People of the Wind (1976)

G | 120 or 127 mins | Documentary, Adventure | 29 October 1976

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HISTORY

The opening film credit makes the following statement: “In this story of the Babadi, one of the Bakhtiari tribes, no scene is acted or re-enacted.”
       An earlier silent film, Grass: A Nation’s Battle For Life (1925, see entry), also documented the Bakhtiaris’ migration over the same mountains. The producers of Grass were Merian C. Cooper and Ernest B. Schoedsack, who later created King Kong (1933, see entry).
       Associate producer Shusha was Shusha Guppy, who facilitated the filmmakers’ dealings with the Iranian government, worked as a translator for the production, and gathered and performed Persian folksongs for the soundtrack.
       According to the 27 Oct 1976 Var, producer Anthony Howarth joined the Bakhtiari migration during the previous year in order to plan what he needed for the production. To shoot People of the Wind, the crew alone used twenty-three mules to carry two tons of equipment and provisions over the Zagros Mountains. The 15 Nov 1976 Box noted that the film was shot in 16mm and blown up to “35mm Widescreen.”
       People of the Wind was nominated for an Academy Award for “Best Documentary,” the 11 Feb 1977 LAT reported, but lost to Harlan County U.S.A. (1977, see entry).
       In a 1976 letter on file at the AMPAS library, director Anthony Howarth wrote that he had originally filmed an hour-long television documentary of the Baktiari migration in 1971 for the British Broadcasting Corporation. He returned to film the full-length feature, People of the Wind, after executive producer Elizabeth E. Rogers agreed to pay for it. The project took a year ...

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The opening film credit makes the following statement: “In this story of the Babadi, one of the Bakhtiari tribes, no scene is acted or re-enacted.”
       An earlier silent film, Grass: A Nation’s Battle For Life (1925, see entry), also documented the Bakhtiaris’ migration over the same mountains. The producers of Grass were Merian C. Cooper and Ernest B. Schoedsack, who later created King Kong (1933, see entry).
       Associate producer Shusha was Shusha Guppy, who facilitated the filmmakers’ dealings with the Iranian government, worked as a translator for the production, and gathered and performed Persian folksongs for the soundtrack.
       According to the 27 Oct 1976 Var, producer Anthony Howarth joined the Bakhtiari migration during the previous year in order to plan what he needed for the production. To shoot People of the Wind, the crew alone used twenty-three mules to carry two tons of equipment and provisions over the Zagros Mountains. The 15 Nov 1976 Box noted that the film was shot in 16mm and blown up to “35mm Widescreen.”
       People of the Wind was nominated for an Academy Award for “Best Documentary,” the 11 Feb 1977 LAT reported, but lost to Harlan County U.S.A. (1977, see entry).
       In a 1976 letter on file at the AMPAS library, director Anthony Howarth wrote that he had originally filmed an hour-long television documentary of the Baktiari migration in 1971 for the British Broadcasting Corporation. He returned to film the full-length feature, People of the Wind, after executive producer Elizabeth E. Rogers agreed to pay for it. The project took a year and nearly $400,000 to complete; the total budget was $550,000.
       In catalog materials accompanying Milestone Film & Video’s 2000 release of the home video, coproducer David Koff wrote that the film’s first booking was in Ann Arbor, MI. Later problems with a distributor resulted in the loss of the film for many years, until Milestone, which had already restored the earlier documentary, Grass, found the original materials for People of the Wind and restored it. With the blessings of Howarth, Rogers, and Koff, the original 127 minutes were trimmed to 120 minutes. This shorter version was viewed for the Summary.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
15 Nov 1976
---
Hollywood Reporter
29 Oct 1976
p. 3
Los Angeles Times
25 Dec 1976
Section D, p. 11
Los Angeles Times
11 Feb 1977
Section F, p. 22
New York Times
26 Mar 2000
p. 22
Variety
27 Oct 1976
p. 26
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Carolyn Films Presents
An Elizabeth E. Rogers Production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCERS
Prod
Assoc prod
WRITER
PHOTOGRAPHY
Photog
Addl photog
Cam asst
FILM EDITORS
Addl ed
Addl ed
Asst ed
Asst ed
Asst ed
MUSIC
Mus comp, dir and perf
Mus comp, dir and perf
SOUND
Loc sd rec
Stereo mix
Re-rec mix
Re-rec mix
Re-rec mix
VISUAL EFFECTS
35mm Blow-Up
PRODUCTION MISC
Consult anthropologist
COLOR PERSONNEL
Col by
PERFORMED BY
DETAILS
Release Date:
29 October 1976
Premiere Information:
Premiere: Sep or Oct 1976, Ann Arbor, MI; New York opening: 29 Oct 1976; Los Angeles opening: 22 Dec 1976
Production Date:
completed Aug 1976
Physical Properties:
Sound
Color
Duration(in mins):
120 or 127
MPAA Rating:
G
Country:
United States
Language:
English
SYNOPSIS

