FM
(1978)
PG | 104 mins | Comedy | 28 April 1978
Director:
John A. AlonzoWriter:
Ezra SacksProducer:
Rand HolstonCinematographer:
David MyersEditors:
Jeff Gourson, William CarruthProduction Designer:
Lawrence G. PaullProduction Company:
Universal Pictures
A 1 Nov 1976 Box news brief announced that FM was in development at Universal Pictures and that the studio’s vice-president, Verna Fields, would oversee the project. A 22 Aug 1977 LAT article announced that cinematographer John A. Alonzo, known for his work in such films as Chinatown (1974, see entry) and Black Sunday (1977, see entry), would make his theatrical film directorial debut. At that time, music manager Irving Azoff, president of Front Line Management, had been hired to executive produce the picture and to coordinate the soundtrack; however he is not credited onscreen in either role.
According to the 27 Mar 1978 LAT, Irving Azoff removed his name from the credits stating, “the film is not an authentic representation of the music business.” Azoff later elaborated on his decision in a 16 Apr 1978 LAT article. Azoff claimed that Universal Pictures “reneged” on their promise to give him creative control of the project. He clashed with the studio and the director over many aspects of the film. For example, Azoff claimed he had Dustin Hoffman and Richard Dreyfuss interested in the project but Universal passed on them. He felt the studio exploited him for his music industry connections in order to line up the film’s music and performers. Azoff represented the group Steely Dan, who wrote the film’s theme song, and Jimmy Buffett, who appeared in the film. Even though Azoff removed his name from the picture, his contract still entitled him to a percentage of the film’s profits and royalties on the ...
A 1 Nov 1976 Box news brief announced that FM was in development at Universal Pictures and that the studio’s vice-president, Verna Fields, would oversee the project. A 22 Aug 1977 LAT article announced that cinematographer John A. Alonzo, known for his work in such films as Chinatown (1974, see entry) and Black Sunday (1977, see entry), would make his theatrical film directorial debut. At that time, music manager Irving Azoff, president of Front Line Management, had been hired to executive produce the picture and to coordinate the soundtrack; however he is not credited onscreen in either role.
According to the 27 Mar 1978 LAT, Irving Azoff removed his name from the credits stating, “the film is not an authentic representation of the music business.” Azoff later elaborated on his decision in a 16 Apr 1978 LAT article. Azoff claimed that Universal Pictures “reneged” on their promise to give him creative control of the project. He clashed with the studio and the director over many aspects of the film. For example, Azoff claimed he had Dustin Hoffman and Richard Dreyfuss interested in the project but Universal passed on them. He felt the studio exploited him for his music industry connections in order to line up the film’s music and performers. Azoff represented the group Steely Dan, who wrote the film’s theme song, and Jimmy Buffett, who appeared in the film. Even though Azoff removed his name from the picture, his contract still entitled him to a percentage of the film’s profits and royalties on the sale of the FM soundtrack. Azoff announced his intention to promote the album “as if the movie [did not] exist.”
Actress Susan Blakely auditioned for the role of “Laura Coe,” according to a 24 Oct 1977 LAT article, but the part ultimately went to Cassie Yates. A 22 Nov 1977 HR brief noted that FM marked the feature film debut of Linda Ronstadt, and a 5 Dec 1977 HR article stated that FM was Martin Mull’s theatrical film acting debut. Sam Bellamy, programmer at KMET radio in Los Angeles, CA, was an un-credited technical adviser, who allowed the actors to research their roles at his station.
Principal photography began on 17 Oct 1977 in Los Angeles, CA, as stated in a 28 Nov 1977 Box news item. The production moved to Houston, TX, for one week in mid-Nov 1977 to film a Linda Ronstadt concert, as reported by the 22 Nov 1977 HR. A Jimmy Buffett performance scene was filmed in Los Angeles, CA, at the New Cocoanut Grove on 15-16 Dec 1977, as reported in the 14 Dec 1977 HR. According to a 21 Dec 1977 DV article, FM completed principal photography that day, after eight weeks of production. However, Universal decided that the film “needed a more exciting ending” and spent a couple of days re-shooting the climactic finale, as reported in a 13 Mar 1978 LAT article. A 23 Mar 1978 Rolling Stone brief announced that the film was set for release on 28 Apr 1978.
A 26 Apr 1978 Var article stated that FM was made for under $4 million.
End credits state that the Linda Ronstadt concert sequence was “filmed at the Summit, Houston.”
Jeff Dugan, a radio disc jockey and program director of station QSKY in Los Angeles, California, gathers his employees for a staff meeting. Dugan informs them that Albert Driscoll, vice president of Billings Corporation, is sending them a new sales manager, Regis Lamar, from the station’s home office in Chicago, Illinois. Dugan explains that the station owner wants to increase advertising sales. The other disc jockeys, Prince, Mother, and Eric Swan, worry that Regis will interfere with their business, and Dugan suspects Regis will “over commercialize” the station, ignoring the music and driving away listeners. Moving to the next order of business, Prince reminds Dugan that his rival, Michael J. Carlyle, program director of KLAX radio, has secured the rights to sponsor the upcoming Linda Ronstadt concert. However, Dugan plans to steal KLAX’s live transmission to broadcast the show on QSKY. The next day, Regis arrives at the station earlier than expected, wanders around the office, and nearly catches Eric having sex with his assistant, Cathy. Returning to the office, Dugan introduces himself to Regis and invites him to a Jimmy Buffett concert sponsored by the radio station, but Regis has never heard of Jimmy Buffett. Meanwhile, Eric telephones his agent, Jack Rapp, demanding work as a television show host. At the Buffett concert, Dugan tries to get Regis excited about the music, but Regis is focused on increasing commercial sales. The next day, Regis meets with Lt. Bill Reach with the hope of selling Army recruitment radio advertisements. Meanwhile, Eric learns about an audition to host a game show. Later, Dugan and Regis receive the latest ...
