FM (1978)

PG | 104 mins | Comedy | 28 April 1978

Director:

John A. Alonzo

Writer:

Ezra Sacks

Producer:

Rand Holston

Cinematographer:

David Myers

Production Designer:

Lawrence G. Paull

Production Company:

Universal Pictures
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HISTORY

       A 1 Nov 1976 Box news brief announced that FM was in development at Universal Pictures and that the studio’s vice-president, Verna Fields, would oversee the project. A 22 Aug 1977 LAT article announced that cinematographer John A. Alonzo, known for his work in such films as Chinatown (1974, see entry) and Black Sunday (1977, see entry), would make his theatrical film directorial debut. At that time, music manager Irving Azoff, president of Front Line Management, had been hired to executive produce the picture and to coordinate the soundtrack; however he is not credited onscreen in either role.
       According to the 27 Mar 1978 LAT, Irving Azoff removed his name from the credits stating, “the film is not an authentic representation of the music business.” Azoff later elaborated on his decision in a 16 Apr 1978 LAT article. Azoff claimed that Universal Pictures “reneged” on their promise to give him creative control of the project. He clashed with the studio and the director over many aspects of the film. For example, Azoff claimed he had Dustin Hoffman and Richard Dreyfuss interested in the project but Universal passed on them. He felt the studio exploited him for his music industry connections in order to line up the film’s music and performers. Azoff represented the group Steely Dan, who wrote the film’s theme song, and Jimmy Buffett, who appeared in the film. Even though Azoff removed his name from the picture, his contract still entitled him to a percentage of the film’s profits and royalties on the ...

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       A 1 Nov 1976 Box news brief announced that FM was in development at Universal Pictures and that the studio’s vice-president, Verna Fields, would oversee the project. A 22 Aug 1977 LAT article announced that cinematographer John A. Alonzo, known for his work in such films as Chinatown (1974, see entry) and Black Sunday (1977, see entry), would make his theatrical film directorial debut. At that time, music manager Irving Azoff, president of Front Line Management, had been hired to executive produce the picture and to coordinate the soundtrack; however he is not credited onscreen in either role.
       According to the 27 Mar 1978 LAT, Irving Azoff removed his name from the credits stating, “the film is not an authentic representation of the music business.” Azoff later elaborated on his decision in a 16 Apr 1978 LAT article. Azoff claimed that Universal Pictures “reneged” on their promise to give him creative control of the project. He clashed with the studio and the director over many aspects of the film. For example, Azoff claimed he had Dustin Hoffman and Richard Dreyfuss interested in the project but Universal passed on them. He felt the studio exploited him for his music industry connections in order to line up the film’s music and performers. Azoff represented the group Steely Dan, who wrote the film’s theme song, and Jimmy Buffett, who appeared in the film. Even though Azoff removed his name from the picture, his contract still entitled him to a percentage of the film’s profits and royalties on the sale of the FM soundtrack. Azoff announced his intention to promote the album “as if the movie [did not] exist.”
       Actress Susan Blakely auditioned for the role of “Laura Coe,” according to a 24 Oct 1977 LAT article, but the part ultimately went to Cassie Yates. A 22 Nov 1977 HR brief noted that FM marked the feature film debut of Linda Ronstadt, and a 5 Dec 1977 HR article stated that FM was Martin Mull’s theatrical film acting debut. Sam Bellamy, programmer at KMET radio in Los Angeles, CA, was an un-credited technical adviser, who allowed the actors to research their roles at his station.
       Principal photography began on 17 Oct 1977 in Los Angeles, CA, as stated in a 28 Nov 1977 Box news item. The production moved to Houston, TX, for one week in mid-Nov 1977 to film a Linda Ronstadt concert, as reported by the 22 Nov 1977 HR. A Jimmy Buffett performance scene was filmed in Los Angeles, CA, at the New Cocoanut Grove on 15-16 Dec 1977, as reported in the 14 Dec 1977 HR. According to a 21 Dec 1977 DV article, FM completed principal photography that day, after eight weeks of production. However, Universal decided that the film “needed a more exciting ending” and spent a couple of days re-shooting the climactic finale, as reported in a 13 Mar 1978 LAT article. A 23 Mar 1978 Rolling Stone brief announced that the film was set for release on 28 Apr 1978.
       A 26 Apr 1978 Var article stated that FM was made for under $4 million.