In the early spring, the Bakhtiari tribes of southern Iran prepare to leave their winter pastures in the Khuzestan province and trek over the Zagros Mountains to their summer pastures in Chahar Mahaal, as their ancestors have done for centuries. Jafar Qoli, the kalantar, or chief, of the Babadi sub-tribe, confers over tea and cooked lamb with a former rival, Ali Agha, the kalantar of another Bakhtiari tribe. Jafar plans to leave now and wants Ali’s tribe to move with him, but Ali says it is too soon because snow is still deep in the mountains and in the summer pastures. Undaunted, Jafar gathers his tribe, including Jalali, his young right-hand man; Bahman, his chief shepherd; Nessa, the second of his three wives; Mendeni, his former chief shepherd; Golbahar, Mendeni’s eight-year-old daughter; the widow Zenab; Zenab’s daughter, Iran, who stays close to Zenab despite being long past the age of marriage; and Nezam, Jafar’s poor cousin, whose ten children far outnumber his pack animals. Jafar’s other two wives will drive the long distance around the mountains in trucks and join the tribe later in the summer pastures; his sons, on the other hand, have gone off to school and to jobs in the oil fields, and it is unlikely they will ever return to the nomadic life. Jafar says that despite the temptation to make the much longer journey by road, the tens of thousands of sheep must constantly eat grass; also, the arduous trek has traditionally protected the Bakhtiari from outsiders. Jafar rides his horse to the nearest town, Lali, to buy provisions, including a new coat for Jalali. Most of Jafar’s purchases are on credit, and he ...

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In the early spring, the Bakhtiari tribes of southern Iran prepare to leave their winter pastures in the Khuzestan province and trek over the Zagros Mountains to their summer pastures in Chahar Mahaal, as their ancestors have done for centuries. Jafar Qoli, the kalantar, or chief, of the Babadi sub-tribe, confers over tea and cooked lamb with a former rival, Ali Agha, the kalantar of another Bakhtiari tribe. Jafar plans to leave now and wants Ali’s tribe to move with him, but Ali says it is too soon because snow is still deep in the mountains and in the summer pastures. Undaunted, Jafar gathers his tribe, including Jalali, his young right-hand man; Bahman, his chief shepherd; Nessa, the second of his three wives; Mendeni, his former chief shepherd; Golbahar, Mendeni’s eight-year-old daughter; the widow Zenab; Zenab’s daughter, Iran, who stays close to Zenab despite being long past the age of marriage; and Nezam, Jafar’s poor cousin, whose ten children far outnumber his pack animals. Jafar’s other two wives will drive the long distance around the mountains in trucks and join the tribe later in the summer pastures; his sons, on the other hand, have gone off to school and to jobs in the oil fields, and it is unlikely they will ever return to the nomadic life. Jafar says that despite the temptation to make the much longer journey by road, the tens of thousands of sheep must constantly eat grass; also, the arduous trek has traditionally protected the Bakhtiari from outsiders. Jafar rides his horse to the nearest town, Lali, to buy provisions, including a new coat for Jalali. Most of Jafar’s purchases are on credit, and he complains that the traders will charge him exorbitant interest, despite Islam’s prohibition on usury. When it comes time to move, Jafar stands at the foot of the steep cliffs and hollers; his voice echoes off the stony face. Slowly, the Babadi gather their thousands of sheep, pack their mules and cattle, and begin their ascent from the pasture into the foothills. With Jafar’s permission, Rashidi, a trader, accompanies the tribe for safety. At their first campsite just below the mountains, the Babadi families individually brand their sheeps’ faces, because the animals will mingle as they travel the rough, narrow, and often treacherous paths ahead. After the tribe crosses the swollen Cholbar River, another kalandar invites Jafar as a guest of honor to an impromptu wedding, which needs to be consummated quickly because the headstrong young woman has already backed out of a wedding with a rich old man and continues to resist, even though her new husband-to-be is young and good looking. Jafar remembers the huge dowry in money and animals he had to pay for his third wife, but his wedding was important because it strengthened family connections. Later, the Babadi hurry down the first mountainside into the Shimbar Valley before a storm arrives and set up tents. Jafar laments that they must travel through land settled by the Mowri, known for their thievery, but since his sister, Lion Woman, is married to the Mowri kalantar, Jafar is treated with respect when he visits the family. He also helps Rashidi bargain over the price of sheep with Mowri tribesmen. As the Babadi leave the valley, they must take extra time to rebuild a stone ramp leading up the cliffs, because the Mowri have neglected it. The Babadi pass through another valley, cross another river, and move higher into the mountains. Herding the sheep and cattle up and down mountainous paths and through swift rivers is a joint effort among the nomadic tribes. Even the children tend to the lambs, sometimes carrying them on their shoulders. When the tribe reaches the Bazalt River, Jafar determines that the water level is too high to move the sheep across. The tribe will have to camp and wait to find an easier crossing. However, Bahman later orders the herdsmen to move the sheep into the water, and in the difficult crossing, Jalali is almost drowned and is temporarily incapacitated by exhaustion and shock. Jafar berates Bahman and threatens to fire him. Later, the tribe moves through a huge graveyard of massive carved stones. Four weeks have passed since they began, and they still must cross the 15,000-feet-high Zardeh Kuh, where the snow remains deep. They camp to regain their strength, then move again up the mountain. Once they cross the main pass, the Babadi hurry down a slope until they reach the summer pastures, where the various nomadic families spread out. Eight weeks have passed since the Babadi began their journey. Now come the happy times of weddings and feasts, and the animals will fatten with green grass nourished by months of snow. Jafar and his tribe will stay until the snow falls, then make the trek back over the Zagros Mountains to winter pastures.

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GENRE
Sub-genre:
Educational/cultural, Travelogue


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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