Jeff Dugan, a radio disc jockey and program director of station QSKY in Los Angeles, California, gathers his employees for a staff meeting. Dugan informs them that Albert Driscoll, vice president of Billings Corporation, is sending them a new sales manager, Regis Lamar, from the station’s home office in Chicago, Illinois. Dugan explains that the station owner wants to increase advertising sales. The other disc jockeys, Prince, Mother, and Eric Swan, worry that Regis will interfere with their business, and Dugan suspects Regis will “over commercialize” the station, ignoring the music and driving away listeners. Moving to the next order of business, Prince reminds Dugan that his rival, Michael J. Carlyle, program director of KLAX radio, has secured the rights to sponsor the upcoming Linda Ronstadt concert. However, Dugan plans to steal KLAX’s live transmission to broadcast the show on QSKY. The next day, Regis arrives at the station earlier than expected, wanders around the office, and nearly catches Eric having sex with his assistant, Cathy. Returning to the office, Dugan introduces himself to Regis and invites him to a Jimmy Buffett concert sponsored by the radio station, but Regis has never heard of Jimmy Buffett. Meanwhile, Eric telephones his agent, Jack Rapp, demanding work as a television show host. At the Buffett concert, Dugan tries to get Regis excited about the music, but Regis is focused on increasing commercial sales. The next day, Regis meets with Lt. Bill Reach with the hope of selling Army recruitment radio advertisements. Meanwhile, Eric learns about an audition to host a game show. Later, Dugan and Regis receive the latest station ratings and discover QSKY is now number one in the Los Angeles market. All of the station’s disc jockeys are popular, except Doc Holiday. Regis plans to use the ratings to sell advertisements, as Dugan fires Doc and replaces him with Laura Coe. However, Dugan promises to find Doc another job. The next day, Lt. Reach plays the Army’s advertising jingles and Dugan winces then asks for time to think it over. The next evening, the QSKY disc jockeys sign autographs at Tower Records. Regis pressures Dugan to make a decision regarding the Army campaign, which is worth $125,000 in advertising revenue, and explains that once Dugan agrees, he can expand the campaign to all ten of the Billings Corporation’s radio stations. Dugan’s rival, Carlyle, arrives at Tower Records with Maggie, a record company promoter, and gloats about his studio’s sponsorship of the Linda Ronstadt concert. Dugan and Maggie are acquaintances, and Dugan takes her aside to speak to her privately. The next day, Dugan tells Regis the Army campaign does not suit the radio station’s style, and suggests that the QSKY disc jockeys create their own promotional recordings. Regis likes the idea, as long as they can still run the advertisements twice an hour, but Dugan refuses these terms and tells Regis to stop the Army campaign. Regis declares that he will override Dugan and get approval from Driscoll. The next evening, at the Linda Ronstadt concert, Dugan and his staff bribe concert security guards to allow their engineer, Bobby Douglas, into the control booth. Dugan also bribes Carlyle’s limousine driver to arrive late. Before the concert begins, Bobby transfers the signal from KLAX to QSKY, and broadcasts the concert. By the time Carlyle arrives, Linda Ronstadt publicly thanks QSKY for sponsoring the concert. Meanwhile, back at the station office, Regis discusses the Army promotion with Driscoll and he agrees to accept the deal, despite Dugan’s opposition. The next day, Eric learns that his audition for the television job was so terrible that his agent, Rapp, dropped him as a client. Moments later, he learns that his lover, Cathy, accepted a job with Rapp. Barricading himself inside the booth, Eric has an emotional breakdown on air, begging for someone to love him. Eric’s fans flock to the station, and the disc jockey is cheered. The next day, disc jockey Mother quits QSKY, claiming she has grown tired of the station’s new commercialism. Meanwhile, Driscoll arrives from Chicago to discuss the Army promotion. As Dugan and Regis argue, Driscoll demands that Dugan follow orders, and Dugan quits. The other QSKY disc jockeys plan a protest. In the middle of the night, they stock up on supplies and barricade themselves inside the station. At six o’clock in the morning, they begin broadcasting their demands, announcing that they will take over the station until Billings Corporation rehires Dugan and allows him free reign. As days go by, a crowd of supporters grows increasingly larger outside of the station. Dugan joins his colleagues in their protest. When Driscoll obtains a court injunction and orders the protesters to evacuate the station, a riot ensues and the police intervene. Shocked that the situation has become out of control, Dugan grabs a microphone and begs the crowd to stop the unrest. He then announces his surrender, hoping to keep everyone safe. Suddenly, Carl Billings, the owner of Billings Corporation, appears and tells Dugan that he admires the disc jockey’s convictions. After firing Driscoll and Regis, Billings announces Dugan can keep his job and run the station.
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