      End credits state that the Linda Ronstadt concert sequence was “filmed at the Summit, Houston.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
1 Nov 1976
---
Box Office
28 Nov 1977
---
Chicago Weekend
6 Jan 1978
---
Daily Variety
22 Aug 1977
---
Daily Variety
3 Oct 1977
---
Daily Variety
27 Oct 1977
---
Daily Variety
21 Dec 1977
---
Daily Variety
26 Apr 1978
p. 3, 6
Hollywood Reporter
22 Aug 1977
---
Hollywood Reporter
22 Nov 1977
---
Hollywood Reporter
5 Dec 1977
---
Hollywood Reporter
14 Dec 1977
---
Hollywood Reporter
26 Apr 1978
p. 3, 16
Los Angeles Times
22 Aug 1977
---
Los Angeles Times
24 Oct 1977
---
Los Angeles Times
13 Mar 1978
---
Los Angeles Times
27 Mar 1978
---
Los Angeles Times
16 Apr 1978
---
Los Angeles Times
28 Apr 1978
p. 1
New West
22 May 1978
---
New York Times
28 Apr 1978
p. 12
Rolling Stone
23 Mar 1978
---
Variety
26 Apr 1978
p. 4, 42
Variety
3 May 1978
p. 27
CAST
NAME
CREDITED AS
CREDIT
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
John A. Alonzo
Dir
Unit prod mgr/1st asst dir
2d asst dir
2d asst dir
PRODUCERS
Co-prod
Exec prod
WRITER
PHOTOGRAPHY
Dir of photog
Cam op
Asst cam
Gaffer
Key grip
2d grip
Dolly grip
Best boy
Best boy
Stills
ART DIRECTORS
Asst art dir
FILM EDITORS
Film ed
Film ed
Asst film ed
SET DECORATORS
Set dec
Prop master
Asst prop master
Swing 1
Swing 2
Swing 3
Swing 4
Leadman
Painter
COSTUMES
Cost des
Men`s cost
Ladies cost
MUSIC
"FM" Title song composed and performed by
Mus processed by
QSKY jingles by
Mus coord
SOUND
Sd re-rec
Sd re-rec
Sd re-rec
Sd eff ed
Dolby consultant
Concert sd rec facilities by
Boom op
VISUAL EFFECTS
Titles and opt eff
Title des
MAKEUP
Hairstylist
PRODUCTION MISC
Prod liaison
Prod asst
Prod asst
Scr supv
Scr supv
Crafts service
Transportation capt
Driver
Pub
Observer
Front Line Mgmt.
Exec. in Chg.
STAND INS
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt policeman
Stunt coord
SOURCES
SONGS
“Livingston Saturday Night,” written and performed by Jimmy Buffett, courtesy of ABC Records; “The Key To My Kingdom,” written by Claude Baum, Maxwell Davis and Joe Josea, performed by B. B. King, courtesy of ABC Records; “FM,” “Do It Again,” “FM Reprise,” written by Walter Carl Becker and Donald Jay Fagen, performed by Steely Dan, courtesy of ABC Records; “Green Grass And High Tides,” written by Hugh Edward Thomasson, Jr., performed by The Outlaws, courtesy of Arista Records; “Life In The Fast Lane,” written by Glenn Lewis Fry, Donald Hugh Henley and Joseph Fidler Walsh, performed by Eagles, courtesy of Asylum Records, “Bad Man,” performed by Randy Meisner, courtesy of Asylum Records, “Tumbling Dice,” written by Michael Phillip Jagger and Keith Richards, performed by Linda Ronstadt, courtesy of Asylum Records; “Poor Poor Pitiful Me,” written by Warren William Zevon, performed by Linda Ronstadt, courtesy of Asylum Records; “Love Me Tender,” written by Vera Matson and Elvis Presley, performed by Linda Ronstadt, courtesy of Asylum Records; “Life’s Been Good,” written by Joseph Fidler Walsh, performed by Joe Walsh, courtesy of Asylum Records; “Cold As Ice,” written by Louis Andrew Grammatico and Michael Leslie Jones, performed by Foreigner, courtesy of Atlantic Records; “Feels Like The First Time,” written by Michael Leslie Jones, performed by Foreigner, courtesy of Atlantic Records; “Slow Ride,” written by David Peverett, performed by Foghat, courtesy of Bearsville Records; “Night Moves,” written by Robert Clark Seger, performed by Bob Seger and the Silver Bullet Band, courtesy of Capitol Records; “Sentimental Lady,” written by Robert L. Welch, performed by Bob Welch, courtesy of Capitol Records; “Fly Like An Eagle,” written and performed by Steve Miller, courtesy of Capitol Records and Phonogram B.V.; “Just The Way You Are,” written by William M. Joel, performed by Billy Joel, courtesy of Columbia Records; “Hollywood,” written by Michael Omartian and William R. Scaggs, performed by Boz Scaggs, courtesy of Columbia Records; “Lido Shuffle,” written by David F. Paich and William R. Scaggs, performed by Boz Scaggs, performed by Boz Scaggs, courtesy of Columbia Records; “Your Smiling Face,” written and peformed by James V. Taylor, courtesy of Columbia Records; “We Will Rock You,” written by Brian Harold May, peformed by Queen, courtesy of Elektra Records and EMI Records Limited; “More Than A Feeling,” written by Tom Scholz, performed by Boston, courtesy of Epic Records; “Ridin’ The Storm Out,” written by Gary Richrath, performed by REO Speedwagon, courtesy of Epic Records; “There’s A Place In The World For A Gambler,” performed by Dan Fogelberg, courtesy of Full Moon Records and Epic Records; “(Remember Me) I’m The One Who Loves You,” performed by Red Foley, courtesy of MCA Records’ “Baby Come Back,” written by Peter Beckett and J.C. Crowley, performed by Player, courtesy of RSO Records and Haven Records; “American Girl,” “Breakdown,” written by Thomas Earl Petty, performed by Tom Petty and the Heartbreakers, courtesy of Shelter Recording Co., Inc., distributed by ABC Records, Inc.; “It Keeps You Runnin’,” written by Michael H. McDonald, performed by Doobie Brothers, courtesy of Warner Bros. Records; “Don’t Stop (Yesterday’s Gone),” written by Christine McVie, performed by Fleetwood Mac, courtesy of Warner Bros. Records; “Southern Man,” written and performed by Neil Young, courtesy of Warner Bros. Records.
PERFORMED BY
SONGWRITERS/COMPOSERS
+ −
DETAILS
Release Date:
28 April 1978
Premiere Information:
Los Angeles and New York openings: 28 Apr 1978
Production Date:
17 Oct 1977--21 Dec 1977 in Los Angeles, CA and Houston, TX
Copyright Info
Claimant
Date
Copyright Number
Universal City Studios, Inc.
18 July 1978
PA8979
Physical Properties:
Sound
Dolby Stereo
Color
Color by Technicolor®
Lenses/Prints
Filmed in Panavision®
Duration(in mins):
104
MPAA Rating:
PG
Country:
United States
Language:
English
PCA No:
25238
SYNOPSIS

