satin will drag her into the gutter. The next day, at a house on Long Island, Effie’s employer, Mrs. Gerber, sees she is in distress and offers her friendship. That night, Satin beats Sister, and when Dolores later sees her in the dressing room, she is shocked at Sister’s bruises. Sister says she sent Sparkle for makeup, but Sparkle returns with heroin. Determined to get back at Satin, Dolores seduces Ham, his right-hand man, and learns that Satin will make his next drug pickup under the Manhattan Bridge. After Dolores alerts police, two undercover officers break up the transaction, but instead of Satin, they capture Levi. Pulling Stix into an alley, Satin accuses Stix of calling police, but Stix pounds him into submission. Dolores packs her bags and tells her mother she is leaving Harlem to start a new life, without relying on the “white man” and “being his maid.” At the Gerbers’ house, Effie serves a dinner party of tough-looking gentlemen and hears them toast their new company, Americus Enterprises. Meanwhile, the group replaces Sister with a heavy-set neighborhood girl, Tune Ann, but the club owner tells Stix he no longer wants them to perform. Stix tells Sparkle he is going upstate to work in construction and wants her to go with him, but Sparkle is too concerned for her sister to leave Harlem. Before dying of a drug overdose, Sister sings a torch blues, “Giving Up,” at a jazz club, and Sparkle later sings “Take My Hand, Precious Lord” at Sister’s funeral. Stix returns to work for a record company, reunites with Sparkle, and starts her solo career, but Sparkle is uninspired to sing. At Effie's insistence, Sparkle visits Stix at the studio where he works, and they reconcile with a kiss. He rehearses with Sparkle and plans to make a record, but needs $10,000 to kick-start Sparkle’s career. When Sparkle says she knows only one man with that kind of money, Stix visits Effie’s employer, Moe Gerber, and Moe agrees to borrow the money from his business associates. Sparkle records two of Stix’s songs and he secures a record company contract. Her single climbs the Billboard charts. Stix returns the $10,000 to Moe Gerber, with sixteen percent interest, but Moe says his associates want “a piece” of Sparkle’s success instead of the money. Moe explains they are dealing with the Mafia. That night, Sparkle opens for Ray Charles at Carnegie Hall under the name Sparkle Williams and the Soul Ladies, but before the show begins, two gangsters grab Stix outside, throw him in the back seat of a Cadillac, and drive him to a warehouse. One mobster puts a gun to his head and plays Russian roulette, but Stix refuses their deal. They relent and return him to Carnegie Hall, where he joins Effie backstage. Sparkle sings her final number and walks offstage into Stix’s arms to wild applause.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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