Jeff Dugan, a radio disc jockey and program director of station QSKY in Los Angeles, California, gathers his employees for a staff meeting. Dugan informs them that Albert Driscoll, vice president of Billings Corporation, is sending them a new sales manager, Regis Lamar, from the station’s home office in Chicago, Illinois. Dugan explains that the station owner wants to increase advertising sales. The other disc jockeys, Prince, Mother, and Eric Swan, worry that Regis will interfere with their business, and Dugan suspects Regis will “over commercialize” the station, ignoring the music and driving away listeners. Moving to the next order of business, Prince reminds Dugan that his rival, Michael J. Carlyle, program director of KLAX radio, has secured the rights to sponsor the upcoming Linda Ronstadt concert. However, Dugan plans to steal KLAX’s live transmission to broadcast the show on QSKY. The next day, Regis arrives at the station earlier than expected, wanders around the office, and nearly catches Eric having sex with his assistant, Cathy. Returning to the office, Dugan introduces himself to Regis and invites him to a Jimmy Buffett concert sponsored by the radio station, but Regis has never heard of Jimmy Buffett. Meanwhile, Eric telephones his agent, Jack Rapp, demanding work as a television show host. At the Buffett concert, Dugan tries to get Regis excited about the music, but Regis is focused on increasing commercial sales. The next day, Regis meets with Lt. Bill Reach with the hope of selling Army recruitment radio advertisements. Meanwhile, Eric learns about an audition to host a game show. Later, Dugan and Regis receive the latest ...

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Jeff Dugan, a radio disc jockey and program director of station QSKY in Los Angeles, California, gathers his employees for a staff meeting. Dugan informs them that Albert Driscoll, vice president of Billings Corporation, is sending them a new sales manager, Regis Lamar, from the station’s home office in Chicago, Illinois. Dugan explains that the station owner wants to increase advertising sales. The other disc jockeys, Prince, Mother, and Eric Swan, worry that Regis will interfere with their business, and Dugan suspects Regis will “over commercialize” the station, ignoring the music and driving away listeners. Moving to the next order of business, Prince reminds Dugan that his rival, Michael J. Carlyle, program director of KLAX radio, has secured the rights to sponsor the upcoming Linda Ronstadt concert. However, Dugan plans to steal KLAX’s live transmission to broadcast the show on QSKY. The next day, Regis arrives at the station earlier than expected, wanders around the office, and nearly catches Eric having sex with his assistant, Cathy. Returning to the office, Dugan introduces himself to Regis and invites him to a Jimmy Buffett concert sponsored by the radio station, but Regis has never heard of Jimmy Buffett. Meanwhile, Eric telephones his agent, Jack Rapp, demanding work as a television show host. At the Buffett concert, Dugan tries to get Regis excited about the music, but Regis is focused on increasing commercial sales. The next day, Regis meets with Lt. Bill Reach with the hope of selling Army recruitment radio advertisements. Meanwhile, Eric learns about an audition to host a game show. Later, Dugan and Regis receive the latest station ratings and discover QSKY is now number one in the Los Angeles market. All of the station’s disc jockeys are popular, except Doc Holiday. Regis plans to use the ratings to sell advertisements, as Dugan fires Doc and replaces him with Laura Coe. However, Dugan promises to find Doc another job. The next day, Lt. Reach plays the Army’s advertising jingles and Dugan winces then asks for time to think it over. The next evening, the QSKY disc jockeys sign autographs at Tower Records. Regis pressures Dugan to make a decision regarding the Army campaign, which is worth $125,000 in advertising revenue, and explains that once Dugan agrees, he can expand the campaign to all ten of the Billings Corporation’s radio stations. Dugan’s rival, Carlyle, arrives at Tower Records with Maggie, a record company promoter, and gloats about his studio’s sponsorship of the Linda Ronstadt concert. Dugan and Maggie are acquaintances, and Dugan takes her aside to speak to her privately. The next day, Dugan tells Regis the Army campaign does not suit the radio station’s style, and suggests that the QSKY disc jockeys create their own promotional recordings. Regis likes the idea, as long as they can still run the advertisements twice an hour, but Dugan refuses these terms and tells Regis to stop the Army campaign. Regis declares that he will override Dugan and get approval from Driscoll. The next evening, at the Linda Ronstadt concert, Dugan and his staff bribe concert security guards to allow their engineer, Bobby Douglas, into the control booth. Dugan also bribes Carlyle’s limousine driver to arrive late. Before the concert begins, Bobby transfers the signal from KLAX to QSKY, and broadcasts the concert. By the time Carlyle arrives, Linda Ronstadt publicly thanks QSKY for sponsoring the concert. Meanwhile, back at the station office, Regis discusses the Army promotion with Driscoll and he agrees to accept the deal, despite Dugan’s opposition. The next day, Eric learns that his audition for the television job was so terrible that his agent, Rapp, dropped him as a client. Moments later, he learns that his lover, Cathy, accepted a job with Rapp. Barricading himself inside the booth, Eric has an emotional breakdown on air, begging for someone to love him. Eric’s fans flock to the station, and the disc jockey is cheered. The next day, disc jockey Mother quits QSKY, claiming she has grown tired of the station’s new commercialism. Meanwhile, Driscoll arrives from Chicago to discuss the Army promotion. As Dugan and Regis argue, Driscoll demands that Dugan follow orders, and Dugan quits. The other QSKY disc jockeys plan a protest. In the middle of the night, they stock up on supplies and barricade themselves inside the station. At six o’clock in the morning, they begin broadcasting their demands, announcing that they will take over the station until Billings Corporation rehires Dugan and allows him free reign. As days go by, a crowd of supporters grows increasingly larger outside of the station. Dugan joins his colleagues in their protest. When Driscoll obtains a court injunction and orders the protesters to evacuate the station, a riot ensues and the police intervene. Shocked that the situation has become out of control, Dugan grabs a microphone and begs the crowd to stop the unrest. He then announces his surrender, hoping to keep everyone safe. Suddenly, Carl Billings, the owner of Billings Corporation, appears and tells Dugan that he admires the disc jockey’s convictions. After firing Driscoll and Regis, Billings announces Dugan can keep his job and run the station.

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Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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